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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8DC9B3 it is the complementary color #72364C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8DC9B3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8DC9B3 shade: #92C9AE, #A3DBC1, #B4EDD4, #C5FFE7 and #D6FFFA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8DC9B3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8DC9B3 shade: #8DC9B3, #7CB7A0, #6BA58D, #5A937A and #498167

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8DC9B3 shade: #8CC9B2, #8CC9A2, #8CC992, #97C98C and #A7C98C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8DC9B3 shade: #8CC9B2, #8CC9C3, #8CBEC9, #8CAEC9 and #8C9EC9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8DC9B3 shade matches the following richer shades: #8CC9B2, #7ED6B6, #71E4BA and #63F1BD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8DC9B3 shade: #8CC9B2, #9ABBAF, #A7ADAB, #B5A0A8 and #C392A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8DC9B3 shade: #8CC992, #8CC9A2, #8CC9B2, #8CC9C3 and #8CBFC9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8DC9B3 shade: #54AE8D, #70BBA0, #8CC9B2, #A8D6C5 and #C4E3D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8DC9B3 shade: #8DC9B3, #8C96C9 and #C99A8C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8DC9B3 shade: #8DC9B3, #B28CC9 and #C9B28C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8DC9B3 shade: #8DC9B3, #8C96C9, #C98CA2 and #C9BF8C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8DC9B3 shade: #8DC9B3, #948CC9, #C98CA2 and #C1C98C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 11 / 21

HEX #8DC9B3

RGB 141 201 179

HSL 158, 0.36%, 0.67%

LAB 76.49, -23.95, 4.84

 

Complementary color

CMYK 0 / 53 / 33 / 55

HEX #72364C

RGB 114 54 76

HSL 338, 0.36%, 0.33%

LAB 31.2, 29.1, -1.09

 

CMYK 27 / 0 / 13 / 21

HEX #92C9AE

RGB 146 201 174

HSL 150.55, 0.34%, 0.68%

LAB 76.64, -23.44, 7.78

 

CMYK 26 / 0 / 12 / 14

HEX #A3DBC1

RGB 163 219 193

HSL 152.14, 0.44%, 0.75%

LAB 83.07, -23.24, 6.99

 

CMYK 24 / 0 / 11 / 7

HEX #B4EDD4

RGB 180 237 212

HSL 153.68, 0.61%, 0.82%

LAB 89.4, -23.07, 6.25

 

CMYK 23 / 0 / 9 / 0

HEX #C5FFE7

RGB 197 255 231

HSL 155.17, 1%, 0.89%

LAB 95.65, -22.91, 5.53

 

CMYK 16 / 0 / 2 / 0

HEX #D6FFFA

RGB 214 255 250

HSL 172.68, 1%, 0.92%

LAB 97.11, -14.01, -1.99

 

CMYK 30 / 0 / 11 / 21

HEX #8DC9B3

RGB 141 201 179

HSL 158, 0.36%, 0.67%

LAB 76.49, -23.95, 4.84

 

CMYK 32 / 0 / 13 / 28

HEX #7CB7A0

RGB 124 183 160

HSL 156.61, 0.29%, 0.6%

LAB 69.96, -24.16, 5.63

 

CMYK 35 / 0 / 15 / 35

HEX #6BA58D

RGB 107 165 141

HSL 155.17, 0.24%, 0.53%

LAB 63.31, -24.39, 6.47

 

CMYK 39 / 0 / 17 / 42

HEX #5A937A

RGB 90 147 122

HSL 153.68, 0.24%, 0.46%

LAB 56.53, -24.64, 7.39

 

CMYK 43 / 0 / 20 / 49

HEX #498167

RGB 73 129 103

HSL 152.14, 0.28%, 0.4%

LAB 49.61, -24.89, 8.39

 

CMYK 30 / 0 / 11 / 21

HEX #8CC9B2

RGB 140 201 178

HSL 157.38, 0.36%, 0.67%

LAB 76.41, -24.46, 5.26

 

CMYK 30 / 0 / 19 / 21

HEX #8CC9A2

RGB 140 201 162

HSL 141.64, 0.36%, 0.67%

LAB 76.04, -27.67, 13.33

 

