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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8E0D64 it is the complementary color #71F29B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8E0D64. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8E0D64 shade: #930D5F, #A41F72, #B53185, #C64398 and #D755AB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8E0D64. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8E0D64 shade: #8E0D64, #7D0051, #6C003E, #5B002B and #4A0018

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8E0D64 shade: #8B0D62, #8B0D40, #8B0D1E and #8B0D0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8E0D64 shade: #8B0D62, #8B0D84, #700D8B, #4E0D8B and #2C0D8B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8E0D64 shade matches the following richer shades: #8B0D62 and #980066

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8E0D64 shade: #8B0D62, #7F195E, #73255A, #663255 and #5A3E51

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8E0D64 shade: #700D8B, #8B0D85, #8B0D63, #8B0D41 and #8B0D20

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8E0D64 shade: #40052D, #660948, #8B0D62, #B1107D and #D71497

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8E0D64 shade: #8E0D64, #8B4E0D and #0D8B81

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8E0D64 shade: #8E0D64, #638B0D and #0D638B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8E0D64 shade: #8E0D64, #8B4E0D, #0D8B35 and #0D4A8B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8E0D64 shade: #8E0D64, #8B740D, #0D8B35 and #0D248B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 30 / 44

HEX #8E0D64

RGB 142 13 100

HSL 319.53, 0.83%, 0.3%

LAB 31.71, 55.86, -15.41

 

Complementary color

CMYK 53 / 0 / 36 / 5

HEX #71F29B

RGB 113 242 155

HSL 139.53, 0.83%, 0.7%

LAB 86.69, -54.45, 31.4

 

CMYK 0 / 91 / 35 / 42

HEX #930D5F

RGB 147 13 95

HSL 323.28, 0.84%, 0.31%

LAB 32.52, 56.44, -10.85

 

CMYK 0 / 81 / 30 / 36

HEX #A41F72

RGB 164 31 114

HSL 322.56, 0.68%, 0.38%

LAB 38, 58.76, -14.33

 

CMYK 0 / 73 / 27 / 29

HEX #B53185

RGB 181 49 133

HSL 321.82, 0.57%, 0.45%

LAB 43.82, 59.88, -16.92

 

CMYK 0 / 66 / 23 / 22

HEX #C64398

RGB 198 67 152

HSL 321.07, 0.53%, 0.52%

LAB 49.84, 60.23, -18.9

 

CMYK 0 / 60 / 20 / 16

HEX #D755AB

RGB 215 85 171

HSL 320.31, 0.62%, 0.59%

LAB 55.97, 60.12, -20.45

 

CMYK 0 / 91 / 30 / 44

HEX #8E0D64

RGB 142 13 100

HSL 319.53, 0.83%, 0.3%

LAB 31.71, 55.86, -15.41

 

CMYK 0 / 100 / 35 / 51

HEX #7D0051

RGB 125 0 81

HSL 321.12, 1%, 0.25%

LAB 26.6, 51.95, -11.06

 

CMYK 0 / 100 / 43 / 58

HEX #6C003E

RGB 108 0 62

HSL 325.56, 1%, 0.21%

LAB 22.07, 46.01, -5.34

 

CMYK 0 / 100 / 53 / 64

HEX #5B002B

RGB 91 0 43

HSL 331.65, 1%, 0.18%

LAB 17.45, 39.98, 0.85

 

CMYK 0 / 100 / 68 / 71

HEX #4A0018

RGB 74 0 24

HSL 340.54, 1%, 0.15%

LAB 12.75, 33.91, 7.67

 

CMYK 0 / 91 / 29 / 45

HEX #8B0D62

RGB 139 13 98

HSL 319.52, 0.83%, 0.3%

LAB 31.02, 54.93, -15.24

 

CMYK 0 / 91 / 54 / 45

HEX #8B0D40

RGB 139 13 64

HSL 335.71, 0.83%, 0.3%

LAB 29.78, 51.51, 5.36

 

CMYK 0 / 91 / 78 / 45

HEX #8B0D1E

RGB 139 13 30

HSL 351.9, 0.83%, 0.3%

LAB 29.08, 49.53, 26.97

 

CMYK 0 / 91 / 91 / 45

HEX #8B0D0D

RGB 139 13 13

HSL 0, 0.83%, 0.3%

LAB 28.92, 49.04, 36.57

 

CMYK 0 / 91 / 29 / 45

HEX #8B0D62

RGB 139 13 98

HSL 319.52, 0.83%, 0.3%

LAB 31.02, 54.93, -15.24

 

CMYK 0 / 91 / 5 / 45

HEX #8B0D84

RGB 139 13 132

HSL 303.33, 0.83%, 0.3%

LAB 32.79, 59.62, -34.08

 

CMYK 19 / 91 / 0 / 45

HEX #700D8B

RGB 112 13 139

HSL 287.14, 0.83%, 0.3%

LAB 28.37, 55.95, -45.8

 

CMYK 44 / 91 / 0 / 45

HEX #4E0D8B

RGB 78 13 139

HSL 270.95, 0.83%, 0.3%

LAB 22.9, 50.95, -54.96

 

CMYK 68 / 91 / 0 / 45

HEX #2C0D8B

RGB 44 13 139

HSL 254.76, 0.83%, 0.3%

LAB 18.75, 47.57, -61.97

 

CMYK 0 / 91 / 29 / 45

HEX #8B0D62

RGB 139 13 98

HSL 319.52, 0.83%, 0.3%

LAB 31.02, 54.93, -15.24

 

CMYK 0 / 100 / 33 / 40

HEX #980066

RGB 152 0 102

HSL 319.74, 1%, 0.3%

LAB 33.21, 60.16, -14.23

 

