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Color name
HEX #8DDF34

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8DDF34 it is the complementary color #7220CB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8DDF34. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8DDF34 shade: #92DF2F, #A3F142, #B4FF55, #C5FF68 and #D6FF7B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8DDF34. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8DDF34 shade: #8DDF34, #7CCD21, #6BBB0E, #5AA900 and #499700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8DDF34 shade: #8DDF34, #BBDF34, #DFD534, #DFA634 and #DF7834

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8DDF34 shade: #8DDF34, #5FDF34, #34DF37, #34DF65 and #34DF93

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8DDF34 shade matches the following richer shades: #8DDF34 and #8DF221

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8DDF34 shade: #8DDF34, #8CCC47, #8BB95A, #8AA66D and #8A937F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8DDF34 shade: #DFD334, #BDDF34, #8FDF34, #61DF34 and #34DF34

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8DDF34 shade: #63A61A, #78CA1F, #8DDF34, #A1E457 and #B5EA7B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8DDF34 shade: #8DDF34, #34DFA6 and #DF34D3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8DDF34 shade: #8DDF34, #348FDF and #DF348F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8DDF34 shade: #8DDF34, #34DFA6, #8334DF and #DF346D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8DDF34 shade: #8DDF34, #34DFD9, #8334DF and #DF3439

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 77 / 13

HEX #8DDF34

RGB 141 223 52

HSL 88.77, 0.73%, 0.54%

LAB 81.12, -50.3, 70.05

 

Complementary color

CMYK 44 / 84 / 0 / 20

HEX #7220CB

RGB 114 32 203

HSL 268.77, 0.73%, 0.46%

LAB 35.83, 64.96, -72.07

 

CMYK 35 / 0 / 79 / 13

HEX #92DF2F

RGB 146 223 47

HSL 86.25, 0.73%, 0.53%

LAB 81.34, -48.81, 71.8

 

CMYK 32 / 0 / 73 / 5

HEX #A3F142

RGB 163 241 66

HSL 86.74, 0.86%, 0.6%

LAB 87.53, -49.34, 72.15

 

CMYK 29 / 0 / 67 / 0

HEX #B4FF55

RGB 180 255 85

HSL 86.47, 1%, 0.67%

LAB 92.52, -48.05, 70.76

 

CMYK 23 / 0 / 59 / 0

HEX #C5FF68

RGB 197 255 104

HSL 83.05, 1%, 0.7%

LAB 93.62, -40.54, 64.67

 

CMYK 16 / 0 / 52 / 0

HEX #D6FF7B

RGB 214 255 123

HSL 78.64, 1%, 0.74%

LAB 94.84, -32.63, 58.07

 

CMYK 37 / 0 / 77 / 13

HEX #8DDF34

RGB 141 223 52

HSL 88.77, 0.73%, 0.54%

LAB 81.12, -50.3, 70.05

 

CMYK 40 / 0 / 84 / 20

HEX #7CCD21

RGB 124 205 33

HSL 88.26, 0.72%, 0.47%

LAB 74.86, -49.64, 69.18

 

CMYK 43 / 0 / 93 / 27

HEX #6BBB0E

RGB 107 187 14

HSL 87.75, 0.86%, 0.39%

LAB 68.53, -48.72, 67.08

 

CMYK 47 / 0 / 100 / 34

HEX #5AA900

RGB 90 169 0

HSL 88.05, 1%, 0.33%

LAB 62.13, -47.48, 63.43

 

CMYK 52 / 0 / 100 / 41

HEX #499700

RGB 73 151 0

HSL 90.99, 1%, 0.3%

LAB 55.63, -45.88, 58.05

 

CMYK 37 / 0 / 77 / 13

HEX #8DDF34

RGB 141 223 52

HSL 88.77, 0.73%, 0.54%

LAB 81.12, -50.3, 70.05

 

CMYK 16 / 0 / 77 / 13

HEX #BBDF34

RGB 187 223 52

HSL 72.63, 0.73%, 0.54%

LAB 83.75, -33.17, 73.45

 

