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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8DD769 it is the complementary color #722896. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8DD769. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8DD769 shade: #92D764, #A3E977, #B4FB8A, #C5FF9D and #D6FFB0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8DD769. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8DD769 shade: #8DD769, #7CC556, #6BB343, #5AA130 and #498F1D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8DD769 shade: #8DD769, #ABD769, #C8D769, #D7C869 and #D7AA69

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8DD769 shade: #8DD769, #70D769, #69D781, #69D79E and #69D7BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8DD769 shade matches the following richer shades: #8DD769, #88E65A and #83F54B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8DD769 shade: #8DD769, #93C879, #98B888, #9DA997 and #A29AA6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8DD769 shade: #C8D769, #ABD769, #8ED769, #71D769 and #69D77F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8DD769 shade: #5FBC32, #74CE49, #8DD769, #A6E08A and #BFE8AB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8DD769 shade: #8DD769, #69D7C8 and #D769BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8DD769 shade: #8DD769, #698ED7 and #D7698E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8DD769 shade: #8DD769, #69D7C8, #B269D7 and #D76978

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8DD769 shade: #8DD769, #69C5D7, #B269D7 and #D77C69

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 51 / 16

HEX #8DD769

RGB 141 215 105

HSL 100.36, 0.58%, 0.63%

LAB 79.2, -42.56, 46.71

 

Complementary color

CMYK 24 / 73 / 0 / 41

HEX #722896

RGB 114 40 150

HSL 280.36, 0.58%, 0.37%

LAB 32.47, 50.01, -45.94

 

CMYK 32 / 0 / 53 / 16

HEX #92D764

RGB 146 215 100

HSL 96, 0.59%, 0.62%

LAB 79.4, -41.42, 49.36

 

CMYK 30 / 0 / 49 / 9

HEX #A3E977

RGB 163 233 119

HSL 96.84, 0.72%, 0.69%

LAB 85.7, -41.39, 48.24

 

CMYK 28 / 0 / 45 / 2

HEX #B4FB8A

RGB 180 251 138

HSL 97.7, 0.93%, 0.76%

LAB 91.92, -41.32, 47.09

 

CMYK 23 / 0 / 38 / 0

HEX #C5FF9D

RGB 197 255 157

HSL 95.51, 1%, 0.81%

LAB 94.24, -34.93, 41.04

 

CMYK 16 / 0 / 31 / 0

HEX #D6FFB0

RGB 214 255 176

HSL 91.14, 1%, 0.85%

LAB 95.56, -26.49, 33.56

 

CMYK 34 / 0 / 51 / 16

HEX #8DD769

RGB 141 215 105

HSL 100.36, 0.58%, 0.63%

LAB 79.2, -42.56, 46.71

 

CMYK 37 / 0 / 56 / 23

HEX #7CC556

RGB 124 197 86

HSL 99.46, 0.49%, 0.55%

LAB 72.82, -42.57, 47.84

 

CMYK 40 / 0 / 63 / 30

HEX #6BB343

RGB 107 179 67

HSL 98.57, 0.46%, 0.48%

LAB 66.34, -42.47, 48.85

 

CMYK 44 / 0 / 70 / 37

HEX #5AA130

RGB 90 161 48

HSL 97.7, 0.54%, 0.41%

LAB 59.78, -42.21, 49.57

 

CMYK 49 / 0 / 80 / 44

HEX #498F1D

RGB 73 143 29

HSL 96.84, 0.66%, 0.34%

LAB 53.11, -41.67, 49.65

 

CMYK 34 / 0 / 51 / 16

HEX #8DD769

RGB 141 215 105

HSL 100.36, 0.58%, 0.63%

LAB 79.2, -42.56, 46.71

 

CMYK 20 / 0 / 51 / 16

HEX #ABD769

RGB 171 215 105

HSL 84, 0.58%, 0.63%

LAB 80.89, -31.9, 49.14

 