CMYK 0 / 91 / 29 / 45

HEX #8B0D62

RGB 139 13 98

HSL 319.52, 0.83%, 0.3%

LAB 31.02, 54.93, -15.24

 

CMYK 0 / 80 / 26 / 50

HEX #7F195E

RGB 127 25 94

HSL 319.41, 0.67%, 0.3%

LAB 29.45, 48.64, -15.25

 

CMYK 0 / 68 / 22 / 55

HEX #73255A

RGB 115 37 90

HSL 319.23, 0.51%, 0.3%

LAB 28.66, 40.17, -14.04

 

CMYK 0 / 51 / 17 / 60

HEX #663255

RGB 102 50 85

HSL 319.62, 0.34%, 0.3%

LAB 28.8, 28.35, -10.74

 

CMYK 0 / 31 / 10 / 65

HEX #5A3E51

RGB 90 62 81

HSL 319.29, 0.18%, 0.3%

LAB 29.94, 15.7, -6.57

 

CMYK 19 / 91 / 0 / 45

HEX #700D8B

RGB 112 13 139

HSL 287.14, 0.83%, 0.3%

LAB 28.37, 55.95, -45.8

 

CMYK 0 / 91 / 4 / 45

HEX #8B0D85

RGB 139 13 133

HSL 302.86, 0.83%, 0.3%

LAB 32.85, 59.77, -34.6

 

CMYK 0 / 91 / 29 / 45

HEX #8B0D63

RGB 139 13 99

HSL 319.05, 0.83%, 0.3%

LAB 31.06, 55.05, -15.82

 

CMYK 0 / 91 / 53 / 45

HEX #8B0D41

RGB 139 13 65

HSL 335.24, 0.83%, 0.3%

LAB 29.81, 51.6, 4.73

 

CMYK 0 / 91 / 77 / 45

HEX #8B0D20

RGB 139 13 32

HSL 350.95, 0.83%, 0.3%

LAB 29.11, 49.6, 25.73

 

CMYK 0 / 92 / 30 / 75

HEX #40052D

RGB 64 5 45

HSL 319.32, 0.86%, 0.14%

LAB 11.88, 31.3, -9.61

 

CMYK 0 / 91 / 29 / 60

HEX #660948

RGB 102 9 72

HSL 319.35, 0.84%, 0.22%

LAB 21.9, 43.66, -12.61

 

CMYK 0 / 91 / 29 / 45

HEX #8B0D62

RGB 139 13 98

HSL 319.52, 0.83%, 0.3%

LAB 31.02, 54.93, -15.24

 

CMYK 0 / 91 / 29 / 31

HEX #B1107D

RGB 177 16 125

HSL 319.38, 0.83%, 0.38%

LAB 39.91, 66.08, -18.05

 

CMYK 0 / 91 / 30 / 16

HEX #D71497

RGB 215 20 151

HSL 319.69, 0.83%, 0.46%

LAB 48.49, 76.48, -20.12

 

CMYK 0 / 91 / 30 / 44

HEX #8E0D64

RGB 142 13 100

HSL 319.53, 0.83%, 0.3%

LAB 31.71, 55.86, -15.41

 

CMYK 0 / 44 / 91 / 45

HEX #8B4E0D

RGB 139 78 13

HSL 30.95, 0.83%, 0.3%

LAB 39.52, 21.19, 44.89

 

CMYK 91 / 0 / 7 / 45

HEX #0D8B81

RGB 13 139 129

HSL 175.24, 0.83%, 0.3%

LAB 51.99, -33.08, -3.51

 

CMYK 0 / 91 / 30 / 44

HEX #8E0D64

RGB 142 13 100

HSL 319.53, 0.83%, 0.3%

LAB 31.71, 55.86, -15.41

 

CMYK 29 / 0 / 91 / 45

HEX #638B0D

RGB 99 139 13

HSL 79.05, 0.83%, 0.3%

LAB 53.11, -31.02, 54.37

 

CMYK 91 / 29 / 0 / 45

HEX #0D638B

RGB 13 99 139

HSL 199.05, 0.83%, 0.3%

LAB 39.37, -8.35, -28.68

 

CMYK 0 / 91 / 30 / 44

HEX #8E0D64

RGB 142 13 100

HSL 319.53, 0.83%, 0.3%

LAB 31.71, 55.86, -15.41

 

CMYK 0 / 44 / 91 / 45

HEX #8B4E0D

RGB 139 78 13

HSL 30.95, 0.83%, 0.3%

LAB 39.52, 21.19, 44.89

 

CMYK 91 / 0 / 62 / 45

HEX #0D8B35

RGB 13 139 53

HSL 139.05, 0.83%, 0.3%

LAB 50.46, -50.11, 36.55

 

CMYK 91 / 47 / 0 / 45

HEX #0D4A8B

RGB 13 74 139

HSL 210.95, 0.83%, 0.3%

LAB 31.46, 7.74, -41.24

 

CMYK 0 / 91 / 30 / 44

HEX #8E0D64

RGB 142 13 100

HSL 319.53, 0.83%, 0.3%

LAB 31.71, 55.86, -15.41

 

CMYK 0 / 17 / 91 / 45

HEX #8B740D

RGB 139 116 13

HSL 49.05, 0.83%, 0.3%

LAB 49.51, -0.83, 52.79

 

CMYK 91 / 0 / 62 / 45

HEX #0D8B35

RGB 13 139 53

HSL 139.05, 0.83%, 0.3%

LAB 50.46, -50.11, 36.55

 

CMYK 91 / 74 / 0 / 45

HEX #0D248B

RGB 13 36 139

HSL 229.05, 0.83%, 0.3%

LAB 20.87, 33.96, -58.5

 

Description

Color code: HEX #8E0D64 | qconv.com Color code: HEX #8E0D64 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 13 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 13 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 30 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 30% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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