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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8E1841 it is the complementary color #71E7BE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8E1841. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8E1841 shade: #93183C, #A42A4F, #B53C62, #C64E75 and #D76088

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8E1841. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8E1841 shade: #8E1841, #7D062E, #6C001B, #5B0008 and #4A0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8E1841 shade: #8F1841, #8F1821 and #8F1818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8E1841 shade: #8F1841, #8F1862, #8F1882, #7D188F and #5C188F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8E1841 shade matches the following richer shades: #8F1841 and #9D0A3D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8E1841 shade: #8F1841, #822646, #74334A, #67414E and #594E52

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8E1841 shade: #8F1881, #8F1862, #8F1842, #8F1822 and #8F2E18

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8E1841 shade: #490C21, #6C1231, #8F1841, #B31E52 and #D62462

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8E1841 shade: #8E1841, #8F7D18 and #18728F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8E1841 shade: #8E1841, #428F18 and #18428F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8E1841 shade: #8E1841, #8F7D18, #188F66 and #182A8F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8E1841 shade: #8E1841, #7D8F18, #188F66 and #2A188F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 54 / 44

HEX #8E1841

RGB 142 24 65

HSL 339.15, 0.71%, 0.33%

LAB 31.31, 49.9, 6.95

 

Complementary color

CMYK 51 / 0 / 18 / 9

HEX #71E7BE

RGB 113 231 190

HSL 159.15, 0.71%, 0.67%

LAB 84.16, -42.97, 9.84

 

CMYK 0 / 84 / 59 / 42

HEX #93183C

RGB 147 24 60

HSL 342.44, 0.72%, 0.34%

LAB 32.22, 50.92, 11.67

 

CMYK 0 / 74 / 52 / 36

HEX #A42A4F

RGB 164 42 79

HSL 341.8, 0.59%, 0.4%

LAB 38.04, 51.76, 7.96

 

CMYK 0 / 67 / 46 / 29

HEX #B53C62

RGB 181 60 98

HSL 341.16, 0.5%, 0.47%

LAB 44.14, 51.78, 5.11

 

CMYK 0 / 61 / 41 / 22

HEX #C64E75

RGB 198 78 117

HSL 340.5, 0.51%, 0.54%

LAB 50.38, 51.35, 2.87

 

CMYK 0 / 55 / 37 / 16

HEX #D76088

RGB 215 96 136

HSL 339.83, 0.6%, 0.61%

LAB 56.67, 50.68, 1.05

 

CMYK 0 / 83 / 54 / 44

HEX #8E1841

RGB 142 24 65

HSL 339.15, 0.71%, 0.33%

LAB 31.31, 49.9, 6.95

 

CMYK 0 / 95 / 63 / 51

HEX #7D062E

RGB 125 6 46

HSL 339.83, 0.91%, 0.26%

LAB 25.83, 47.75, 11.61

 

CMYK 0 / 100 / 75 / 58

HEX #6C001B

RGB 108 0 27

HSL 345, 1%, 0.21%

LAB 21.08, 43.38, 17.86

 

CMYK 0 / 100 / 91 / 64

HEX #5B0008

RGB 91 0 8

HSL 354.73, 1%, 0.18%

LAB 16.71, 37.98, 22.62

 

CMYK 0 / 100 / 100 / 71

HEX #4A0000

RGB 74 0 0

HSL 0, 1%, 0.15%

LAB 12.32, 32.77, 19.36

 

CMYK 0 / 83 / 55 / 44

HEX #8F1841

RGB 143 24 65

HSL 339.33, 0.71%, 0.33%

LAB 31.52, 50.18, 7.27

 

CMYK 0 / 83 / 77 / 44

HEX #8F1821

RGB 143 24 33

HSL 355.46, 0.71%, 0.33%

LAB 30.88, 48.25, 27.33

 

CMYK 0 / 83 / 83 / 44

HEX #8F1818

RGB 143 24 24

HSL 0, 0.71%, 0.33%

LAB 30.78, 47.93, 32.64

 

CMYK 0 / 83 / 55 / 44

HEX #8F1841

RGB 143 24 65

HSL 339.33, 0.71%, 0.33%

LAB 31.52, 50.18, 7.27

 

CMYK 0 / 83 / 31 / 44

HEX #8F1862

RGB 143 24 98

HSL 322.69, 0.71%, 0.33%

LAB 32.65, 53.49, -12.68

 

CMYK 0 / 83 / 9 / 44

HEX #8F1882

RGB 143 24 130

HSL 306.55, 0.71%, 0.33%

LAB 34.2, 57.87, -30.55

 

CMYK 13 / 83 / 0 / 44

HEX #7D188F

RGB 125 24 143

HSL 290.92, 0.71%, 0.33%

LAB 31.8, 56.4, -42.64

 

CMYK 36 / 83 / 0 / 44

HEX #5C188F

RGB 92 24 143

HSL 274.29, 0.71%, 0.33%

LAB 26.48, 50.53, -51.51

 

CMYK 0 / 83 / 55 / 44

HEX #8F1841

RGB 143 24 65

HSL 339.33, 0.71%, 0.33%

LAB 31.52, 50.18, 7.27

 

CMYK 0 / 94 / 61 / 38

HEX #9D0A3D

RGB 157 10 61

HSL 339.18, 0.88%, 0.33%

LAB 33.4, 56.41, 12.97

 

CMYK 0 / 83 / 55 / 44

HEX #8F1841

RGB 143 24 65

HSL 339.33, 0.71%, 0.33%

LAB 31.52, 50.18, 7.27

 

