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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8D4453 it is the complementary color #72BBAC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8D4453. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8D4453 shade: #92444E, #A35661, #B46874, #C57A87 and #D68C9A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8D4453. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8D4453 shade: #8D4453, #7C3240, #6B202D, #5A0E1A and #490007

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8D4453 shade: #8D4352 and #8D4343

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8D4453 shade: #8D4352, #8D4366, #8D437A, #8C438D and #78438D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8D4453 shade matches the following richer shades: #8D4352, #9E3349, #AE223F, #BF1135 and #D0002B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8D4453 shade: #8D4352, #7C545C, #6B6566, #5A7670 and #49877A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8D4453 shade: #8D437A, #8D4367, #8D4353, #8D4743 and #8D5B43

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8D4453 shade: #552932, #713642, #8D4352, #A85163 and #B86B7B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8D4453 shade: #8D4453, #8D8B43 and #43718D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8D4453 shade: #8D4453, #538D43 and #43538D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8D4453 shade: #8D4453, #8D8B43, #438D7D and #43458D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8D4453 shade: #8D4453, #788D43, #438D7D and #58438D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 41 / 45

HEX #8D4453

RGB 141 68 83

HSL 347.67, 0.35%, 0.41%

LAB 38.59, 32.56, 5.65

 

Complementary color

CMYK 39 / 0 / 8 / 27

HEX #72BBAC

RGB 114 187 172

HSL 167.67, 0.35%, 0.59%

LAB 70.94, -26.33, 0.41

 

CMYK 0 / 53 / 47 / 43

HEX #92444E

RGB 146 68 78

HSL 352.31, 0.36%, 0.42%

LAB 39.23, 33.89, 9.8

 

CMYK 0 / 47 / 40 / 36

HEX #A35661

RGB 163 86 97

HSL 351.43, 0.31%, 0.49%

LAB 46.05, 32.84, 8.05

 

CMYK 0 / 42 / 36 / 29

HEX #B46874

RGB 180 104 116

HSL 350.53, 0.34%, 0.56%

LAB 52.8, 31.82, 6.6

 

CMYK 0 / 38 / 31 / 23

HEX #C57A87

RGB 197 122 135

HSL 349.6, 0.39%, 0.63%

LAB 59.47, 30.88, 5.37

 

CMYK 0 / 35 / 28 / 16

HEX #D68C9A

RGB 214 140 154

HSL 348.65, 0.47%, 0.69%

LAB 66.05, 30.01, 4.28

 

CMYK 0 / 52 / 41 / 45

HEX #8D4453

RGB 141 68 83

HSL 347.67, 0.35%, 0.41%

LAB 38.59, 32.56, 5.65

 

CMYK 0 / 60 / 48 / 51

HEX #7C3240

RGB 124 50 64

HSL 348.65, 0.43%, 0.34%

LAB 31.66, 33.54, 7.61

 

CMYK 0 / 70 / 58 / 58

HEX #6B202D

RGB 107 32 45

HSL 349.6, 0.54%, 0.27%

LAB 24.79, 34.29, 10.26

 

CMYK 0 / 84 / 71 / 65

HEX #5A0E1A

RGB 90 14 26

HSL 350.53, 0.73%, 0.2%

LAB 18.2, 34.28, 14.07

 

CMYK 0 / 100 / 90 / 71

HEX #490007

RGB 73 0 7

HSL 354.25, 1%, 0.14%

LAB 12.17, 32.75, 16.25

 

CMYK 0 / 52 / 42 / 45

HEX #8D4352

RGB 141 67 82

HSL 347.84, 0.36%, 0.41%

LAB 38.35, 32.98, 5.94

 

CMYK 0 / 52 / 52 / 45

HEX #8D4343

RGB 141 67 67

HSL 0, 0.36%, 0.41%

LAB 37.99, 31.37, 14.85

 

CMYK 0 / 52 / 42 / 45

HEX #8D4352

RGB 141 67 82

HSL 347.84, 0.36%, 0.41%

LAB 38.35, 32.98, 5.94

 

CMYK 0 / 52 / 28 / 45

HEX #8D4366

RGB 141 67 102

HSL 331.62, 0.36%, 0.41%

LAB 38.96, 35.62, -5.73

 

CMYK 0 / 52 / 13 / 45

HEX #8D437A

RGB 141 67 122

HSL 315.41, 0.36%, 0.41%

LAB 39.72, 38.78, -17.02

 

CMYK 1 / 52 / 0 / 45

HEX #8C438D

RGB 140 67 141

HSL 299.19, 0.36%, 0.41%

LAB 40.43, 41.91, -27.56

 

CMYK 15 / 52 / 0 / 45

HEX #78438D

RGB 120 67 141

HSL 282.97, 0.36%, 0.41%

LAB 37.72, 36, -32.02

 

CMYK 0 / 52 / 42 / 45

HEX #8D4352

RGB 141 67 82

HSL 347.84, 0.36%, 0.41%

LAB 38.35, 32.98, 5.94

 

CMYK 0 / 68 / 54 / 38

HEX #9E3349

RGB 158 51 73

HSL 347.66, 0.51%, 0.41%

LAB 38.05, 45.86, 11.62

 

CMYK 0 / 80 / 64 / 32

HEX #AE223F

RGB 174 34 63

HSL 347.57, 0.67%, 0.41%

LAB 38.73, 56.07, 19.4

 

CMYK 0 / 91 / 72 / 25

HEX #BF1135

RGB 191 17 53

HSL 347.59, 0.84%, 0.41%

LAB 40.79, 63.73, 28.99

 

CMYK 0 / 100 / 79 / 18

HEX #D0002B

RGB 208 0 43

HSL 347.6, 1%, 0.41%

LAB 43.63, 69.4, 39.14

 

