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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8D6E68 it is the complementary color #729197. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8D6E68. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8D6E68 shade: #926E63, #A38076, #B49289, #C5A49C and #D6B6AF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8D6E68. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8D6E68 shade: #8D6E68, #7C5C55, #6B4A42, #5A382F and #49261C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8D6E68 shade: #8C6D68 and #8C6868

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8D6E68 shade: #8C6D68, #8C7768, #8C8168, #8C8B68 and #838C68

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8D6E68 shade matches the following richer shades: #8C6D68, #A06054, #B45340, #C8452C and #DB3818

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8D6E68 shade: #8C6D68, #787B7B, #65888F, #5196A3 and #3DA3B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8D6E68 shade: #8C6876, #8C686C, #8C6D68, #8C7768 and #8C8168

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8D6E68 shade: #5D4844, #755B56, #8C6D68, #9F837E and #B19A95

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8D6E68 shade: #8D6E68, #7F8C68 and #68718C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8D6E68 shade: #8D6E68, #688C6D and #6D688C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8D6E68 shade: #8D6E68, #7F8C68, #68878C and #74688C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8D6E68 shade: #8D6E68, #748C68, #68878C and #7F688C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 26 / 45

HEX #8D6E68

RGB 141 110 104

HSL 9.73, 0.15%, 0.48%

LAB 49.27, 11.32, 8.04

 

Complementary color

CMYK 25 / 4 / 0 / 41

HEX #729197

RGB 114 145 151

HSL 189.73, 0.15%, 0.52%

LAB 58.1, -9.39, -6.75

 

CMYK 0 / 25 / 32 / 43

HEX #926E63

RGB 146 110 99

HSL 14.04, 0.19%, 0.48%

LAB 49.69, 12.65, 11.67

 

CMYK 0 / 21 / 28 / 36

HEX #A38076

RGB 163 128 118

HSL 13.33, 0.2%, 0.55%

LAB 56.62, 11.96, 10.57

 

CMYK 0 / 19 / 24 / 29

HEX #B49289

RGB 180 146 137

HSL 12.56, 0.22%, 0.62%

LAB 63.4, 11.36, 9.58

 

CMYK 0 / 17 / 21 / 23

HEX #C5A49C

RGB 197 164 156

HSL 11.71, 0.26%, 0.69%

LAB 70.05, 10.84, 8.67

 

CMYK 0 / 15 / 18 / 16

HEX #D6B6AF

RGB 214 182 175

HSL 10.77, 0.32%, 0.76%

LAB 76.59, 10.38, 7.82

 

CMYK 0 / 22 / 26 / 45

HEX #8D6E68

RGB 141 110 104

HSL 9.73, 0.15%, 0.48%

LAB 49.27, 11.32, 8.04

 

CMYK 0 / 26 / 31 / 51

HEX #7C5C55

RGB 124 92 85

HSL 10.77, 0.19%, 0.41%

LAB 42.15, 12.03, 9.13

 

CMYK 0 / 31 / 38 / 58

HEX #6B4A42

RGB 107 74 66

HSL 11.71, 0.24%, 0.34%

LAB 34.84, 12.88, 10.38

 

CMYK 0 / 38 / 48 / 65

HEX #5A382F

RGB 90 56 47

HSL 12.56, 0.31%, 0.27%

LAB 27.32, 13.95, 11.89

 

CMYK 0 / 48 / 62 / 71

HEX #49261C

RGB 73 38 28

HSL 13.33, 0.45%, 0.2%

LAB 19.58, 15.32, 13.8

 

CMYK 0 / 22 / 26 / 45

HEX #8C6D68

RGB 140 109 104

HSL 8.33, 0.15%, 0.48%

LAB 48.9, 11.5, 7.5

 

CMYK 0 / 26 / 26 / 45

HEX #8C6868

RGB 140 104 104

HSL 0, 0.15%, 0.48%

LAB 47.59, 14.43, 5.63

 

