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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8D968C it is the complementary color #726973. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8D968C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8D968C shade: #929687, #A3A89A, #B4BAAD, #C5CCC0 and #D6DED3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8D968C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8D968C shade: #8D968C, #7C8479, #6B7266, #5A6053 and #494E40

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8D968C shade: #8C968B, #8F968B, #92968B, #95968B and #96948B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8D968C shade: #8C968B, #8B968D, #8B9690, #8B9693 and #8B9696

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8D968C shade matches the following richer shades: #8C968B, #7EA87A, #70BA68, #62CC56 and #54DD44

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8D968C shade: #8C968B, #9B859D, #A973AF, #B761C1 and #C54FD2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8D968C shade: #92968B, #8F968B, #8C968B, #8B968D and #8B9690

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8D968C shade: #636D62, #778276, #8C968B, #A2AAA1 and #B7BEB7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8D968C shade: #8D968C, #8B9596 and #968B91

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8D968C shade: #8D968C, #8B8C96 and #968B8C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8D968C shade: #8D968C, #8B9596, #958B96 and #968C8B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8D968C shade: #8D968C, #8B9296, #958B96 and #96908B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 7 / 41

HEX #8D968C

RGB 141 150 140

HSL 114, 0.05%, 0.57%

LAB 61.11, -5.2, 4.15

 

Complementary color

CMYK 1 / 9 / 0 / 55

HEX #726973

RGB 114 105 115

HSL 294, 0.05%, 0.43%

LAB 45.52, 5.53, -4.31

 

CMYK 3 / 0 / 10 / 41

HEX #929687

RGB 146 150 135

HSL 76, 0.07%, 0.56%

LAB 61.37, -4.27, 7.41

 

CMYK 3 / 0 / 8 / 34

HEX #A3A89A

RGB 163 168 154

HSL 81.43, 0.07%, 0.63%

LAB 68.11, -4.38, 6.61

 

CMYK 3 / 0 / 7 / 27

HEX #B4BAAD

RGB 180 186 173

HSL 87.69, 0.09%, 0.7%

LAB 74.72, -4.48, 5.86

 

CMYK 3 / 0 / 6 / 20

HEX #C5CCC0

RGB 197 204 192

HSL 95, 0.11%, 0.78%

LAB 81.22, -4.58, 5.14

 

CMYK 4 / 0 / 5 / 13

HEX #D6DED3

RGB 214 222 211

HSL 103.64, 0.14%, 0.85%

LAB 87.6, -4.67, 4.45

 

CMYK 6 / 0 / 7 / 41

HEX #8D968C

RGB 141 150 140

HSL 114, 0.05%, 0.57%

LAB 61.11, -5.2, 4.15

 

CMYK 6 / 0 / 8 / 48

HEX #7C8479

RGB 124 132 121

HSL 103.64, 0.04%, 0.5%

LAB 54.2, -5.14, 4.92

 

CMYK 6 / 0 / 11 / 55

HEX #6B7266

RGB 107 114 102

HSL 95, 0.06%, 0.42%

LAB 47.13, -5.08, 5.74

 

CMYK 6 / 0 / 14 / 62

HEX #5A6053

RGB 90 96 83

HSL 87.69, 0.07%, 0.35%

LAB 39.86, -5.02, 6.63

 

CMYK 6 / 0 / 18 / 69

HEX #494E40

RGB 73 78 64

HSL 81.43, 0.1%, 0.28%

LAB 32.34, -4.96, 7.62

 

CMYK 7 / 0 / 7 / 41

HEX #8C968B

RGB 140 150 139

HSL 114.55, 0.05%, 0.57%

LAB 61, -5.76, 4.56

 

CMYK 5 / 0 / 7 / 41

HEX #8F968B

RGB 143 150 139

HSL 98.18, 0.05%, 0.57%

LAB 61.23, -4.65, 4.92

 

CMYK 3 / 0 / 7 / 41

HEX #92968B

RGB 146 150 139

HSL 81.82, 0.05%, 0.57%

LAB 61.47, -3.54, 5.29

 

