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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8DBDFF it is the complementary color #724200. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8DBDFF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8DBDFF shade: #92BDFA, #A3CFFF, #B4E1FF, #C5F3FF and #D6FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8DBDFF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8DBDFF shade: #8DBDFF, #7CABEC, #6B99D9, #5A87C6 and #4975B3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8DBDFF shade: #8EBEFF, #8E9FFF, #9C8EFF, #BA8EFF and #D88EFF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8DBDFF shade: #8EBEFF, #8E9FFF and #8E8EFF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8DBDFF shade matches the following richer shades: #8EBEFF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8DBDFF shade: #8EBEFF, #97BFF5, #A0C0EC, #AAC2E3 and #B3C3DA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8DBDFF shade: #8EFBFF, #8EDDFF, #8EBFFF, #8EA1FF and #9A8EFF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8DBDFF shade: #3C8EFF, #65A6FF, #8EBEFF, #B8D5FF and #E1EDFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8DBDFF shade: #8DBDFF, #E48EFF and #ECFF8E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8DBDFF shade: #8DBDFF, #FF8EBF and #BFFF8E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8DBDFF shade: #8DBDFF, #E48EFF, #FFCE8E and #A8FF8E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8DBDFF shade: #8DBDFF, #FF8EF7, #FFCE8E and #8EFF96

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 26 / 0 / 0

HEX #8DBDFF

RGB 141 189 255

HSL 214.74, 1%, 0.78%

LAB 75.62, 1.11, -37.48

 

Complementary color

CMYK 0 / 42 / 100 / 55

HEX #724200

RGB 114 66 0

HSL 34.74, 1%, 0.22%

LAB 32.86, 16.33, 42.73

 

CMYK 42 / 24 / 0 / 2

HEX #92BDFA

RGB 146 189 250

HSL 215.19, 0.91%, 0.78%

LAB 75.7, 0.97, -34.65

 

CMYK 36 / 19 / 0 / 0

HEX #A3CFFF

RGB 163 207 255

HSL 211.3, 1%, 0.82%

LAB 81.64, -3.02, -28.11

 

CMYK 29 / 12 / 0 / 0

HEX #B4E1FF

RGB 180 225 255

HSL 204, 1%, 0.85%

LAB 87.37, -7.8, -19.3

 

CMYK 23 / 5 / 0 / 0

HEX #C5F3FF

RGB 197 243 255

HSL 192.41, 1%, 0.89%

LAB 93.1, -12.09, -10.62

 

CMYK 16 / 0 / 0 / 0

HEX #D6FFFF

RGB 214 255 255

HSL 180, 1%, 0.92%

LAB 97.24, -13.01, -4.38

 

CMYK 45 / 26 / 0 / 0

HEX #8DBDFF

RGB 141 189 255

HSL 214.74, 1%, 0.78%

LAB 75.62, 1.11, -37.48

 

CMYK 47 / 28 / 0 / 7

HEX #7CABEC

RGB 124 171 236

HSL 214.82, 0.75%, 0.71%

LAB 69.09, 1.63, -37.43

 

CMYK 51 / 29 / 0 / 15

HEX #6B99D9

RGB 107 153 217

HSL 214.91, 0.59%, 0.64%

LAB 62.44, 2.26, -37.4

 

CMYK 55 / 32 / 0 / 22

HEX #5A87C6

RGB 90 135 198

HSL 215, 0.49%, 0.56%

LAB 55.66, 3.01, -37.41

 

CMYK 59 / 35 / 0 / 30

HEX #4975B3

RGB 73 117 179

HSL 215.09, 0.42%, 0.49%

LAB 48.75, 3.96, -37.44

 

CMYK 44 / 25 / 0 / 0

HEX #8EBEFF

RGB 142 190 255

HSL 214.51, 1%, 0.78%

LAB 75.94, 0.8, -36.98

 

CMYK 44 / 38 / 0 / 0

HEX #8E9FFF

RGB 142 159 255

HSL 230.97, 1%, 0.78%

LAB 67.85, 18.22, -49.65

 

CMYK 39 / 44 / 0 / 0

HEX #9C8EFF

RGB 156 142 255

HSL 247.43, 1%, 0.78%

LAB 64.67, 31.4, -54.61

 

CMYK 27 / 44 / 0 / 0

HEX #BA8EFF

RGB 186 142 255

HSL 263.36, 1%, 0.78%

LAB 67.28, 39.13, -50.31

 

CMYK 15 / 44 / 0 / 0

HEX #D88EFF

RGB 216 142 255

HSL 279.29, 1%, 0.78%

LAB 70.29, 47.33, -45.37

 

CMYK 44 / 25 / 0 / 0

HEX #8EBEFF

RGB 142 190 255

HSL 214.51, 1%, 0.78%

LAB 75.94, 0.8, -36.98

 

CMYK 44 / 38 / 0 / 0

HEX #8E9FFF

RGB 142 159 255

HSL 230.97, 1%, 0.78%

LAB 67.85, 18.22, -49.65

 

CMYK 44 / 44 / 0 / 0

HEX #8E8EFF

RGB 142 142 255

HSL 240, 1%, 0.78%

LAB 63.6, 28.04, -56.38

 

CMYK 44 / 25 / 0 / 0

HEX #8EBEFF

RGB 142 190 255

HSL 214.51, 1%, 0.78%

LAB 75.94, 0.8, -36.98

 

CMYK 44 / 25 / 0 / 0

HEX #8EBEFF

RGB 142 190 255

HSL 214.51, 1%, 0.78%

LAB 75.94, 0.8, -36.98

 

