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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8DB9DC it is the complementary color #724623. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8DB9DC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8DB9DC shade: #92B9D7, #A3CBEA, #B4DDFD, #C5EFFF and #D6FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8DB9DC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8DB9DC shade: #8DB9DC, #7CA7C9, #6B95B6, #5A83A3 and #497190

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8DB9DC shade: #8DB9DC, #8DA4DC, #8D8FDC, #A18DDC and #B68DDC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8DB9DC shade: #8DB9DC, #8DA4DC, #8D8FDC and #8D8DDC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8DB9DC shade matches the following richer shades: #8DB9DC, #81BAE8 and #75BCF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8DB9DC shade: #8DB9DC, #99B8D0, #A5B6C4, #B1B5B8 and #BDB4AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8DB9DC shade: #8DDCD4, #8DCFDC, #8DBADC, #8DA5DC and #8D90DC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8DB9DC shade: #4E92C8, #6EA6D2, #8DB9DC, #ADCCE5 and #CCE0EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8DB9DC shade: #8DB9DC, #BF8DDC and #D9DC8D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8DB9DC shade: #8DB9DC, #DC8DBA and #BADC8D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8DB9DC shade: #8DB9DC, #BF8DDC, #DCAF8D and #AADC8D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8DB9DC shade: #8DB9DC, #D78DDC, #DCAF8D and #93DC8D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 16 / 0 / 14

HEX #8DB9DC

RGB 141 185 220

HSL 206.58, 0.53%, 0.71%

LAB 73.24, -6.08, -22.24

 

Complementary color

CMYK 0 / 39 / 69 / 55

HEX #724623

RGB 114 70 35

HSL 26.58, 0.53%, 0.29%

LAB 34.15, 15.34, 28.48

 

CMYK 32 / 14 / 0 / 16

HEX #92B9D7

RGB 146 185 215

HSL 206.09, 0.46%, 0.71%

LAB 73.36, -5.95, -19.3

 

CMYK 30 / 13 / 0 / 8

HEX #A3CBEA

RGB 163 203 234

HSL 206.2, 0.63%, 0.78%

LAB 79.86, -6.08, -19.62

 

CMYK 29 / 13 / 0 / 1

HEX #B4DDFD

RGB 180 221 253

HSL 206.3, 0.95%, 0.85%

LAB 86.26, -6.19, -19.93

 

CMYK 23 / 6 / 0 / 0

HEX #C5EFFF

RGB 197 239 255

HSL 196.55, 1%, 0.89%

LAB 92.05, -10.07, -12.18

 

CMYK 16 / 0 / 0 / 0

HEX #D6FFFF

RGB 214 255 255

HSL 180, 1%, 0.92%

LAB 97.24, -13.01, -4.38

 

CMYK 36 / 16 / 0 / 14

HEX #8DB9DC

RGB 141 185 220

HSL 206.58, 0.53%, 0.71%

LAB 73.24, -6.08, -22.24

 

CMYK 38 / 17 / 0 / 21

HEX #7CA7C9

RGB 124 167 201

HSL 206.49, 0.42%, 0.64%

LAB 66.63, -5.89, -21.97

 

CMYK 41 / 18 / 0 / 29

HEX #6B95B6

RGB 107 149 182

HSL 206.4, 0.34%, 0.57%

LAB 59.89, -5.66, -21.72

 

CMYK 45 / 20 / 0 / 36

HEX #5A83A3

RGB 90 131 163

HSL 206.3, 0.29%, 0.5%

LAB 53, -5.37, -21.48

 

CMYK 49 / 22 / 0 / 44

HEX #497190

RGB 73 113 144

HSL 206.2, 0.33%, 0.43%

LAB 45.96, -5, -21.26

 

CMYK 36 / 16 / 0 / 14

HEX #8DB9DC

RGB 141 185 220

HSL 206.58, 0.53%, 0.71%

LAB 73.24, -6.08, -22.24

 

CMYK 36 / 25 / 0 / 14

HEX #8DA4DC

RGB 141 164 220

HSL 222.53, 0.53%, 0.71%

LAB 67.56, 5.49, -30.95

 

