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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8D2A72 it is the complementary color #72D58D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8D2A72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8D2A72 shade: #922A6D, #A33C80, #B44E93, #C560A6 and #D672B9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8D2A72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8D2A72 shade: #8D2A72, #7C185F, #6B064C, #5A0039 and #490026

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8D2A72 shade: #8D2A72, #8D2A57, #8D2A3C and #8D2A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8D2A72 shade: #8D2A72, #8D2A8D, #722A8D, #582A8D and #3D2A8D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8D2A72 shade matches the following richer shades: #8D2A72, #9C1B79 and #AB0C7F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8D2A72 shade: #8D2A72, #7E396B, #6F4764, #60565E and #516557

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8D2A72 shade: #722A8D, #8D2A8D, #8D2A72, #8D2A58 and #8D2A3E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8D2A72 shade: #4D173E, #6D2058, #8D2A72, #AD338C and #C643A2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8D2A72 shade: #8D2A72, #8D582A and #2A8D80

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8D2A72 shade: #8D2A72, #728D2A and #2A728D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8D2A72 shade: #8D2A72, #8D582A, #2A8D44 and #2A5F8D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8D2A72 shade: #8D2A72, #8D762A, #2A8D44 and #2A418D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 19 / 45

HEX #8D2A72

RGB 141 42 114

HSL 316.36, 0.54%, 0.36%

LAB 35.07, 49.17, -19.18

 

Complementary color

CMYK 46 / 0 / 34 / 16

HEX #72D58D

RGB 114 213 141

HSL 136.36, 0.54%, 0.64%

LAB 77.93, -44.64, 26.83

 

CMYK 0 / 71 / 25 / 43

HEX #922A6D

RGB 146 42 109

HSL 321.35, 0.55%, 0.37%

LAB 35.73, 49.84, -14.93

 

CMYK 0 / 63 / 21 / 36

HEX #A33C80

RGB 163 60 128

HSL 320.39, 0.46%, 0.44%

LAB 42.12, 49.91, -16.73

 

CMYK 0 / 57 / 18 / 29

HEX #B44E93

RGB 180 78 147

HSL 319.41, 0.4%, 0.51%

LAB 48.58, 49.54, -18.09

 

CMYK 0 / 51 / 16 / 23

HEX #C560A6

RGB 197 96 166

HSL 318.42, 0.47%, 0.57%

LAB 55.06, 48.96, -19.17

 

CMYK 0 / 47 / 14 / 16

HEX #D672B9

RGB 214 114 185

HSL 317.4, 0.55%, 0.64%

LAB 61.51, 48.26, -20.06

 

CMYK 0 / 70 / 19 / 45

HEX #8D2A72

RGB 141 42 114

HSL 316.36, 0.54%, 0.36%

LAB 35.07, 49.17, -19.18

 

CMYK 0 / 81 / 23 / 51

HEX #7C185F

RGB 124 24 95

HSL 317.4, 0.68%, 0.29%

LAB 28.81, 48.31, -16.94

 

CMYK 0 / 94 / 29 / 58

HEX #6B064C

RGB 107 6 76

HSL 318.42, 0.89%, 0.22%

LAB 22.92, 46.05, -13.67

 

CMYK 0 / 100 / 37 / 65

HEX #5A0039

RGB 90 0 57

HSL 322, 1%, 0.18%

LAB 17.78, 41.19, -8.72

 

CMYK 0 / 100 / 48 / 71

HEX #490026

RGB 73 0 38

HSL 328.77, 1%, 0.14%

LAB 12.96, 34.87, -2.58

 

CMYK 0 / 70 / 19 / 45

HEX #8D2A72

RGB 141 42 114

HSL 316.36, 0.54%, 0.36%

LAB 35.07, 49.17, -19.18

 

CMYK 0 / 70 / 38 / 45

HEX #8D2A57

RGB 141 42 87

HSL 332.73, 0.54%, 0.36%

LAB 34, 45.58, -3.58

 

