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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8D6DCE it is the complementary color #729231. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8D6DCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8D6DCE shade: #926DC9, #A37FDC, #B491EF, #C5A3FF and #D6B5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8D6DCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8D6DCE shade: #8D6DCE, #7C5BBB, #6B49A8, #5A3795 and #492582

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8D6DCE shade: #8D6DCE, #A76DCE, #C16DCE, #CE6DC1 and #CE6DA6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8D6DCE shade: #8D6DCE, #736DCE and #6D6DCE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8D6DCE shade matches the following richer shades: #8D6DCE, #885DDE, #824EED and #7D3EFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8D6DCE shade: #8D6DCE, #927DBE, #988DAF, #9D9C9F and #A2AC8F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8D6DCE shade: #6D82CE, #726DCE, #8C6DCE, #A66DCE and #C06DCE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8D6DCE shade: #603AAF, #754EC4, #8D6DCE, #A58CD8 and #BDABE3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8D6DCE shade: #8D6DCE, #CE6D9C and #75CE6D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8D6DCE shade: #8D6DCE, #CE8C6D and #6DCE8C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8D6DCE shade: #8D6DCE, #CE6D9C, #AFCE6D and #6DCE9F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8D6DCE shade: #8D6DCE, #CE6D7F, #AFCE6D and #6DCEBC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 47 / 0 / 19

HEX #8D6DCE

RGB 141 109 206

HSL 259.79, 0.5%, 0.62%

LAB 53.01, 33.61, -45.89

 

Complementary color

CMYK 22 / 0 / 66 / 43

HEX #729231

RGB 114 146 49

HSL 79.79, 0.5%, 0.38%

LAB 56.44, -26.34, 46.06

 

CMYK 27 / 46 / 0 / 21

HEX #926DC9

RGB 146 109 201

HSL 264.13, 0.46%, 0.61%

LAB 53.24, 33.72, -42.65

 

CMYK 26 / 42 / 0 / 14

HEX #A37FDC

RGB 163 127 220

HSL 263.23, 0.57%, 0.68%

LAB 60.01, 32.84, -42.6

 

CMYK 25 / 39 / 0 / 6

HEX #B491EF

RGB 180 145 239

HSL 262.34, 0.75%, 0.75%

LAB 66.66, 32.03, -42.57

 

CMYK 23 / 36 / 0 / 0

HEX #C5A3FF

RGB 197 163 255

HSL 262.17, 1%, 0.82%

LAB 73.08, 30.6, -41.14

 

CMYK 16 / 29 / 0 / 0

HEX #D6B5FF

RGB 214 181 255

HSL 266.76, 1%, 0.85%

LAB 78.79, 25.77, -32.17

 

CMYK 32 / 47 / 0 / 19

HEX #8D6DCE

RGB 141 109 206

HSL 259.79, 0.5%, 0.62%

LAB 53.01, 33.61, -45.89

 

CMYK 34 / 51 / 0 / 27

HEX #7C5BBB

RGB 124 91 187

HSL 260.63, 0.41%, 0.55%

LAB 46.12, 34.64, -46.03

 

CMYK 36 / 57 / 0 / 34

HEX #6B49A8

RGB 107 73 168

HSL 261.47, 0.39%, 0.47%

LAB 39.1, 35.75, -46.17

 

CMYK 40 / 63 / 0 / 42

HEX #5A3795

RGB 90 55 149

HSL 262.34, 0.46%, 0.4%

LAB 31.98, 36.91, -46.28

 

CMYK 44 / 72 / 0 / 49

HEX #492582

RGB 73 37 130

HSL 263.23, 0.56%, 0.33%

LAB 24.8, 38.01, -46.24

 

CMYK 32 / 47 / 0 / 19

HEX #8D6DCE

RGB 141 109 206

HSL 259.79, 0.5%, 0.62%

LAB 53.01, 33.61, -45.89

 

CMYK 19 / 47 / 0 / 19

HEX #A76DCE

RGB 167 109 206

HSL 275.88, 0.5%, 0.62%

LAB 55.69, 40.77, -41.47

 