CMYK 7 / 0 / 51 / 16

HEX #C8D769

RGB 200 215 105

HSL 68.18, 0.58%, 0.63%

LAB 82.86, -20.7, 51.96

 

CMYK 0 / 7 / 51 / 16

HEX #D7C869

RGB 215 200 105

HSL 51.82, 0.58%, 0.63%

LAB 80.05, -7.12, 48.92

 

CMYK 0 / 21 / 51 / 16

HEX #D7AA69

RGB 215 170 105

HSL 35.45, 0.58%, 0.63%

LAB 72.37, 8.63, 39.58

 

CMYK 34 / 0 / 51 / 16

HEX #8DD769

RGB 141 215 105

HSL 100.36, 0.58%, 0.63%

LAB 79.2, -42.56, 46.71

 

CMYK 48 / 0 / 51 / 16

HEX #70D769

RGB 112 215 105

HSL 116.18, 0.58%, 0.63%

LAB 77.91, -51.5, 44.85

 

CMYK 51 / 0 / 40 / 16

HEX #69D781

RGB 105 215 129

HSL 133.09, 0.58%, 0.63%

LAB 77.99, -49.87, 33.01

 

CMYK 51 / 0 / 27 / 16

HEX #69D79E

RGB 105 215 158

HSL 148.91, 0.58%, 0.63%

LAB 78.5, -44.59, 18.67

 

CMYK 51 / 0 / 13 / 16

HEX #69D7BC

RGB 105 215 188

HSL 165.27, 0.58%, 0.63%

LAB 79.18, -38.05, 3.69

 

CMYK 34 / 0 / 51 / 16

HEX #8DD769

RGB 141 215 105

HSL 100.36, 0.58%, 0.63%

LAB 79.2, -42.56, 46.71

 

CMYK 41 / 0 / 61 / 10

HEX #88E65A

RGB 136 230 90

HSL 100.29, 0.74%, 0.63%

LAB 83.21, -52.03, 58.08

 

CMYK 47 / 0 / 69 / 4

HEX #83F54B

RGB 131 245 75

HSL 100.24, 0.89%, 0.63%

LAB 87.31, -60.62, 68.33

 

CMYK 34 / 0 / 51 / 16

HEX #8DD769

RGB 141 215 105

HSL 100.36, 0.58%, 0.63%

LAB 79.2, -42.56, 46.71

 

CMYK 27 / 0 / 40 / 22

HEX #93C879

RGB 147 200 121

HSL 100.25, 0.42%, 0.63%

LAB 75.38, -31.67, 34.08

 

CMYK 17 / 0 / 26 / 28

HEX #98B888

RGB 152 184 136

HSL 100, 0.25%, 0.63%

LAB 71.37, -19.83, 20.91

 

CMYK 7 / 0 / 11 / 34

HEX #9DA997

RGB 157 169 151

HSL 100, 0.09%, 0.63%

LAB 67.86, -7.64, 7.85

 

CMYK 2 / 7 / 0 / 35

HEX #A29AA6

RGB 162 154 166

HSL 280, 0.06%, 0.63%

LAB 64.6, 5.2, -5.22

 

CMYK 7 / 0 / 51 / 16

HEX #C8D769

RGB 200 215 105

HSL 68.18, 0.58%, 0.63%

LAB 82.86, -20.7, 51.96

 

CMYK 20 / 0 / 51 / 16

HEX #ABD769

RGB 171 215 105

HSL 84, 0.58%, 0.63%

LAB 80.89, -31.9, 49.14

 

CMYK 34 / 0 / 51 / 16

HEX #8ED769

RGB 142 215 105

HSL 99.82, 0.58%, 0.63%

LAB 79.25, -42.22, 46.79

 

CMYK 47 / 0 / 51 / 16

HEX #71D769

RGB 113 215 105

HSL 115.64, 0.58%, 0.63%

LAB 77.95, -51.22, 44.9

 

CMYK 51 / 0 / 41 / 16

HEX #69D77F

RGB 105 215 127

HSL 132, 0.58%, 0.63%

LAB 77.96, -50.19, 33.99

 

