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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8DEBC0 it is the complementary color #72143F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8DEBC0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8DEBC0 shade: #92EBBB, #A3FDCE, #B4FFE1, #C5FFF4 and #D6FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8DEBC0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8DEBC0 shade: #8DEBC0, #7CD9AD, #6BC79A, #5AB587 and #49A374

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8DEBC0 shade: #8EEBC0, #8EEBA7, #8EEB8E, #A7EB8E and #C0EB8E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8DEBC0 shade: #8EEBC0, #8EEBD9, #8EE3EB, #8ECAEB and #8EB1EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8DEBC0 shade matches the following richer shades: #8EEBC0 and #83F5C1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8DEBC0 shade: #8EEBC0, #99E0BF, #A3D5BE, #AECABD and #B9C0BC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8DEBC0 shade: #8EEB8E, #8EEBA7, #8EEBBF, #8EEBD8 and #8EE4EB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8DEBC0 shade: #48DE99, #6BE4AD, #8EEBC0, #B1F1D4 and #D4F7E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8DEBC0 shade: #8DEBC0, #8EA7EB and #EB9A8E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8DEBC0 shade: #8DEBC0, #BF8EEB and #EBBF8E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8DEBC0 shade: #8DEBC0, #8EA7EB, #EB8EB9 and #EBD28E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8DEBC0 shade: #8DEBC0, #918EEB, #EB8EB9 and #E8EB8E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 18 / 8

HEX #8DEBC0

RGB 141 235 192

HSL 152.55, 0.7%, 0.74%

LAB 86.45, -37.4, 12.19

 

Complementary color

CMYK 0 / 82 / 45 / 55

HEX #72143F

RGB 114 20 63

HSL 332.55, 0.7%, 0.26%

LAB 25.07, 42.91, -1.45

 

CMYK 38 / 0 / 20 / 8

HEX #92EBBB

RGB 146 235 187

HSL 147.64, 0.69%, 0.75%

LAB 86.56, -37.02, 14.99

 

CMYK 36 / 0 / 19 / 1

HEX #A3FDCE

RGB 163 253 206

HSL 148.67, 0.96%, 0.82%

LAB 92.79, -36.77, 14.07

 

CMYK 29 / 0 / 12 / 0

HEX #B4FFE1

RGB 180 255 225

HSL 156, 1%, 0.85%

LAB 94.59, -29.13, 6.98

 

CMYK 23 / 0 / 4 / 0

HEX #C5FFF4

RGB 197 255 244

HSL 168.62, 1%, 0.89%

LAB 95.96, -20.33, -0.7

 

CMYK 16 / 0 / 0 / 0

HEX #D6FFFF

RGB 214 255 255

HSL 180, 1%, 0.92%

LAB 97.24, -13.01, -4.38

 

CMYK 40 / 0 / 18 / 8

HEX #8DEBC0

RGB 141 235 192

HSL 152.55, 0.7%, 0.74%

LAB 86.45, -37.4, 12.19

 

CMYK 43 / 0 / 20 / 15

HEX #7CD9AD

RGB 124 217 173

HSL 151.61, 0.55%, 0.67%

LAB 80.14, -37.62, 13.14

 

CMYK 46 / 0 / 23 / 22

HEX #6BC79A

RGB 107 199 154

HSL 150.65, 0.45%, 0.6%

LAB 73.74, -37.84, 14.16

 

CMYK 50 / 0 / 25 / 29

HEX #5AB587

RGB 90 181 135

HSL 149.67, 0.38%, 0.53%

LAB 67.26, -38.01, 15.26

 

CMYK 55 / 0 / 29 / 36

HEX #49A374

RGB 73 163 116

HSL 148.67, 0.38%, 0.46%

LAB 60.67, -38.13, 16.46

 

CMYK 40 / 0 / 18 / 8

HEX #8EEBC0

RGB 142 235 192

HSL 152.26, 0.7%, 0.74%

LAB 86.49, -37.13, 12.26

 

