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Color name
HEX #8D5750

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8D5750 it is the complementary color #72A8AF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8D5750. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8D5750 shade: #92574B, #A3695E, #B47B71, #C58D84 and #D69F97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8D5750. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8D5750 shade: #8D5750, #7C453D, #6B332A, #5A2117 and #490F04

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8D5750 shade: #8C554E and #8C4E4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8D5750 shade: #8C554E, #8C664E, #8C774E, #8C874E and #808C4E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8D5750 shade matches the following richer shades: #8C554E, #9E483D, #AF3A2B, #C12C19 and #D31F07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8D5750 shade: #8C554E, #7A6360, #687172, #577E84 and #458C95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8D5750 shade: #8C4E69, #8C4E59, #8C554E, #8C654E and #8C754E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8D5750 shade: #573531, #714540, #8C554E, #A5675F and #B48079

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8D5750 shade: #8D5750, #798C4E and #4E618C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8D5750 shade: #8D5750, #4E8C55 and #554E8C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8D5750 shade: #8D5750, #798C4E, #4E868C and #614E8C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8D5750 shade: #8D5750, #678C4E, #4E868C and #734E8C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 43 / 45

HEX #8D5750

RGB 141 87 80

HSL 6.89, 0.28%, 0.43%

LAB 42.85, 21.49, 13.47

 

Complementary color

CMYK 35 / 4 / 0 / 31

HEX #72A8AF

RGB 114 168 175

HSL 186.89, 0.28%, 0.57%

LAB 65.5, -15.92, -9.27

 

CMYK 0 / 40 / 49 / 43

HEX #92574B

RGB 146 87 75

HSL 10.14, 0.32%, 0.43%

LAB 43.41, 23.02, 17.37

 

CMYK 0 / 36 / 42 / 36

HEX #A3695E

RGB 163 105 94

HSL 9.57, 0.27%, 0.5%

LAB 50.33, 21.9, 15.81

 

CMYK 0 / 32 / 37 / 29

HEX #B47B71

RGB 180 123 113

HSL 8.96, 0.31%, 0.57%

LAB 57.14, 20.93, 14.46

 

CMYK 0 / 28 / 33 / 23

HEX #C58D84

RGB 197 141 132

HSL 8.31, 0.36%, 0.65%

LAB 63.82, 20.07, 13.26

 

CMYK 0 / 26 / 29 / 16

HEX #D69F97

RGB 214 159 151

HSL 7.62, 0.43%, 0.72%

LAB 70.4, 19.32, 12.17

 

CMYK 0 / 38 / 43 / 45

HEX #8D5750

RGB 141 87 80

HSL 6.89, 0.28%, 0.43%

LAB 42.85, 21.49, 13.47

 

CMYK 0 / 44 / 51 / 51

HEX #7C453D

RGB 124 69 61

HSL 7.62, 0.34%, 0.36%

LAB 35.75, 22.68, 15.14

HEX #7C453D

CMYK 0 / 52 / 61 / 58

HEX #6B332A

RGB 107 51 42

HSL 8.31, 0.44%, 0.29%

LAB 28.54, 24.04, 17.21

HEX #6B332A

CMYK 0 / 63 / 74 / 65

HEX #5A2117

RGB 90 33 23

HSL 8.96, 0.59%, 0.22%

LAB 21.29, 25.53, 19.88

HEX #5A2117

CMYK 0 / 79 / 95 / 71

HEX #490F04

RGB 73 15 4

HSL 9.57, 0.9%, 0.15%

LAB 14.21, 26.73, 20.2

HEX #490F04

CMYK 0 / 39 / 44 / 45

HEX #8C554E

RGB 140 85 78

HSL 6.77, 0.28%, 0.43%

LAB 42.19, 22, 13.76

 

CMYK 0 / 44 / 44 / 45

HEX #8C4E4E

RGB 140 78 78

HSL 0, 0.28%, 0.43%

LAB 40.53, 26.02, 11.47

 

