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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8D3258 it is the complementary color #72CDA7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8D3258. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8D3258 shade: #923253, #A34466, #B45679, #C5688C and #D67A9F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8D3258. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8D3258 shade: #8D3258, #7C2045, #6B0E32, #5A001F and #49000C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8D3258 shade: #8B3156, #8B313E and #8B3131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8D3258 shade: #8B3156, #8B316F, #8B3187, #77318B and #5E318B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8D3258 shade matches the following richer shades: #8B3156, #9A2154, #AA1251 and #B9034F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8D3258 shade: #8B3156, #7C4059, #6D4F5B, #5D5E5E and #4E6E60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8D3258 shade: #8B3188, #8B3170, #8B3158, #8B3140 and #8B3A31

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8D3258 shade: #4E1B30, #6D2643, #8B3156, #AA3B69 and #C04E7E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8D3258 shade: #8D3258, #8B7631 and #317C8B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8D3258 shade: #8D3258, #588B31 and #31588B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8D3258 shade: #8D3258, #8B7631, #318B64 and #31468B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8D3258 shade: #8D3258, #858B31, #318B64 and #37318B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 38 / 45

HEX #8D3258

RGB 141 50 88

HSL 334.95, 0.48%, 0.37%

LAB 35.3, 42.23, -2.3

 

Complementary color

CMYK 44 / 0 / 19 / 20

HEX #72CDA7

RGB 114 205 167

HSL 154.95, 0.48%, 0.63%

LAB 76.09, -36.02, 10.54

 

CMYK 0 / 66 / 43 / 43

HEX #923253

RGB 146 50 83

HSL 339.38, 0.49%, 0.38%

LAB 36.02, 43.3, 2.06

 

CMYK 0 / 58 / 37 / 36

HEX #A34466

RGB 163 68 102

HSL 338.53, 0.41%, 0.45%

LAB 42.58, 42.74, -0

 

CMYK 0 / 52 / 33 / 29

HEX #B45679

RGB 180 86 121

HSL 337.66, 0.39%, 0.52%

LAB 49.18, 41.97, -1.62

 

CMYK 0 / 47 / 29 / 23

HEX #C5688C

RGB 197 104 140

HSL 336.77, 0.44%, 0.59%

LAB 55.75, 41.12, -2.95

 

CMYK 0 / 43 / 26 / 16

HEX #D67A9F

RGB 214 122 159

HSL 335.87, 0.53%, 0.66%

LAB 62.27, 40.27, -4.08

 

CMYK 0 / 65 / 38 / 45

HEX #8D3258

RGB 141 50 88

HSL 334.95, 0.48%, 0.37%

LAB 35.3, 42.23, -2.3

 

CMYK 0 / 74 / 44 / 51

HEX #7C2045

RGB 124 32 69

HSL 335.87, 0.59%, 0.31%

LAB 28.77, 42.31, 0.17

 

CMYK 0 / 87 / 53 / 58

HEX #6B0E32

RGB 107 14 50

HSL 336.77, 0.77%, 0.24%

LAB 22.55, 41.37, 3.68

 

CMYK 0 / 100 / 66 / 65

HEX #5A001F

RGB 90 0 31

HSL 339.33, 1%, 0.18%

LAB 16.86, 38.77, 8.71

 

CMYK 0 / 100 / 84 / 71

HEX #49000C

RGB 73 0 12

HSL 350.14, 1%, 0.14%

LAB 12.24, 32.95, 14.27

 

CMYK 0 / 65 / 38 / 45

HEX #8B3156

RGB 139 49 86

HSL 335.33, 0.48%, 0.37%

LAB 34.72, 41.79, -1.91

 

CMYK 0 / 65 / 55 / 45

HEX #8B313E

RGB 139 49 62

HSL 351.33, 0.48%, 0.37%

LAB 34.05, 39.31, 12.62

 

CMYK 0 / 65 / 65 / 45

HEX #8B3131

RGB 139 49 49

HSL 0, 0.48%, 0.37%

LAB 33.79, 38.3, 20.58

 

CMYK 0 / 65 / 38 / 45

HEX #8B3156

RGB 139 49 86

HSL 335.33, 0.48%, 0.37%

LAB 34.72, 41.79, -1.91

 

CMYK 0 / 65 / 20 / 45

HEX #8B316F

RGB 139 49 111

HSL 318.67, 0.48%, 0.37%

LAB 35.66, 45.19, -16.41

 

CMYK 0 / 65 / 3 / 45

HEX #8B3187

RGB 139 49 135

HSL 302.67, 0.48%, 0.37%

LAB 36.81, 49.14, -29.58

 

CMYK 14 / 65 / 0 / 45

HEX #77318B

RGB 119 49 139

HSL 286.67, 0.48%, 0.37%

LAB 33.95, 44.72, -36.78

 

CMYK 32 / 65 / 0 / 45

HEX #5E318B

RGB 94 49 139

HSL 270, 0.48%, 0.37%

LAB 30.5, 38.53, -42.5

 

CMYK 0 / 65 / 38 / 45

HEX #8B3156

RGB 139 49 86

HSL 335.33, 0.48%, 0.37%

LAB 34.72, 41.79, -1.91

 

CMYK 0 / 79 / 45 / 40

HEX #9A2154

RGB 154 33 84

HSL 334.71, 0.65%, 0.37%

LAB 35.2, 52.32, 0.41

 

CMYK 0 / 89 / 52 / 33

HEX #AA1251

RGB 170 18 81

HSL 335.13, 0.81%, 0.37%

LAB 37.06, 59.88, 5.45

 

CMYK 0 / 98 / 57 / 27

HEX #B9034F

RGB 185 3 79

HSL 334.95, 0.97%, 0.37%

LAB 39.49, 65.26, 10.6

 

