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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8E1D44 it is the complementary color #71E2BB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8E1D44. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8E1D44 shade: #931D3F, #A42F52, #B54165, #C65378 and #D7658B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8E1D44. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8E1D44 shade: #8E1D44, #7D0B31, #6C001E, #5B000B and #4A0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8E1D44 shade: #8F1D44, #8F1D26 and #8F1D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8E1D44 shade: #8F1D44, #8F1D63, #8F1D82, #7E1D8F and #5F1D8F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8E1D44 shade matches the following richer shades: #8F1D44, #9D0F40 and #AB013C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8E1D44 shade: #8F1D44, #812B49, #73394D, #654752 and #575556

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8E1D44 shade: #8F1D82, #8F1D64, #8F1D45, #8F1D27 and #8F321D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8E1D44 shade: #4B0F24, #6D1634, #8F1D44, #B22455 and #D32C65

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8E1D44 shade: #8E1D44, #8F7E1D and #1D738F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8E1D44 shade: #8E1D44, #458F1D and #1D458F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8E1D44 shade: #8E1D44, #8F7E1D, #1D8F67 and #1D2E8F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8E1D44 shade: #8E1D44, #7E8F1D, #1D8F67 and #2E1D8F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 52 / 44

HEX #8E1D44

RGB 142 29 68

HSL 339.29, 0.66%, 0.34%

LAB 31.91, 48.68, 5.82

 

Complementary color

CMYK 50 / 0 / 17 / 11

HEX #71E2BB

RGB 113 226 187

HSL 159.29, 0.66%, 0.66%

LAB 82.64, -41.42, 9.25

 

CMYK 0 / 80 / 57 / 42

HEX #931D3F

RGB 147 29 63

HSL 342.71, 0.67%, 0.35%

LAB 32.79, 49.73, 10.48

 

CMYK 0 / 71 / 50 / 36

HEX #A42F52

RGB 164 47 82

HSL 342.05, 0.55%, 0.41%

LAB 38.79, 50.18, 7.09

 

CMYK 0 / 64 / 44 / 29

HEX #B54165

RGB 181 65 101

HSL 341.38, 0.47%, 0.48%

LAB 45, 49.96, 4.49

 

CMYK 0 / 58 / 39 / 22

HEX #C65378

RGB 198 83 120

HSL 340.7, 0.5%, 0.55%

LAB 51.32, 49.38, 2.43

 

CMYK 0 / 53 / 35 / 16

HEX #D7658B

RGB 215 101 139

HSL 340, 0.59%, 0.62%

LAB 57.67, 48.63, 0.75

 

CMYK 0 / 80 / 52 / 44

HEX #8E1D44

RGB 142 29 68

HSL 339.29, 0.66%, 0.34%

LAB 31.91, 48.68, 5.82

 

CMYK 0 / 91 / 61 / 51

HEX #7D0B31

RGB 125 11 49

HSL 340, 0.84%, 0.27%

LAB 26.22, 47.02, 10.09

 

CMYK 0 / 100 / 72 / 58

HEX #6C001E

RGB 108 0 30

HSL 343.33, 1%, 0.21%

LAB 21.14, 43.53, 15.84

 

CMYK 0 / 100 / 88 / 64

HEX #5B000B

RGB 91 0 11

HSL 352.75, 1%, 0.18%

LAB 16.74, 38.07, 21.42

 

CMYK 0 / 100 / 100 / 71

HEX #4A0000

RGB 74 0 0

HSL 0, 1%, 0.15%

LAB 12.32, 32.77, 19.36

 

CMYK 0 / 80 / 52 / 44

HEX #8F1D44

RGB 143 29 68

HSL 339.47, 0.66%, 0.34%

LAB 32.11, 48.97, 6.13

 

CMYK 0 / 80 / 73 / 44

HEX #8F1D26

RGB 143 29 38

HSL 355.26, 0.66%, 0.34%

LAB 31.48, 46.98, 24.88

 

CMYK 0 / 80 / 80 / 44

HEX #8F1D1D

RGB 143 29 29

HSL 0, 0.66%, 0.34%

LAB 31.36, 46.6, 30.3

 

CMYK 0 / 80 / 52 / 44

HEX #8F1D44

RGB 143 29 68

HSL 339.47, 0.66%, 0.34%

LAB 32.11, 48.97, 6.13

 

CMYK 0 / 80 / 31 / 44

HEX #8F1D63

RGB 143 29 99

HSL 323.16, 0.66%, 0.34%

LAB 33.18, 52.21, -12.51

 

CMYK 0 / 80 / 9 / 44

HEX #8F1D82

RGB 143 29 130

HSL 306.84, 0.66%, 0.34%

LAB 34.66, 56.53, -29.82

 

CMYK 12 / 80 / 0 / 44

HEX #7E1D8F

RGB 126 29 143

HSL 291.05, 0.66%, 0.34%

LAB 32.47, 55.12, -41.54

 

CMYK 34 / 80 / 0 / 44

HEX #5F1D8F

RGB 95 29 143

HSL 274.74, 0.66%, 0.34%

LAB 27.56, 49.2, -49.73

 

CMYK 0 / 80 / 52 / 44

HEX #8F1D44

RGB 143 29 68

HSL 339.47, 0.66%, 0.34%

LAB 32.11, 48.97, 6.13

 

CMYK 0 / 90 / 59 / 38

HEX #9D0F40

RGB 157 15 64

HSL 339.3, 0.83%, 0.34%

LAB 33.73, 55.85, 11.45

 

CMYK 0 / 99 / 65 / 33

HEX #AB013C

RGB 171 1 60

HSL 339.18, 0.99%, 0.34%

LAB 36, 60.98, 17.63

 

