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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8E2E40 it is the complementary color #71D1BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8E2E40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8E2E40 shade: #932E3B, #A4404E, #B55261, #C66474 and #D77687

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8E2E40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8E2E40 shade: #8E2E40, #7D1C2D, #6C0A1A, #5B0007 and #4A0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8E2E40 shade: #8E2E40 and #8E2E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8E2E40 shade: #8E2E40, #8E2E5A, #8E2E74, #8E2E8E and #742E8E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8E2E40 shade matches the following richer shades: #8E2E40, #9D1E36, #AD0F2D and #BC0023

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8E2E40 shade: #8E2E40, #7F3D49, #6F4C53, #605C5C and #516B66

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8E2E40 shade: #8E2E74, #8E2E5B, #8E2E41, #8E342E and #8E4E2E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8E2E40 shade: #501A24, #6F2432, #8E2E40, #AD384E and #C44A61

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8E2E40 shade: #8E2E40, #8E8E2E and #2E678E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8E2E40 shade: #8E2E40, #418E2E and #2E418E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8E2E40 shade: #8E2E40, #8E8E2E, #2E8E7B and #2E2E8E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8E2E40 shade: #8E2E40, #718E2E, #2E8E7B and #4B2E8E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 55 / 44

HEX #8E2E40

RGB 142 46 64

HSL 348.75, 0.51%, 0.37%

LAB 34.14, 41.88, 11.54

 

Complementary color

CMYK 46 / 0 / 9 / 18

HEX #71D1BF

RGB 113 209 191

HSL 168.75, 0.51%, 0.63%

LAB 77.8, -32.72, 0.12

 

CMYK 0 / 69 / 60 / 42

HEX #932E3B

RGB 147 46 59

HSL 352.28, 0.52%, 0.38%

LAB 34.95, 43.18, 16

 

CMYK 0 / 61 / 52 / 36

HEX #A4404E

RGB 164 64 78

HSL 351.6, 0.44%, 0.45%

LAB 41.39, 42.49, 13.24

 

CMYK 0 / 55 / 46 / 29

HEX #B55261

RGB 181 82 97

HSL 350.91, 0.4%, 0.52%

LAB 47.91, 41.58, 11.05

 

CMYK 0 / 49 / 41 / 22

HEX #C66474

RGB 198 100 116

HSL 350.2, 0.46%, 0.58%

LAB 54.43, 40.59, 9.26

 

CMYK 0 / 45 / 37 / 16

HEX #D77687

RGB 215 118 135

HSL 349.48, 0.55%, 0.65%

LAB 60.92, 39.61, 7.74

 

CMYK 0 / 68 / 55 / 44

HEX #8E2E40

RGB 142 46 64

HSL 348.75, 0.51%, 0.37%

LAB 34.14, 41.88, 11.54

 

CMYK 0 / 78 / 64 / 51

HEX #7D1C2D

RGB 125 28 45

HSL 349.48, 0.63%, 0.3%

LAB 27.79, 42.03, 14.9

 

CMYK 0 / 91 / 76 / 58

HEX #6C0A1A

RGB 108 10 26

HSL 350.2, 0.83%, 0.23%

LAB 21.87, 41.01, 19.5

 

CMYK 0 / 100 / 92 / 64

HEX #5B0007

RGB 91 0 7

HSL 355.38, 1%, 0.18%

LAB 16.7, 37.95, 23.01

 

CMYK 0 / 100 / 100 / 71

HEX #4A0000

RGB 74 0 0

HSL 0, 1%, 0.15%

LAB 12.32, 32.77, 19.36

 

CMYK 0 / 68 / 55 / 44

HEX #8E2E40

RGB 142 46 64

HSL 348.75, 0.51%, 0.37%

LAB 34.14, 41.88, 11.54

 

CMYK 0 / 68 / 68 / 44

HEX #8E2E2E

RGB 142 46 46

HSL 0, 0.51%, 0.37%

LAB 33.78, 40.56, 22.57

 

CMYK 0 / 68 / 55 / 44

HEX #8E2E40

RGB 142 46 64

HSL 348.75, 0.51%, 0.37%

LAB 34.14, 41.88, 11.54

 

CMYK 0 / 68 / 37 / 44

HEX #8E2E5A

RGB 142 46 90

HSL 332.5, 0.51%, 0.37%

LAB 34.89, 44.57, -4.17

 

CMYK 0 / 68 / 18 / 44

HEX #8E2E74

RGB 142 46 116

HSL 316.25, 0.51%, 0.37%

LAB 35.92, 48.11, -19.12

 

CMYK 0 / 68 / 0 / 44

HEX #8E2E8E

RGB 142 46 142

HSL 300, 0.51%, 0.37%

LAB 37.22, 52.39, -33.2

 

CMYK 18 / 68 / 0 / 44

HEX #742E8E

RGB 116 46 142

HSL 283.75, 0.51%, 0.37%

LAB 33.18, 46.05, -39.88

 

CMYK 0 / 68 / 55 / 44

HEX #8E2E40

RGB 142 46 64

HSL 348.75, 0.51%, 0.37%

LAB 34.14, 41.88, 11.54

 

CMYK 0 / 81 / 66 / 38

HEX #9D1E36

RGB 157 30 54

HSL 348.66, 0.68%, 0.37%

LAB 34.73, 51.76, 19.29

 

CMYK 0 / 91 / 74 / 32

HEX #AD0F2D

RGB 173 15 45

HSL 348.61, 0.84%, 0.37%

LAB 36.77, 59.02, 28.27

 

CMYK 0 / 100 / 81 / 26

HEX #BC0023

RGB 188 0 35

HSL 348.83, 1%, 0.37%

LAB 39.26, 64.27, 37.93

 

