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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8D66EF it is the complementary color #729910. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8D66EF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8D66EF shade: #9266EA, #A378FD, #B48AFF, #C59CFF and #D6AEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8D66EF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8D66EF shade: #8D66EF, #7C54DC, #6B42C9, #5A30B6 and #491EA3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8D66EF shade: #8D66EF, #B266EF, #D766EF, #EF66E2 and #EF66BD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8D66EF shade: #8D66EF, #6866EF and #6666EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8D66EF shade matches the following richer shades: #8D66EF and #8759FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8D66EF shade: #8D66EF, #9374E1, #9981D3, #9F8FC6 and #A49DB8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8D66EF shade: #6688EF, #6866EF, #8D66EF, #B166EF and #D666EF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8D66EF shade: #551CE7, #7141EB, #8D66EF, #A98CF2 and #C5B1F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8D66EF shade: #8D66EF, #EF66AD and #76EF66

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8D66EF shade: #8D66EF, #EF8D66 and #66EF8D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8D66EF shade: #8D66EF, #EF66AD, #C8EF66 and #66EFA8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8D66EF shade: #8D66EF, #EF6684, #C8EF66 and #66EFD1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 57 / 0 / 6

HEX #8D66EF

RGB 141 102 239

HSL 257.08, 0.81%, 0.67%

LAB 53.38, 46.28, -63.91

 

Complementary color

CMYK 25 / 0 / 90 / 40

HEX #729910

RGB 114 153 16

HSL 77.08, 0.81%, 0.33%

LAB 58.41, -31.37, 58.57

 

CMYK 38 / 56 / 0 / 8

HEX #9266EA

RGB 146 102 234

HSL 260, 0.76%, 0.66%

LAB 53.55, 46.07, -60.81

 

CMYK 36 / 53 / 0 / 1

HEX #A378FD

RGB 163 120 253

HSL 259.4, 0.97%, 0.73%

LAB 60.17, 44.97, -60.66

 

CMYK 29 / 46 / 0 / 0

HEX #B48AFF

RGB 180 138 255

HSL 261.54, 1%, 0.77%

LAB 65.83, 39.75, -52.65

 

CMYK 23 / 39 / 0 / 0

HEX #C59CFF

RGB 197 156 255

HSL 264.85, 1%, 0.81%

LAB 71.46, 34.45, -43.66

 

CMYK 16 / 32 / 0 / 0

HEX #D6AEFF

RGB 214 174 255

HSL 269.63, 1%, 0.84%

LAB 77.15, 29.57, -34.69

 

CMYK 41 / 57 / 0 / 6

HEX #8D66EF

RGB 141 102 239

HSL 257.08, 0.81%, 0.67%

LAB 53.38, 46.28, -63.91

 

CMYK 44 / 62 / 0 / 14

HEX #7C54DC

RGB 124 84 220

HSL 257.65, 0.66%, 0.6%

LAB 46.7, 47.51, -64.07

 

CMYK 47 / 67 / 0 / 21

HEX #6B42C9

RGB 107 66 201

HSL 258.22, 0.56%, 0.52%

LAB 39.98, 48.75, -64.15

 

CMYK 51 / 74 / 0 / 29

HEX #5A30B6

RGB 90 48 182

HSL 258.81, 0.58%, 0.45%

LAB 33.28, 49.87, -64.03

 

CMYK 55 / 82 / 0 / 36

HEX #491EA3

RGB 73 30 163

HSL 259.4, 0.69%, 0.38%

LAB 26.7, 50.57, -63.5

 

CMYK 41 / 57 / 0 / 6

HEX #8D66EF

RGB 141 102 239

HSL 257.08, 0.81%, 0.67%

LAB 53.38, 46.28, -63.91

 

CMYK 26 / 57 / 0 / 6

HEX #B266EF

RGB 178 102 239

HSL 273.28, 0.81%, 0.67%

LAB 57.27, 54.75, -57.46

 

CMYK 10 / 57 / 0 / 6

HEX #D766EF

RGB 215 102 239

HSL 289.49, 0.81%, 0.67%

LAB 61.81, 63.76, -49.95

 

CMYK 0 / 57 / 5 / 6

HEX #EF66E2

RGB 239 102 226

HSL 305.69, 0.81%, 0.67%

LAB 64.44, 67.59, -38.36

 

CMYK 0 / 57 / 21 / 6

HEX #EF66BD

RGB 239 102 189

HSL 321.9, 0.81%, 0.67%

LAB 62.95, 62.06, -19.83

 

CMYK 41 / 57 / 0 / 6

HEX #8D66EF

RGB 141 102 239

HSL 257.08, 0.81%, 0.67%

LAB 53.38, 46.28, -63.91

 

CMYK 56 / 57 / 0 / 6

HEX #6866EF

RGB 104 102 239

HSL 240.88, 0.81%, 0.67%

LAB 50.31, 38.93, -69.03

 

CMYK 57 / 57 / 0 / 6

HEX #6666EF

RGB 102 102 239

HSL 240, 0.81%, 0.67%

LAB 50.17, 38.58, -69.26

 

CMYK 41 / 57 / 0 / 6

HEX #8D66EF

RGB 141 102 239

HSL 257.08, 0.81%, 0.67%

LAB 53.38, 46.28, -63.91

 

CMYK 46 / 65 / 0 / 1

HEX #8759FC

RGB 135 89 252

HSL 256.93, 0.96%, 0.67%

LAB 51.06, 55.6, -74.93

 

CMYK 41 / 57 / 0 / 6

HEX #8D66EF

RGB 141 102 239

HSL 257.08, 0.81%, 0.67%

LAB 53.38, 46.28, -63.91

 

