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Color name
HEX #8E1F3C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8E1F3C it is the complementary color #71E0C3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8E1F3C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8E1F3C shade: #931F37, #A4314A, #B5435D, #C65570 and #D76783

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8E1F3C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8E1F3C shade: #8E1F3C, #7D0D29, #6C0016, #5B0003 and #4A0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8E1F3C shade: #8E1F3C and #8E1F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8E1F3C shade: #8E1F3C, #8E1F5A, #8E1F78, #861F8E and #681F8E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8E1F3C shade matches the following richer shades: #8E1F3C, #9C1135 and #AA032E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8E1F3C shade: #8E1F3C, #802D42, #723B49, #644950 and #565756

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8E1F3C shade: #8E1F77, #8E1F5A, #8E1F3C, #8E1F1F and #8E3C1F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8E1F3C shade: #4A101F, #6C172D, #8E1F3C, #B0264A and #D12E59

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8E1F3C shade: #8E1F3C, #8E861F and #1F698E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8E1F3C shade: #8E1F3C, #3C8E1F and #1F3C8E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8E1F3C shade: #8E1F3C, #8E861F, #1F8E70 and #1F268E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8E1F3C shade: #8E1F3C, #748E1F, #1F8E70 and #391F8E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 58 / 44

HEX #8E1F3C

RGB 142 31 60

HSL 344.32, 0.64%, 0.34%

LAB 31.94, 47.38, 11.12

 

Complementary color

CMYK 50 / 0 / 13 / 12

HEX #71E0C3

RGB 113 224 195

HSL 164.32, 0.64%, 0.66%

LAB 82.25, -38.72, 4.46

 

CMYK 0 / 79 / 63 / 42

HEX #931F37

RGB 147 31 55

HSL 347.59, 0.65%, 0.35%

LAB 32.83, 48.54, 15.78

 

CMYK 0 / 70 / 55 / 36

HEX #A4314A

RGB 164 49 74

HSL 346.96, 0.54%, 0.42%

LAB 38.87, 48.72, 12.29

 

CMYK 0 / 63 / 49 / 29

HEX #B5435D

RGB 181 67 93

HSL 346.32, 0.46%, 0.49%

LAB 45.12, 48.3, 9.58

 

CMYK 0 / 57 / 43 / 22

HEX #C65570

RGB 198 85 112

HSL 345.66, 0.5%, 0.55%

LAB 51.47, 47.59, 7.43

 

CMYK 0 / 52 / 39 / 16

HEX #D76783

RGB 215 103 131

HSL 345, 0.58%, 0.62%

LAB 57.83, 46.74, 5.65

 

CMYK 0 / 78 / 58 / 44

HEX #8E1F3C

RGB 142 31 60

HSL 344.32, 0.64%, 0.34%

LAB 31.94, 47.38, 11.12

 

CMYK 0 / 90 / 67 / 51

HEX #7D0D29

RGB 125 13 41

HSL 345, 0.81%, 0.27%

LAB 26.18, 46.1, 15.49

 

CMYK 0 / 100 / 80 / 58

HEX #6C0016

RGB 108 0 22

HSL 347.78, 1%, 0.21%

LAB 21, 43.16, 21.2

 

CMYK 0 / 100 / 97 / 64

HEX #5B0003

RGB 91 0 3

HSL 358.02, 1%, 0.18%

LAB 16.65, 37.83, 24.59

 

CMYK 0 / 100 / 100 / 71

HEX #4A0000

RGB 74 0 0

HSL 0, 1%, 0.15%

LAB 12.32, 32.77, 19.36

 

CMYK 0 / 78 / 58 / 44

HEX #8E1F3C

RGB 142 31 60

HSL 344.32, 0.64%, 0.34%

LAB 31.94, 47.38, 11.12

 

CMYK 0 / 78 / 78 / 44

HEX #8E1F1F

RGB 142 31 31

HSL 0, 0.64%, 0.34%

LAB 31.42, 45.7, 29.09

 

CMYK 0 / 78 / 58 / 44

HEX #8E1F3C

RGB 142 31 60

HSL 344.32, 0.64%, 0.34%

LAB 31.94, 47.38, 11.12

 

CMYK 0 / 78 / 37 / 44

HEX #8E1F5A

RGB 142 31 90

HSL 328.11, 0.64%, 0.34%

LAB 32.85, 50.25, -7.21

 

CMYK 0 / 78 / 15 / 44

HEX #8E1F78

RGB 142 31 120

HSL 311.89, 0.64%, 0.34%

LAB 34.16, 54.19, -24.36

 

CMYK 6 / 78 / 0 / 44

HEX #861F8E

RGB 134 31 142

HSL 295.68, 0.64%, 0.34%

LAB 33.99, 55.97, -38.43

 

CMYK 27 / 78 / 0 / 44

HEX #681F8E

RGB 104 31 142

HSL 279.46, 0.64%, 0.34%

LAB 29.1, 49.88, -46.55

 

CMYK 0 / 78 / 58 / 44

HEX #8E1F3C

RGB 142 31 60

HSL 344.32, 0.64%, 0.34%

LAB 31.94, 47.38, 11.12

 

CMYK 0 / 89 / 66 / 39

HEX #9C1135

RGB 156 17 53

HSL 344.46, 0.8%, 0.34%

LAB 33.41, 54.54, 18.19

 

CMYK 0 / 98 / 73 / 33

HEX #AA032E

RGB 170 3 46

HSL 344.55, 0.97%, 0.34%

LAB 35.61, 59.81, 26.11

 

CMYK 0 / 78 / 58 / 44

HEX #8E1F3C

RGB 142 31 60

HSL 344.32, 0.64%, 0.34%

LAB 31.94, 47.38, 11.12

 