CMYK 36 / 35 / 0 / 14

HEX #8D8FDC

RGB 141 143 220

HSL 238.48, 0.53%, 0.71%

LAB 62.06, 17.5, -39.5

 

CMYK 27 / 36 / 0 / 14

HEX #A18DDC

RGB 161 141 220

HSL 255.19, 0.53%, 0.71%

LAB 63.17, 24.29, -37.65

 

CMYK 17 / 36 / 0 / 14

HEX #B68DDC

RGB 182 141 220

HSL 271.14, 0.53%, 0.71%

LAB 65.09, 30.5, -34.51

 

CMYK 36 / 16 / 0 / 14

HEX #8DB9DC

RGB 141 185 220

HSL 206.58, 0.53%, 0.71%

LAB 73.24, -6.08, -22.24

 

CMYK 36 / 25 / 0 / 14

HEX #8DA4DC

RGB 141 164 220

HSL 222.53, 0.53%, 0.71%

LAB 67.56, 5.49, -30.95

 

CMYK 36 / 35 / 0 / 14

HEX #8D8FDC

RGB 141 143 220

HSL 238.48, 0.53%, 0.71%

LAB 62.06, 17.5, -39.5

 

CMYK 36 / 36 / 0 / 14

HEX #8D8DDC

RGB 141 141 220

HSL 240, 0.53%, 0.71%

LAB 61.55, 18.66, -40.31

 

CMYK 36 / 16 / 0 / 14

HEX #8DB9DC

RGB 141 185 220

HSL 206.58, 0.53%, 0.71%

LAB 73.24, -6.08, -22.24

 

CMYK 44 / 20 / 0 / 9

HEX #81BAE8

RGB 129 186 232

HSL 206.8, 0.69%, 0.71%

LAB 73.29, -6.55, -28.73

 

CMYK 52 / 23 / 0 / 4

HEX #75BCF4

RGB 117 188 244

HSL 206.46, 0.85%, 0.71%

LAB 73.73, -6.98, -34.6

 

CMYK 36 / 16 / 0 / 14

HEX #8DB9DC

RGB 141 185 220

HSL 206.58, 0.53%, 0.71%

LAB 73.24, -6.08, -22.24

 

CMYK 26 / 12 / 0 / 18

HEX #99B8D0

RGB 153 184 208

HSL 206.18, 0.37%, 0.71%

LAB 73.29, -5.06, -15.55

 

CMYK 16 / 7 / 0 / 23

HEX #A5B6C4

RGB 165 182 196

HSL 207.1, 0.21%, 0.71%

LAB 73.18, -2.93, -9.08

 

CMYK 4 / 2 / 0 / 28

HEX #B1B5B8

RGB 177 181 184

HSL 205.71, 0.05%, 0.71%

LAB 73.45, -0.82, -2.02

 

CMYK 0 / 5 / 9 / 26

HEX #BDB4AC

RGB 189 180 172

HSL 28.24, 0.11%, 0.71%

LAB 73.83, 1.79, 5.21

 

CMYK 36 / 0 / 4 / 14

HEX #8DDCD4

RGB 141 220 212

HSL 173.92, 0.53%, 0.71%

LAB 82.7, -25.99, -3.76

 

CMYK 36 / 6 / 0 / 14

HEX #8DCFDC

RGB 141 207 220

HSL 189.87, 0.53%, 0.71%

LAB 79.3, -17.61, -13.08

 

CMYK 36 / 15 / 0 / 14

HEX #8DBADC

RGB 141 186 220

HSL 205.82, 0.53%, 0.71%

LAB 73.51, -6.62, -21.82

 

CMYK 36 / 25 / 0 / 14

HEX #8DA5DC

RGB 141 165 220

HSL 221.77, 0.53%, 0.71%

LAB 67.83, 4.93, -30.53

 

CMYK 36 / 35 / 0 / 14

HEX #8D90DC

RGB 141 144 220

HSL 237.72, 0.53%, 0.71%

LAB 62.32, 16.92, -39.1

 