CMYK 35 / 48 / 0 / 12

HEX #9374E1

RGB 147 116 225

HSL 257.06, 0.64%, 0.67%

LAB 56.22, 36.08, -51.5

 

CMYK 27 / 39 / 0 / 17

HEX #9981D3

RGB 153 129 211

HSL 257.56, 0.48%, 0.67%

LAB 59.14, 26.65, -38.98

 

CMYK 20 / 28 / 0 / 22

HEX #9F8FC6

RGB 159 143 198

HSL 257.45, 0.33%, 0.67%

LAB 62.59, 17.29, -26.28

 

CMYK 11 / 15 / 0 / 28

HEX #A49DB8

RGB 164 157 184

HSL 255.56, 0.16%, 0.67%

LAB 66.11, 7.9, -13.03

 

CMYK 57 / 43 / 0 / 6

HEX #6688EF

RGB 102 136 239

HSL 225.11, 0.81%, 0.67%

LAB 58.66, 18.09, -55.59

 

CMYK 56 / 57 / 0 / 6

HEX #6866EF

RGB 104 102 239

HSL 240.88, 0.81%, 0.67%

LAB 50.31, 38.93, -69.03

 

CMYK 41 / 57 / 0 / 6

HEX #8D66EF

RGB 141 102 239

HSL 257.08, 0.81%, 0.67%

LAB 53.38, 46.28, -63.91

 

CMYK 26 / 57 / 0 / 6

HEX #B166EF

RGB 177 102 239

HSL 272.85, 0.81%, 0.67%

LAB 57.16, 54.51, -57.65

 

CMYK 10 / 57 / 0 / 6

HEX #D666EF

RGB 214 102 239

HSL 289.05, 0.81%, 0.67%

LAB 61.68, 63.51, -50.17

 

CMYK 63 / 88 / 0 / 9

HEX #551CE7

RGB 85 28 231

HSL 256.85, 0.81%, 0.51%

LAB 35.07, 70.1, -89.58

 

CMYK 52 / 72 / 0 / 8

HEX #7141EB

RGB 113 65 235

HSL 256.94, 0.81%, 0.59%

LAB 43.2, 59.53, -78.34

 

CMYK 41 / 57 / 0 / 6

HEX #8D66EF

RGB 141 102 239

HSL 257.08, 0.81%, 0.67%

LAB 53.38, 46.28, -63.91

 

CMYK 30 / 42 / 0 / 5

HEX #A98CF2

RGB 169 140 242

HSL 257.06, 0.8%, 0.75%

LAB 64.65, 32.52, -47.46

 

CMYK 20 / 28 / 0 / 4

HEX #C5B1F6

RGB 197 177 246

HSL 257.39, 0.79%, 0.83%

LAB 76.05, 20.85, -31.67

 

CMYK 41 / 57 / 0 / 6

HEX #8D66EF

RGB 141 102 239

HSL 257.08, 0.81%, 0.67%

LAB 53.38, 46.28, -63.91

 

CMYK 0 / 57 / 28 / 6

HEX #EF66AD

RGB 239 102 173

HSL 328.91, 0.81%, 0.67%

LAB 62.4, 59.95, -11.53

 

CMYK 51 / 0 / 57 / 6

HEX #76EF66

RGB 118 239 102

HSL 112.99, 0.81%, 0.67%

LAB 85.27, -59.54, 55.04

 

CMYK 41 / 57 / 0 / 6

HEX #8D66EF

RGB 141 102 239

HSL 257.08, 0.81%, 0.67%

LAB 53.38, 46.28, -63.91

 

CMYK 0 / 41 / 57 / 6

HEX #EF8D66

RGB 239 141 102

HSL 17.08, 0.81%, 0.67%

LAB 68.28, 33.54, 36.64

 

CMYK 57 / 0 / 41 / 6

HEX #66EF8D

RGB 102 239 141

HSL 137.08, 0.81%, 0.67%

LAB 85.24, -58.12, 36.43

 

CMYK 41 / 57 / 0 / 6

HEX #8D66EF

RGB 141 102 239

HSL 257.08, 0.81%, 0.67%

LAB 53.38, 46.28, -63.91

 

CMYK 0 / 57 / 28 / 6

HEX #EF66AD

RGB 239 102 173

HSL 328.91, 0.81%, 0.67%

LAB 62.4, 59.95, -11.53

 

CMYK 16 / 0 / 57 / 6

HEX #C8EF66

RGB 200 239 102

HSL 77.08, 0.81%, 0.67%

LAB 89.38, -32.37, 60.82

 

CMYK 57 / 0 / 30 / 6

HEX #66EFA8

RGB 102 239 168

HSL 148.91, 0.81%, 0.67%

LAB 85.7, -53.29, 23.38

 

CMYK 41 / 57 / 0 / 6

HEX #8D66EF

RGB 141 102 239

HSL 257.08, 0.81%, 0.67%

LAB 53.38, 46.28, -63.91

 

CMYK 0 / 57 / 45 / 6

HEX #EF6684

RGB 239 102 132

HSL 346.86, 0.81%, 0.67%

LAB 61.24, 55.37, 10.4

 

CMYK 16 / 0 / 57 / 6

HEX #C8EF66

RGB 200 239 102

HSL 77.08, 0.81%, 0.67%

LAB 89.38, -32.37, 60.82

 

CMYK 57 / 0 / 13 / 6

HEX #66EFD1

RGB 102 239 209

HSL 166.86, 0.81%, 0.67%

LAB 86.58, -44.4, 3.32

 

Description

Color code: HEX #8D66EF | qconv.com Color code: HEX #8D66EF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 102 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 102 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 57 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 57% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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