CMYK 49 / 0 / 73 / 26

HEX #5FBC32

RGB 95 188 50

HSL 100.43, 0.58%, 0.47%

LAB 68.48, -51.32, 57.75

 

CMYK 44 / 0 / 65 / 19

HEX #74CE49

RGB 116 206 73

HSL 100.6, 0.58%, 0.55%

LAB 75.04, -50.18, 55.95

 

CMYK 34 / 0 / 51 / 16

HEX #8DD769

RGB 141 215 105

HSL 100.36, 0.58%, 0.63%

LAB 79.2, -42.56, 46.71

 

CMYK 26 / 0 / 38 / 12

HEX #A6E08A

RGB 166 224 138

HSL 100.47, 0.58%, 0.71%

LAB 83.58, -33.9, 36.29

 

CMYK 18 / 0 / 26 / 9

HEX #BFE8AB

RGB 191 232 171

HSL 100.33, 0.57%, 0.79%

LAB 87.84, -24.23, 25.42

 

CMYK 34 / 0 / 51 / 16

HEX #8DD769

RGB 141 215 105

HSL 100.36, 0.58%, 0.63%

LAB 79.2, -42.56, 46.71

 

CMYK 51 / 0 / 7 / 16

HEX #69D7C8

RGB 105 215 200

HSL 171.82, 0.58%, 0.63%

LAB 79.49, -35.17, -2.27

 

CMYK 0 / 51 / 13 / 16

HEX #D769BA

RGB 215 105 186

HSL 315.82, 0.58%, 0.63%

LAB 59.97, 53.18, -22.97

 

CMYK 34 / 0 / 51 / 16

HEX #8DD769

RGB 141 215 105

HSL 100.36, 0.58%, 0.63%

LAB 79.2, -42.56, 46.71

 

CMYK 51 / 34 / 0 / 16

HEX #698ED7

RGB 105 142 215

HSL 219.82, 0.58%, 0.63%

LAB 59.21, 7.58, -41.35

 

CMYK 0 / 51 / 34 / 16

HEX #D7698E

RGB 215 105 142

HSL 339.82, 0.58%, 0.63%

LAB 58.51, 47.04, 0.22

 

CMYK 34 / 0 / 51 / 16

HEX #8DD769

RGB 141 215 105

HSL 100.36, 0.58%, 0.63%

LAB 79.2, -42.56, 46.71

 

CMYK 51 / 0 / 7 / 16

HEX #69D7C8

RGB 105 215 200

HSL 171.82, 0.58%, 0.63%

LAB 79.49, -35.17, -2.27

 

CMYK 17 / 51 / 0 / 16

HEX #B269D7

RGB 178 105 215

HSL 279.82, 0.58%, 0.63%

LAB 56.56, 47.92, -45.12

 

CMYK 0 / 51 / 44 / 16

HEX #D76978

RGB 215 105 120

HSL 351.82, 0.58%, 0.63%

LAB 57.95, 44.58, 12.22

 

CMYK 34 / 0 / 51 / 16

HEX #8DD769

RGB 141 215 105

HSL 100.36, 0.58%, 0.63%

LAB 79.2, -42.56, 46.71

 

CMYK 51 / 8 / 0 / 16

HEX #69C5D7

RGB 105 197 215

HSL 189.82, 0.58%, 0.63%

LAB 74.73, -22.53, -17.43

 

CMYK 17 / 51 / 0 / 16

HEX #B269D7

RGB 178 105 215

HSL 279.82, 0.58%, 0.63%

LAB 56.56, 47.92, -45.12

 

CMYK 0 / 42 / 51 / 16

HEX #D77C69

RGB 215 124 105

HSL 10.36, 0.58%, 0.63%

LAB 61.55, 33.36, 25.72

 

Description

Color code: HEX #8DD769 | qconv.com Color code: HEX #8DD769 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 215 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 215 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, 51 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 51% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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