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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8DE240 it is the complementary color #721DBF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8DE240. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8DE240 shade: #92E23B, #A3F44E, #B4FF61, #C5FF74 and #D6FF87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8DE240. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8DE240 shade: #8DE240, #7CD02D, #6BBE1A, #5AAC07 and #499A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8DE240 shade: #8DE240, #B9E240, #E2E040, #E2B440 and #E28840

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8DE240 shade: #8DE240, #61E240, #40E24A, #40E276 and #40E2A2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8DE240 shade matches the following richer shades: #8DE240 and #8CF42E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8DE240 shade: #8DE240, #8ED051, #8FBF63, #8FAD75 and #909B87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8DE240 shade: #E2DF40, #B9E240, #8EE240, #63E240 and #40E248

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8DE240 shade: #64B51B, #78D920, #8DE240, #A2E764 and #B8ED87

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8DE240 shade: #8DE240, #40E2B4 and #E240CF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8DE240 shade: #8DE240, #408EE2 and #E2408E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8DE240 shade: #8DE240, #40E2B4, #9440E2 and #E2406E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8DE240 shade: #8DE240, #40DFE2, #9440E2 and #E24240

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 72 / 11

HEX #8DE240

RGB 141 226 64

HSL 91.48, 0.74%, 0.57%

LAB 82.07, -50.83, 67.06

 

Complementary color

CMYK 40 / 85 / 0 / 25

HEX #721DBF

RGB 114 29 191

HSL 271.48, 0.74%, 0.43%

LAB 34.43, 63.13, -67.34

 

CMYK 35 / 0 / 74 / 11

HEX #92E23B

RGB 146 226 59

HSL 88.74, 0.74%, 0.56%

LAB 82.28, -49.43, 69.04

 

CMYK 33 / 0 / 68 / 4

HEX #A3F44E

RGB 163 244 78

HSL 89.28, 0.88%, 0.63%

LAB 88.47, -49.83, 68.88

 

CMYK 29 / 0 / 62 / 0

HEX #B4FF61

RGB 180 255 97

HSL 88.48, 1%, 0.69%

LAB 92.61, -47.15, 66.18

 

CMYK 23 / 0 / 55 / 0

HEX #C5FF74

RGB 197 255 116

HSL 85.04, 1%, 0.73%

LAB 93.73, -39.5, 59.64

 

CMYK 16 / 0 / 47 / 0

HEX #D6FF87

RGB 214 255 135

HSL 80.5, 1%, 0.76%

LAB 94.98, -31.46, 52.73

 

CMYK 38 / 0 / 72 / 11

HEX #8DE240

RGB 141 226 64

HSL 91.48, 0.74%, 0.57%

LAB 82.07, -50.83, 67.06

 

CMYK 40 / 0 / 78 / 18

HEX #7CD02D

RGB 124 208 45

HSL 90.92, 0.64%, 0.5%

LAB 75.81, -50.32, 66.87

 

CMYK 44 / 0 / 86 / 25

HEX #6BBE1A

RGB 107 190 26

HSL 90.37, 0.76%, 0.42%

LAB 69.49, -49.57, 65.76

 

CMYK 48 / 0 / 96 / 33

HEX #5AAC07

RGB 90 172 7

HSL 89.82, 0.92%, 0.35%

LAB 63.09, -48.51, 63.26

 

CMYK 53 / 0 / 100 / 40

HEX #499A00

RGB 73 154 0

HSL 91.56, 1%, 0.3%

LAB 56.61, -47.03, 58.82

 

CMYK 38 / 0 / 72 / 11

HEX #8DE240

RGB 141 226 64

HSL 91.48, 0.74%, 0.57%

LAB 82.07, -50.83, 67.06

 

CMYK 18 / 0 / 72 / 11

HEX #B9E240

RGB 185 226 64

HSL 75.19, 0.74%, 0.57%

LAB 84.52, -34.76, 70.31

 