CMYK 0 / 52 / 42 / 45

HEX #8D4352

RGB 141 67 82

HSL 347.84, 0.36%, 0.41%

LAB 38.35, 32.98, 5.94

 

CMYK 0 / 32 / 26 / 51

HEX #7C545C

RGB 124 84 92

HSL 348, 0.19%, 0.41%

LAB 40.24, 17.89, 2.11

 

CMYK 0 / 6 / 5 / 58

HEX #6B6566

RGB 107 101 102

HSL 350, 0.03%, 0.41%

LAB 43.35, 2.56, 0.28

 

CMYK 24 / 0 / 5 / 54

HEX #5A7670

RGB 90 118 112

HSL 167.14, 0.13%, 0.41%

LAB 47.37, -11.49, -0.02

 

CMYK 46 / 0 / 10 / 47

HEX #49877A

RGB 73 135 122

HSL 167.42, 0.3%, 0.41%

LAB 52.01, -23.38, 0.76

 

CMYK 0 / 52 / 13 / 45

HEX #8D437A

RGB 141 67 122

HSL 315.41, 0.36%, 0.41%

LAB 39.72, 38.78, -17.02

 

CMYK 0 / 52 / 27 / 45

HEX #8D4367

RGB 141 67 103

HSL 330.81, 0.36%, 0.41%

LAB 39, 35.77, -6.31

 

CMYK 0 / 52 / 41 / 45

HEX #8D4353

RGB 141 67 83

HSL 347.03, 0.36%, 0.41%

LAB 38.38, 33.1, 5.35

 

CMYK 0 / 50 / 52 / 45

HEX #8D4743

RGB 141 71 67

HSL 3.24, 0.36%, 0.41%

LAB 38.85, 29.19, 16.01

 

CMYK 0 / 35 / 52 / 45

HEX #8D5B43

RGB 141 91 67

HSL 19.46, 0.36%, 0.41%

LAB 43.58, 17.75, 22.24

 

CMYK 0 / 52 / 41 / 67

HEX #552932

RGB 85 41 50

HSL 347.73, 0.35%, 0.25%

LAB 22.82, 21.45, 3.51

 

CMYK 0 / 52 / 42 / 56

HEX #713642

RGB 113 54 66

HSL 347.8, 0.35%, 0.33%

LAB 30.74, 27.37, 4.75

 

CMYK 0 / 52 / 42 / 45

HEX #8D4352

RGB 141 67 82

HSL 347.84, 0.36%, 0.41%

LAB 38.35, 32.98, 5.94

 

CMYK 0 / 52 / 41 / 34

HEX #A85163

RGB 168 81 99

HSL 347.59, 0.35%, 0.49%

LAB 45.79, 37.59, 6.56

 

CMYK 0 / 42 / 33 / 28

HEX #B86B7B

RGB 184 107 123

HSL 347.53, 0.35%, 0.57%

LAB 54.17, 32.59, 4.51

 

CMYK 0 / 52 / 41 / 45

HEX #8D4453

RGB 141 68 83

HSL 347.67, 0.35%, 0.41%

LAB 38.59, 32.56, 5.65

 

CMYK 0 / 1 / 52 / 45

HEX #8D8B43

RGB 141 139 67

HSL 58.38, 0.36%, 0.41%

LAB 56.62, -9.64, 38.32

 

CMYK 52 / 20 / 0 / 45

HEX #43718D

RGB 67 113 141

HSL 202.7, 0.36%, 0.41%

LAB 45.53, -7.43, -20.17

 

CMYK 0 / 52 / 41 / 45

HEX #8D4453

RGB 141 68 83

HSL 347.67, 0.35%, 0.41%

LAB 38.59, 32.56, 5.65

 

CMYK 41 / 0 / 52 / 45

HEX #538D43

RGB 83 141 67

HSL 107.03, 0.36%, 0.41%

LAB 53.27, -33.86, 33.36

 

CMYK 52 / 41 / 0 / 45

HEX #43538D

RGB 67 83 141

HSL 227.03, 0.36%, 0.41%

LAB 36.56, 11.17, -34.18

 

CMYK 0 / 52 / 41 / 45

HEX #8D4453

RGB 141 68 83

HSL 347.67, 0.35%, 0.41%

LAB 38.59, 32.56, 5.65

 

CMYK 0 / 1 / 52 / 45

HEX #8D8B43

RGB 141 139 67

HSL 58.38, 0.36%, 0.41%

LAB 56.62, -9.64, 38.32

 

CMYK 52 / 0 / 11 / 45

HEX #438D7D

RGB 67 141 125

HSL 167.03, 0.36%, 0.41%

LAB 53.73, -27.16, 1.51

 

CMYK 52 / 51 / 0 / 45

HEX #43458D

RGB 67 69 141

HSL 238.38, 0.36%, 0.41%

LAB 32.64, 20.33, -40.43

 

CMYK 0 / 52 / 41 / 45

HEX #8D4453

RGB 141 68 83

HSL 347.67, 0.35%, 0.41%

LAB 38.59, 32.56, 5.65

 

CMYK 15 / 0 / 52 / 45

HEX #788D43

RGB 120 141 67

HSL 77.03, 0.36%, 0.41%

LAB 55.53, -19.69, 36.62

 

CMYK 52 / 0 / 11 / 45

HEX #438D7D

RGB 67 141 125

HSL 167.03, 0.36%, 0.41%

LAB 53.73, -27.16, 1.51

 

CMYK 38 / 52 / 0 / 45

HEX #58438D

RGB 88 67 141

HSL 257.03, 0.36%, 0.41%

LAB 34.01, 26.92, -38.14

 

Description

Color code: HEX #8D4453 | qconv.com Color code: HEX #8D4453 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 68 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 68 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 41 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 41% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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