CMYK 0 / 39 / 44 / 45

HEX #8C554E

RGB 140 85 78

HSL 6.77, 0.28%, 0.43%

LAB 42.19, 22, 13.76

 

CMYK 0 / 27 / 44 / 45

HEX #8C664E

RGB 140 102 78

HSL 23.23, 0.28%, 0.43%

LAB 46.48, 12.07, 19.55

 

CMYK 0 / 15 / 44 / 45

HEX #8C774E

RGB 140 119 78

HSL 39.68, 0.28%, 0.43%

LAB 51.06, 2.21, 25.54

 

CMYK 0 / 4 / 44 / 45

HEX #8C874E

RGB 140 135 78

HSL 55.16, 0.28%, 0.43%

LAB 55.54, -6.78, 31.23

 

CMYK 9 / 0 / 44 / 45

HEX #808C4E

RGB 128 140 78

HSL 71.61, 0.28%, 0.43%

LAB 55.98, -14.59, 31.57

 

CMYK 0 / 39 / 44 / 45

HEX #8C554E

RGB 140 85 78

HSL 6.77, 0.28%, 0.43%

LAB 42.19, 22, 13.76

 

CMYK 0 / 54 / 61 / 38

HEX #9E483D

RGB 158 72 61

HSL 6.8, 0.44%, 0.43%

LAB 41.6, 34.88, 23.76

 

CMYK 0 / 67 / 75 / 31

HEX #AF3A2B

RGB 175 58 43

HSL 6.82, 0.61%, 0.43%

LAB 41.71, 46.78, 35.15

 

CMYK 0 / 77 / 87 / 24

HEX #C12C19

RGB 193 44 25

HSL 6.79, 0.77%, 0.43%

LAB 43.08, 57.25, 46.95

 

CMYK 0 / 85 / 97 / 17

HEX #D31F07

RGB 211 31 7

HSL 7.06, 0.94%, 0.43%

LAB 45.42, 65.53, 56.68

 

CMYK 0 / 39 / 44 / 45

HEX #8C554E

RGB 140 85 78

HSL 6.77, 0.28%, 0.43%

LAB 42.19, 22, 13.76

 

CMYK 0 / 19 / 21 / 52

HEX #7A6360

RGB 122 99 96

HSL 6.92, 0.12%, 0.43%

LAB 44.1, 8.73, 5.18

 

CMYK 9 / 1 / 0 / 55

HEX #687172

RGB 104 113 114

HSL 186, 0.05%, 0.43%

LAB 46.93, -3.17, -1.73

 

CMYK 34 / 5 / 0 / 48

HEX #577E84

RGB 87 126 132

HSL 188, 0.21%, 0.43%

LAB 50.23, -11.98, -7.62

 

CMYK 54 / 6 / 0 / 42

HEX #458C95

RGB 69 140 149

HSL 186.75, 0.37%, 0.43%

LAB 54.23, -19.59, -11.62

 

CMYK 0 / 44 / 25 / 45

HEX #8C4E69

RGB 140 78 105

HSL 333.87, 0.28%, 0.43%

LAB 41.29, 29.67, -4.16

 

CMYK 0 / 44 / 36 / 45

HEX #8C4E59

RGB 140 78 89

HSL 349.35, 0.28%, 0.43%

LAB 40.81, 27.38, 5.05

 

CMYK 0 / 39 / 44 / 45

HEX #8C554E

RGB 140 85 78

HSL 6.77, 0.28%, 0.43%

LAB 42.19, 22, 13.76

 

CMYK 0 / 28 / 44 / 45

HEX #8C654E

RGB 140 101 78

HSL 22.26, 0.28%, 0.43%

LAB 46.22, 12.65, 19.2

 

CMYK 0 / 16 / 44 / 45

HEX #8C754E

RGB 140 117 78

HSL 37.74, 0.28%, 0.43%

LAB 50.51, 3.36, 24.83

 