CMYK 0 / 80 / 52 / 44

HEX #8F1D44

RGB 143 29 68

HSL 339.47, 0.66%, 0.34%

LAB 32.11, 48.97, 6.13

 

CMYK 0 / 67 / 43 / 49

HEX #812B49

RGB 129 43 73

HSL 339.07, 0.5%, 0.34%

LAB 31.52, 39.7, 1.65

 

CMYK 0 / 50 / 33 / 55

HEX #73394D

RGB 115 57 77

HSL 339.31, 0.34%, 0.34%

LAB 32.05, 27.93, -0.48

 

CMYK 0 / 30 / 19 / 60

HEX #654752

RGB 101 71 82

HSL 338, 0.17%, 0.34%

LAB 33.74, 14.72, -1.44

 

CMYK 0 / 2 / 1 / 66

HEX #575556

RGB 87 85 86

HSL 330, 0.01%, 0.34%

LAB 36.36, 1.02, -0.3

 

CMYK 0 / 80 / 9 / 44

HEX #8F1D82

RGB 143 29 130

HSL 306.84, 0.66%, 0.34%

LAB 34.66, 56.53, -29.82

 

CMYK 0 / 80 / 30 / 44

HEX #8F1D64

RGB 143 29 100

HSL 322.63, 0.66%, 0.34%

LAB 33.22, 52.33, -13.09

 

CMYK 0 / 80 / 52 / 44

HEX #8F1D45

RGB 143 29 69

HSL 338.95, 0.66%, 0.34%

LAB 32.14, 49.06, 5.51

 

CMYK 0 / 80 / 73 / 44

HEX #8F1D27

RGB 143 29 39

HSL 354.74, 0.66%, 0.34%

LAB 31.5, 47.03, 24.26

 

CMYK 0 / 65 / 80 / 44

HEX #8F321D

RGB 143 50 29

HSL 11.05, 0.66%, 0.34%

LAB 34.42, 38.24, 33.47

 

CMYK 0 / 80 / 52 / 71

HEX #4B0F24

RGB 75 15 36

HSL 339, 0.67%, 0.18%

LAB 15.3, 29.68, 2.37

 

CMYK 0 / 80 / 52 / 57

HEX #6D1634

RGB 109 22 52

HSL 339.31, 0.66%, 0.26%

LAB 23.91, 39.66, 4.3

 

CMYK 0 / 80 / 52 / 44

HEX #8F1D44

RGB 143 29 68

HSL 339.47, 0.66%, 0.34%

LAB 32.11, 48.97, 6.13

 

CMYK 0 / 80 / 52 / 30

HEX #B22455

RGB 178 36 85

HSL 339.3, 0.66%, 0.42%

LAB 40.22, 58.17, 7.59

 

CMYK 0 / 79 / 52 / 17

HEX #D32C65

RGB 211 44 101

HSL 339.52, 0.65%, 0.5%

LAB 47.74, 66.12, 9.13

 

CMYK 0 / 80 / 52 / 44

HEX #8E1D44

RGB 142 29 68

HSL 339.29, 0.66%, 0.34%

LAB 31.91, 48.68, 5.82

 

CMYK 0 / 12 / 80 / 44

HEX #8F7E1D

RGB 143 126 29

HSL 51.05, 0.66%, 0.34%

LAB 52.78, -4.08, 51.1

 

CMYK 80 / 20 / 0 / 44

HEX #1D738F

RGB 29 115 143

HSL 194.74, 0.66%, 0.34%

LAB 44.95, -14.73, -22.36

 

CMYK 0 / 80 / 52 / 44

HEX #8E1D44

RGB 142 29 68

HSL 339.29, 0.66%, 0.34%

LAB 31.91, 48.68, 5.82

 

CMYK 52 / 0 / 80 / 44

HEX #458F1D

RGB 69 143 29

HSL 98.95, 0.66%, 0.34%

LAB 52.95, -42.93, 49.44

 

CMYK 80 / 52 / 0 / 44

HEX #1D458F

RGB 29 69 143

HSL 218.95, 0.66%, 0.34%

LAB 30.64, 14.3, -44.99

 

CMYK 0 / 80 / 52 / 44

HEX #8E1D44

RGB 142 29 68

HSL 339.29, 0.66%, 0.34%

LAB 31.91, 48.68, 5.82

 

CMYK 0 / 12 / 80 / 44

HEX #8F7E1D

RGB 143 126 29

HSL 51.05, 0.66%, 0.34%

LAB 52.78, -4.08, 51.1

 

CMYK 80 / 0 / 28 / 44

HEX #1D8F67

RGB 29 143 103

HSL 158.95, 0.66%, 0.34%

LAB 52.82, -40.52, 12.71

 

CMYK 80 / 68 / 0 / 44

HEX #1D2E8F

RGB 29 46 143

HSL 231.05, 0.66%, 0.34%

LAB 24.32, 30.08, -55.29

 

CMYK 0 / 80 / 52 / 44

HEX #8E1D44

RGB 142 29 68

HSL 339.29, 0.66%, 0.34%

LAB 31.91, 48.68, 5.82

 

CMYK 12 / 0 / 80 / 44

HEX #7E8F1D

RGB 126 143 29

HSL 68.95, 0.66%, 0.34%

LAB 56.26, -20.91, 53.71

 

CMYK 80 / 0 / 28 / 44

HEX #1D8F67

RGB 29 143 103

HSL 158.95, 0.66%, 0.34%

LAB 52.82, -40.52, 12.71

 

CMYK 68 / 80 / 0 / 44

HEX #2E1D8F

RGB 46 29 143

HSL 248.95, 0.66%, 0.34%

LAB 21.74, 42.06, -59.5

 

Description

Color code: HEX #8E1D44 | qconv.com Color code: HEX #8E1D44 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 29 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 29 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 52 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 52% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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