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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8DE188 it is the complementary color #721E77. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8DE188. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8DE188 shade: #92E183, #A3F396, #B4FFA9, #C5FFBC and #D6FFCF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8DE188. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8DE188 shade: #8DE188, #7CCF75, #6BBD62, #5AAB4F and #49993C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8DE188 shade: #8DE188, #A5E188, #BDE188, #D5E188 and #E1D588

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8DE188 shade: #8DE188, #88E19B, #88E1B3, #88E1CB and #88DFE1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8DE188 shade matches the following richer shades: #8DE188, #83ED7C and #78F970

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8DE188 shade: #8DE188, #98D594, #A2C9A0, #ADBDAC and #B8B1B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8DE188 shade: #BDE188, #A6E188, #8EE188, #88E19A and #88E1B2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8DE188 shade: #4ED046, #6ED967, #8DE188, #ADE9A9 and #CCF1CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8DE188 shade: #8DE188, #88D5E1 and #E188B2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8DE188 shade: #8DE188, #888EE1 and #E1888E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8DE188 shade: #8DE188, #88D5E1, #DB88E1 and #E19488

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8DE188 shade: #8DE188, #88BAE1, #DB88E1 and #E1AF88

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 40 / 12

HEX #8DE188

RGB 141 225 136

HSL 116.63, 0.6%, 0.71%

LAB 82.53, -42.81, 35.69

 

Complementary color

CMYK 4 / 75 / 0 / 53

HEX #721E77

RGB 114 30 119

HSL 296.63, 0.6%, 0.29%

LAB 29, 47.71, -32.21

 

CMYK 35 / 0 / 42 / 12

HEX #92E183

RGB 146 225 131

HSL 110.43, 0.61%, 0.7%

LAB 82.7, -41.96, 38.46

 

CMYK 33 / 0 / 38 / 5

HEX #A3F396

RGB 163 243 150

HSL 111.61, 0.79%, 0.77%

LAB 88.96, -41.77, 37.28

 

CMYK 29 / 0 / 34 / 0

HEX #B4FFA9

RGB 180 255 169

HSL 112.33, 1%, 0.83%

LAB 93.49, -38.9, 33.95

 

CMYK 23 / 0 / 26 / 0

HEX #C5FFBC

RGB 197 255 188

HSL 111.94, 1%, 0.87%

LAB 94.75, -30.47, 26.25

 

CMYK 16 / 0 / 19 / 0

HEX #D6FFCF

RGB 214 255 207

HSL 111.25, 1%, 0.91%

LAB 96.13, -21.79, 18.66

 

CMYK 37 / 0 / 40 / 12

HEX #8DE188

RGB 141 225 136

HSL 116.63, 0.6%, 0.71%

LAB 82.53, -42.81, 35.69

 

CMYK 40 / 0 / 43 / 19

HEX #7CCF75

RGB 124 207 117

HSL 115.33, 0.48%, 0.64%

LAB 76.19, -43, 36.91

 

CMYK 43 / 0 / 48 / 26

HEX #6BBD62

RGB 107 189 98

HSL 114.07, 0.41%, 0.56%

LAB 69.76, -43.13, 38.17

 

CMYK 47 / 0 / 54 / 33

HEX #5AAB4F

RGB 90 171 79

HSL 112.83, 0.37%, 0.49%

LAB 63.23, -43.17, 39.44

 

CMYK 52 / 0 / 61 / 40

HEX #49993C

RGB 73 153 60

HSL 111.61, 0.44%, 0.42%

LAB 56.61, -43.05, 40.66

 

CMYK 37 / 0 / 40 / 12

HEX #8DE188

RGB 141 225 136

HSL 116.63, 0.6%, 0.71%

LAB 82.53, -42.81, 35.69

 

CMYK 27 / 0 / 40 / 12

HEX #A5E188

RGB 165 225 136

HSL 100.45, 0.6%, 0.71%

LAB 83.77, -34.98, 37.54

 