CMYK 0 / 1 / 72 / 11

HEX #E2E040

RGB 226 224 64

HSL 59.26, 0.74%, 0.57%

LAB 86.92, -17.25, 73.64

 

CMYK 0 / 20 / 72 / 11

HEX #E2B440

RGB 226 180 64

HSL 42.96, 0.74%, 0.57%

LAB 75.56, 5.18, 62.57

 

CMYK 0 / 40 / 72 / 11

HEX #E28840

RGB 226 136 64

HSL 26.67, 0.74%, 0.57%

LAB 65.08, 28.6, 51.79

 

CMYK 38 / 0 / 72 / 11

HEX #8DE240

RGB 141 226 64

HSL 91.48, 0.74%, 0.57%

LAB 82.07, -50.83, 67.06

 

CMYK 57 / 0 / 72 / 11

HEX #61E240

RGB 97 226 64

HSL 107.78, 0.74%, 0.57%

LAB 80.35, -63.7, 64.77

 

CMYK 72 / 0 / 67 / 11

HEX #40E24A

RGB 64 226 74

HSL 123.7, 0.74%, 0.57%

LAB 79.6, -69.58, 60.01

 

CMYK 72 / 0 / 48 / 11

HEX #40E276

RGB 64 226 118

HSL 140, 0.74%, 0.57%

LAB 80.06, -64.13, 40.94

 

CMYK 72 / 0 / 28 / 11

HEX #40E2A2

RGB 64 226 162

HSL 156.3, 0.74%, 0.57%

LAB 80.79, -56, 19.57

 

CMYK 38 / 0 / 72 / 11

HEX #8DE240

RGB 141 226 64

HSL 91.48, 0.74%, 0.57%

LAB 82.07, -50.83, 67.06

 

CMYK 43 / 0 / 81 / 4

HEX #8CF42E

RGB 140 244 46

HSL 91.52, 0.9%, 0.57%

LAB 87.23, -59.16, 77.31

 

CMYK 38 / 0 / 72 / 11

HEX #8DE240

RGB 141 226 64

HSL 91.48, 0.74%, 0.57%

LAB 82.07, -50.83, 67.06

 

CMYK 32 / 0 / 61 / 18

HEX #8ED051

RGB 142 208 81

HSL 91.18, 0.57%, 0.57%

LAB 76.95, -41.62, 55.03

 

CMYK 25 / 0 / 48 / 25

HEX #8FBF63

RGB 143 191 99

HSL 91.3, 0.42%, 0.57%

LAB 72.23, -31.7, 41.15

 

CMYK 17 / 0 / 32 / 32

HEX #8FAD75

RGB 143 173 117

HSL 92.14, 0.25%, 0.57%

LAB 67.29, -20.53, 25.49

 

CMYK 7 / 0 / 13 / 39

HEX #909B87

RGB 144 155 135

HSL 93, 0.09%, 0.57%

LAB 62.61, -7.75, 9.15

 

CMYK 0 / 1 / 72 / 11

HEX #E2DF40

RGB 226 223 64

HSL 58.89, 0.74%, 0.57%

LAB 86.66, -16.76, 73.39

 

CMYK 18 / 0 / 72 / 11

HEX #B9E240

RGB 185 226 64

HSL 75.19, 0.74%, 0.57%

LAB 84.52, -34.76, 70.31

 

CMYK 37 / 0 / 72 / 11

HEX #8EE240

RGB 142 226 64

HSL 91.11, 0.74%, 0.57%

LAB 82.12, -50.49, 67.13

 

CMYK 56 / 0 / 72 / 11

HEX #63E240

RGB 99 226 64

HSL 107.04, 0.74%, 0.57%

LAB 80.41, -63.2, 64.85

 

CMYK 72 / 0 / 68 / 11

HEX #40E248

RGB 64 226 72

HSL 122.96, 0.74%, 0.57%

LAB 79.59, -69.77, 60.77

 

