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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8D7E79 it is the complementary color #728186. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8D7E79. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8D7E79 shade: #927E74, #A39087, #B4A29A, #C5B4AD and #D6C6C0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8D7E79. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8D7E79 shade: #8D7E79, #7C6C66, #6B5A53, #5A4840 and #49362D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8D7E79 shade: #8C7D78 and #8C7878

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8D7E79 shade: #8C7D78, #8C8278, #8C8778, #8A8C78 and #858C78

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8D7E79 shade matches the following richer shades: #8C7D78, #A07263, #B4684F, #C85E3B and #DC5427

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8D7E79 shade: #8C7D78, #77878C, #6391A0, #4F9BB4 and #3BA5C8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8D7E79 shade: #8C787D, #8C7878, #8C7D78, #8C8278 and #8C8778

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8D7E79 shade: #5F5551, #766964, #8C7D78, #9F928E and #B2A7A4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8D7E79 shade: #8D7E79, #838C78 and #787B8C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8D7E79 shade: #8D7E79, #788C7D and #7D788C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8D7E79 shade: #8D7E79, #838C78, #78878C and #81788C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8D7E79 shade: #8D7E79, #7D8C78, #78878C and #87788C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 14 / 45

HEX #8D7E79

RGB 141 126 121

HSL 15, 0.08%, 0.51%

LAB 53.99, 4.83, 4.8

 

Complementary color

CMYK 15 / 4 / 0 / 47

HEX #728186

RGB 114 129 134

HSL 195, 0.08%, 0.49%

LAB 52.95, -4.36, -4.57

 

CMYK 0 / 14 / 21 / 43

HEX #927E74

RGB 146 126 116

HSL 20, 0.12%, 0.51%

LAB 54.34, 5.98, 8.26

 

CMYK 0 / 12 / 17 / 36

HEX #A39087

RGB 163 144 135

HSL 19.29, 0.13%, 0.58%

LAB 61.2, 5.56, 7.37

 

CMYK 0 / 10 / 14 / 29

HEX #B4A29A

RGB 180 162 154

HSL 18.46, 0.15%, 0.65%

LAB 67.93, 5.2, 6.54

 

CMYK 0 / 9 / 12 / 23

HEX #C5B4AD

RGB 197 180 173

HSL 17.5, 0.17%, 0.73%

LAB 74.53, 4.87, 5.75

 

CMYK 0 / 7 / 10 / 16

HEX #D6C6C0

RGB 214 198 192

HSL 16.36, 0.21%, 0.8%

LAB 81.01, 4.58, 5.01

 

CMYK 0 / 11 / 14 / 45

HEX #8D7E79

RGB 141 126 121

HSL 15, 0.08%, 0.51%

LAB 53.99, 4.83, 4.8

 

CMYK 0 / 13 / 18 / 51

HEX #7C6C66

RGB 124 108 102

HSL 16.36, 0.1%, 0.44%

LAB 46.93, 5.23, 5.66

 

CMYK 0 / 16 / 22 / 58

HEX #6B5A53

RGB 107 90 83

HSL 17.5, 0.13%, 0.37%

LAB 39.69, 5.69, 6.61

 

CMYK 0 / 20 / 29 / 65

HEX #5A4840

RGB 90 72 64

HSL 18.46, 0.17%, 0.3%

LAB 32.21, 6.27, 7.68

 

CMYK 0 / 26 / 38 / 71

HEX #49362D

RGB 73 54 45

HSL 19.29, 0.24%, 0.23%

LAB 24.46, 7.01, 8.94

 

CMYK 0 / 11 / 14 / 45

HEX #8C7D78

RGB 140 125 120

HSL 15, 0.08%, 0.51%

LAB 53.6, 4.84, 4.81

 

CMYK 0 / 14 / 14 / 45

HEX #8C7878

RGB 140 120 120

HSL 0, 0.08%, 0.51%

LAB 52.25, 7.73, 2.86

 