CMYK 0 / 22 / 26 / 45

HEX #8C6D68

RGB 140 109 104

HSL 8.33, 0.15%, 0.48%

LAB 48.9, 11.5, 7.5

 

CMYK 0 / 15 / 26 / 45

HEX #8C7768

RGB 140 119 104

HSL 25, 0.15%, 0.48%

LAB 51.57, 5.68, 11.27

 

CMYK 0 / 8 / 26 / 45

HEX #8C8168

RGB 140 129 104

HSL 41.67, 0.15%, 0.48%

LAB 54.32, -0.04, 15.08

 

CMYK 0 / 1 / 26 / 45

HEX #8C8B68

RGB 140 139 104

HSL 58.33, 0.15%, 0.48%

LAB 57.11, -5.63, 18.91

 

CMYK 6 / 0 / 26 / 45

HEX #838C68

RGB 131 140 104

HSL 75, 0.15%, 0.48%

LAB 56.66, -9.81, 18.18

 

CMYK 0 / 22 / 26 / 45

HEX #8C6D68

RGB 140 109 104

HSL 8.33, 0.15%, 0.48%

LAB 48.9, 11.5, 7.5

 

CMYK 0 / 40 / 48 / 37

HEX #A06054

RGB 160 96 84

HSL 9.47, 0.31%, 0.48%

LAB 47.6, 24.65, 17.94

 

CMYK 0 / 54 / 64 / 29

HEX #B45340

RGB 180 83 64

HSL 9.83, 0.48%, 0.48%

LAB 47.31, 37.95, 29.87

 

CMYK 0 / 66 / 78 / 22

HEX #C8452C

RGB 200 69 44

HSL 9.62, 0.64%, 0.48%

LAB 47.9, 50.8, 42.5

 

CMYK 0 / 74 / 89 / 14

HEX #DB3818

RGB 219 56 24

HSL 9.85, 0.8%, 0.48%

LAB 49.44, 61.33, 54.46

 

CMYK 0 / 22 / 26 / 45

HEX #8C6D68

RGB 140 109 104

HSL 8.33, 0.15%, 0.48%

LAB 48.9, 11.5, 7.5

 

CMYK 2 / 0 / 0 / 52

HEX #787B7B

RGB 120 123 123

HSL 180, 0.01%, 0.48%

LAB 51.37, -1.12, -0.4

 

CMYK 29 / 5 / 0 / 44

HEX #65888F

RGB 101 136 143

HSL 190, 0.17%, 0.48%

LAB 54.41, -10.46, -7.72

 

CMYK 50 / 8 / 0 / 36

HEX #5196A3

RGB 81 150 163

HSL 189.51, 0.34%, 0.48%

LAB 58.23, -18.13, -13.57

 

CMYK 67 / 11 / 0 / 28

HEX #3DA3B7

RGB 61 163 183

HSL 189.84, 0.5%, 0.48%

LAB 62.17, -22.83, -18.97

 

CMYK 0 / 26 / 16 / 45

HEX #8C6876

RGB 140 104 118

HSL 336.67, 0.15%, 0.48%

LAB 47.99, 16.73, -2.17

 

CMYK 0 / 26 / 23 / 45

HEX #8C686C

RGB 140 104 108

HSL 353.33, 0.15%, 0.48%

LAB 47.7, 15.06, 3.39

 

CMYK 0 / 22 / 26 / 45

HEX #8C6D68

RGB 140 109 104

HSL 8.33, 0.15%, 0.48%

LAB 48.9, 11.5, 7.5

 

CMYK 0 / 15 / 26 / 45

HEX #8C7768

RGB 140 119 104

HSL 25, 0.15%, 0.48%

LAB 51.57, 5.68, 11.27

 

CMYK 0 / 8 / 26 / 45

HEX #8C8168

RGB 140 129 104

HSL 41.67, 0.15%, 0.48%

LAB 54.32, -0.04, 15.08

 