CMYK 1 / 0 / 7 / 41

HEX #95968B

RGB 149 150 139

HSL 65.45, 0.05%, 0.57%

LAB 61.71, -2.42, 5.67

 

CMYK 0 / 1 / 7 / 41

HEX #96948B

RGB 150 148 139

HSL 49.09, 0.05%, 0.57%

LAB 61.24, -0.94, 5.01

 

CMYK 7 / 0 / 7 / 41

HEX #8C968B

RGB 140 150 139

HSL 114.55, 0.05%, 0.57%

LAB 61, -5.76, 4.56

 

CMYK 7 / 0 / 6 / 41

HEX #8B968D

RGB 139 150 141

HSL 130.91, 0.05%, 0.57%

LAB 60.98, -5.74, 3.38

 

CMYK 7 / 0 / 4 / 41

HEX #8B9690

RGB 139 150 144

HSL 147.27, 0.05%, 0.57%

LAB 61.06, -5.15, 1.8

 

CMYK 7 / 0 / 2 / 41

HEX #8B9693

RGB 139 150 147

HSL 163.64, 0.05%, 0.57%

LAB 61.14, -4.55, 0.21

 

CMYK 7 / 0 / 0 / 41

HEX #8B9696

RGB 139 150 150

HSL 180, 0.05%, 0.57%

LAB 61.22, -3.94, -1.37

 

CMYK 7 / 0 / 7 / 41

HEX #8C968B

RGB 140 150 139

HSL 114.55, 0.05%, 0.57%

LAB 61, -5.76, 4.56

 

CMYK 25 / 0 / 27 / 34

HEX #7EA87A

RGB 126 168 122

HSL 114.78, 0.21%, 0.57%

LAB 64.84, -23.38, 19.29

 

CMYK 40 / 0 / 44 / 27

HEX #70BA68

RGB 112 186 104

HSL 114.15, 0.37%, 0.57%

LAB 69.16, -39.43, 34.43

 

CMYK 52 / 0 / 58 / 20

HEX #62CC56

RGB 98 204 86

HSL 113.9, 0.54%, 0.57%

LAB 73.84, -53.32, 48.75

 

CMYK 62 / 0 / 69 / 13

HEX #54DD44

RGB 84 221 68

HSL 113.73, 0.69%, 0.57%

LAB 78.47, -64.68, 61.26

 

CMYK 7 / 0 / 7 / 41

HEX #8C968B

RGB 140 150 139

HSL 114.55, 0.05%, 0.57%

LAB 61, -5.76, 4.56

 

CMYK 1 / 15 / 0 / 38

HEX #9B859D

RGB 155 133 157

HSL 295, 0.11%, 0.57%

LAB 58.21, 12.81, -9.68

 

CMYK 3 / 34 / 0 / 31

HEX #A973AF

RGB 169 115 175

HSL 294, 0.27%, 0.57%

LAB 55.88, 31.48, -23.44

 

CMYK 5 / 50 / 0 / 24

HEX #B761C1

RGB 183 97 193

HSL 293.75, 0.44%, 0.57%

LAB 54.52, 48.98, -35.77

 

CMYK 6 / 62 / 0 / 18

HEX #C54FD2

RGB 197 79 210

HSL 294.05, 0.59%, 0.57%

LAB 54.15, 64.2, -45.95

 

CMYK 3 / 0 / 7 / 41

HEX #92968B

RGB 146 150 139

HSL 81.82, 0.05%, 0.57%

LAB 61.47, -3.54, 5.29

 

CMYK 5 / 0 / 7 / 41

HEX #8F968B

RGB 143 150 139

HSL 98.18, 0.05%, 0.57%

LAB 61.23, -4.65, 4.92

 

CMYK 7 / 0 / 7 / 41

HEX #8C968B

RGB 140 150 139

HSL 114.55, 0.05%, 0.57%

LAB 61, -5.76, 4.56

 

CMYK 7 / 0 / 6 / 41

HEX #8B968D

RGB 139 150 141

HSL 130.91, 0.05%, 0.57%

LAB 60.98, -5.74, 3.38

 