CMYK 0 / 70 / 57 / 45

HEX #8D2A3C

RGB 141 42 60

HSL 349.09, 0.54%, 0.36%

LAB 33.23, 42.93, 12.86

 

CMYK 0 / 70 / 70 / 45

HEX #8D2A2A

RGB 141 42 42

HSL 0, 0.54%, 0.36%

LAB 32.89, 41.7, 23.95

 

CMYK 0 / 70 / 19 / 45

HEX #8D2A72

RGB 141 42 114

HSL 316.36, 0.54%, 0.36%

LAB 35.07, 49.17, -19.18

 

CMYK 0 / 70 / 0 / 45

HEX #8D2A8D

RGB 141 42 141

HSL 300, 0.54%, 0.36%

LAB 36.45, 53.54, -33.83

 

CMYK 19 / 70 / 0 / 45

HEX #722A8D

RGB 114 42 141

HSL 283.64, 0.54%, 0.36%

LAB 32.16, 47.19, -40.91

 

CMYK 38 / 70 / 0 / 45

HEX #582A8D

RGB 88 42 141

HSL 267.88, 0.54%, 0.36%

LAB 28.52, 41.44, -46.97

 

CMYK 57 / 70 / 0 / 45

HEX #3D2A8D

RGB 61 42 141

HSL 251.52, 0.54%, 0.36%

LAB 25.48, 36.25, -52.06

 

CMYK 0 / 70 / 19 / 45

HEX #8D2A72

RGB 141 42 114

HSL 316.36, 0.54%, 0.36%

LAB 35.07, 49.17, -19.18

 

CMYK 0 / 83 / 22 / 39

HEX #9C1B79

RGB 156 27 121

HSL 316.28, 0.7%, 0.36%

LAB 36.43, 58.76, -21.26

 

CMYK 0 / 93 / 26 / 33

HEX #AB0C7F

RGB 171 12 127

HSL 316.6, 0.87%, 0.36%

LAB 38.64, 65.57, -21.34

 

CMYK 0 / 70 / 19 / 45

HEX #8D2A72

RGB 141 42 114

HSL 316.36, 0.54%, 0.36%

LAB 35.07, 49.17, -19.18

 

CMYK 0 / 55 / 15 / 51

HEX #7E396B

RGB 126 57 107

HSL 316.52, 0.38%, 0.36%

LAB 34.85, 36.58, -15.31

 

CMYK 0 / 36 / 10 / 56

HEX #6F4764

RGB 111 71 100

HSL 316.5, 0.22%, 0.36%

LAB 35.61, 22.02, -9.93

 

CMYK 0 / 10 / 2 / 62

HEX #60565E

RGB 96 86 94

HSL 312, 0.05%, 0.36%

LAB 37.75, 5.69, -3.14

 

CMYK 20 / 0 / 14 / 60

HEX #516557

RGB 81 101 87

HSL 138, 0.11%, 0.36%

LAB 40.81, -10.66, 5.45

 

CMYK 19 / 70 / 0 / 45

HEX #722A8D

RGB 114 42 141

HSL 283.64, 0.54%, 0.36%

LAB 32.16, 47.19, -40.91

 

CMYK 0 / 70 / 0 / 45

HEX #8D2A8D

RGB 141 42 141

HSL 300, 0.54%, 0.36%

LAB 36.45, 53.54, -33.83

 

CMYK 0 / 70 / 19 / 45

HEX #8D2A72

RGB 141 42 114

HSL 316.36, 0.54%, 0.36%

LAB 35.07, 49.17, -19.18

 

CMYK 0 / 70 / 38 / 45

HEX #8D2A58

RGB 141 42 88

HSL 332.12, 0.54%, 0.36%

LAB 34.03, 45.7, -4.17

 

CMYK 0 / 70 / 56 / 45

HEX #8D2A3E

RGB 141 42 62

HSL 347.88, 0.54%, 0.36%

LAB 33.28, 43.09, 11.62

 