CMYK 0 / 4 / 77 / 13

HEX #DFD534

RGB 223 213 52

HSL 56.49, 0.73%, 0.54%

LAB 83.72, -13.55, 74.41

 

CMYK 0 / 26 / 77 / 13

HEX #DFA634

RGB 223 166 52

HSL 40, 0.73%, 0.54%

LAB 71.7, 10.79, 63.33

 

CMYK 0 / 46 / 77 / 13

HEX #DF7834

RGB 223 120 52

HSL 23.86, 0.73%, 0.54%

LAB 61.11, 35.24, 53.1

 

CMYK 37 / 0 / 77 / 13

HEX #8DDF34

RGB 141 223 52

HSL 88.77, 0.73%, 0.54%

LAB 81.12, -50.3, 70.05

 

CMYK 57 / 0 / 77 / 13

HEX #5FDF34

RGB 95 223 52

HSL 104.91, 0.73%, 0.54%

LAB 79.3, -63.95, 67.68

 

CMYK 77 / 0 / 75 / 13

HEX #34DF37

RGB 52 223 55

HSL 121.05, 0.73%, 0.54%

LAB 78.33, -71.98, 65.46

 

CMYK 77 / 0 / 55 / 13

HEX #34DF65

RGB 52 223 101

HSL 137.19, 0.73%, 0.54%

LAB 78.72, -67.27, 47.33

 

CMYK 77 / 0 / 34 / 13

HEX #34DF93

RGB 52 223 147

HSL 153.33, 0.73%, 0.54%

LAB 79.39, -59.5, 25.42

 

CMYK 37 / 0 / 77 / 13

HEX #8DDF34

RGB 141 223 52

HSL 88.77, 0.73%, 0.54%

LAB 81.12, -50.3, 70.05

 

CMYK 42 / 0 / 86 / 5

HEX #8DF221

RGB 141 242 33

HSL 89, 0.89%, 0.54%

LAB 86.64, -58.55, 79.65

 

CMYK 37 / 0 / 77 / 13

HEX #8DDF34

RGB 141 223 52

HSL 88.77, 0.73%, 0.54%

LAB 81.12, -50.3, 70.05

 

CMYK 31 / 0 / 65 / 20

HEX #8CCC47

RGB 140 204 71

HSL 88.87, 0.57%, 0.54%

LAB 75.59, -41.42, 57.7

 

CMYK 25 / 0 / 51 / 27

HEX #8BB95A

RGB 139 185 90

HSL 89.05, 0.4%, 0.54%

LAB 70.12, -31.39, 42.95

 

CMYK 17 / 0 / 34 / 35

HEX #8AA66D

RGB 138 166 109

HSL 89.47, 0.24%, 0.54%

LAB 64.79, -20.03, 26.42

 

CMYK 6 / 0 / 14 / 42

HEX #8A937F

RGB 138 147 127

HSL 87, 0.08%, 0.54%

LAB 59.71, -7.07, 9.49

 

CMYK 0 / 5 / 77 / 13

HEX #DFD334

RGB 223 211 52

HSL 55.79, 0.73%, 0.54%

LAB 83.19, -12.55, 73.94

 

CMYK 15 / 0 / 77 / 13

HEX #BDDF34

RGB 189 223 52

HSL 71.93, 0.73%, 0.54%

LAB 83.88, -32.38, 73.62

 

CMYK 36 / 0 / 77 / 13

HEX #8FDF34

RGB 143 223 52

HSL 88.07, 0.73%, 0.54%

LAB 81.22, -49.61, 70.18

 

CMYK 57 / 0 / 77 / 13

HEX #61DF34

RGB 97 223 52

HSL 104.21, 0.73%, 0.54%

LAB 79.37, -63.45, 67.77

 

CMYK 77 / 0 / 77 / 13

HEX #34DF34

RGB 52 223 52

HSL 120, 0.73%, 0.54%

LAB 78.32, -72.18, 66.39

 

