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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8DC266 it is the complementary color #723D99. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8DC266. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8DC266 shade: #92C261, #A3D474, #B4E687, #C5F89A and #D6FFAD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8DC266. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8DC266 shade: #8DC266, #7CB053, #6B9E40, #5A8C2D and #497A1A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8DC266 shade: #8CC165, #A5C165, #BEC165, #C1AC65 and #C19365

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8DC266 shade: #8CC165, #74C165, #65C170, #65C189 and #65C1A2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8DC266 shade matches the following richer shades: #8CC165, #8AD354, #87E443 and #84F531

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8DC266 shade: #8CC165, #8FB077, #929F88, #948D99 and #977CAB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8DC266 shade: #BEC165, #A6C165, #8DC165, #75C165 and #65C16F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8DC266 shade: #63983C, #76B548, #8CC165, #A2CD83 and #B8D9A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8DC266 shade: #8DC266, #65C1AC and #C165B2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8DC266 shade: #8DC266, #658DC1 and #C1658D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8DC266 shade: #8DC266, #65C1AC, #9A65C1 and #C1657B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8DC266 shade: #8DC266, #65BBC1, #9A65C1 and #C16B65

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 47 / 24

HEX #8DC266

RGB 141 194 102

HSL 94.57, 0.43%, 0.58%

LAB 73.03, -33.47, 40.62

 

Complementary color

CMYK 25 / 60 / 0 / 40

HEX #723D99

RGB 114 61 153

HSL 274.57, 0.43%, 0.42%

LAB 36.39, 40.45, -41.46

 

CMYK 25 / 0 / 50 / 24

HEX #92C261

RGB 146 194 97

HSL 89.69, 0.44%, 0.57%

LAB 73.26, -32.24, 43.42

 

CMYK 23 / 0 / 45 / 17

HEX #A3D474

RGB 163 212 116

HSL 90.63, 0.53%, 0.64%

LAB 79.69, -32.23, 42.26

 

CMYK 22 / 0 / 41 / 10

HEX #B4E687

RGB 180 230 135

HSL 91.58, 0.66%, 0.72%

LAB 86.03, -32.18, 41.11

 

CMYK 21 / 0 / 38 / 3

HEX #C5F89A

RGB 197 248 154

HSL 92.55, 0.87%, 0.79%

LAB 92.28, -32.11, 39.98

 

CMYK 16 / 0 / 32 / 0

HEX #D6FFAD

RGB 214 255 173

HSL 90, 1%, 0.84%

LAB 95.51, -26.9, 34.99

 

CMYK 27 / 0 / 47 / 24

HEX #8DC266

RGB 141 194 102

HSL 94.57, 0.43%, 0.58%

LAB 73.03, -33.47, 40.62

 

CMYK 30 / 0 / 53 / 31

HEX #7CB053

RGB 124 176 83

HSL 93.55, 0.37%, 0.51%

LAB 66.49, -33.5, 41.8

 

CMYK 32 / 0 / 59 / 38

HEX #6B9E40

RGB 107 158 64

HSL 92.55, 0.42%, 0.44%

LAB 59.84, -33.45, 42.9

 

CMYK 36 / 0 / 68 / 45

HEX #5A8C2D

RGB 90 140 45

HSL 91.58, 0.51%, 0.36%

LAB 53.08, -33.27, 43.77

 

CMYK 40 / 0 / 79 / 52

HEX #497A1A

RGB 73 122 26

HSL 90.63, 0.65%, 0.29%

LAB 46.19, -32.86, 44.06

 

CMYK 27 / 0 / 48 / 24

HEX #8CC165

RGB 140 193 101

HSL 94.57, 0.43%, 0.58%

LAB 72.66, -33.49, 40.65

 

CMYK 15 / 0 / 48 / 24

HEX #A5C165

RGB 165 193 101

HSL 78.26, 0.43%, 0.58%

LAB 74.24, -24.09, 42.94

 

CMYK 2 / 0 / 48 / 24

HEX #BEC165

RGB 190 193 101

HSL 61.96, 0.43%, 0.58%

LAB 76.09, -14.12, 45.61

 

