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Color name
HEX #8D6C19

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8D6C19 it is the complementary color #7293E6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8D6C19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8D6C19 shade: #926C14, #A37E27, #B4903A, #C5A24D and #D6B460

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8D6C19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8D6C19 shade: #8D6C19, #7C5A06, #6B4800, #5A3600 and #492400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8D6C19 shade: #8F6D19, #8F4D19, #8F2D19 and #8F1919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8D6C19 shade: #8F6D19, #8F8D19, #718F19, #518F19 and #318F19

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8D6C19 shade matches the following richer shades: #8F6D19 and #9C730B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8D6C19 shade: #8F6D19, #816726, #736134, #665B42 and #58564F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8D6C19 shade: #8F2C19, #8F4C19, #8F6B19, #8F8B19 and #738F19

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8D6C19 shade: #48370C, #6B5213, #8F6D19, #B2881F and #D5A325

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8D6C19 shade: #8D6C19, #258F19 and #3C198F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8D6C19 shade: #8D6C19, #198F6B and #6B198F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8D6C19 shade: #8D6C19, #258F19, #193C8F and #83198F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8D6C19 shade: #8D6C19, #198F30, #193C8F and #8F1977

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 82 / 45

HEX #8D6C19

RGB 141 108 25

HSL 42.93, 0.7%, 0.33%

LAB 47.57, 5.04, 47.72

 

Complementary color

CMYK 50 / 36 / 0 / 10

HEX #7293E6

RGB 114 147 230

HSL 222.93, 0.7%, 0.67%

LAB 61.79, 11.28, -45.61

 

CMYK 0 / 26 / 86 / 43

HEX #926C14

RGB 146 108 20

HSL 41.9, 0.76%, 0.33%

LAB 48.12, 7.23, 50.09

 

CMYK 0 / 23 / 76 / 36

HEX #A37E27

RGB 163 126 39

HSL 42.1, 0.61%, 0.4%

LAB 54.92, 5.57, 50.08

 

CMYK 0 / 20 / 68 / 29

HEX #B4903A

RGB 180 144 58

HSL 42.3, 0.51%, 0.47%

LAB 61.62, 4.21, 49.27

 

CMYK 0 / 18 / 61 / 23

HEX #C5A24D

RGB 197 162 77

HSL 42.5, 0.51%, 0.54%

LAB 68.2, 3.08, 48.13

 

CMYK 0 / 16 / 55 / 16

HEX #D6B460

RGB 214 180 96

HSL 42.71, 0.59%, 0.61%

LAB 74.69, 2.13, 46.89

 

CMYK 0 / 23 / 82 / 45

HEX #8D6C19

RGB 141 108 25

HSL 42.93, 0.7%, 0.33%

LAB 47.57, 5.04, 47.72

 

CMYK 0 / 27 / 95 / 51

HEX #7C5A06

RGB 124 90 6

HSL 42.71, 0.91%, 0.25%

LAB 40.59, 6.92, 46.8

 

CMYK 0 / 33 / 100 / 58

HEX #6B4800

RGB 107 72 0

HSL 40.37, 1%, 0.21%

LAB 33.48, 9.27, 42.65

 

CMYK 0 / 40 / 100 / 65

HEX #5A3600

RGB 90 54 0

HSL 36, 1%, 0.18%

LAB 26.19, 11.95, 36.05

 

CMYK 0 / 51 / 100 / 71

HEX #492400

RGB 73 36 0

HSL 29.59, 1%, 0.14%

LAB 18.71, 14.8, 27.4

 

CMYK 0 / 24 / 83 / 44

HEX #8F6D19

RGB 143 109 25

HSL 42.71, 0.7%, 0.33%

LAB 48.07, 5.41, 48.25

 

CMYK 0 / 46 / 83 / 44

HEX #8F4D19

RGB 143 77 25

HSL 26.44, 0.7%, 0.33%

LAB 39.94, 23.9, 40.86

 

CMYK 0 / 69 / 83 / 44

HEX #8F2D19

RGB 143 45 25

HSL 10.17, 0.7%, 0.33%

LAB 33.53, 40.36, 34.77

 

CMYK 0 / 83 / 83 / 44

HEX #8F1919

RGB 143 25 25

HSL 0, 0.7%, 0.33%

LAB 30.89, 47.67, 32.17

 

CMYK 0 / 24 / 83 / 44

HEX #8F6D19

RGB 143 109 25

HSL 42.71, 0.7%, 0.33%

LAB 48.07, 5.41, 48.25

 

CMYK 0 / 1 / 83 / 44

HEX #8F8D19

RGB 143 141 25

HSL 58.98, 0.7%, 0.33%

LAB 57.04, -12.4, 56.12

 

CMYK 21 / 0 / 83 / 44

HEX #718F19

RGB 113 143 25

HSL 75.25, 0.7%, 0.33%

LAB 55.3, -26.7, 53.7

 

CMYK 43 / 0 / 83 / 44

HEX #518F19

RGB 81 143 25

HSL 91.53, 0.7%, 0.33%

LAB 53.45, -39.2, 51.34

 

CMYK 66 / 0 / 83 / 44

HEX #318F19

RGB 49 143 25

HSL 107.8, 0.7%, 0.33%

LAB 52.25, -48.58, 49.79

 

CMYK 0 / 24 / 83 / 44

HEX #8F6D19

RGB 143 109 25

HSL 42.71, 0.7%, 0.33%

LAB 48.07, 5.41, 48.25

 

CMYK 0 / 26 / 93 / 39

HEX #9C730B

RGB 156 115 11

HSL 43.03, 0.87%, 0.33%

LAB 51.1, 7.69, 55.26

 

CMYK 0 / 24 / 83 / 44

HEX #8F6D19

RGB 143 109 25

HSL 42.71, 0.7%, 0.33%

LAB 48.07, 5.41, 48.25

 

