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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8E0691 it is the complementary color #71F96E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8E0691. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8E0691 shade: #93068C, #A4189F, #B52AB2, #C63CC5 and #D74ED8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8E0691. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8E0691 shade: #8E0691, #7D007E, #6C006B, #5B0058 and #4A0045

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8E0691 shade: #8F0692, #92066F, #920649, #920624 and #920606

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8E0691 shade: #8F0692, #690692, #430692, #1D0692 and #060692

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8E0691 shade matches the following richer shades: #8F0692

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8E0691 shade: #8F0692, #841286, #781E7A, #6C2B6D and #603761

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8E0691 shade: #430692, #680692, #8E0692, #920672 and #92064C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8E0691 shade: #420243, #69046B, #8F0692, #B607BA and #DD09E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8E0691 shade: #8E0691, #921D06 and #069255

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8E0691 shade: #8E0691, #928E06 and #06928E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8E0691 shade: #8E0691, #921D06, #0A9206 and #067B92

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8E0691 shade: #8E0691, #924706, #0A9206 and #065192

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 96 / 0 / 43

HEX #8E0691

RGB 142 6 145

HSL 298.71, 0.92%, 0.3%

LAB 33.83, 63.2, -40.45

 

Complementary color

CMYK 55 / 0 / 56 / 2

HEX #71F96E

RGB 113 249 110

HSL 118.71, 0.92%, 0.7%

LAB 88.15, -63.62, 54.82

 

CMYK 0 / 96 / 5 / 42

HEX #93068C

RGB 147 6 140

HSL 302.98, 0.92%, 0.3%

LAB 34.45, 63.32, -36.31

 

CMYK 0 / 85 / 3 / 36

HEX #A4189F

RGB 164 24 159

HSL 302.14, 0.74%, 0.37%

LAB 39.66, 66.58, -39.42

 

CMYK 0 / 77 / 2 / 29

HEX #B52AB2

RGB 181 42 178

HSL 301.29, 0.62%, 0.44%

LAB 45.21, 68.53, -41.74

 

CMYK 0 / 70 / 1 / 22

HEX #C63CC5

RGB 198 60 197

HSL 300.43, 0.55%, 0.51%

LAB 51, 69.53, -43.47

 

CMYK 0 / 64 / 0 / 15

HEX #D74ED8

RGB 215 78 216

HSL 299.57, 0.64%, 0.58%

LAB 56.93, 69.9, -44.78

 

CMYK 2 / 96 / 0 / 43

HEX #8E0691

RGB 142 6 145

HSL 298.71, 0.92%, 0.3%

LAB 33.83, 63.2, -40.45

 

CMYK 1 / 100 / 0 / 51

HEX #7D007E

RGB 125 0 126

HSL 299.52, 1%, 0.25%

LAB 29.07, 58.1, -36.41

 

CMYK 0 / 100 / 1 / 58

HEX #6C006B

RGB 108 0 107

HSL 300.56, 1%, 0.21%

LAB 24.48, 52.04, -31.78

 

CMYK 0 / 100 / 3 / 64

HEX #5B0058

RGB 91 0 88

HSL 301.98, 1%, 0.18%

LAB 19.76, 45.8, -26.99

 

CMYK 0 / 100 / 7 / 71

HEX #4A0045

RGB 74 0 69

HSL 304.05, 1%, 0.15%

LAB 14.87, 39.35, -21.97

 

CMYK 2 / 96 / 0 / 43

HEX #8F0692

RGB 143 6 146

HSL 298.71, 0.92%, 0.3%

LAB 34.08, 63.53, -40.65

 

CMYK 0 / 96 / 24 / 43

HEX #92066F

RGB 146 6 111

HSL 315, 0.92%, 0.3%

LAB 32.68, 59.11, -20.92

 

CMYK 0 / 96 / 50 / 43

HEX #920649

RGB 146 6 73

HSL 331.29, 0.92%, 0.3%

LAB 31.17, 55.11, 1.55

 

CMYK 0 / 96 / 75 / 43

HEX #920624

RGB 146 6 36

HSL 347.14, 0.92%, 0.3%

LAB 30.32, 52.81, 24.96

 

CMYK 0 / 96 / 96 / 43

HEX #920606

RGB 146 6 6

HSL 0, 0.92%, 0.3%

LAB 30.05, 52.03, 41.08

 

CMYK 2 / 96 / 0 / 43

HEX #8F0692

RGB 143 6 146

HSL 298.71, 0.92%, 0.3%

LAB 34.08, 63.53, -40.65

 

CMYK 28 / 96 / 0 / 43

HEX #690692

RGB 105 6 146

HSL 282.43, 0.92%, 0.3%

LAB 27.32, 57.51, -51.91

 

CMYK 54 / 96 / 0 / 43

HEX #430692

RGB 67 6 146

HSL 266.14, 0.92%, 0.3%

LAB 21.58, 53.14, -61.56

 

CMYK 80 / 96 / 0 / 43

HEX #1D0692

RGB 29 6 146

HSL 249.86, 0.92%, 0.3%

LAB 17.77, 50.85, -68

 

CMYK 96 / 96 / 0 / 43

HEX #060692

RGB 6 6 146

HSL 240, 0.92%, 0.3%

LAB 16.72, 50.33, -69.77

 

CMYK 2 / 96 / 0 / 43

HEX #8F0692

RGB 143 6 146

HSL 298.71, 0.92%, 0.3%

LAB 34.08, 63.53, -40.65

 

CMYK 2 / 96 / 0 / 43

HEX #8F0692

RGB 143 6 146

HSL 298.71, 0.92%, 0.3%

LAB 34.08, 63.53, -40.65

 