CMYK 0 / 71 / 46 / 49

HEX #822646

RGB 130 38 70

HSL 339.13, 0.55%, 0.33%

LAB 30.82, 41.9, 2.62

 

CMYK 0 / 56 / 36 / 55

HEX #74334A

RGB 116 51 74

HSL 338.77, 0.39%, 0.33%

LAB 30.82, 31.23, -0.3

 

CMYK 0 / 37 / 24 / 60

HEX #67414E

RGB 103 65 78

HSL 339.47, 0.23%, 0.33%

LAB 32.29, 18.55, -0.97

 

CMYK 0 / 12 / 8 / 65

HEX #594E52

RGB 89 78 82

HSL 338.18, 0.07%, 0.33%

LAB 34.36, 5.36, -0.68

 

CMYK 0 / 83 / 10 / 44

HEX #8F1881

RGB 143 24 129

HSL 307.06, 0.71%, 0.33%

LAB 34.14, 57.71, -30.02

 

CMYK 0 / 83 / 31 / 44

HEX #8F1862

RGB 143 24 98

HSL 322.69, 0.71%, 0.33%

LAB 32.65, 53.49, -12.68

 

CMYK 0 / 83 / 54 / 44

HEX #8F1842

RGB 143 24 66

HSL 338.82, 0.71%, 0.33%

LAB 31.55, 50.26, 6.65

 

CMYK 0 / 83 / 76 / 44

HEX #8F1822

RGB 143 24 34

HSL 354.96, 0.71%, 0.33%

LAB 30.9, 48.29, 26.72

 

CMYK 0 / 68 / 83 / 44

HEX #8F2E18

RGB 143 46 24

HSL 11.09, 0.71%, 0.33%

LAB 33.69, 39.89, 35.45

 

CMYK 0 / 84 / 55 / 71

HEX #490C21

RGB 73 12 33

HSL 339.34, 0.72%, 0.17%

LAB 14.34, 29.89, 3.14

 

CMYK 0 / 83 / 55 / 58

HEX #6C1231

RGB 108 18 49

HSL 339.33, 0.71%, 0.25%

LAB 23.14, 40.41, 5.25

 

CMYK 0 / 83 / 55 / 44

HEX #8F1841

RGB 143 24 65

HSL 339.33, 0.71%, 0.33%

LAB 31.52, 50.18, 7.27

 

CMYK 0 / 83 / 54 / 30

HEX #B31E52

RGB 179 30 82

HSL 339.06, 0.71%, 0.41%

LAB 39.78, 59.78, 8.91

 

CMYK 0 / 83 / 54 / 16

HEX #D62462

RGB 214 36 98

HSL 339.1, 0.71%, 0.49%

LAB 47.55, 68.66, 10.78

 

CMYK 0 / 83 / 54 / 44

HEX #8E1841

RGB 142 24 65

HSL 339.15, 0.71%, 0.33%

LAB 31.31, 49.9, 6.95

 

CMYK 0 / 13 / 83 / 44

HEX #8F7D18

RGB 143 125 24

HSL 50.92, 0.71%, 0.33%

LAB 52.48, -3.71, 52.46

 

CMYK 83 / 20 / 0 / 44

HEX #18728F

RGB 24 114 143

HSL 194.62, 0.71%, 0.33%

LAB 44.54, -14.7, -23.01

 

CMYK 0 / 83 / 54 / 44

HEX #8E1841

RGB 142 24 65

HSL 339.15, 0.71%, 0.33%

LAB 31.31, 49.9, 6.95

 

CMYK 54 / 0 / 83 / 44

HEX #428F18

RGB 66 143 24

HSL 98.82, 0.71%, 0.33%

LAB 52.81, -44.12, 50.8

 

CMYK 83 / 54 / 0 / 44

HEX #18428F

RGB 24 66 143

HSL 218.82, 0.71%, 0.33%

LAB 29.6, 15.83, -46.68

 

CMYK 0 / 83 / 54 / 44

HEX #8E1841

RGB 142 24 65

HSL 339.15, 0.71%, 0.33%

LAB 31.31, 49.9, 6.95

 

CMYK 0 / 13 / 83 / 44

HEX #8F7D18

RGB 143 125 24

HSL 50.92, 0.71%, 0.33%

LAB 52.48, -3.71, 52.46

 

CMYK 83 / 0 / 29 / 44

HEX #188F66

RGB 24 143 102

HSL 159.33, 0.71%, 0.33%

LAB 52.73, -41.31, 13.13

 

CMYK 83 / 71 / 0 / 44

HEX #182A8F

RGB 24 42 143

HSL 230.92, 0.71%, 0.33%

LAB 23.11, 32.28, -57.28

 

CMYK 0 / 83 / 54 / 44

HEX #8E1841

RGB 142 24 65

HSL 339.15, 0.71%, 0.33%

LAB 31.31, 49.9, 6.95

 

CMYK 13 / 0 / 83 / 44

HEX #7D8F18

RGB 125 143 24

HSL 69.08, 0.71%, 0.33%

LAB 56.16, -21.55, 55.07

 

CMYK 83 / 0 / 29 / 44

HEX #188F66

RGB 24 143 102

HSL 159.33, 0.71%, 0.33%

LAB 52.73, -41.31, 13.13

 

CMYK 71 / 83 / 0 / 44

HEX #2A188F

RGB 42 24 143

HSL 249.08, 0.71%, 0.33%

LAB 20.55, 44.15, -61.47

 

Description

Color code: HEX #8E1841 | qconv.com Color code: HEX #8E1841 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 24 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 24 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 54 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 54% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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