CMYK 0 / 39 / 44 / 66

HEX #573531

RGB 87 53 49

HSL 6.32, 0.28%, 0.27%

LAB 26.14, 14.73, 8.9

 

CMYK 0 / 39 / 43 / 56

HEX #714540

RGB 113 69 64

HSL 6.12, 0.28%, 0.35%

LAB 34.27, 18.3, 10.98

 

CMYK 0 / 39 / 44 / 45

HEX #8C554E

RGB 140 85 78

HSL 6.77, 0.28%, 0.43%

LAB 42.19, 22, 13.76

 

CMYK 0 / 38 / 42 / 35

HEX #A5675F

RGB 165 103 95

HSL 6.86, 0.28%, 0.51%

LAB 50.13, 23.96, 14.98

 

CMYK 0 / 29 / 33 / 29

HEX #B48079

RGB 180 128 121

HSL 7.12, 0.28%, 0.59%

LAB 58.53, 19.16, 11.81

 

CMYK 0 / 38 / 43 / 45

HEX #8D5750

RGB 141 87 80

HSL 6.89, 0.28%, 0.43%

LAB 42.85, 21.49, 13.47

 

CMYK 14 / 0 / 44 / 45

HEX #798C4E

RGB 121 140 78

HSL 78.39, 0.28%, 0.43%

LAB 55.45, -17.5, 30.8

 

CMYK 44 / 31 / 0 / 45

HEX #4E618C

RGB 78 97 140

HSL 221.61, 0.28%, 0.43%

LAB 41.32, 4.83, -26.05

 

CMYK 0 / 38 / 43 / 45

HEX #8D5750

RGB 141 87 80

HSL 6.89, 0.28%, 0.43%

LAB 42.85, 21.49, 13.47

 

CMYK 44 / 0 / 39 / 45

HEX #4E8C55

RGB 78 140 85

HSL 126.77, 0.28%, 0.43%

LAB 52.98, -32.29, 23.3

 

CMYK 39 / 44 / 0 / 45

HEX #554E8C

RGB 85 78 140

HSL 246.77, 0.28%, 0.43%

LAB 36.51, 18.84, -33.57

 

CMYK 0 / 38 / 43 / 45

HEX #8D5750

RGB 141 87 80

HSL 6.89, 0.28%, 0.43%

LAB 42.85, 21.49, 13.47

 

CMYK 14 / 0 / 44 / 45

HEX #798C4E

RGB 121 140 78

HSL 78.39, 0.28%, 0.43%

LAB 55.45, -17.5, 30.8

 

CMYK 44 / 4 / 0 / 45

HEX #4E868C

RGB 78 134 140

HSL 185.81, 0.28%, 0.43%

LAB 52.47, -16.76, -9.01

 

CMYK 31 / 44 / 0 / 45

HEX #614E8C

RGB 97 78 140

HSL 258.39, 0.28%, 0.43%

LAB 37.63, 22.33, -31.71

 

CMYK 0 / 38 / 43 / 45

HEX #8D5750

RGB 141 87 80

HSL 6.89, 0.28%, 0.43%

LAB 42.85, 21.49, 13.47

 

CMYK 26 / 0 / 44 / 45

HEX #678C4E

RGB 103 140 78

HSL 95.81, 0.28%, 0.43%

LAB 54.23, -24.65, 28.99

 

CMYK 44 / 4 / 0 / 45

HEX #4E868C

RGB 78 134 140

HSL 185.81, 0.28%, 0.43%

LAB 52.47, -16.76, -9.01

 

CMYK 18 / 44 / 0 / 45

HEX #734E8C

RGB 115 78 140

HSL 275.81, 0.28%, 0.43%

LAB 39.56, 27.86, -28.55

 

Description

Color code: HEX #8D5750 | qconv.com Color code: HEX #8D5750 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 87 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 87 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 43 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 43% 45% C M Y K

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Provide designers and agencies with accurate color values.

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