CMYK 16 / 0 / 40 / 12

HEX #BDE188

RGB 189 225 136

HSL 84.27, 0.6%, 0.71%

LAB 85.22, -26.44, 39.7

 

CMYK 5 / 0 / 40 / 12

HEX #D5E188

RGB 213 225 136

HSL 68.09, 0.6%, 0.71%

LAB 86.89, -17.41, 42.16

 

CMYK 0 / 5 / 40 / 12

HEX #E1D588

RGB 225 213 136

HSL 51.91, 0.6%, 0.71%

LAB 84.68, -6.73, 39.53

 

CMYK 37 / 0 / 40 / 12

HEX #8DE188

RGB 141 225 136

HSL 116.63, 0.6%, 0.71%

LAB 82.53, -42.81, 35.69

 

CMYK 40 / 0 / 31 / 12

HEX #88E19B

RGB 136 225 155

HSL 132.81, 0.6%, 0.71%

LAB 82.62, -41.27, 26.08

 

CMYK 40 / 0 / 20 / 12

HEX #88E1B3

RGB 136 225 179

HSL 148.99, 0.6%, 0.71%

LAB 83.09, -36.81, 14.22

 

CMYK 40 / 0 / 10 / 12

HEX #88E1CB

RGB 136 225 203

HSL 165.17, 0.6%, 0.71%

LAB 83.65, -31.75, 2.37

 

CMYK 40 / 1 / 0 / 12

HEX #88DFE1

RGB 136 223 225

HSL 181.35, 0.6%, 0.71%

LAB 83.68, -25.66, -9.24

 

CMYK 37 / 0 / 40 / 12

HEX #8DE188

RGB 141 225 136

HSL 116.63, 0.6%, 0.71%

LAB 82.53, -42.81, 35.69

 

CMYK 45 / 0 / 48 / 7

HEX #83ED7C

RGB 131 237 124

HSL 116.28, 0.76%, 0.71%

LAB 85.43, -52.51, 45.18

 

CMYK 52 / 0 / 55 / 2

HEX #78F970

RGB 120 249 112

HSL 116.5, 0.92%, 0.71%

LAB 88.41, -61.65, 54.28

 

CMYK 37 / 0 / 40 / 12

HEX #8DE188

RGB 141 225 136

HSL 116.63, 0.6%, 0.71%

LAB 82.53, -42.81, 35.69

 

CMYK 29 / 0 / 31 / 16

HEX #98D594

RGB 152 213 148

HSL 116.31, 0.44%, 0.71%

LAB 79.84, -32.01, 26.08

 

CMYK 19 / 0 / 20 / 21

HEX #A2C9A0

RGB 162 201 160

HSL 117.07, 0.28%, 0.71%

LAB 77.28, -20.82, 16.31

 

CMYK 8 / 0 / 9 / 26

HEX #ADBDAC

RGB 173 189 172

HSL 116.47, 0.11%, 0.71%

LAB 74.99, -8.71, 6.71

 

CMYK 0 / 4 / 0 / 28

HEX #B8B1B8

RGB 184 177 184

HSL 300, 0.05%, 0.71%

LAB 72.95, 3.78, -2.68

 

CMYK 16 / 0 / 40 / 12

HEX #BDE188

RGB 189 225 136

HSL 84.27, 0.6%, 0.71%

LAB 85.22, -26.44, 39.7

 

CMYK 26 / 0 / 40 / 12

HEX #A6E188

RGB 166 225 136

HSL 99.78, 0.6%, 0.71%

LAB 83.83, -34.64, 37.62

 

CMYK 37 / 0 / 40 / 12

HEX #8EE188

RGB 142 225 136

HSL 115.96, 0.6%, 0.71%

LAB 82.58, -42.51, 35.76

 

CMYK 40 / 0 / 32 / 12

HEX #88E19A

RGB 136 225 154

HSL 132.13, 0.6%, 0.71%

LAB 82.6, -41.44, 26.57

 