CMYK 0 / 23 / 27 / 64

HEX #5D4844

RGB 93 72 68

HSL 9.6, 0.16%, 0.32%

LAB 32.66, 8.25, 5.81

 

CMYK 0 / 22 / 26 / 54

HEX #755B56

RGB 117 91 86

HSL 9.68, 0.15%, 0.4%

LAB 41.11, 9.82, 6.95

 

CMYK 0 / 22 / 26 / 45

HEX #8C6D68

RGB 140 109 104

HSL 8.33, 0.15%, 0.48%

LAB 48.9, 11.5, 7.5

 

CMYK 0 / 18 / 21 / 38

HEX #9F837E

RGB 159 131 126

HSL 9.09, 0.15%, 0.56%

LAB 57.18, 9.88, 6.71

 

CMYK 0 / 13 / 16 / 31

HEX #B19A95

RGB 177 154 149

HSL 10.71, 0.15%, 0.64%

LAB 65.46, 7.65, 5.74

 

CMYK 0 / 22 / 26 / 45

HEX #8D6E68

RGB 141 110 104

HSL 9.73, 0.15%, 0.48%

LAB 49.27, 11.32, 8.04

 

CMYK 9 / 0 / 26 / 45

HEX #7F8C68

RGB 127 140 104

HSL 81.67, 0.15%, 0.48%

LAB 56.35, -11.39, 17.71

 

CMYK 26 / 19 / 0 / 45

HEX #68718C

RGB 104 113 140

HSL 225, 0.15%, 0.48%

LAB 47.81, 3.01, -15.88

 

CMYK 0 / 22 / 26 / 45

HEX #8D6E68

RGB 141 110 104

HSL 9.73, 0.15%, 0.48%

LAB 49.27, 11.32, 8.04

 

CMYK 26 / 0 / 22 / 45

HEX #688C6D

RGB 104 140 109

HSL 128.33, 0.15%, 0.48%

LAB 54.87, -19.15, 12.57

 

CMYK 22 / 26 / 0 / 45

HEX #6D688C

RGB 109 104 140

HSL 248.33, 0.15%, 0.48%

LAB 45.7, 10.09, -19.08

 

CMYK 0 / 22 / 26 / 45

HEX #8D6E68

RGB 141 110 104

HSL 9.73, 0.15%, 0.48%

LAB 49.27, 11.32, 8.04

 

CMYK 9 / 0 / 26 / 45

HEX #7F8C68

RGB 127 140 104

HSL 81.67, 0.15%, 0.48%

LAB 56.35, -11.39, 17.71

 

CMYK 26 / 4 / 0 / 45

HEX #68878C

RGB 104 135 140

HSL 188.33, 0.15%, 0.48%

LAB 54.2, -9.69, -6.27

 

CMYK 17 / 26 / 0 / 45

HEX #74688C

RGB 116 104 140

HSL 260, 0.15%, 0.48%

LAB 46.32, 12.46, -18.07

 

CMYK 0 / 22 / 26 / 45

HEX #8D6E68

RGB 141 110 104

HSL 9.73, 0.15%, 0.48%

LAB 49.27, 11.32, 8.04

 

CMYK 17 / 0 / 26 / 45

HEX #748C68

RGB 116 140 104

HSL 100, 0.15%, 0.48%

LAB 55.55, -15.65, 16.48

 

CMYK 26 / 4 / 0 / 45

HEX #68878C

RGB 104 135 140

HSL 188.33, 0.15%, 0.48%

LAB 54.2, -9.69, -6.27

 

CMYK 9 / 26 / 0 / 45

HEX #7F688C

RGB 127 104 140

HSL 278.33, 0.15%, 0.48%

LAB 47.37, 16.27, -16.37

 

Description

Color code: HEX #8D6E68 | qconv.com Color code: HEX #8D6E68 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 110 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 110 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 26 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 26% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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