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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8D5043 it is the complementary color #72AFBC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8D5043. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8D5043 shade: #92503E, #A36251, #B47464, #C58677 and #D6988A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8D5043. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8D5043 shade: #8D5043, #7C3E30, #6B2C1D, #5A1A0A and #490800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8D5043 shade: #8E5042 and #8E4242

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8D5043 shade: #8E5042, #8E6442, #8E7842, #8E8D42 and #7B8E42

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8D5043 shade matches the following richer shades: #8E5042, #9F4531, #B03A21 and #C02F10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8D5043 shade: #8E5042, #7D5B53, #6C6664, #5B7175 and #4A7C86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8D5043 shade: #8E425E, #8E424A, #8E4F42, #8E6342 and #8E7742

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8D5043 shade: #563028, #724035, #8E5042, #AA5F50 and #B9786A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8D5043 shade: #8D5043, #728E42 and #42548E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8D5043 shade: #8D5043, #428E4F and #4F428E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8D5043 shade: #8D5043, #728E42, #42818E and #5E428E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8D5043 shade: #8D5043, #5C8E42, #42818E and #75428E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 52 / 45

HEX #8D5043

RGB 141 80 67

HSL 10.54, 0.36%, 0.41%

LAB 40.9, 24.12, 18.74

 

Complementary color

CMYK 39 / 7 / 0 / 26

HEX #72AFBC

RGB 114 175 188

HSL 190.54, 0.36%, 0.59%

LAB 67.92, -16.29, -12.86

 

CMYK 0 / 45 / 58 / 43

HEX #92503E

RGB 146 80 62

HSL 12.86, 0.4%, 0.41%

LAB 41.53, 25.75, 22.7

 

CMYK 0 / 40 / 50 / 36

HEX #A36251

RGB 163 98 81

HSL 12.44, 0.34%, 0.48%

LAB 48.41, 24.45, 20.86

 

CMYK 0 / 36 / 44 / 29

HEX #B47464

RGB 180 116 100

HSL 12, 0.35%, 0.55%

LAB 55.19, 23.32, 19.27

 

CMYK 0 / 32 / 40 / 23

HEX #C58677

RGB 197 134 119

HSL 11.54, 0.4%, 0.62%

LAB 61.87, 22.32, 17.88

 

CMYK 0 / 29 / 36 / 16

HEX #D6988A

RGB 214 152 138

HSL 11.05, 0.48%, 0.69%

LAB 68.45, 21.44, 16.63

 

CMYK 0 / 43 / 52 / 45

HEX #8D5043

RGB 141 80 67

HSL 10.54, 0.36%, 0.41%

LAB 40.9, 24.12, 18.74

 

CMYK 0 / 50 / 61 / 51

HEX #7C3E30

RGB 124 62 48

HSL 11.05, 0.44%, 0.34%

LAB 33.87, 25.49, 20.77

 

CMYK 0 / 59 / 73 / 58

HEX #6B2C1D

RGB 107 44 29

HSL 11.54, 0.57%, 0.27%

LAB 26.78, 27.03, 23.27

 

CMYK 0 / 71 / 89 / 65

HEX #5A1A0A

RGB 90 26 10

HSL 12, 0.8%, 0.2%

LAB 19.78, 28.53, 25.39

 

CMYK 0 / 89 / 100 / 71

HEX #490800

RGB 73 8 0

HSL 6.58, 1%, 0.14%

LAB 13.17, 29.32, 20.45

 

CMYK 0 / 44 / 54 / 44

HEX #8E5042

RGB 142 80 66

HSL 11.05, 0.37%, 0.41%

LAB 41.03, 24.44, 19.53

 

CMYK 0 / 54 / 54 / 44

HEX #8E4242

RGB 142 66 66

HSL 0, 0.37%, 0.41%

LAB 37.92, 32.21, 15.4

 

CMYK 0 / 44 / 54 / 44

HEX #8E5042

RGB 142 80 66

HSL 11.05, 0.37%, 0.41%

LAB 41.03, 24.44, 19.53

 

CMYK 0 / 30 / 54 / 44

HEX #8E6442

RGB 142 100 66

HSL 26.84, 0.37%, 0.41%

LAB 45.99, 12.84, 25.92

 

CMYK 0 / 15 / 54 / 44

HEX #8E7842

RGB 142 120 66

HSL 42.63, 0.37%, 0.41%

LAB 51.36, 1.28, 32.58

 

CMYK 0 / 1 / 54 / 44

HEX #8E8D42

RGB 142 141 66

HSL 59.21, 0.37%, 0.41%

LAB 57.26, -10.37, 39.6

 

CMYK 13 / 0 / 54 / 44

HEX #7B8E42

RGB 123 142 66

HSL 75, 0.37%, 0.41%

LAB 56.04, -19.06, 37.78

 

CMYK 0 / 44 / 54 / 44

HEX #8E5042

RGB 142 80 66

HSL 11.05, 0.37%, 0.41%

LAB 41.03, 24.44, 19.53

 

CMYK 0 / 57 / 69 / 38

HEX #9F4531

RGB 159 69 49

HSL 10.91, 0.53%, 0.41%

LAB 40.97, 36.02, 30.14

 

CMYK 0 / 67 / 81 / 31

HEX #B03A21

RGB 176 58 33

HSL 10.49, 0.68%, 0.41%

LAB 41.79, 46.76, 40.69

 

CMYK 0 / 76 / 92 / 25

HEX #C02F10

RGB 192 47 16

HSL 10.57, 0.85%, 0.41%

LAB 43.18, 55.82, 50.63

 