CMYK 40 / 0 / 21 / 12

HEX #88E1B2

RGB 136 225 178

HSL 148.31, 0.6%, 0.71%

LAB 83.07, -37.01, 14.72

 

CMYK 63 / 0 / 66 / 18

HEX #4ED046

RGB 78 208 70

HSL 116.52, 0.59%, 0.55%

LAB 74.3, -61.34, 55.99

 

CMYK 49 / 0 / 53 / 15

HEX #6ED967

RGB 110 217 103

HSL 116.32, 0.6%, 0.63%

LAB 78.42, -53.1, 46.39

 

CMYK 37 / 0 / 40 / 12

HEX #8DE188

RGB 141 225 136

HSL 116.63, 0.6%, 0.71%

LAB 82.53, -42.81, 35.69

 

CMYK 26 / 0 / 27 / 9

HEX #ADE9A9

RGB 173 233 169

HSL 116.25, 0.59%, 0.79%

LAB 87.01, -31.09, 25.14

 

CMYK 15 / 0 / 16 / 5

HEX #CCF1CA

RGB 204 241 202

HSL 116.92, 0.58%, 0.87%

LAB 91.69, -19.15, 14.9

 

CMYK 37 / 0 / 40 / 12

HEX #8DE188

RGB 141 225 136

HSL 116.63, 0.6%, 0.71%

LAB 82.53, -42.81, 35.69

 

CMYK 40 / 5 / 0 / 12

HEX #88D5E1

RGB 136 213 225

HSL 188.09, 0.6%, 0.71%

LAB 80.88, -20.71, -13.41

 

CMYK 0 / 40 / 21 / 12

HEX #E188B2

RGB 225 136 178

HSL 331.69, 0.6%, 0.71%

LAB 67.15, 39.47, -7.47

 

CMYK 37 / 0 / 40 / 12

HEX #8DE188

RGB 141 225 136

HSL 116.63, 0.6%, 0.71%

LAB 82.53, -42.81, 35.69

 

CMYK 40 / 37 / 0 / 12

HEX #888EE1

RGB 136 142 225

HSL 235.96, 0.6%, 0.71%

LAB 61.67, 18.12, -42.93

 

CMYK 0 / 40 / 37 / 12

HEX #E1888E

RGB 225 136 142

HSL 355.96, 0.6%, 0.71%

LAB 66.19, 34.68, 11.42

 

CMYK 37 / 0 / 40 / 12

HEX #8DE188

RGB 141 225 136

HSL 116.63, 0.6%, 0.71%

LAB 82.53, -42.81, 35.69

 

CMYK 40 / 5 / 0 / 12

HEX #88D5E1

RGB 136 213 225

HSL 188.09, 0.6%, 0.71%

LAB 80.88, -20.71, -13.41

 

CMYK 3 / 40 / 0 / 12

HEX #DB88E1

RGB 219 136 225

HSL 295.96, 0.6%, 0.71%

LAB 68.1, 45.42, -32.31

 

CMYK 0 / 34 / 40 / 12

HEX #E19488

RGB 225 148 136

HSL 8.09, 0.6%, 0.71%

LAB 68.73, 27.61, 18.32

 

CMYK 37 / 0 / 40 / 12

HEX #8DE188

RGB 141 225 136

HSL 116.63, 0.6%, 0.71%

LAB 82.53, -42.81, 35.69

 

CMYK 40 / 17 / 0 / 12

HEX #88BAE1

RGB 136 186 225

HSL 206.29, 0.6%, 0.71%

LAB 73.41, -6.66, -24.72

 

CMYK 3 / 40 / 0 / 12

HEX #DB88E1

RGB 219 136 225

HSL 295.96, 0.6%, 0.71%

LAB 68.1, 45.42, -32.31

 

CMYK 0 / 22 / 40 / 12

HEX #E1AF88

RGB 225 175 136

HSL 26.29, 0.6%, 0.71%

LAB 75.1, 13.14, 26.99

 

Description

Color code: HEX #8DE188 | qconv.com Color code: HEX #8DE188 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 225 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 225 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 40 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 40% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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