CMYK 0 / 11 / 14 / 45

HEX #8C7D78

RGB 140 125 120

HSL 15, 0.08%, 0.51%

LAB 53.6, 4.84, 4.81

 

CMYK 0 / 7 / 14 / 45

HEX #8C8278

RGB 140 130 120

HSL 30, 0.08%, 0.51%

LAB 54.97, 1.98, 6.77

 

CMYK 0 / 4 / 14 / 45

HEX #8C8778

RGB 140 135 120

HSL 45, 0.08%, 0.51%

LAB 56.35, -0.85, 8.73

 

CMYK 1 / 0 / 14 / 45

HEX #8A8C78

RGB 138 140 120

HSL 66, 0.08%, 0.51%

LAB 57.57, -4.43, 10.44

 

CMYK 5 / 0 / 14 / 45

HEX #858C78

RGB 133 140 120

HSL 81, 0.08%, 0.51%

LAB 57.17, -6.36, 9.82

 

CMYK 0 / 11 / 14 / 45

HEX #8C7D78

RGB 140 125 120

HSL 15, 0.08%, 0.51%

LAB 53.6, 4.84, 4.81

 

CMYK 0 / 29 / 38 / 37

HEX #A07263

RGB 160 114 99

HSL 14.75, 0.24%, 0.51%

LAB 52.3, 16.14, 15.52

 

CMYK 0 / 42 / 56 / 29

HEX #B4684F

RGB 180 104 79

HSL 14.85, 0.4%, 0.51%

LAB 52.03, 27.92, 27.17

 

CMYK 0 / 53 / 71 / 22

HEX #C85E3B

RGB 200 94 59

HSL 14.89, 0.56%, 0.51%

LAB 52.51, 39.8, 39.53

 

CMYK 0 / 62 / 82 / 14

HEX #DC5427

RGB 220 84 39

HSL 14.92, 0.72%, 0.51%

LAB 53.71, 51.13, 51.73

 

CMYK 0 / 11 / 14 / 45

HEX #8C7D78

RGB 140 125 120

HSL 15, 0.08%, 0.51%

LAB 53.6, 4.84, 4.81

 

CMYK 15 / 4 / 0 / 45

HEX #77878C

RGB 119 135 140

HSL 194.29, 0.08%, 0.51%

LAB 55.22, -4.68, -4.65

 

CMYK 38 / 9 / 0 / 37

HEX #6391A0

RGB 99 145 160

HSL 194.75, 0.24%, 0.51%

LAB 57.5, -11.62, -12.87

 

CMYK 56 / 14 / 0 / 29

HEX #4F9BB4

RGB 79 155 180

HSL 194.85, 0.4%, 0.51%

LAB 60.25, -16.25, -20.16

 

CMYK 71 / 18 / 0 / 22

HEX #3BA5C8

RGB 59 165 200

HSL 194.89, 0.56%, 0.51%

LAB 63.35, -18.78, -26.67

 

CMYK 0 / 14 / 11 / 45

HEX #8C787D

RGB 140 120 125

HSL 345, 0.08%, 0.51%

LAB 52.39, 8.62, 0.13

 

CMYK 0 / 14 / 14 / 45

HEX #8C7878

RGB 140 120 120

HSL 0, 0.08%, 0.51%

LAB 52.25, 7.73, 2.86

 

CMYK 0 / 11 / 14 / 45

HEX #8C7D78

RGB 140 125 120

HSL 15, 0.08%, 0.51%

LAB 53.6, 4.84, 4.81

 

CMYK 0 / 7 / 14 / 45

HEX #8C8278

RGB 140 130 120

HSL 30, 0.08%, 0.51%

LAB 54.97, 1.98, 6.77

 

CMYK 0 / 4 / 14 / 45

HEX #8C8778

RGB 140 135 120

HSL 45, 0.08%, 0.51%

LAB 56.35, -0.85, 8.73

 