CMYK 40 / 0 / 29 / 8

HEX #8EEBA7

RGB 142 235 167

HSL 136.13, 0.7%, 0.74%

LAB 85.99, -41.87, 24.52

 

CMYK 40 / 0 / 40 / 8

HEX #8EEB8E

RGB 142 235 142

HSL 120, 0.7%, 0.74%

LAB 85.56, -45.94, 36.64

 

CMYK 29 / 0 / 40 / 8

HEX #A7EB8E

RGB 167 235 142

HSL 103.87, 0.7%, 0.74%

LAB 86.79, -38.03, 38.47

 

CMYK 18 / 0 / 40 / 8

HEX #C0EB8E

RGB 192 235 142

HSL 87.74, 0.7%, 0.74%

LAB 88.25, -29.35, 40.63

 

CMYK 40 / 0 / 18 / 8

HEX #8EEBC0

RGB 142 235 192

HSL 152.26, 0.7%, 0.74%

LAB 86.49, -37.13, 12.26

 

CMYK 40 / 0 / 8 / 8

HEX #8EEBD9

RGB 142 235 217

HSL 168.39, 0.7%, 0.74%

LAB 87.08, -31.78, 0.03

 

CMYK 40 / 3 / 0 / 8

HEX #8EE3EB

RGB 142 227 235

HSL 185.16, 0.7%, 0.74%

LAB 85.35, -23.69, -12.02

 

CMYK 40 / 14 / 0 / 8

HEX #8ECAEB

RGB 142 202 235

HSL 201.29, 0.7%, 0.74%

LAB 78.46, -10.99, -22.4

 

CMYK 40 / 25 / 0 / 8

HEX #8EB1EB

RGB 142 177 235

HSL 217.42, 0.7%, 0.74%

LAB 71.69, 2.5, -32.78

 

CMYK 40 / 0 / 18 / 8

HEX #8EEBC0

RGB 142 235 192

HSL 152.26, 0.7%, 0.74%

LAB 86.49, -37.13, 12.26

 

CMYK 47 / 0 / 21 / 4

HEX #83F5C1

RGB 131 245 193

HSL 152.63, 0.85%, 0.74%

LAB 88.91, -44.22, 15.11

 

CMYK 40 / 0 / 18 / 8

HEX #8EEBC0

RGB 142 235 192

HSL 152.26, 0.7%, 0.74%

LAB 86.49, -37.13, 12.26

 

CMYK 32 / 0 / 15 / 12

HEX #99E0BF

RGB 153 224 191

HSL 152.11, 0.53%, 0.74%

LAB 83.89, -29.09, 9.14

 

CMYK 23 / 0 / 11 / 16

HEX #A3D5BE

RGB 163 213 190

HSL 152.4, 0.37%, 0.74%

LAB 81.34, -20.88, 6.1

 

CMYK 14 / 0 / 6 / 21

HEX #AECABD

RGB 174 202 189

HSL 152.14, 0.21%, 0.74%

LAB 78.99, -11.94, 3.32

 

CMYK 4 / 0 / 2 / 25

HEX #B9C0BC

RGB 185 192 188

HSL 145.71, 0.05%, 0.74%

LAB 77.07, -3.16, 1.16

 

CMYK 40 / 0 / 40 / 8

HEX #8EEB8E

RGB 142 235 142

HSL 120, 0.7%, 0.74%

LAB 85.56, -45.94, 36.64

 

CMYK 40 / 0 / 29 / 8

HEX #8EEBA7

RGB 142 235 167

HSL 136.13, 0.7%, 0.74%

LAB 85.99, -41.87, 24.52

 

CMYK 40 / 0 / 19 / 8

HEX #8EEBBF

RGB 142 235 191

HSL 151.61, 0.7%, 0.74%

LAB 86.47, -37.33, 12.75

 

CMYK 40 / 0 / 8 / 8

HEX #8EEBD8

RGB 142 235 216

HSL 167.74, 0.7%, 0.74%

LAB 87.06, -32.01, 0.51

 

CMYK 40 / 3 / 0 / 8

HEX #8EE4EB

RGB 142 228 235

HSL 184.52, 0.7%, 0.74%

LAB 85.62, -24.18, -11.6

 