CMYK 0 / 44 / 54 / 44

HEX #8E5042

RGB 142 80 66

HSL 11.05, 0.37%, 0.41%

LAB 41.03, 24.44, 19.53

 

CMYK 0 / 27 / 34 / 51

HEX #7D5B53

RGB 125 91 83

HSL 11.43, 0.2%, 0.41%

LAB 41.95, 12.76, 10.08

 

CMYK 0 / 6 / 7 / 58

HEX #6C6664

RGB 108 102 100

HSL 15, 0.04%, 0.41%

LAB 43.67, 1.97, 1.97

 

CMYK 22 / 3 / 0 / 54

HEX #5B7175

RGB 91 113 117

HSL 189.23, 0.13%, 0.41%

LAB 46.07, -7.11, -4.9

 

CMYK 45 / 7 / 0 / 47

HEX #4A7C86

RGB 74 124 134

HSL 190, 0.29%, 0.41%

LAB 49, -14.02, -10.72

 

CMYK 0 / 54 / 34 / 44

HEX #8E425E

RGB 142 66 94

HSL 337.89, 0.37%, 0.41%

LAB 38.65, 35.39, -1.16

 

CMYK 0 / 54 / 48 / 44

HEX #8E424A

RGB 142 66 74

HSL 353.68, 0.37%, 0.41%

LAB 38.1, 33.01, 10.63

 

CMYK 0 / 44 / 54 / 44

HEX #8E4F42

RGB 142 79 66

HSL 10.26, 0.37%, 0.41%

LAB 40.79, 25.01, 19.23

 

CMYK 0 / 30 / 54 / 44

HEX #8E6342

RGB 142 99 66

HSL 26.05, 0.37%, 0.41%

LAB 45.73, 13.42, 25.6

 

CMYK 0 / 16 / 54 / 44

HEX #8E7742

RGB 142 119 66

HSL 41.84, 0.37%, 0.41%

LAB 51.08, 1.85, 32.24

 

CMYK 0 / 44 / 53 / 66

HEX #563028

RGB 86 48 40

HSL 10.43, 0.37%, 0.25%

LAB 24.47, 16.33, 12.56

 

CMYK 0 / 44 / 54 / 55

HEX #724035

RGB 114 64 53

HSL 10.82, 0.37%, 0.33%

LAB 32.92, 20.48, 16.14

 

CMYK 0 / 44 / 54 / 44

HEX #8E5042

RGB 142 80 66

HSL 11.05, 0.37%, 0.41%

LAB 41.03, 24.44, 19.53

 

CMYK 0 / 44 / 53 / 33

HEX #AA5F50

RGB 170 95 80

HSL 10, 0.36%, 0.49%

LAB 48.65, 28.89, 21.94

 

CMYK 0 / 35 / 43 / 27

HEX #B9786A

RGB 185 120 106

HSL 10.63, 0.36%, 0.57%

LAB 56.87, 23.78, 18.21

 

CMYK 0 / 43 / 52 / 45

HEX #8D5043

RGB 141 80 67

HSL 10.54, 0.36%, 0.41%

LAB 40.9, 24.12, 18.74

 

CMYK 20 / 0 / 54 / 44

HEX #728E42

RGB 114 142 66

HSL 82.11, 0.37%, 0.41%

LAB 55.4, -22.78, 36.87

 

CMYK 54 / 41 / 0 / 44

HEX #42548E

RGB 66 84 142

HSL 225.79, 0.37%, 0.41%

LAB 36.84, 10.62, -34.35

 

CMYK 0 / 43 / 52 / 45

HEX #8D5043

RGB 141 80 67

HSL 10.54, 0.36%, 0.41%

LAB 40.9, 24.12, 18.74

 

CMYK 54 / 0 / 44 / 44

HEX #428E4F

RGB 66 142 79

HSL 130.26, 0.37%, 0.41%

LAB 53.02, -37.74, 26.54

 

CMYK 44 / 54 / 0 / 44

HEX #4F428E

RGB 79 66 142

HSL 250.26, 0.37%, 0.41%

LAB 32.94, 25.51, -40.5

 

CMYK 0 / 43 / 52 / 45

HEX #8D5043

RGB 141 80 67

HSL 10.54, 0.36%, 0.41%

LAB 40.9, 24.12, 18.74

 

CMYK 20 / 0 / 54 / 44

HEX #728E42

RGB 114 142 66

HSL 82.11, 0.37%, 0.41%

LAB 55.4, -22.78, 36.87

 

CMYK 54 / 9 / 0 / 44

HEX #42818E

RGB 66 129 142

HSL 190.26, 0.37%, 0.41%

LAB 50.47, -16.41, -13.24

 

CMYK 34 / 54 / 0 / 44

HEX #5E428E

RGB 94 66 142

HSL 262.11, 0.37%, 0.41%

LAB 34.46, 29.44, -38

 

CMYK 0 / 43 / 52 / 45

HEX #8D5043

RGB 141 80 67

HSL 10.54, 0.36%, 0.41%

LAB 40.9, 24.12, 18.74

 

CMYK 35 / 0 / 54 / 44

HEX #5C8E42

RGB 92 142 66

HSL 99.47, 0.37%, 0.41%

LAB 54.04, -31.29, 34.92

 

CMYK 54 / 9 / 0 / 44

HEX #42818E

RGB 66 129 142

HSL 190.26, 0.37%, 0.41%

LAB 50.47, -16.41, -13.24

 

CMYK 18 / 54 / 0 / 44

HEX #75428E

RGB 117 66 142

HSL 280.26, 0.37%, 0.41%

LAB 37.17, 35.91, -33.51

 

Description

Color code: HEX #8D5043 | qconv.com Color code: HEX #8D5043 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 80 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 80 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 52 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 52% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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