CMYK 61 / 27 / 0 / 22

HEX #4E92C8

RGB 78 146 200

HSL 206.56, 0.53%, 0.55%

LAB 58.37, -5.19, -34.35

 

CMYK 48 / 21 / 0 / 18

HEX #6EA6D2

RGB 110 166 210

HSL 206.4, 0.53%, 0.63%

LAB 65.94, -6.43, -28.08

 

CMYK 36 / 16 / 0 / 14

HEX #8DB9DC

RGB 141 185 220

HSL 206.58, 0.53%, 0.71%

LAB 73.24, -6.08, -22.24

 

CMYK 24 / 11 / 0 / 10

HEX #ADCCE5

RGB 173 204 229

HSL 206.79, 0.52%, 0.79%

LAB 80.59, -4.86, -15.79

 

CMYK 15 / 6 / 0 / 6

HEX #CCE0EF

RGB 204 224 239

HSL 205.71, 0.52%, 0.87%

LAB 88.15, -3.64, -9.57

 

CMYK 36 / 16 / 0 / 14

HEX #8DB9DC

RGB 141 185 220

HSL 206.58, 0.53%, 0.71%

LAB 73.24, -6.08, -22.24

 

CMYK 13 / 36 / 0 / 14

HEX #BF8DDC

RGB 191 141 220

HSL 277.97, 0.53%, 0.71%

LAB 65.98, 33.23, -33.07

 

CMYK 1 / 0 / 36 / 14

HEX #D9DC8D

RGB 217 220 141

HSL 62.28, 0.53%, 0.71%

LAB 85.94, -12.82, 38.51

 

CMYK 36 / 16 / 0 / 14

HEX #8DB9DC

RGB 141 185 220

HSL 206.58, 0.53%, 0.71%

LAB 73.24, -6.08, -22.24

 

CMYK 0 / 36 / 15 / 14

HEX #DC8DBA

RGB 220 141 186

HSL 325.82, 0.53%, 0.71%

LAB 67.88, 36.35, -10.93

 

CMYK 15 / 0 / 36 / 14

HEX #BADC8D

RGB 186 220 141

HSL 85.82, 0.53%, 0.71%

LAB 83.73, -24.5, 35.21

 

CMYK 36 / 16 / 0 / 14

HEX #8DB9DC

RGB 141 185 220

HSL 206.58, 0.53%, 0.71%

LAB 73.24, -6.08, -22.24

 

CMYK 13 / 36 / 0 / 14

HEX #BF8DDC

RGB 191 141 220

HSL 277.97, 0.53%, 0.71%

LAB 65.98, 33.23, -33.07

 

CMYK 0 / 20 / 36 / 14

HEX #DCAF8D

RGB 220 175 141

HSL 25.82, 0.53%, 0.71%

LAB 74.7, 11.75, 23.67

 

CMYK 23 / 0 / 36 / 14

HEX #AADC8D

RGB 170 220 141

HSL 97.97, 0.53%, 0.71%

LAB 82.73, -30.23, 33.71

 

CMYK 36 / 16 / 0 / 14

HEX #8DB9DC

RGB 141 185 220

HSL 206.58, 0.53%, 0.71%

LAB 73.24, -6.08, -22.24

 

CMYK 2 / 36 / 0 / 14

HEX #D78DDC

RGB 215 141 220

HSL 296.2, 0.53%, 0.71%

LAB 68.51, 40.63, -28.95

 

CMYK 0 / 20 / 36 / 14

HEX #DCAF8D

RGB 220 175 141

HSL 25.82, 0.53%, 0.71%

LAB 74.7, 11.75, 23.67

 

CMYK 33 / 0 / 36 / 14

HEX #93DC8D

RGB 147 220 141

HSL 115.44, 0.53%, 0.71%

LAB 81.46, -37.96, 31.81

 

Description

Color code: HEX #8DB9DC | qconv.com Color code: HEX #8DB9DC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 185 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 185 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 16 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 16% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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