CMYK 0 / 65 / 48 / 50

HEX #802D42

RGB 128 45 66

HSL 344.82, 0.48%, 0.34%

LAB 31.48, 37.68, 6.15

 

CMYK 0 / 48 / 36 / 55

HEX #723B49

RGB 114 59 73

HSL 344.73, 0.32%, 0.34%

LAB 32.23, 25.83, 2.35

 

CMYK 0 / 27 / 20 / 61

HEX #644950

RGB 100 73 80

HSL 344.44, 0.16%, 0.34%

LAB 34.09, 12.7, 0.34

 

CMYK 1 / 0 / 1 / 66

HEX #565756

RGB 86 87 86

HSL 120, 0.01%, 0.34%

LAB 36.87, -0.61, 0.43

 

CMYK 0 / 78 / 16 / 44

HEX #8E1F77

RGB 142 31 119

HSL 312.43, 0.64%, 0.34%

LAB 34.11, 54.05, -23.81

 

CMYK 0 / 78 / 37 / 44

HEX #8E1F5A

RGB 142 31 90

HSL 328.11, 0.64%, 0.34%

LAB 32.85, 50.25, -7.21

 

CMYK 0 / 78 / 58 / 44

HEX #8E1F3C

RGB 142 31 60

HSL 344.32, 0.64%, 0.34%

LAB 31.94, 47.38, 11.12

 

CMYK 0 / 78 / 78 / 44

HEX #8E1F1F

RGB 142 31 31

HSL 0, 0.64%, 0.34%

LAB 31.42, 45.7, 29.09

 

CMYK 0 / 58 / 78 / 44

HEX #8E3C1F

RGB 142 60 31

HSL 15.68, 0.64%, 0.34%

LAB 36.14, 32.99, 34.11

 

CMYK 0 / 78 / 58 / 71

HEX #4A101F

RGB 74 16 31

HSL 344.48, 0.64%, 0.18%

LAB 15.09, 28.39, 5.7

 

CMYK 0 / 79 / 58 / 58

HEX #6C172D

RGB 108 23 45

HSL 344.47, 0.65%, 0.26%

LAB 23.64, 38.37, 8.71

 

CMYK 0 / 78 / 58 / 44

HEX #8E1F3C

RGB 142 31 60

HSL 344.32, 0.64%, 0.34%

LAB 31.94, 47.38, 11.12

 

CMYK 0 / 78 / 58 / 31

HEX #B0264A

RGB 176 38 74

HSL 344.35, 0.64%, 0.42%

LAB 39.77, 56.2, 13.88

 

CMYK 0 / 78 / 57 / 18

HEX #D12E59

RGB 209 46 89

HSL 344.17, 0.64%, 0.5%

LAB 47.28, 64.16, 15.8

 

CMYK 0 / 78 / 58 / 44

HEX #8E1F3C

RGB 142 31 60

HSL 344.32, 0.64%, 0.34%

LAB 31.94, 47.38, 11.12

 

CMYK 0 / 6 / 78 / 44

HEX #8E861F

RGB 142 134 31

HSL 55.68, 0.64%, 0.34%

LAB 54.97, -8.86, 52.37

 

CMYK 78 / 26 / 0 / 44

HEX #1F698E

RGB 31 105 142

HSL 200, 0.64%, 0.34%

LAB 41.76, -9.07, -26.71

 

CMYK 0 / 78 / 58 / 44

HEX #8E1F3C

RGB 142 31 60

HSL 344.32, 0.64%, 0.34%

LAB 31.94, 47.38, 11.12

 

CMYK 58 / 0 / 78 / 44

HEX #3C8E1F

RGB 60 142 31

HSL 104.32, 0.64%, 0.34%

LAB 52.29, -45.05, 48.02

 

CMYK 78 / 58 / 0 / 44

HEX #1F3C8E

RGB 31 60 142

HSL 224.32, 0.64%, 0.34%

LAB 28.05, 20.34, -48.57

 

CMYK 0 / 78 / 58 / 44

HEX #8E1F3C

RGB 142 31 60

HSL 344.32, 0.64%, 0.34%

LAB 31.94, 47.38, 11.12

 

CMYK 0 / 6 / 78 / 44

HEX #8E861F

RGB 142 134 31

HSL 55.68, 0.64%, 0.34%

LAB 54.97, -8.86, 52.37

 

CMYK 78 / 0 / 21 / 44

HEX #1F8E70

RGB 31 142 112

HSL 163.78, 0.64%, 0.34%

LAB 52.74, -37.6, 7.44

 

CMYK 78 / 73 / 0 / 44

HEX #1F268E

RGB 31 38 142

HSL 236.22, 0.64%, 0.34%

LAB 22.41, 35.07, -57.8

 

CMYK 0 / 78 / 58 / 44

HEX #8E1F3C

RGB 142 31 60

HSL 344.32, 0.64%, 0.34%

LAB 31.94, 47.38, 11.12

 

CMYK 18 / 0 / 78 / 44

HEX #748E1F

RGB 116 142 31

HSL 74.05, 0.64%, 0.34%

LAB 55.23, -24.66, 51.85

 

CMYK 78 / 0 / 21 / 44

HEX #1F8E70

RGB 31 142 112

HSL 163.78, 0.64%, 0.34%

LAB 52.74, -37.6, 7.44

 

CMYK 60 / 78 / 0 / 44

HEX #391F8E

RGB 57 31 142

HSL 254.05, 0.64%, 0.34%

LAB 23.01, 42.04, -56.75

 

Description

Color code: HEX #8E1F3C | qconv.com Color code: HEX #8E1F3C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 31 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 31 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 58 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 58% 44% C M Y K

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