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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8E1220 it is the complementary color #71EDDF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8E1220. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8E1220 shade: #93121B, #A4242E, #B53641, #C64854 and #D75A67

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8E1220. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8E1220 shade: #8E1220, #7D000D, #6C0000, #5B0000 and #4A0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8E1220 shade: #8C111F and #8C1111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8E1220 shade: #8C111F, #8C1140, #8C1161, #8C1183 and #75118C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8E1220 shade matches the following richer shades: #8C111F and #990415

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8E1220 shade: #8C111F, #7F1E29, #732A33, #66373D and #594446

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8E1220 shade: #8C1161, #8C1140, #8C111F, #8C2311 and #8C4411

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8E1220 shade: #43080E, #670C17, #8C111F, #B11527 and #D61A2F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8E1220 shade: #8E1220, #828C11 and #11518C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8E1220 shade: #8E1220, #1F8C11 and #111F8C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8E1220 shade: #8E1220, #828C11, #118C7E and #1B118C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8E1220 shade: #8E1220, #5D8C11, #118C7E and #40118C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 77 / 44

HEX #8E1220

RGB 142 18 32

HSL 353.23, 0.78%, 0.31%

LAB 30.13, 49.42, 27.05

 

Complementary color

CMYK 52 / 0 / 6 / 7

HEX #71EDDF

RGB 113 237 223

HSL 173.23, 0.78%, 0.69%

LAB 86.71, -37.96, -3.81

 

CMYK 0 / 88 / 82 / 42

HEX #93121B

RGB 147 18 27

HSL 355.81, 0.78%, 0.32%

LAB 31.15, 50.68, 31.53

 

CMYK 0 / 78 / 72 / 36

HEX #A4242E

RGB 164 36 46

HSL 355.31, 0.64%, 0.39%

LAB 36.65, 51.6, 27.05

 

CMYK 0 / 70 / 64 / 29

HEX #B53641

RGB 181 54 65

HSL 354.8, 0.54%, 0.46%

LAB 42.53, 51.57, 23.32

 

CMYK 0 / 64 / 58 / 22

HEX #C64854

RGB 198 72 84

HSL 354.29, 0.53%, 0.53%

LAB 48.61, 51.02, 20.3

 

CMYK 0 / 58 / 52 / 16

HEX #D75A67

RGB 215 90 103

HSL 353.76, 0.61%, 0.6%

LAB 54.8, 50.2, 17.82

 

CMYK 0 / 87 / 77 / 44

HEX #8E1220

RGB 142 18 32

HSL 353.23, 0.78%, 0.31%

LAB 30.13, 49.42, 27.05

 

CMYK 0 / 100 / 90 / 51

HEX #7D000D

RGB 125 0 13

HSL 353.76, 1%, 0.25%

LAB 24.92, 47.49, 31.83

 

CMYK 0 / 100 / 100 / 58

HEX #6C0000

RGB 108 0 0

HSL 0, 1%, 0.21%

LAB 20.78, 42.56, 31.69

 

CMYK 0 / 100 / 100 / 64

HEX #5B0000

RGB 91 0 0

HSL 0, 1%, 0.18%

LAB 16.62, 37.75, 25.77

 

CMYK 0 / 100 / 100 / 71

HEX #4A0000

RGB 74 0 0

HSL 0, 1%, 0.15%

LAB 12.32, 32.77, 19.36

 

CMYK 0 / 88 / 78 / 45

HEX #8C111F

RGB 140 17 31

HSL 353.17, 0.78%, 0.31%

LAB 29.6, 49.03, 26.97

 

CMYK 0 / 88 / 88 / 45

HEX #8C1111

RGB 140 17 17

HSL 0, 0.78%, 0.31%

LAB 29.45, 48.6, 35.06

 

CMYK 0 / 88 / 78 / 45

HEX #8C111F

RGB 140 17 31

HSL 353.17, 0.78%, 0.31%

LAB 29.6, 49.03, 26.97

 

CMYK 0 / 88 / 54 / 45

HEX #8C1140

RGB 140 17 64

HSL 337.07, 0.78%, 0.31%

LAB 30.27, 50.98, 6.09

 

CMYK 0 / 88 / 31 / 45

HEX #8C1161

RGB 140 17 97

HSL 320.98, 0.78%, 0.31%

LAB 31.44, 54.28, -13.93

 

CMYK 0 / 88 / 6 / 45

HEX #8C1183

RGB 140 17 131

HSL 304.39, 0.78%, 0.31%

LAB 33.17, 58.94, -32.85

 

CMYK 16 / 88 / 0 / 45

HEX #75118C

RGB 117 17 140

HSL 288.78, 0.78%, 0.31%

LAB 29.6, 56.13, -44.39

 

CMYK 0 / 88 / 78 / 45

HEX #8C111F

RGB 140 17 31

HSL 353.17, 0.78%, 0.31%

LAB 29.6, 49.03, 26.97

 

CMYK 0 / 97 / 86 / 40

HEX #990415

RGB 153 4 21

HSL 353.15, 0.95%, 0.31%

LAB 31.61, 54.47, 35.88

 

CMYK 0 / 88 / 78 / 45

HEX #8C111F

RGB 140 17 31

HSL 353.17, 0.78%, 0.31%

LAB 29.6, 49.03, 26.97

 

CMYK 0 / 76 / 68 / 50

HEX #7F1E29

RGB 127 30 41

HSL 353.2, 0.62%, 0.31%

LAB 28.38, 41.69, 18.4

 