CMYK 0 / 65 / 38 / 45

HEX #8B3156

RGB 139 49 86

HSL 335.33, 0.48%, 0.37%

LAB 34.72, 41.79, -1.91

 

CMYK 0 / 48 / 28 / 51

HEX #7C4059

RGB 124 64 89

HSL 335, 0.32%, 0.37%

LAB 35.35, 29.15, -3.17

 

CMYK 0 / 28 / 17 / 57

HEX #6D4F5B

RGB 109 79 91

HSL 336, 0.16%, 0.37%

LAB 37.11, 14.66, -2.06

 

CMYK 1 / 0 / 0 / 63

HEX #5D5E5E

RGB 93 94 94

HSL 180, 0.01%, 0.37%

LAB 39.82, -0.39, -0.14

 

CMYK 29 / 0 / 13 / 57

HEX #4E6E60

RGB 78 110 96

HSL 153.75, 0.17%, 0.37%

LAB 43.68, -14.84, 4.1

 

CMYK 0 / 65 / 2 / 45

HEX #8B3188

RGB 139 49 136

HSL 302, 0.48%, 0.37%

LAB 36.86, 49.31, -30.12

 

CMYK 0 / 65 / 19 / 45

HEX #8B3170

RGB 139 49 112

HSL 318, 0.48%, 0.37%

LAB 35.7, 45.34, -16.97

 

CMYK 0 / 65 / 37 / 45

HEX #8B3158

RGB 139 49 88

HSL 334, 0.48%, 0.37%

LAB 34.78, 42.03, -3.1

 

CMYK 0 / 65 / 54 / 45

HEX #8B3140

RGB 139 49 64

HSL 350, 0.48%, 0.37%

LAB 34.1, 39.48, 11.4

 

CMYK 0 / 58 / 65 / 45

HEX #8B3A31

RGB 139 58 49

HSL 6, 0.48%, 0.37%

LAB 35.47, 33.85, 22.7

 

CMYK 0 / 65 / 38 / 69

HEX #4E1B30

RGB 78 27 48

HSL 335.29, 0.49%, 0.21%

LAB 18.44, 26.44, -1.61

 

CMYK 0 / 65 / 39 / 57

HEX #6D2643

RGB 109 38 67

HSL 335.49, 0.48%, 0.29%

LAB 26.86, 34.52, -1.63

 

CMYK 0 / 65 / 38 / 45

HEX #8B3156

RGB 139 49 86

HSL 335.33, 0.48%, 0.37%

LAB 34.72, 41.79, -1.91

 

CMYK 0 / 65 / 38 / 33

HEX #AA3B69

RGB 170 59 105

HSL 335.14, 0.48%, 0.45%

LAB 42.3, 49.5, -2.14

 

CMYK 0 / 59 / 34 / 25

HEX #C04E7E

RGB 192 78 126

HSL 334.74, 0.48%, 0.53%

LAB 49.69, 50.44, -3.66

 

CMYK 0 / 65 / 38 / 45

HEX #8D3258

RGB 141 50 88

HSL 334.95, 0.48%, 0.37%

LAB 35.3, 42.23, -2.3

 

CMYK 0 / 15 / 65 / 45

HEX #8B7631

RGB 139 118 49

HSL 46, 0.48%, 0.37%

LAB 50.3, -0.34, 40.03

 

CMYK 65 / 11 / 0 / 45

HEX #317C8B

RGB 49 124 139

HSL 190, 0.48%, 0.37%

LAB 48.17, -18.11, -15.01

 

CMYK 0 / 65 / 38 / 45

HEX #8D3258

RGB 141 50 88

HSL 334.95, 0.48%, 0.37%

LAB 35.3, 42.23, -2.3

 

CMYK 37 / 0 / 65 / 45

HEX #588B31

RGB 88 139 49

HSL 94, 0.48%, 0.37%

LAB 52.69, -33.2, 41.54

 

CMYK 65 / 37 / 0 / 45

HEX #31588B

RGB 49 88 139

HSL 214, 0.48%, 0.37%

LAB 36.92, 3.24, -32.45

 

CMYK 0 / 65 / 38 / 45

HEX #8D3258

RGB 141 50 88

HSL 334.95, 0.48%, 0.37%

LAB 35.3, 42.23, -2.3

 

CMYK 0 / 15 / 65 / 45

HEX #8B7631

RGB 139 118 49

HSL 46, 0.48%, 0.37%

LAB 50.3, -0.34, 40.03

 

CMYK 65 / 0 / 28 / 45

HEX #318B64

RGB 49 139 100

HSL 154, 0.48%, 0.37%

LAB 51.88, -36.3, 13.17

 

CMYK 65 / 50 / 0 / 45

HEX #31468B

RGB 49 70 139

HSL 226, 0.48%, 0.37%

LAB 31.57, 15.13, -40.98

 

CMYK 0 / 65 / 38 / 45

HEX #8D3258

RGB 141 50 88

HSL 334.95, 0.48%, 0.37%

LAB 35.3, 42.23, -2.3

 

CMYK 4 / 0 / 65 / 45

HEX #858B31

RGB 133 139 49

HSL 64, 0.48%, 0.37%

LAB 55.76, -14.61, 45.76

 

CMYK 65 / 0 / 28 / 45

HEX #318B64

RGB 49 139 100

HSL 154, 0.48%, 0.37%

LAB 51.88, -36.3, 13.17

 

CMYK 60 / 65 / 0 / 45

HEX #37318B

RGB 55 49 139

HSL 244, 0.48%, 0.37%

LAB 26.37, 30.24, -49.38

 

Description

Color code: HEX #8D3258 | qconv.com Color code: HEX #8D3258 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 50 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 50 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 38 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 38% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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