CMYK 38 / 22 / 0 / 4

HEX #97BFF5

RGB 151 191 245

HSL 214.47, 0.82%, 0.78%

LAB 76.33, -0.17, -30.97

 

CMYK 32 / 19 / 0 / 7

HEX #A0C0EC

RGB 160 192 236

HSL 214.74, 0.67%, 0.78%

LAB 76.82, -0.56, -25.34

 

CMYK 25 / 15 / 0 / 11

HEX #AAC2E3

RGB 170 194 227

HSL 214.74, 0.5%, 0.78%

LAB 77.68, -0.9, -19.11

 

CMYK 18 / 11 / 0 / 15

HEX #B3C3DA

RGB 179 195 218

HSL 215.38, 0.35%, 0.78%

LAB 78.27, -0.68, -13.31

 

CMYK 44 / 2 / 0 / 0

HEX #8EFBFF

RGB 142 251 255

HSL 182.12, 1%, 0.78%

LAB 92.56, -30.36, -11.71

 

CMYK 44 / 13 / 0 / 0

HEX #8EDDFF

RGB 142 221 255

HSL 198.05, 1%, 0.78%

LAB 84.32, -15.6, -24.12

 

CMYK 44 / 25 / 0 / 0

HEX #8EBFFF

RGB 142 191 255

HSL 213.98, 1%, 0.78%

LAB 76.21, 0.25, -36.57

 

CMYK 44 / 37 / 0 / 0

HEX #8EA1FF

RGB 142 161 255

HSL 229.91, 1%, 0.78%

LAB 68.36, 17.07, -48.84

 

CMYK 40 / 44 / 0 / 0

HEX #9A8EFF

RGB 154 142 255

HSL 246.37, 1%, 0.78%

LAB 64.51, 30.91, -54.87

 

CMYK 76 / 44 / 0 / 0

HEX #3C8EFF

RGB 60 142 255

HSL 214.77, 1%, 0.62%

LAB 59.46, 13.61, -63.24

 

CMYK 60 / 35 / 0 / 0

HEX #65A6FF

RGB 101 166 255

HSL 214.68, 1%, 0.7%

LAB 67.47, 5.47, -50.39

 

CMYK 44 / 25 / 0 / 0

HEX #8EBEFF

RGB 142 190 255

HSL 214.51, 1%, 0.78%

LAB 75.94, 0.8, -36.98

 

CMYK 28 / 16 / 0 / 0

HEX #B8D5FF

RGB 184 213 255

HSL 215.49, 1%, 0.86%

LAB 84.48, -0.39, -23.66

 

CMYK 12 / 7 / 0 / 0

HEX #E1EDFF

RGB 225 237 255

HSL 216, 1%, 0.94%

LAB 93.36, -0.51, -10.04

 

CMYK 45 / 26 / 0 / 0

HEX #8DBDFF

RGB 141 189 255

HSL 214.74, 1%, 0.78%

LAB 75.62, 1.11, -37.48

 

CMYK 11 / 44 / 0 / 0

HEX #E48EFF

RGB 228 142 255

HSL 285.66, 1%, 0.78%

LAB 71.6, 50.68, -43.23

 

CMYK 7 / 0 / 44 / 0

HEX #ECFF8E

RGB 236 255 142

HSL 70.09, 1%, 0.78%

LAB 96.54, -22.55, 51.69

 

CMYK 45 / 26 / 0 / 0

HEX #8DBDFF

RGB 141 189 255

HSL 214.74, 1%, 0.78%

LAB 75.62, 1.11, -37.48

 

CMYK 0 / 44 / 25 / 0

HEX #FF8EBF

RGB 255 142 191

HSL 333.98, 1%, 0.78%

LAB 72.47, 48.32, -6.43

 

CMYK 25 / 0 / 44 / 0

HEX #BFFF8E

RGB 191 255 142

HSL 93.98, 1%, 0.78%

LAB 93.69, -38.86, 47.53

 

CMYK 45 / 26 / 0 / 0

HEX #8DBDFF

RGB 141 189 255

HSL 214.74, 1%, 0.78%

LAB 75.62, 1.11, -37.48

 

CMYK 11 / 44 / 0 / 0

HEX #E48EFF

RGB 228 142 255

HSL 285.66, 1%, 0.78%

LAB 71.6, 50.68, -43.23

 

CMYK 0 / 19 / 44 / 0

HEX #FFCE8E

RGB 255 206 142

HSL 33.98, 1%, 0.78%

LAB 85.68, 9.33, 38.31

 

CMYK 34 / 0 / 44 / 0

HEX #A8FF8E

RGB 168 255 142

HSL 106.19, 1%, 0.78%

LAB 92.49, -46.48, 45.76

 

CMYK 45 / 26 / 0 / 0

HEX #8DBDFF

RGB 141 189 255

HSL 214.74, 1%, 0.78%

LAB 75.62, 1.11, -37.48

 

CMYK 0 / 44 / 3 / 0

HEX #FF8EF7

RGB 255 142 247

HSL 304.25, 1%, 0.78%

LAB 74.39, 56.9, -34.29

 

CMYK 0 / 19 / 44 / 0

HEX #FFCE8E

RGB 255 206 142

HSL 33.98, 1%, 0.78%

LAB 85.68, 9.33, 38.31

 

CMYK 44 / 0 / 41 / 0

HEX #8EFF96

RGB 142 255 150

HSL 124.25, 1%, 0.78%

LAB 91.45, -53.1, 40.33

 

Description

Color code: HEX #8DBDFF | qconv.com Color code: HEX #8DBDFF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 189 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 189 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 26 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 26% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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