CMYK 0 / 63 / 56 / 55

HEX #732A33

RGB 115 42 51

HSL 352.6, 0.46%, 0.31%

LAB 28.22, 32.95, 11.15

 

CMYK 0 / 46 / 40 / 60

HEX #66373D

RGB 102 55 61

HSL 352.34, 0.3%, 0.31%

LAB 29.14, 21.65, 5.52

 

CMYK 0 / 24 / 21 / 65

HEX #594446

RGB 89 68 70

HSL 354.29, 0.13%, 0.31%

LAB 31.11, 9.38, 2.26

 

CMYK 0 / 88 / 31 / 45

HEX #8C1161

RGB 140 17 97

HSL 320.98, 0.78%, 0.31%

LAB 31.44, 54.28, -13.93

 

CMYK 0 / 88 / 54 / 45

HEX #8C1140

RGB 140 17 64

HSL 337.07, 0.78%, 0.31%

LAB 30.27, 50.98, 6.09

 

CMYK 0 / 88 / 78 / 45

HEX #8C111F

RGB 140 17 31

HSL 353.17, 0.78%, 0.31%

LAB 29.6, 49.03, 26.97

 

CMYK 0 / 75 / 88 / 45

HEX #8C2311

RGB 140 35 17

HSL 8.78, 0.78%, 0.31%

LAB 31.39, 43.16, 36.72

 

CMYK 0 / 51 / 88 / 45

HEX #8C4411

RGB 140 68 17

HSL 24.88, 0.78%, 0.31%

LAB 37.39, 27.38, 41.79

 

CMYK 0 / 88 / 79 / 74

HEX #43080E

RGB 67 8 14

HSL 353.9, 0.79%, 0.15%

LAB 11.95, 27.85, 12.67

 

CMYK 0 / 88 / 78 / 60

HEX #670C17

RGB 103 12 23

HSL 352.75, 0.79%, 0.23%

LAB 20.86, 38.87, 20.06

 

CMYK 0 / 88 / 78 / 45

HEX #8C111F

RGB 140 17 31

HSL 353.17, 0.78%, 0.31%

LAB 29.6, 49.03, 26.97

 

CMYK 0 / 88 / 78 / 31

HEX #B11527

RGB 177 21 39

HSL 353.08, 0.79%, 0.39%

LAB 37.9, 58.84, 33.43

 

CMYK 0 / 88 / 78 / 16

HEX #D61A2F

RGB 214 26 47

HSL 353.3, 0.78%, 0.47%

LAB 45.96, 68.03, 39.67

 

CMYK 0 / 87 / 77 / 44

HEX #8E1220

RGB 142 18 32

HSL 353.23, 0.78%, 0.31%

LAB 30.13, 49.42, 27.05

 

CMYK 7 / 0 / 88 / 45

HEX #828C11

RGB 130 140 17

HSL 64.88, 0.78%, 0.31%

LAB 55.63, -18.01, 56.52

 

CMYK 88 / 42 / 0 / 45

HEX #11518C

RGB 17 81 140

HSL 208.78, 0.78%, 0.31%

LAB 33.77, 3.75, -38.14

 

CMYK 0 / 87 / 77 / 44

HEX #8E1220

RGB 142 18 32

HSL 353.23, 0.78%, 0.31%

LAB 30.13, 49.42, 27.05

 

CMYK 78 / 0 / 88 / 45

HEX #1F8C11

RGB 31 140 17

HSL 113.17, 0.78%, 0.31%

LAB 50.79, -51.5, 50.46

 

CMYK 88 / 78 / 0 / 45

HEX #111F8C

RGB 17 31 140

HSL 233.17, 0.78%, 0.31%

LAB 20.01, 37.63, -60.54

 

CMYK 0 / 87 / 77 / 44

HEX #8E1220

RGB 142 18 32

HSL 353.23, 0.78%, 0.31%

LAB 30.13, 49.42, 27.05

 

CMYK 7 / 0 / 88 / 45

HEX #828C11

RGB 130 140 17

HSL 64.88, 0.78%, 0.31%

LAB 55.63, -18.01, 56.52

 

CMYK 88 / 0 / 10 / 45

HEX #118C7E

RGB 17 140 126

HSL 173.17, 0.78%, 0.31%

LAB 52.27, -34.18, -1.36

 

CMYK 81 / 88 / 0 / 45

HEX #1B118C

RGB 27 17 140

HSL 244.88, 0.78%, 0.31%

LAB 18.04, 45.32, -63.8

 

CMYK 0 / 87 / 77 / 44

HEX #8E1220

RGB 142 18 32

HSL 353.23, 0.78%, 0.31%

LAB 30.13, 49.42, 27.05

 

CMYK 34 / 0 / 88 / 45

HEX #5D8C11

RGB 93 140 17

HSL 82.93, 0.78%, 0.31%

LAB 53.08, -33.76, 53.35

 

CMYK 88 / 0 / 10 / 45

HEX #118C7E

RGB 17 140 126

HSL 173.17, 0.78%, 0.31%

LAB 52.27, -34.18, -1.36

 

CMYK 54 / 88 / 0 / 45

HEX #40118C

RGB 64 17 140

HSL 262.93, 0.78%, 0.31%

LAB 21.52, 48.33, -57.93

 

Description

Color code: HEX #8E1220 | qconv.com Color code: HEX #8E1220 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 18 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 18 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 77 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 77% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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