CMYK 0 / 11 / 48 / 24

HEX #C1AC65

RGB 193 172 101

HSL 46.3, 0.43%, 0.58%

LAB 70.72, -1.95, 39.11

 

CMYK 0 / 24 / 48 / 24

HEX #C19365

RGB 193 147 101

HSL 30, 0.43%, 0.58%

LAB 64.28, 11.59, 30.98

 

CMYK 27 / 0 / 48 / 24

HEX #8CC165

RGB 140 193 101

HSL 94.57, 0.43%, 0.58%

LAB 72.66, -33.49, 40.65

 

CMYK 40 / 0 / 48 / 24

HEX #74C165

RGB 116 193 101

HSL 110.22, 0.43%, 0.58%

LAB 71.41, -41.65, 38.83

 

CMYK 48 / 0 / 42 / 24

HEX #65C170

RGB 101 193 112

HSL 127.17, 0.43%, 0.58%

LAB 70.92, -44.53, 32.49

 

CMYK 48 / 0 / 29 / 24

HEX #65C189

RGB 101 193 137

HSL 143.48, 0.43%, 0.58%

LAB 71.36, -40.13, 19.92

 

CMYK 48 / 0 / 16 / 24

HEX #65C1A2

RGB 101 193 162

HSL 159.78, 0.43%, 0.58%

LAB 71.9, -34.87, 7.19

 

CMYK 27 / 0 / 48 / 24

HEX #8CC165

RGB 140 193 101

HSL 94.57, 0.43%, 0.58%

LAB 72.66, -33.49, 40.65

 

CMYK 35 / 0 / 60 / 17

HEX #8AD354

RGB 138 211 84

HSL 94.49, 0.59%, 0.58%

LAB 77.66, -44.03, 54.46

 

CMYK 41 / 0 / 71 / 11

HEX #87E443

RGB 135 228 67

HSL 94.66, 0.75%, 0.58%

LAB 82.4, -53.4, 66.25

 

CMYK 46 / 0 / 80 / 4

HEX #84F531

RGB 132 245 49

HSL 94.59, 0.91%, 0.58%

LAB 87.21, -61.85, 76.41

 

CMYK 27 / 0 / 48 / 24

HEX #8CC165

RGB 140 193 101

HSL 94.57, 0.43%, 0.58%

LAB 72.66, -33.49, 40.65

 

CMYK 19 / 0 / 32 / 31

HEX #8FB077

RGB 143 176 119

HSL 94.74, 0.27%, 0.58%

LAB 68.18, -21.74, 25.62

 

CMYK 8 / 0 / 14 / 38

HEX #929F88

RGB 146 159 136

HSL 93.91, 0.11%, 0.58%

LAB 63.9, -8.99, 10.45

 

CMYK 3 / 8 / 0 / 40

HEX #948D99

RGB 148 141 153

HSL 275, 0.06%, 0.58%

LAB 59.57, 4.93, -5.43

 

CMYK 12 / 27 / 0 / 33

HEX #977CAB

RGB 151 124 171

HSL 274.47, 0.22%, 0.58%

LAB 56.02, 19.54, -21.07

 

CMYK 2 / 0 / 48 / 24

HEX #BEC165

RGB 190 193 101

HSL 61.96, 0.43%, 0.58%

LAB 76.09, -14.12, 45.61

 

CMYK 14 / 0 / 48 / 24

HEX #A6C165

RGB 166 193 101

HSL 77.61, 0.43%, 0.58%

LAB 74.31, -23.7, 43.04

 

CMYK 27 / 0 / 48 / 24

HEX #8DC165

RGB 141 193 101

HSL 93.91, 0.43%, 0.58%

LAB 72.72, -33.13, 40.74

 

CMYK 39 / 0 / 48 / 24

HEX #75C165

RGB 117 193 101

HSL 109.57, 0.43%, 0.58%

LAB 71.46, -41.33, 38.9

 