CMYK 0 / 11 / 15 / 63

HEX #5F5551

RGB 95 85 81

HSL 17.14, 0.08%, 0.35%

LAB 36.97, 3.32, 3.81

 

CMYK 0 / 11 / 15 / 54

HEX #766964

RGB 118 105 100

HSL 16.67, 0.08%, 0.43%

LAB 45.46, 4.21, 4.67

 

CMYK 0 / 11 / 14 / 45

HEX #8C7D78

RGB 140 125 120

HSL 15, 0.08%, 0.51%

LAB 53.6, 4.84, 4.81

 

CMYK 0 / 8 / 11 / 38

HEX #9F928E

RGB 159 146 142

HSL 14.12, 0.08%, 0.59%

LAB 61.55, 4.1, 3.85

 

CMYK 0 / 6 / 8 / 30

HEX #B2A7A4

RGB 178 167 164

HSL 12.86, 0.08%, 0.67%

LAB 69.31, 3.43, 2.96

 

CMYK 0 / 11 / 14 / 45

HEX #8D7E79

RGB 141 126 121

HSL 15, 0.08%, 0.51%

LAB 53.99, 4.83, 4.8

 

CMYK 6 / 0 / 14 / 45

HEX #838C78

RGB 131 140 120

HSL 87, 0.08%, 0.51%

LAB 57.01, -7.13, 9.57

 

CMYK 14 / 12 / 0 / 45

HEX #787B8C

RGB 120 123 140

HSL 231, 0.08%, 0.51%

LAB 51.9, 2.55, -9.59

 

CMYK 0 / 11 / 14 / 45

HEX #8D7E79

RGB 141 126 121

HSL 15, 0.08%, 0.51%

LAB 53.99, 4.83, 4.8

 

CMYK 14 / 0 / 11 / 45

HEX #788C7D

RGB 120 140 125

HSL 135, 0.08%, 0.51%

LAB 56.32, -10.28, 5.61

 

CMYK 11 / 14 / 0 / 45

HEX #7D788C

RGB 125 120 140

HSL 255, 0.08%, 0.51%

LAB 51.48, 6.07, -10.17

 

CMYK 0 / 11 / 14 / 45

HEX #8D7E79

RGB 141 126 121

HSL 15, 0.08%, 0.51%

LAB 53.99, 4.83, 4.8

 

CMYK 6 / 0 / 14 / 45

HEX #838C78

RGB 131 140 120

HSL 87, 0.08%, 0.51%

LAB 57.01, -7.13, 9.57

 

CMYK 14 / 4 / 0 / 45

HEX #78878C

RGB 120 135 140

HSL 195, 0.08%, 0.51%

LAB 55.29, -4.34, -4.53

 

CMYK 8 / 14 / 0 / 45

HEX #81788C

RGB 129 120 140

HSL 267, 0.08%, 0.51%

LAB 51.83, 7.5, -9.61

 

CMYK 0 / 11 / 14 / 45

HEX #8D7E79

RGB 141 126 121

HSL 15, 0.08%, 0.51%

LAB 53.99, 4.83, 4.8

 

CMYK 11 / 0 / 14 / 45

HEX #7D8C78

RGB 125 140 120

HSL 105, 0.08%, 0.51%

LAB 56.56, -9.4, 8.86

 

CMYK 14 / 4 / 0 / 45

HEX #78878C

RGB 120 135 140

HSL 195, 0.08%, 0.51%

LAB 55.29, -4.34, -4.53

 

CMYK 4 / 14 / 0 / 45

HEX #87788C

RGB 135 120 140

HSL 285, 0.08%, 0.51%

LAB 52.37, 9.67, -8.74

 

Description

Color code: HEX #8D7E79 | qconv.com Color code: HEX #8D7E79 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 126 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 126 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 14 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 14% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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