CMYK 6 / 47 / 0 / 19

HEX #C16DCE

RGB 193 109 206

HSL 291.96, 0.5%, 0.62%

LAB 58.72, 48.19, -36.5

 

CMYK 0 / 47 / 6 / 19

HEX #CE6DC1

RGB 206 109 193

HSL 308.04, 0.5%, 0.62%

LAB 59.81, 49.64, -27.32

 

CMYK 0 / 47 / 19 / 19

HEX #CE6DA6

RGB 206 109 166

HSL 324.74, 0.5%, 0.62%

LAB 58.8, 45.3, -13.38

 

CMYK 32 / 47 / 0 / 19

HEX #8D6DCE

RGB 141 109 206

HSL 259.79, 0.5%, 0.62%

LAB 53.01, 33.61, -45.89

 

CMYK 44 / 47 / 0 / 19

HEX #736DCE

RGB 115 109 206

HSL 243.71, 0.5%, 0.62%

LAB 50.73, 26.98, -49.66

 

CMYK 47 / 47 / 0 / 19

HEX #6D6DCE

RGB 109 109 206

HSL 240, 0.5%, 0.62%

LAB 50.27, 25.56, -50.42

 

CMYK 32 / 47 / 0 / 19

HEX #8D6DCE

RGB 141 109 206

HSL 259.79, 0.5%, 0.62%

LAB 53.01, 33.61, -45.89

 

CMYK 39 / 58 / 0 / 13

HEX #885DDE

RGB 136 93 222

HSL 260, 0.66%, 0.62%

LAB 49.9, 45.64, -59.98

 

CMYK 45 / 67 / 0 / 7

HEX #824EED

RGB 130 78 237

HSL 259.62, 0.82%, 0.62%

LAB 47.38, 56.38, -72.57

 

CMYK 51 / 75 / 0 / 1

HEX #7D3EFD

RGB 125 62 253

HSL 259.79, 0.98%, 0.62%

LAB 45.49, 67.28, -84.64

 

CMYK 32 / 47 / 0 / 19

HEX #8D6DCE

RGB 141 109 206

HSL 259.79, 0.5%, 0.62%

LAB 53.01, 33.61, -45.89

 

CMYK 23 / 34 / 0 / 25

HEX #927DBE

RGB 146 125 190

HSL 259.38, 0.33%, 0.62%

LAB 56.58, 21.74, -31.13

 

CMYK 13 / 19 / 0 / 31

HEX #988DAF

RGB 152 141 175

HSL 259.41, 0.18%, 0.62%

LAB 60.62, 10.96, -16.34

 

CMYK 1 / 2 / 0 / 38

HEX #9D9C9F

RGB 157 156 159

HSL 260, 0.02%, 0.62%

LAB 64.52, 0.94, -1.44

 

CMYK 6 / 0 / 17 / 33

HEX #A2AC8F

RGB 162 172 143

HSL 80.69, 0.15%, 0.62%

LAB 68.87, -8.79, 13.75

 

CMYK 47 / 37 / 0 / 19

HEX #6D82CE

RGB 109 130 206

HSL 227.01, 0.5%, 0.62%

LAB 55.76, 12.88, -41.71

 

CMYK 45 / 47 / 0 / 19

HEX #726DCE

RGB 114 109 206

HSL 243.09, 0.5%, 0.62%

LAB 50.65, 26.74, -49.79

 

CMYK 32 / 47 / 0 / 19

HEX #8C6DCE

RGB 140 109 206

HSL 259.18, 0.5%, 0.62%

LAB 52.92, 33.35, -46.05

 

CMYK 19 / 47 / 0 / 19

HEX #A66DCE

RGB 166 109 206

HSL 275.26, 0.5%, 0.62%

LAB 55.58, 40.49, -41.66

 

CMYK 7 / 47 / 0 / 19

HEX #C06DCE

RGB 192 109 206

HSL 291.34, 0.5%, 0.62%

LAB 58.6, 47.9, -36.7

 