CMYK 0 / 20 / 71 / 49

HEX #816726

RGB 129 103 38

HSL 42.86, 0.54%, 0.33%

LAB 44.95, 2.92, 39.26

 

CMYK 0 / 16 / 55 / 55

HEX #736134

RGB 115 97 52

HSL 42.86, 0.38%, 0.33%

LAB 41.91, 0.97, 28.13

 

CMYK 0 / 11 / 35 / 60

HEX #665B42

RGB 102 91 66

HSL 41.67, 0.21%, 0.33%

LAB 39.07, 0.26, 16.06

 

CMYK 0 / 2 / 10 / 65

HEX #58564F

RGB 88 86 79

HSL 46.67, 0.05%, 0.33%

LAB 36.55, -0.61, 4.36

 

CMYK 0 / 69 / 83 / 44

HEX #8F2C19

RGB 143 44 25

HSL 9.66, 0.7%, 0.33%

LAB 33.37, 40.8, 34.61

 

CMYK 0 / 47 / 83 / 44

HEX #8F4C19

RGB 143 76 25

HSL 25.93, 0.7%, 0.33%

LAB 39.71, 24.47, 40.65

 

CMYK 0 / 25 / 83 / 44

HEX #8F6B19

RGB 143 107 25

HSL 41.69, 0.7%, 0.33%

LAB 47.53, 6.56, 47.77

 

CMYK 0 / 3 / 83 / 44

HEX #8F8B19

RGB 143 139 25

HSL 57.97, 0.7%, 0.33%

LAB 56.46, -11.34, 55.62

 

CMYK 20 / 0 / 83 / 44

HEX #738F19

RGB 115 143 25

HSL 74.24, 0.7%, 0.33%

LAB 55.44, -25.85, 53.88

 

CMYK 0 / 24 / 83 / 72

HEX #48370C

RGB 72 55 12

HSL 43, 0.71%, 0.16%

LAB 24.12, 2.5, 28.28

 

CMYK 0 / 23 / 82 / 58

HEX #6B5213

RGB 107 82 19

HSL 42.95, 0.7%, 0.25%

LAB 36.38, 3.78, 38.36

 

CMYK 0 / 24 / 83 / 44

HEX #8F6D19

RGB 143 109 25

HSL 42.71, 0.7%, 0.33%

LAB 48.07, 5.41, 48.25

 

CMYK 0 / 24 / 83 / 30

HEX #B2881F

RGB 178 136 31

HSL 42.86, 0.7%, 0.41%

LAB 59.13, 6.49, 57.46

 

CMYK 0 / 23 / 83 / 16

HEX #D5A325

RGB 213 163 37

HSL 42.95, 0.7%, 0.49%

LAB 69.81, 7.54, 66.29

 

CMYK 0 / 23 / 82 / 45

HEX #8D6C19

RGB 141 108 25

HSL 42.93, 0.7%, 0.33%

LAB 47.57, 5.04, 47.72

 

CMYK 74 / 0 / 83 / 44

HEX #258F19

RGB 37 143 25

HSL 113.9, 0.7%, 0.33%

LAB 51.96, -51.05, 49.41

 

CMYK 58 / 83 / 0 / 44

HEX #3C198F

RGB 60 25 143

HSL 257.8, 0.7%, 0.33%

LAB 22.44, 45.57, -58.3

 

CMYK 0 / 23 / 82 / 45

HEX #8D6C19

RGB 141 108 25

HSL 42.93, 0.7%, 0.33%

LAB 47.57, 5.04, 47.72

 

CMYK 83 / 0 / 25 / 44

HEX #198F6B

RGB 25 143 107

HSL 161.69, 0.7%, 0.33%

LAB 52.85, -39.98, 10.46

 

CMYK 25 / 83 / 0 / 44

HEX #6B198F

RGB 107 25 143

HSL 281.69, 0.7%, 0.33%

LAB 28.91, 52.77, -47.45

 

CMYK 0 / 23 / 82 / 45

HEX #8D6C19

RGB 141 108 25

HSL 42.93, 0.7%, 0.33%

LAB 47.57, 5.04, 47.72

 

CMYK 74 / 0 / 83 / 44

HEX #258F19

RGB 37 143 25

HSL 113.9, 0.7%, 0.33%

LAB 51.96, -51.05, 49.41

 

CMYK 83 / 58 / 0 / 44

HEX #193C8F

RGB 25 60 143

HSL 222.2, 0.7%, 0.33%

LAB 27.9, 20.09, -49.43

 

CMYK 8 / 83 / 0 / 44

HEX #83198F

RGB 131 25 143

HSL 293.9, 0.7%, 0.33%

LAB 32.93, 57.29, -40.77

 

CMYK 0 / 23 / 82 / 45

HEX #8D6C19

RGB 141 108 25

HSL 42.93, 0.7%, 0.33%

LAB 47.57, 5.04, 47.72

 

CMYK 83 / 0 / 66 / 44

HEX #198F30

RGB 25 143 48

HSL 131.69, 0.7%, 0.33%

LAB 51.91, -50.86, 40.55

 

CMYK 83 / 58 / 0 / 44

HEX #193C8F

RGB 25 60 143

HSL 222.2, 0.7%, 0.33%

LAB 27.9, 20.09, -49.43

 

CMYK 0 / 83 / 17 / 44

HEX #8F1977

RGB 143 25 119

HSL 312.2, 0.7%, 0.33%

LAB 33.7, 55.99, -24.43

 

Description

Color code: HEX #8D6C19 | qconv.com Color code: HEX #8D6C19 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 108 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 108 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 82 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 82% 45% C M Y K

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Provide designers and agencies with accurate color values.

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