CMYK 1 / 87 / 0 / 47

HEX #841286

RGB 132 18 134

HSL 298.97, 0.76%, 0.3%

LAB 31.94, 57.63, -36.76

 

CMYK 2 / 75 / 0 / 52

HEX #781E7A

RGB 120 30 122

HSL 298.7, 0.61%, 0.3%

LAB 30.22, 49.65, -32.1

 

CMYK 1 / 61 / 0 / 57

HEX #6C2B6D

RGB 108 43 109

HSL 299.09, 0.43%, 0.3%

LAB 29.46, 38.57, -25.17

 

CMYK 1 / 43 / 0 / 62

HEX #603761

RGB 96 55 97

HSL 298.57, 0.28%, 0.3%

LAB 29.62, 25.62, -17.35

 

CMYK 54 / 96 / 0 / 43

HEX #430692

RGB 67 6 146

HSL 266.14, 0.92%, 0.3%

LAB 21.58, 53.14, -61.56

 

CMYK 29 / 96 / 0 / 43

HEX #680692

RGB 104 6 146

HSL 282, 0.92%, 0.3%

LAB 27.15, 57.37, -52.19

 

CMYK 3 / 96 / 0 / 43

HEX #8E0692

RGB 142 6 146

HSL 298.29, 0.92%, 0.3%

LAB 33.89, 63.36, -40.96

 

CMYK 0 / 96 / 22 / 43

HEX #920672

RGB 146 6 114

HSL 313.71, 0.92%, 0.3%

LAB 32.82, 59.49, -22.6

 

CMYK 0 / 96 / 48 / 43

HEX #92064C

RGB 146 6 76

HSL 330, 0.92%, 0.3%

LAB 31.26, 55.37, -0.3

 

CMYK 1 / 97 / 0 / 74

HEX #420243

RGB 66 2 67

HSL 299.08, 0.94%, 0.14%

LAB 13.27, 36.64, -23.23

 

CMYK 2 / 96 / 0 / 58

HEX #69046B

RGB 105 4 107

HSL 298.83, 0.93%, 0.22%

LAB 24.17, 50.67, -32.32

 

CMYK 2 / 96 / 0 / 43

HEX #8F0692

RGB 143 6 146

HSL 298.71, 0.92%, 0.3%

LAB 34.08, 63.53, -40.65

 

CMYK 2 / 96 / 0 / 27

HEX #B607BA

RGB 182 7 186

HSL 298.66, 0.93%, 0.38%

LAB 43.72, 76.21, -48.83

 

CMYK 2 / 96 / 0 / 11

HEX #DD09E2

RGB 221 9 226

HSL 298.62, 0.92%, 0.46%

LAB 53.01, 88.27, -56.63

 

CMYK 2 / 96 / 0 / 43

HEX #8E0691

RGB 142 6 145

HSL 298.71, 0.92%, 0.3%

LAB 33.83, 63.2, -40.45

 

CMYK 0 / 80 / 96 / 43

HEX #921D06

RGB 146 29 6

HSL 9.86, 0.92%, 0.3%

LAB 31.81, 46.99, 42.35

 

CMYK 96 / 0 / 42 / 43

HEX #069255

RGB 6 146 85

HSL 153.86, 0.92%, 0.3%

LAB 53.22, -47.59, 23.29

 

CMYK 2 / 96 / 0 / 43

HEX #8E0691

RGB 142 6 145

HSL 298.71, 0.92%, 0.3%

LAB 33.83, 63.2, -40.45

 

CMYK 0 / 3 / 96 / 43

HEX #928E06

RGB 146 142 6

HSL 58.29, 0.92%, 0.3%

LAB 57.53, -12.01, 60.56

 

CMYK 96 / 0 / 3 / 43

HEX #06928E

RGB 6 146 142

HSL 178.29, 0.92%, 0.3%

LAB 54.61, -32.72, -7.15

 

CMYK 2 / 96 / 0 / 43

HEX #8E0691

RGB 142 6 145

HSL 298.71, 0.92%, 0.3%

LAB 33.83, 63.2, -40.45

 

CMYK 0 / 80 / 96 / 43

HEX #921D06

RGB 146 29 6

HSL 9.86, 0.92%, 0.3%

LAB 31.81, 46.99, 42.35

 

CMYK 93 / 0 / 96 / 43

HEX #0A9206

RGB 10 146 6

HSL 118.29, 0.92%, 0.3%

LAB 52.55, -56.03, 53.96

 

CMYK 96 / 16 / 0 / 43

HEX #067B92

RGB 6 123 146

HSL 189.86, 0.92%, 0.3%

LAB 47.34, -19.79, -20.48

 

CMYK 2 / 96 / 0 / 43

HEX #8E0691

RGB 142 6 145

HSL 298.71, 0.92%, 0.3%

LAB 33.83, 63.2, -40.45

 

CMYK 0 / 51 / 96 / 43

HEX #924706

RGB 146 71 6

HSL 27.86, 0.92%, 0.3%

LAB 38.95, 28.08, 47.02

 

CMYK 93 / 0 / 96 / 43

HEX #0A9206

RGB 10 146 6

HSL 118.29, 0.92%, 0.3%

LAB 52.55, -56.03, 53.96

 

CMYK 96 / 45 / 0 / 43

HEX #065192

RGB 6 81 146

HSL 207.86, 0.92%, 0.3%

LAB 33.98, 5.55, -41.47

 

Description

Color code: HEX #8E0691 | qconv.com Color code: HEX #8E0691 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 6 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 6 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 96 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 96% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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