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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8D4316 it is the complementary color #72BCE9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8D4316. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8D4316 shade: #924311, #A35524, #B46737, #C5794A and #D68B5D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8D4316. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8D4316 shade: #8D4316, #7C3103, #6B1F00, #5A0D00 and #490000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8D4316 shade: #8D4316, #8D2216 and #8D1616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8D4316 shade: #8D4316, #8D6316, #8D8316, #768D16 and #568D16

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8D4316 shade matches the following richer shades: #8D4316 and #9A3F08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8D4316 shade: #8D4316, #7F4623, #724930, #654C3D and #584F4A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8D4316 shade: #8D1629, #8D2116, #8D4116, #8D6116 and #8D8116

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8D4316 shade: #45210A, #693210, #8D4316, #B0541B and #D46521

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8D4316 shade: #8D4316, #498D16 and #161A8D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8D4316 shade: #8D4316, #168D41 and #41168D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8D4316 shade: #8D4316, #498D16, #16618D and #59168D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8D4316 shade: #8D4316, #258D16, #16618D and #7D168D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 84 / 45

HEX #8D4316

RGB 141 67 22

HSL 22.69, 0.73%, 0.32%

LAB 37.36, 28.5, 39.72

 

Complementary color

CMYK 51 / 19 / 0 / 9

HEX #72BCE9

RGB 114 188 233

HSL 202.69, 0.73%, 0.68%

LAB 73.17, -10.83, -29.52

 

CMYK 0 / 54 / 88 / 43

HEX #924311

RGB 146 67 17

HSL 23.26, 0.79%, 0.32%

LAB 38.14, 30.47, 42.81

 

CMYK 0 / 48 / 78 / 36

HEX #A35524

RGB 163 85 36

HSL 23.15, 0.64%, 0.39%

LAB 44.82, 28.52, 41.47

 

CMYK 0 / 43 / 69 / 29

HEX #B46737

RGB 180 103 55

HSL 23.04, 0.53%, 0.46%

LAB 51.47, 26.78, 39.68

 

CMYK 0 / 39 / 62 / 23

HEX #C5794A

RGB 197 121 74

HSL 22.93, 0.51%, 0.53%

LAB 58.07, 25.25, 37.89

 

CMYK 0 / 35 / 57 / 16

HEX #D68B5D

RGB 214 139 93

HSL 22.81, 0.6%, 0.6%

LAB 64.61, 23.92, 36.19

 

CMYK 0 / 52 / 84 / 45

HEX #8D4316

RGB 141 67 22

HSL 22.69, 0.73%, 0.32%

LAB 37.36, 28.5, 39.72

 

CMYK 0 / 60 / 98 / 51

HEX #7C3103

RGB 124 49 3

HSL 22.81, 0.95%, 0.25%

LAB 30.61, 30.53, 40.74

 

CMYK 0 / 71 / 100 / 58

HEX #6B1F00

RGB 107 31 0

HSL 17.38, 1%, 0.21%

LAB 24.02, 32.54, 35.02

 

CMYK 0 / 86 / 100 / 65

HEX #5A0D00

RGB 90 13 0

HSL 8.67, 1%, 0.18%

LAB 17.74, 33.54, 27.08

 

CMYK 0 / 100 / 100 / 71

HEX #490000

RGB 73 0 0

HSL 0, 1%, 0.14%

LAB 12.07, 32.48, 18.97

 

CMYK 0 / 52 / 84 / 45

HEX #8D4316

RGB 141 67 22

HSL 22.69, 0.73%, 0.32%

LAB 37.36, 28.5, 39.72

 

CMYK 0 / 76 / 84 / 45

HEX #8D2216

RGB 141 34 22

HSL 6.05, 0.73%, 0.32%

LAB 31.5, 44.01, 34.3

 

CMYK 0 / 84 / 84 / 45

HEX #8D1616

RGB 141 22 22

HSL 0, 0.73%, 0.32%

LAB 30.14, 47.8, 33.01

 

CMYK 0 / 52 / 84 / 45

HEX #8D4316

RGB 141 67 22

HSL 22.69, 0.73%, 0.32%

LAB 37.36, 28.5, 39.72

 

CMYK 0 / 30 / 84 / 45

HEX #8D6316

RGB 141 99 22

HSL 38.82, 0.73%, 0.32%

LAB 45.14, 10.16, 46.64

 

CMYK 0 / 7 / 84 / 45

HEX #8D8316

RGB 141 131 22

HSL 54.96, 0.73%, 0.32%

LAB 53.98, -8.02, 54.26

 

CMYK 16 / 0 / 84 / 45

HEX #768D16

RGB 118 141 22

HSL 71.6, 0.73%, 0.32%

LAB 55.03, -23.68, 54.43

 

CMYK 39 / 0 / 84 / 45

HEX #568D16

RGB 86 141 22

HSL 87.73, 0.73%, 0.32%

LAB 53.04, -36.68, 51.91

 

CMYK 0 / 52 / 84 / 45

HEX #8D4316

RGB 141 67 22

HSL 22.69, 0.73%, 0.32%

LAB 37.36, 28.5, 39.72

 

CMYK 0 / 59 / 95 / 40

HEX #9A3F08

RGB 154 63 8

HSL 22.6, 0.9%, 0.32%

LAB 38.63, 35.63, 46.81

 

CMYK 0 / 52 / 84 / 45

HEX #8D4316

RGB 141 67 22

HSL 22.69, 0.73%, 0.32%

LAB 37.36, 28.5, 39.72

 