CMYK 30 / 0 / 27 / 21

HEX #8CC992

RGB 140 201 146

HSL 125.9, 0.36%, 0.67%

LAB 75.71, -30.6, 21.4

 

CMYK 25 / 0 / 30 / 21

HEX #97C98C

RGB 151 201 140

HSL 109.18, 0.36%, 0.67%

LAB 76.22, -27.93, 25.36

 

CMYK 17 / 0 / 30 / 21

HEX #A7C98C

RGB 167 201 140

HSL 93.44, 0.36%, 0.67%

LAB 77.21, -22.28, 26.86

 

CMYK 30 / 0 / 11 / 21

HEX #8CC9B2

RGB 140 201 178

HSL 157.38, 0.36%, 0.67%

LAB 76.41, -24.46, 5.26

 

CMYK 30 / 0 / 3 / 21

HEX #8CC9C3

RGB 140 201 195

HSL 174.1, 0.36%, 0.67%

LAB 76.85, -20.75, -3.27

 

CMYK 30 / 5 / 0 / 21

HEX #8CBEC9

RGB 140 190 201

HSL 190.82, 0.36%, 0.67%

LAB 73.95, -13.72, -10.83

 

CMYK 30 / 13 / 0 / 21

HEX #8CAEC9

RGB 140 174 201

HSL 206.56, 0.36%, 0.67%

LAB 69.52, -5.19, -17.5

 

CMYK 30 / 21 / 0 / 21

HEX #8C9EC9

RGB 140 158 201

HSL 222.3, 0.36%, 0.67%

LAB 65.16, 3.67, -24.13

 

CMYK 30 / 0 / 11 / 21

HEX #8CC9B2

RGB 140 201 178

HSL 157.38, 0.36%, 0.67%

LAB 76.41, -24.46, 5.26

 

CMYK 41 / 0 / 15 / 16

HEX #7ED6B6

RGB 126 214 182

HSL 158.18, 0.52%, 0.67%

LAB 79.56, -33.82, 7.55

 

CMYK 50 / 0 / 18 / 11

HEX #71E4BA

RGB 113 228 186

HSL 158.09, 0.68%, 0.67%

LAB 83.2, -42.52, 10.57

 

CMYK 59 / 0 / 22 / 5

HEX #63F1BD

RGB 99 241 189

HSL 158.03, 0.84%, 0.67%

LAB 86.62, -50.38, 13.79

 

CMYK 30 / 0 / 11 / 21

HEX #8CC9B2

RGB 140 201 178

HSL 157.38, 0.36%, 0.67%

LAB 76.41, -24.46, 5.26

 

CMYK 18 / 0 / 6 / 27

HEX #9ABBAF

RGB 154 187 175

HSL 158.18, 0.2%, 0.67%

LAB 73.22, -13.57, 2.37

 

CMYK 3 / 0 / 1 / 32

HEX #A7ADAB

RGB 167 173 171

HSL 160, 0.04%, 0.67%

LAB 70.21, -2.49, 0.28

 

CMYK 0 / 12 / 7 / 29

HEX #B5A0A8

RGB 181 160 168

HSL 337.14, 0.12%, 0.67%

LAB 67.87, 9.08, -1.34

 

CMYK 0 / 25 / 16 / 24

HEX #C392A4

RGB 195 146 164

HSL 337.96, 0.29%, 0.67%

LAB 65.62, 21.25, -2.23

 

CMYK 30 / 0 / 27 / 21

HEX #8CC992

RGB 140 201 146

HSL 125.9, 0.36%, 0.67%

LAB 75.71, -30.6, 21.4

 

CMYK 30 / 0 / 19 / 21

HEX #8CC9A2

RGB 140 201 162

HSL 141.64, 0.36%, 0.67%

LAB 76.04, -27.67, 13.33

 

CMYK 30 / 0 / 11 / 21

HEX #8CC9B2

RGB 140 201 178

HSL 157.38, 0.36%, 0.67%

LAB 76.41, -24.46, 5.26

 

CMYK 30 / 0 / 3 / 21

HEX #8CC9C3

RGB 140 201 195

HSL 174.1, 0.36%, 0.67%

LAB 76.85, -20.75, -3.27

 