CMYK 0 / 70 / 19 / 70

HEX #4D173E

RGB 77 23 62

HSL 316.67, 0.54%, 0.2%

LAB 18.09, 30.33, -11.99

 

CMYK 0 / 71 / 19 / 57

HEX #6D2058

RGB 109 32 88

HSL 316.36, 0.55%, 0.28%

LAB 26.7, 40.27, -15.83

 

CMYK 0 / 70 / 19 / 45

HEX #8D2A72

RGB 141 42 114

HSL 316.36, 0.54%, 0.36%

LAB 35.07, 49.17, -19.18

 

CMYK 0 / 71 / 19 / 32

HEX #AD338C

RGB 173 51 140

HSL 316.23, 0.54%, 0.44%

LAB 42.98, 58.03, -22.59

 

CMYK 0 / 66 / 18 / 22

HEX #C643A2

RGB 198 67 162

HSL 316.49, 0.53%, 0.52%

LAB 50.25, 61.61, -24.2

 

CMYK 0 / 70 / 19 / 45

HEX #8D2A72

RGB 141 42 114

HSL 316.36, 0.54%, 0.36%

LAB 35.07, 49.17, -19.18

 

CMYK 0 / 38 / 70 / 45

HEX #8D582A

RGB 141 88 42

HSL 27.88, 0.54%, 0.36%

LAB 42.47, 17.51, 35.01

 

CMYK 70 / 0 / 9 / 45

HEX #2A8D80

RGB 42 141 128

HSL 172.12, 0.54%, 0.36%

LAB 53.06, -31.27, -1.3

 

CMYK 0 / 70 / 19 / 45

HEX #8D2A72

RGB 141 42 114

HSL 316.36, 0.54%, 0.36%

LAB 35.07, 49.17, -19.18

 

CMYK 19 / 0 / 70 / 45

HEX #728D2A

RGB 114 141 42

HSL 76.36, 0.54%, 0.36%

LAB 54.86, -24.37, 47.35

 

CMYK 70 / 19 / 0 / 45

HEX #2A728D

RGB 42 114 141

HSL 196.36, 0.54%, 0.36%

LAB 44.87, -13.09, -21.27

 

CMYK 0 / 70 / 19 / 45

HEX #8D2A72

RGB 141 42 114

HSL 316.36, 0.54%, 0.36%

LAB 35.07, 49.17, -19.18

 

CMYK 0 / 38 / 70 / 45

HEX #8D582A

RGB 141 88 42

HSL 27.88, 0.54%, 0.36%

LAB 42.47, 17.51, 35.01

 

CMYK 70 / 0 / 52 / 45

HEX #2A8D44

RGB 42 141 68

HSL 135.76, 0.54%, 0.36%

LAB 51.79, -44.74, 30.69

 

CMYK 70 / 33 / 0 / 45

HEX #2A5F8D

RGB 42 95 141

HSL 207.88, 0.54%, 0.36%

LAB 38.9, -1.73, -30.57

 

CMYK 0 / 70 / 19 / 45

HEX #8D2A72

RGB 141 42 114

HSL 316.36, 0.54%, 0.36%

LAB 35.07, 49.17, -19.18

 

CMYK 0 / 16 / 70 / 45

HEX #8D762A

RGB 141 118 42

HSL 46.06, 0.54%, 0.36%

LAB 50.44, 0.13, 43.53

 

CMYK 70 / 0 / 52 / 45

HEX #2A8D44

RGB 42 141 68

HSL 135.76, 0.54%, 0.36%

LAB 51.79, -44.74, 30.69

 

CMYK 70 / 54 / 0 / 45

HEX #2A418D

RGB 42 65 141

HSL 226.06, 0.54%, 0.36%

LAB 29.9, 18.06, -44.93

 

Description

Color code: HEX #8D2A72 | qconv.com Color code: HEX #8D2A72 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 42 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 42 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 19 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 19% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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