CMYK 45 / 67 / 0 / 31

HEX #603AAF

RGB 96 58 175

HSL 259.49, 0.5%, 0.46%

LAB 35.22, 43.76, -56.67

 

CMYK 40 / 60 / 0 / 23

HEX #754EC4

RGB 117 78 196

HSL 259.83, 0.5%, 0.54%

LAB 43.09, 42.83, -56.16

 

CMYK 32 / 47 / 0 / 19

HEX #8D6DCE

RGB 141 109 206

HSL 259.79, 0.5%, 0.62%

LAB 53.01, 33.61, -45.89

 

CMYK 24 / 35 / 0 / 15

HEX #A58CD8

RGB 165 140 216

HSL 259.74, 0.49%, 0.7%

LAB 63.11, 25.06, -35.5

 

CMYK 17 / 25 / 0 / 11

HEX #BDABE3

RGB 189 171 227

HSL 259.29, 0.5%, 0.78%

LAB 73.21, 17.5, -25.78

 

CMYK 32 / 47 / 0 / 19

HEX #8D6DCE

RGB 141 109 206

HSL 259.79, 0.5%, 0.62%

LAB 53.01, 33.61, -45.89

 

CMYK 0 / 47 / 24 / 19

HEX #CE6D9C

RGB 206 109 156

HSL 330.93, 0.5%, 0.62%

LAB 58.47, 43.84, -8.1

 

CMYK 43 / 0 / 47 / 19

HEX #75CE6D

RGB 117 206 109

HSL 115.05, 0.5%, 0.62%

LAB 75.47, -45.82, 39.93

 

CMYK 32 / 47 / 0 / 19

HEX #8D6DCE

RGB 141 109 206

HSL 259.79, 0.5%, 0.62%

LAB 53.01, 33.61, -45.89

 

CMYK 0 / 32 / 47 / 19

HEX #CE8C6D

RGB 206 140 109

HSL 19.18, 0.5%, 0.62%

LAB 64.15, 21.56, 26.71

 

CMYK 47 / 0 / 32 / 19

HEX #6DCE8C

RGB 109 206 140

HSL 139.18, 0.5%, 0.62%

LAB 75.63, -43.14, 24.21

 

CMYK 32 / 47 / 0 / 19

HEX #8D6DCE

RGB 141 109 206

HSL 259.79, 0.5%, 0.62%

LAB 53.01, 33.61, -45.89

 

CMYK 0 / 47 / 24 / 19

HEX #CE6D9C

RGB 206 109 156

HSL 330.93, 0.5%, 0.62%

LAB 58.47, 43.84, -8.1

 

CMYK 15 / 0 / 47 / 19

HEX #AFCE6D

RGB 175 206 109

HSL 79.18, 0.5%, 0.62%

LAB 78.67, -25.69, 44.6

 

CMYK 47 / 0 / 23 / 19

HEX #6DCE9F

RGB 109 206 159

HSL 150.93, 0.5%, 0.62%

LAB 76.01, -39.44, 14.67

 

CMYK 32 / 47 / 0 / 19

HEX #8D6DCE

RGB 141 109 206

HSL 259.79, 0.5%, 0.62%

LAB 53.01, 33.61, -45.89

 

CMYK 0 / 47 / 38 / 19

HEX #CE6D7F

RGB 206 109 127

HSL 348.87, 0.5%, 0.62%

LAB 57.65, 40.09, 7.55

 

CMYK 15 / 0 / 47 / 19

HEX #AFCE6D

RGB 175 206 109

HSL 79.18, 0.5%, 0.62%

LAB 78.67, -25.69, 44.6

 

CMYK 47 / 0 / 9 / 19

HEX #6DCEBC

RGB 109 206 188

HSL 168.87, 0.5%, 0.62%

LAB 76.69, -32.97, 0.1

 

Description

Color code: HEX #8D6DCE | qconv.com Color code: HEX #8D6DCE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 109 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 109 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 47 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 47% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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