CMYK 30 / 5 / 0 / 21

HEX #8CBFC9

RGB 140 191 201

HSL 189.84, 0.36%, 0.67%

LAB 74.22, -14.24, -10.42

 

CMYK 52 / 0 / 19 / 32

HEX #54AE8D

RGB 84 174 141

HSL 158, 0.36%, 0.51%

LAB 65.03, -34.99, 8.79

 

CMYK 40 / 0 / 14 / 27

HEX #70BBA0

RGB 112 187 160

HSL 158.4, 0.36%, 0.59%

LAB 70.54, -29.6, 6.39

 

CMYK 30 / 0 / 11 / 21

HEX #8CC9B2

RGB 140 201 178

HSL 157.38, 0.36%, 0.67%

LAB 76.41, -24.46, 5.26

 

CMYK 21 / 0 / 8 / 16

HEX #A8D6C5

RGB 168 214 197

HSL 157.83, 0.36%, 0.75%

LAB 82.08, -18.41, 3.48

 

CMYK 14 / 0 / 5 / 11

HEX #C4E3D8

RGB 196 227 216

HSL 158.71, 0.36%, 0.83%

LAB 87.79, -12.28, 1.94

 

CMYK 30 / 0 / 11 / 21

HEX #8DC9B3

RGB 141 201 179

HSL 158, 0.36%, 0.67%

LAB 76.49, -23.95, 4.84

 

CMYK 30 / 25 / 0 / 21

HEX #8C96C9

RGB 140 150 201

HSL 230.16, 0.36%, 0.67%

LAB 63.02, 8.21, -27.42

 

CMYK 0 / 23 / 30 / 21

HEX #C99A8C

RGB 201 154 140

HSL 13.77, 0.36%, 0.67%

LAB 67.59, 15.55, 14.12

 

CMYK 30 / 0 / 11 / 21

HEX #8DC9B3

RGB 141 201 179

HSL 158, 0.36%, 0.67%

LAB 76.49, -23.95, 4.84

 

CMYK 11 / 30 / 0 / 21

HEX #B28CC9

RGB 178 140 201

HSL 277.38, 0.36%, 0.67%

LAB 63.7, 25.7, -26.09

 

CMYK 0 / 11 / 30 / 21

HEX #C9B28C

RGB 201 178 140

HSL 37.38, 0.36%, 0.67%

LAB 73.64, 2.55, 22.48

 

CMYK 30 / 0 / 11 / 21

HEX #8DC9B3

RGB 141 201 179

HSL 158, 0.36%, 0.67%

LAB 76.49, -23.95, 4.84

 

CMYK 30 / 25 / 0 / 21

HEX #8C96C9

RGB 140 150 201

HSL 230.16, 0.36%, 0.67%

LAB 63.02, 8.21, -27.42

 

CMYK 0 / 30 / 19 / 21

HEX #C98CA2

RGB 201 140 162

HSL 338.36, 0.36%, 0.67%

LAB 64.79, 26.42, -2.25

 

CMYK 0 / 5 / 30 / 21

HEX #C9BF8C

RGB 201 191 140

HSL 50.16, 0.36%, 0.67%

LAB 77.02, -4.32, 27.05

 

CMYK 30 / 0 / 11 / 21

HEX #8DC9B3

RGB 141 201 179

HSL 158, 0.36%, 0.67%

LAB 76.49, -23.95, 4.84

 

CMYK 26 / 30 / 0 / 21

HEX #948CC9

RGB 148 140 201

HSL 247.87, 0.36%, 0.67%

LAB 61.02, 16.34, -30.46

 

CMYK 0 / 30 / 19 / 21

HEX #C98CA2

RGB 201 140 162

HSL 338.36, 0.36%, 0.67%

LAB 64.79, 26.42, -2.25

 

CMYK 4 / 0 / 30 / 21

HEX #C1C98C

RGB 193 201 140

HSL 67.87, 0.36%, 0.67%

LAB 79.04, -12.57, 29.64

 

Description

Color code: HEX #8DC9B3 | qconv.com Color code: HEX #8DC9B3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 201 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 201 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 11 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 11% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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