CMYK 0 / 45 / 72 / 50

HEX #7F4623

RGB 127 70 35

HSL 22.83, 0.57%, 0.32%

LAB 36.01, 21.28, 31.09

 

CMYK 0 / 36 / 58 / 55

HEX #724930

RGB 114 73 48

HSL 22.73, 0.41%, 0.32%

LAB 35.11, 14.58, 22.04

 

CMYK 0 / 25 / 40 / 60

HEX #654C3D

RGB 101 76 61

HSL 22.5, 0.25%, 0.32%

LAB 34.54, 8.28, 13

 

CMYK 0 / 10 / 16 / 65

HEX #584F4A

RGB 88 79 74

HSL 21.43, 0.09%, 0.32%

LAB 34.32, 2.76, 4.3

 

CMYK 0 / 84 / 71 / 45

HEX #8D1629

RGB 141 22 41

HSL 350.42, 0.73%, 0.32%

LAB 30.39, 48.56, 21.54

 

CMYK 0 / 77 / 84 / 45

HEX #8D2116

RGB 141 33 22

HSL 5.55, 0.73%, 0.32%

LAB 31.37, 44.37, 34.17

 

CMYK 0 / 54 / 84 / 45

HEX #8D4116

RGB 141 65 22

HSL 21.68, 0.73%, 0.32%

LAB 36.93, 29.59, 39.33

 

CMYK 0 / 31 / 84 / 45

HEX #8D6116

RGB 141 97 22

HSL 37.82, 0.73%, 0.32%

LAB 44.62, 11.32, 46.18

 

CMYK 0 / 9 / 84 / 45

HEX #8D8116

RGB 141 129 22

HSL 53.95, 0.73%, 0.32%

LAB 53.41, -6.92, 53.78

 

CMYK 0 / 52 / 86 / 73

HEX #45210A

RGB 69 33 10

HSL 23.39, 0.75%, 0.15%

LAB 17.34, 15.22, 21.54

 

CMYK 0 / 52 / 85 / 59

HEX #693210

RGB 105 50 16

HSL 22.92, 0.74%, 0.24%

LAB 27.63, 22.11, 31.41

 

CMYK 0 / 52 / 84 / 45

HEX #8D4316

RGB 141 67 22

HSL 22.69, 0.73%, 0.32%

LAB 37.36, 28.5, 39.72

 

CMYK 0 / 52 / 85 / 31

HEX #B0541B

RGB 176 84 27

HSL 22.95, 0.73%, 0.4%

LAB 46.51, 34.13, 47.8

 

CMYK 0 / 52 / 84 / 17

HEX #D46521

RGB 212 101 33

HSL 22.79, 0.73%, 0.48%

LAB 55.5, 39.95, 55.33

 

CMYK 0 / 52 / 84 / 45

HEX #8D4316

RGB 141 67 22

HSL 22.69, 0.73%, 0.32%

LAB 37.36, 28.5, 39.72

 

CMYK 48 / 0 / 84 / 45

HEX #498D16

RGB 73 141 22

HSL 94.29, 0.73%, 0.32%

LAB 52.42, -41.23, 51.12

 

CMYK 84 / 82 / 0 / 45

HEX #161A8D

RGB 22 26 141

HSL 237.98, 0.73%, 0.32%

LAB 19.36, 41.07, -62.24

 

CMYK 0 / 52 / 84 / 45

HEX #8D4316

RGB 141 67 22

HSL 22.69, 0.73%, 0.32%

LAB 37.36, 28.5, 39.72

 

CMYK 84 / 0 / 54 / 45

HEX #168D41

RGB 22 141 65

HSL 141.68, 0.73%, 0.32%

LAB 51.38, -48.2, 31.67

 

CMYK 54 / 84 / 0 / 45

HEX #41168D

RGB 65 22 141

HSL 261.68, 0.73%, 0.32%

LAB 22.38, 46.88, -57.14

 

CMYK 0 / 52 / 84 / 45

HEX #8D4316

RGB 141 67 22

HSL 22.69, 0.73%, 0.32%

LAB 37.36, 28.5, 39.72

 

CMYK 48 / 0 / 84 / 45

HEX #498D16

RGB 73 141 22

HSL 94.29, 0.73%, 0.32%

LAB 52.42, -41.23, 51.12

 

CMYK 84 / 31 / 0 / 45

HEX #16618D

RGB 22 97 141

HSL 202.18, 0.73%, 0.32%

LAB 38.97, -5.62, -30.49

 

CMYK 37 / 84 / 0 / 45

HEX #59168D

RGB 89 22 141

HSL 273.78, 0.73%, 0.32%

LAB 25.63, 50.27, -51.68

 

CMYK 0 / 52 / 84 / 45

HEX #8D4316

RGB 141 67 22

HSL 22.69, 0.73%, 0.32%

LAB 37.36, 28.5, 39.72

 

CMYK 74 / 0 / 84 / 45

HEX #258D16

RGB 37 141 22

HSL 112.44, 0.73%, 0.32%

LAB 51.27, -50.55, 49.64

 

CMYK 84 / 31 / 0 / 45

HEX #16618D

RGB 22 97 141

HSL 202.18, 0.73%, 0.32%

LAB 38.97, -5.62, -30.49

 

CMYK 11 / 84 / 0 / 45

HEX #7D168D

RGB 125 22 141

HSL 291.93, 0.73%, 0.32%

LAB 31.48, 56.56, -41.91

 

Description

Color code: HEX #8D4316 | qconv.com Color code: HEX #8D4316 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 67 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 67 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 84 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 84% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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