CMYK 40 / 0 / 84 / 35

HEX #63A61A

RGB 99 166 26

HSL 88.71, 0.73%, 0.38%

LAB 61.65, -42.52, 58.77

 

CMYK 41 / 0 / 85 / 21

HEX #78CA1F

RGB 120 202 31

HSL 88.77, 0.73%, 0.46%

LAB 73.76, -49.86, 68.6

 

CMYK 37 / 0 / 77 / 13

HEX #8DDF34

RGB 141 223 52

HSL 88.77, 0.73%, 0.54%

LAB 81.12, -50.3, 70.05

 

CMYK 29 / 0 / 62 / 11

HEX #A1E457

RGB 161 228 87

HSL 88.51, 0.72%, 0.62%

LAB 83.84, -43.07, 60.38

 

CMYK 23 / 0 / 47 / 8

HEX #B5EA7B

RGB 181 234 123

HSL 88.65, 0.73%, 0.7%

LAB 87.05, -35.08, 48.21

 

CMYK 37 / 0 / 77 / 13

HEX #8DDF34

RGB 141 223 52

HSL 88.77, 0.73%, 0.54%

LAB 81.12, -50.3, 70.05

 

CMYK 77 / 0 / 26 / 13

HEX #34DFA6

RGB 52 223 166

HSL 160, 0.73%, 0.54%

LAB 79.76, -55.45, 16.01

 

CMYK 0 / 77 / 5 / 13

HEX #DF34D3

RGB 223 52 211

HSL 304.21, 0.73%, 0.54%

LAB 54.91, 79.41, -45.05

 

CMYK 37 / 0 / 77 / 13

HEX #8DDF34

RGB 141 223 52

HSL 88.77, 0.73%, 0.54%

LAB 81.12, -50.3, 70.05

 

CMYK 77 / 36 / 0 / 13

HEX #348FDF

RGB 52 143 223

HSL 208.07, 0.73%, 0.54%

LAB 57.75, 0.56, -48.27

 

CMYK 0 / 77 / 36 / 13

HEX #DF348F

RGB 223 52 143

HSL 328.07, 0.73%, 0.54%

LAB 51.98, 70.8, -9.89

 

CMYK 37 / 0 / 77 / 13

HEX #8DDF34

RGB 141 223 52

HSL 88.77, 0.73%, 0.54%

LAB 81.12, -50.3, 70.05

 

CMYK 77 / 0 / 26 / 13

HEX #34DFA6

RGB 52 223 166

HSL 160, 0.73%, 0.54%

LAB 79.76, -55.45, 16.01

 

CMYK 41 / 77 / 0 / 13

HEX #8334DF

RGB 131 52 223

HSL 267.72, 0.73%, 0.54%

LAB 42.17, 64.9, -73.13

 

CMYK 0 / 77 / 51 / 13

HEX #DF346D

RGB 223 52 109

HSL 340, 0.73%, 0.54%

LAB 50.98, 67.7, 9.13

 

CMYK 37 / 0 / 77 / 13

HEX #8DDF34

RGB 141 223 52

HSL 88.77, 0.73%, 0.54%

LAB 81.12, -50.3, 70.05

 

CMYK 77 / 0 / 3 / 13

HEX #34DFD9

RGB 52 223 217

HSL 177.89, 0.73%, 0.54%

LAB 81.02, -42.49, -9.2

 

CMYK 41 / 77 / 0 / 13

HEX #8334DF

RGB 131 52 223

HSL 267.72, 0.73%, 0.54%

LAB 42.17, 64.9, -73.13

 

CMYK 0 / 77 / 74 / 13

HEX #DF3439

RGB 223 52 57

HSL 358.25, 0.73%, 0.54%

LAB 50.02, 64.68, 38.92

 

Description

Color code: HEX #8DDF34 | qconv.com Color code: HEX #8DDF34 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 223 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 223 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 77 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 77% 13% C M Y K

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