CMYK 7 / 0 / 4 / 41

HEX #8B9690

RGB 139 150 144

HSL 147.27, 0.05%, 0.57%

LAB 61.06, -5.15, 1.8

 

CMYK 9 / 0 / 10 / 57

HEX #636D62

RGB 99 109 98

HSL 114.55, 0.05%, 0.41%

LAB 44.9, -6.1, 4.85

 

CMYK 8 / 0 / 9 / 49

HEX #778276

RGB 119 130 118

HSL 115, 0.05%, 0.49%

LAB 53.16, -6.48, 5.11

 

CMYK 7 / 0 / 7 / 41

HEX #8C968B

RGB 140 150 139

HSL 114.55, 0.05%, 0.57%

LAB 61, -5.76, 4.56

 

CMYK 5 / 0 / 5 / 33

HEX #A2AAA1

RGB 162 170 161

HSL 113.33, 0.05%, 0.65%

LAB 68.75, -4.54, 3.65

 

CMYK 4 / 0 / 4 / 25

HEX #B7BEB7

RGB 183 190 183

HSL 120, 0.05%, 0.73%

LAB 76.26, -3.73, 2.68

 

CMYK 6 / 0 / 7 / 41

HEX #8D968C

RGB 141 150 140

HSL 114, 0.05%, 0.57%

LAB 61.11, -5.2, 4.15

 

CMYK 7 / 1 / 0 / 41

HEX #8B9596

RGB 139 149 150

HSL 185.45, 0.05%, 0.57%

LAB 60.95, -3.38, -1.77

 

CMYK 0 / 7 / 3 / 41

HEX #968B91

RGB 150 139 145

HSL 327.27, 0.05%, 0.57%

LAB 58.97, 5.22, -1.72

 

CMYK 6 / 0 / 7 / 41

HEX #8D968C

RGB 141 150 140

HSL 114, 0.05%, 0.57%

LAB 61.11, -5.2, 4.15

 

CMYK 7 / 7 / 0 / 41

HEX #8B8C96

RGB 139 140 150

HSL 234.55, 0.05%, 0.57%

LAB 58.46, 1.67, -5.44

 

CMYK 0 / 7 / 7 / 41

HEX #968B8C

RGB 150 139 140

HSL 354.55, 0.05%, 0.57%

LAB 58.83, 4.29, 0.94

 

CMYK 6 / 0 / 7 / 41

HEX #8D968C

RGB 141 150 140

HSL 114, 0.05%, 0.57%

LAB 61.11, -5.2, 4.15

 

CMYK 7 / 1 / 0 / 41

HEX #8B9596

RGB 139 149 150

HSL 185.45, 0.05%, 0.57%

LAB 60.95, -3.38, -1.77

 

CMYK 1 / 7 / 0 / 41

HEX #958B96

RGB 149 139 150

HSL 294.55, 0.05%, 0.57%

LAB 59.03, 5.83, -4.5

 

CMYK 0 / 7 / 7 / 41

HEX #968C8B

RGB 150 140 139

HSL 5.45, 0.05%, 0.57%

LAB 59.07, 3.54, 1.86

 

CMYK 6 / 0 / 7 / 41

HEX #8D968C

RGB 141 150 140

HSL 114, 0.05%, 0.57%

LAB 61.11, -5.2, 4.15

 

CMYK 7 / 3 / 0 / 41

HEX #8B9296

RGB 139 146 150

HSL 201.82, 0.05%, 0.57%

LAB 60.11, -1.71, -3

 

CMYK 1 / 7 / 0 / 41

HEX #958B96

RGB 149 139 150

HSL 294.55, 0.05%, 0.57%

LAB 59.03, 5.83, -4.5

 

CMYK 0 / 4 / 7 / 41

HEX #96908B

RGB 150 144 139

HSL 27.27, 0.05%, 0.57%

LAB 60.15, 1.29, 3.43

 

Description

Color code: HEX #8D968C | qconv.com Color code: HEX #8D968C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 150 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 150 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 7 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 7% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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