CMYK 48 / 0 / 42 / 24

HEX #65C16F

RGB 101 193 111

HSL 126.52, 0.43%, 0.58%

LAB 70.91, -44.68, 32.99

 

CMYK 35 / 0 / 61 / 40

HEX #63983C

RGB 99 152 60

HSL 94.57, 0.43%, 0.42%

LAB 57.5, -34.04, 41.99

 

CMYK 35 / 0 / 60 / 29

HEX #76B548

RGB 118 181 72

HSL 94.68, 0.43%, 0.5%

LAB 67.55, -39.07, 48.12

 

CMYK 27 / 0 / 48 / 24

HEX #8CC165

RGB 140 193 101

HSL 94.57, 0.43%, 0.58%

LAB 72.66, -33.49, 40.65

 

CMYK 21 / 0 / 36 / 20

HEX #A2CD83

RGB 162 205 131

HSL 94.86, 0.43%, 0.66%

LAB 77.86, -27.33, 32.35

 

CMYK 15 / 0 / 26 / 15

HEX #B8D9A0

RGB 184 217 160

HSL 94.74, 0.43%, 0.74%

LAB 83.1, -21.06, 24.58

 

CMYK 27 / 0 / 47 / 24

HEX #8DC266

RGB 141 194 102

HSL 94.57, 0.43%, 0.58%

LAB 73.03, -33.47, 40.62

 

CMYK 48 / 0 / 11 / 24

HEX #65C1AC

RGB 101 193 172

HSL 166.3, 0.43%, 0.58%

LAB 72.15, -32.55, 2.11

 

CMYK 0 / 48 / 8 / 24

HEX #C165B2

RGB 193 101 178

HSL 309.78, 0.43%, 0.58%

LAB 55.95, 47.18, -24.82

 

CMYK 27 / 0 / 47 / 24

HEX #8DC266

RGB 141 194 102

HSL 94.57, 0.43%, 0.58%

LAB 73.03, -33.47, 40.62

 

CMYK 48 / 27 / 0 / 24

HEX #658DC1

RGB 101 141 193

HSL 213.91, 0.43%, 0.58%

LAB 57.72, 0.53, -31.32

 

CMYK 0 / 48 / 27 / 24

HEX #C1658D

RGB 193 101 141

HSL 333.91, 0.43%, 0.58%

LAB 54.62, 41.43, -5.26

 

CMYK 27 / 0 / 47 / 24

HEX #8DC266

RGB 141 194 102

HSL 94.57, 0.43%, 0.58%

LAB 73.03, -33.47, 40.62

 

CMYK 48 / 0 / 11 / 24

HEX #65C1AC

RGB 101 193 172

HSL 166.3, 0.43%, 0.58%

LAB 72.15, -32.55, 2.11

 

CMYK 20 / 48 / 0 / 24

HEX #9A65C1

RGB 154 101 193

HSL 274.57, 0.43%, 0.58%

LAB 51.87, 38.59, -40.18

 

CMYK 0 / 48 / 36 / 24

HEX #C1657B

RGB 193 101 123

HSL 345.65, 0.43%, 0.58%

LAB 54.11, 39.08, 4.58

 

CMYK 27 / 0 / 47 / 24

HEX #8DC266

RGB 141 194 102

HSL 94.57, 0.43%, 0.58%

LAB 73.03, -33.47, 40.62

 

CMYK 48 / 3 / 0 / 24

HEX #65BBC1

RGB 101 187 193

HSL 183.91, 0.43%, 0.58%

LAB 70.98, -24.33, -11.09

 

CMYK 20 / 48 / 0 / 24

HEX #9A65C1

RGB 154 101 193

HSL 274.57, 0.43%, 0.58%

LAB 51.87, 38.59, -40.18

 

CMYK 0 / 45 / 48 / 24

HEX #C16B65

RGB 193 107 101

HSL 3.91, 0.43%, 0.58%

LAB 54.86, 33.49, 18.53

 

Description

Color code: HEX #8DC266 | qconv.com Color code: HEX #8DC266 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 194 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 194 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 47 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 47% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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