CMYK 0 / 68 / 55 / 44

HEX #8E2E40

RGB 142 46 64

HSL 348.75, 0.51%, 0.37%

LAB 34.14, 41.88, 11.54

 

CMYK 0 / 52 / 43 / 50

HEX #7F3D49

RGB 127 61 73

HSL 349.09, 0.35%, 0.37%

LAB 34.66, 29.81, 6.1

 

CMYK 0 / 32 / 25 / 56

HEX #6F4C53

RGB 111 76 83

HSL 348, 0.19%, 0.37%

LAB 36.32, 15.94, 1.84

 

CMYK 0 / 4 / 4 / 62

HEX #605C5C

RGB 96 92 92

HSL 0, 0.02%, 0.37%

LAB 39.43, 1.6, 0.56

 

CMYK 24 / 0 / 5 / 58

HEX #516B66

RGB 81 107 102

HSL 168.46, 0.14%, 0.37%

LAB 43.1, -10.71, -0.33

 

CMYK 0 / 68 / 18 / 44

HEX #8E2E74

RGB 142 46 116

HSL 316.25, 0.51%, 0.37%

LAB 35.92, 48.11, -19.12

 

CMYK 0 / 68 / 36 / 44

HEX #8E2E5B

RGB 142 46 91

HSL 331.88, 0.51%, 0.37%

LAB 34.92, 44.69, -4.76

 

CMYK 0 / 68 / 54 / 44

HEX #8E2E41

RGB 142 46 65

HSL 348.13, 0.51%, 0.37%

LAB 34.16, 41.97, 10.92

 

CMYK 0 / 63 / 68 / 44

HEX #8E342E

RGB 142 52 46

HSL 3.75, 0.51%, 0.37%

LAB 34.81, 37.79, 23.84

 

CMYK 0 / 45 / 68 / 44

HEX #8E4E2E

RGB 142 78 46

HSL 20, 0.51%, 0.37%

LAB 40.24, 23.96, 30.33

 

CMYK 0 / 68 / 55 / 69

HEX #501A24

RGB 80 26 36

HSL 348.89, 0.51%, 0.21%

LAB 18.24, 26.28, 6.66

 

CMYK 0 / 68 / 55 / 56

HEX #6F2432

RGB 111 36 50

HSL 348.8, 0.51%, 0.29%

LAB 26.37, 34.32, 9.16

 

CMYK 0 / 68 / 55 / 44

HEX #8E2E40

RGB 142 46 64

HSL 348.75, 0.51%, 0.37%

LAB 34.14, 41.88, 11.54

 

CMYK 0 / 68 / 55 / 32

HEX #AD384E

RGB 173 56 78

HSL 348.72, 0.51%, 0.45%

LAB 41.63, 49.1, 13.82

 

CMYK 0 / 62 / 51 / 23

HEX #C44A61

RGB 196 74 97

HSL 348.69, 0.51%, 0.53%

LAB 48.88, 50.53, 12.77

 

CMYK 0 / 68 / 55 / 44

HEX #8E2E40

RGB 142 46 64

HSL 348.75, 0.51%, 0.37%

LAB 34.14, 41.88, 11.54

 

CMYK 0 / 0 / 68 / 44

HEX #8E8E2E

RGB 142 142 46

HSL 60, 0.51%, 0.37%

LAB 57.36, -12.4, 48.95

 

CMYK 68 / 27 / 0 / 44

HEX #2E678E

RGB 46 103 142

HSL 204.38, 0.51%, 0.37%

LAB 41.59, -5.6, -26.95

 

CMYK 0 / 68 / 55 / 44

HEX #8E2E40

RGB 142 46 64

HSL 348.75, 0.51%, 0.37%

LAB 34.14, 41.88, 11.54

 

CMYK 54 / 0 / 68 / 44

HEX #418E2E

RGB 65 142 46

HSL 108.13, 0.51%, 0.37%

LAB 52.58, -42.4, 42.47

 

CMYK 68 / 54 / 0 / 44

HEX #2E418E

RGB 46 65 142

HSL 228.13, 0.51%, 0.37%

LAB 30.19, 19.1, -45.06

 

CMYK 0 / 68 / 55 / 44

HEX #8E2E40

RGB 142 46 64

HSL 348.75, 0.51%, 0.37%

LAB 34.14, 41.88, 11.54

 

CMYK 0 / 0 / 68 / 44

HEX #8E8E2E

RGB 142 142 46

HSL 60, 0.51%, 0.37%

LAB 57.36, -12.4, 48.95

 

CMYK 68 / 0 / 13 / 44

HEX #2E8E7B

RGB 46 142 123

HSL 168.13, 0.51%, 0.37%

LAB 53.34, -32.48, 2

 

CMYK 68 / 68 / 0 / 44

HEX #2E2E8E

RGB 46 46 142

HSL 240, 0.51%, 0.37%

LAB 25.22, 31.76, -53.15

 

CMYK 0 / 68 / 55 / 44

HEX #8E2E40

RGB 142 46 64

HSL 348.75, 0.51%, 0.37%

LAB 34.14, 41.88, 11.54

 

CMYK 20 / 0 / 68 / 44

HEX #718E2E

RGB 113 142 46

HSL 78.13, 0.51%, 0.37%

LAB 55.13, -25, 45.94

 

CMYK 68 / 0 / 13 / 44

HEX #2E8E7B

RGB 46 142 123

HSL 168.13, 0.51%, 0.37%

LAB 53.34, -32.48, 2

 

CMYK 47 / 68 / 0 / 44

HEX #4B2E8E

RGB 75 46 142

HSL 258.13, 0.51%, 0.37%

LAB 27.85, 36.84, -48.74

 

Description

Color code: HEX #8E2E40 | qconv.com Color code: HEX #8E2E40 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 46 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 46 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 55 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 55% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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