CMYK 68 / 0 / 31 / 13

HEX #48DE99

RGB 72 222 153

HSL 152.4, 0.69%, 0.58%

LAB 79.57, -55.12, 22.6

 

CMYK 53 / 0 / 24 / 11

HEX #6BE4AD

RGB 107 228 173

HSL 152.73, 0.69%, 0.66%

LAB 82.72, -46.64, 16.67

 

CMYK 40 / 0 / 18 / 8

HEX #8EEBC0

RGB 142 235 192

HSL 152.26, 0.7%, 0.74%

LAB 86.49, -37.13, 12.26

 

CMYK 27 / 0 / 12 / 5

HEX #B1F1D4

RGB 177 241 212

HSL 152.81, 0.7%, 0.82%

LAB 90.33, -25.91, 7.55

 

CMYK 14 / 0 / 6 / 3

HEX #D4F7E7

RGB 212 247 231

HSL 152.57, 0.69%, 0.9%

LAB 94.44, -14.31, 3.89

 

CMYK 40 / 0 / 18 / 8

HEX #8DEBC0

RGB 141 235 192

HSL 152.55, 0.7%, 0.74%

LAB 86.45, -37.4, 12.19

 

CMYK 40 / 29 / 0 / 8

HEX #8EA7EB

RGB 142 167 235

HSL 223.87, 0.7%, 0.74%

LAB 69.03, 8.09, -36.89

 

CMYK 0 / 34 / 40 / 8

HEX #EB9A8E

RGB 235 154 142

HSL 7.74, 0.7%, 0.74%

LAB 71.37, 28.91, 18.83

 

CMYK 40 / 0 / 18 / 8

HEX #8DEBC0

RGB 141 235 192

HSL 152.55, 0.7%, 0.74%

LAB 86.45, -37.4, 12.19

 

CMYK 19 / 40 / 0 / 8

HEX #BF8EEB

RGB 191 142 235

HSL 271.61, 0.7%, 0.74%

LAB 66.84, 35.93, -40.01

 

CMYK 0 / 19 / 40 / 8

HEX #EBBF8E

RGB 235 191 142

HSL 31.61, 0.7%, 0.74%

LAB 80.11, 9.28, 30.66

 

CMYK 40 / 0 / 18 / 8

HEX #8DEBC0

RGB 141 235 192

HSL 152.55, 0.7%, 0.74%

LAB 86.45, -37.4, 12.19

 

CMYK 40 / 29 / 0 / 8

HEX #8EA7EB

RGB 142 167 235

HSL 223.87, 0.7%, 0.74%

LAB 69.03, 8.09, -36.89

 

CMYK 0 / 40 / 21 / 8

HEX #EB8EB9

RGB 235 142 185

HSL 332.26, 0.7%, 0.74%

LAB 69.83, 40.78, -7.28

 

CMYK 0 / 11 / 40 / 8

HEX #EBD28E

RGB 235 210 142

HSL 43.87, 0.7%, 0.74%

LAB 84.85, -0.61, 36.88

 

CMYK 40 / 0 / 18 / 8

HEX #8DEBC0

RGB 141 235 192

HSL 152.55, 0.7%, 0.74%

LAB 86.45, -37.4, 12.19

 

CMYK 38 / 40 / 0 / 8

HEX #918EEB

RGB 145 142 235

HSL 241.94, 0.7%, 0.74%

LAB 62.81, 23.2, -46.62

 

CMYK 0 / 40 / 21 / 8

HEX #EB8EB9

RGB 235 142 185

HSL 332.26, 0.7%, 0.74%

LAB 69.83, 40.78, -7.28

 

CMYK 1 / 0 / 40 / 8

HEX #E8EB8E

RGB 232 235 142

HSL 61.94, 0.7%, 0.74%

LAB 91.02, -14.38, 44.74

 

Description

Color code: HEX #8DEBC0 | qconv.com Color code: HEX #8DEBC0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 235 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 235 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 18 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 18% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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