CMYK 45 / 0 / 85 / 29

HEX #64B51B

RGB 100 181 27

HSL 91.56, 0.74%, 0.41%

LAB 66.39, -48.26, 62.73

 

CMYK 45 / 0 / 85 / 15

HEX #78D920

RGB 120 217 32

HSL 91.46, 0.74%, 0.49%

LAB 78.3, -55.69, 72.33

 

CMYK 38 / 0 / 72 / 11

HEX #8DE240

RGB 141 226 64

HSL 91.48, 0.74%, 0.57%

LAB 82.07, -50.83, 67.06

 

CMYK 30 / 0 / 57 / 9

HEX #A2E764

RGB 162 231 100

HSL 91.6, 0.73%, 0.65%

LAB 84.87, -42.86, 55.96

 

CMYK 22 / 0 / 43 / 7

HEX #B8ED87

RGB 184 237 135

HSL 91.18, 0.74%, 0.73%

LAB 88.21, -33.99, 43.93

 

CMYK 38 / 0 / 72 / 11

HEX #8DE240

RGB 141 226 64

HSL 91.48, 0.74%, 0.57%

LAB 82.07, -50.83, 67.06

 

CMYK 72 / 0 / 20 / 11

HEX #40E2B4

RGB 64 226 180

HSL 162.96, 0.74%, 0.57%

LAB 81.17, -51.95, 10.66

 

CMYK 0 / 72 / 8 / 11

HEX #E240CF

RGB 226 64 207

HSL 307.04, 0.74%, 0.57%

LAB 56.43, 75.95, -40.35

 

CMYK 38 / 0 / 72 / 11

HEX #8DE240

RGB 141 226 64

HSL 91.48, 0.74%, 0.57%

LAB 82.07, -50.83, 67.06

 

CMYK 72 / 37 / 0 / 11

HEX #408EE2

RGB 64 142 226

HSL 211.11, 0.74%, 0.57%

LAB 57.97, 3.72, -49.58

 

CMYK 0 / 72 / 37 / 11

HEX #E2408E

RGB 226 64 142

HSL 331.11, 0.74%, 0.57%

LAB 53.8, 67.73, -6.52

 

CMYK 38 / 0 / 72 / 11

HEX #8DE240

RGB 141 226 64

HSL 91.48, 0.74%, 0.57%

LAB 82.07, -50.83, 67.06

 

CMYK 72 / 0 / 20 / 11

HEX #40E2B4

RGB 64 226 180

HSL 162.96, 0.74%, 0.57%

LAB 81.17, -51.95, 10.66

 

CMYK 35 / 72 / 0 / 11

HEX #9440E2

RGB 148 64 226

HSL 271.11, 0.74%, 0.57%

LAB 46.25, 63.48, -68.09

 

CMYK 0 / 72 / 51 / 11

HEX #E2406E

RGB 226 64 110

HSL 342.96, 0.74%, 0.57%

LAB 52.91, 64.79, 11.32

 

CMYK 38 / 0 / 72 / 11

HEX #8DE240

RGB 141 226 64

HSL 91.48, 0.74%, 0.57%

LAB 82.07, -50.83, 67.06

 

CMYK 72 / 1 / 0 / 11

HEX #40DFE2

RGB 64 223 226

HSL 181.11, 0.74%, 0.57%

LAB 81.49, -38.67, -13.27

 

CMYK 35 / 72 / 0 / 11

HEX #9440E2

RGB 148 64 226

HSL 271.11, 0.74%, 0.57%

LAB 46.25, 63.48, -68.09

 

CMYK 0 / 71 / 72 / 11

HEX #E24240

RGB 226 66 64

HSL 0.74, 0.74%, 0.57%

LAB 52.33, 61.25, 37.72

 

Description

Color code: HEX #8DE240 | qconv.com Color code: HEX #8DE240 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 226 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 226 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 72 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 72% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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