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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8E3632 it is the complementary color #71C9CD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8E3632. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8E3632 shade: #93362D, #A44840, #B55A53, #C66C66 and #D77E79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8E3632. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8E3632 shade: #8E3632, #7D241F, #6C120C, #5B0000 and #4A0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8E3632 shade: #8F3632 and #8F3232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8E3632 shade: #8F3632, #8F4F32, #8F6832, #8F8132 and #848F32

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8E3632 shade matches the following richer shades: #8F3632, #9F2822, #AE1913 and #BE0B03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8E3632 shade: #8F3632, #7F4442, #705351, #606161 and #506F71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8E3632 shade: #8F3260, #8F3248, #8F3532, #8F4E32 and #8F6732

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8E3632 shade: #521F1C, #702A27, #8F3632, #AD423D and #C25652

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8E3632 shade: #8E3632, #798F32 and #32548F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8E3632 shade: #8E3632, #328F35 and #35328F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8E3632 shade: #8E3632, #798F32, #328C8F and #48328F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8E3632 shade: #8E3632, #5D8F32, #328C8F and #64328F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 65 / 44

HEX #8E3632

RGB 142 54 50

HSL 2.61, 0.48%, 0.38%

LAB 35.24, 37.08, 21.9

 

Complementary color

CMYK 45 / 2 / 0 / 20

HEX #71C9CD

RGB 113 201 205

HSL 182.61, 0.48%, 0.62%

LAB 75.88, -25.39, -10.25

 

CMYK 0 / 63 / 69 / 42

HEX #93362D

RGB 147 54 45

HSL 5.29, 0.53%, 0.38%

LAB 36.04, 38.63, 26.16

 

CMYK 0 / 56 / 61 / 36

HEX #A44840

RGB 164 72 64

HSL 4.8, 0.44%, 0.45%

LAB 42.61, 37.42, 23.44

 

CMYK 0 / 50 / 54 / 29

HEX #B55A53

RGB 181 90 83

HSL 4.29, 0.4%, 0.52%

LAB 49.2, 36.17, 21.2

 

CMYK 0 / 45 / 48 / 22

HEX #C66C66

RGB 198 108 102

HSL 3.75, 0.46%, 0.59%

LAB 55.78, 34.98, 19.31

 

CMYK 0 / 41 / 44 / 16

HEX #D77E79

RGB 215 126 121

HSL 3.19, 0.54%, 0.66%

LAB 62.3, 33.86, 17.68

 

CMYK 0 / 62 / 65 / 44

HEX #8E3632

RGB 142 54 50

HSL 2.61, 0.48%, 0.38%

LAB 35.24, 37.08, 21.9

 

CMYK 0 / 71 / 75 / 51

HEX #7D241F

RGB 125 36 31

HSL 3.19, 0.6%, 0.31%

LAB 28.7, 38.04, 25.11

 

CMYK 0 / 83 / 89 / 58

HEX #6C120C

RGB 108 18 12

HSL 3.75, 0.8%, 0.24%

LAB 22.47, 38.31, 28.57

 

CMYK 0 / 100 / 100 / 64

HEX #5B0000

RGB 91 0 0

HSL 0, 1%, 0.18%

LAB 16.62, 37.75, 25.77

 

CMYK 0 / 100 / 100 / 71

HEX #4A0000

RGB 74 0 0

HSL 0, 1%, 0.15%

LAB 12.32, 32.77, 19.36

 

CMYK 0 / 62 / 65 / 44

HEX #8F3632

RGB 143 54 50

HSL 2.58, 0.48%, 0.38%

LAB 35.42, 37.45, 22.15

 

CMYK 0 / 65 / 65 / 44

HEX #8F3232

RGB 143 50 50

HSL 0, 0.48%, 0.38%

LAB 34.7, 39.36, 21.26

 

CMYK 0 / 62 / 65 / 44

HEX #8F3632

RGB 143 54 50

HSL 2.58, 0.48%, 0.38%

LAB 35.42, 37.45, 22.15

 

CMYK 0 / 45 / 65 / 44

HEX #8F4F32

RGB 143 79 50

HSL 18.71, 0.48%, 0.38%

LAB 40.67, 24.1, 28.6

 

CMYK 0 / 27 / 65 / 44

HEX #8F6832

RGB 143 104 50

HSL 34.84, 0.48%, 0.38%

LAB 46.94, 9.63, 35.89

 

CMYK 0 / 10 / 65 / 44

HEX #8F8132

RGB 143 129 50

HSL 50.97, 0.48%, 0.38%

LAB 53.78, -4.62, 43.46

 

CMYK 8 / 0 / 65 / 44

HEX #848F32

RGB 132 143 50

HSL 67.1, 0.48%, 0.38%

LAB 56.86, -17.09, 46.46

 

CMYK 0 / 62 / 65 / 44

HEX #8F3632

RGB 143 54 50

HSL 2.58, 0.48%, 0.38%

LAB 35.42, 37.45, 22.15

 

CMYK 0 / 75 / 79 / 38

HEX #9F2822

RGB 159 40 34

HSL 2.88, 0.65%, 0.38%

LAB 35.99, 48.16, 33.24

 

CMYK 0 / 86 / 89 / 32

HEX #AE1913

RGB 174 25 19

HSL 2.32, 0.8%, 0.38%

LAB 37.37, 56.65, 43.53

 

CMYK 0 / 94 / 98 / 25

HEX #BE0B03

RGB 190 11 3

HSL 2.57, 0.97%, 0.38%

LAB 39.9, 63.08, 52.89

 

CMYK 0 / 62 / 65 / 44

HEX #8F3632

RGB 143 54 50

HSL 2.58, 0.48%, 0.38%

LAB 35.42, 37.45, 22.15

 

CMYK 0 / 46 / 48 / 50

HEX #7F4442

RGB 127 68 66

HSL 1.97, 0.32%, 0.38%

LAB 36.06, 25.05, 12.5

 

CMYK 0 / 26 / 28 / 56

HEX #705351

RGB 112 83 81

HSL 3.87, 0.16%, 0.38%

LAB 38.24, 11.76, 5.87

 

CMYK 1 / 0 / 0 / 62

HEX #606161

RGB 96 97 97

HSL 180, 0.01%, 0.38%

LAB 41.06, -0.39, -0.14

 

CMYK 29 / 2 / 0 / 56

HEX #506F71

RGB 80 111 113

HSL 183.64, 0.17%, 0.38%

LAB 44.61, -10.62, -4.74

 

CMYK 0 / 65 / 33 / 44

HEX #8F3260

RGB 143 50 96

HSL 330.32, 0.48%, 0.38%

LAB 35.92, 43.87, -6.45

 

CMYK 0 / 65 / 50 / 44

HEX #8F3248

RGB 143 50 72

HSL 345.81, 0.48%, 0.38%

LAB 35.18, 41.16, 7.86

 

CMYK 0 / 63 / 65 / 44

HEX #8F3532

RGB 143 53 50

HSL 1.94, 0.48%, 0.38%

LAB 35.23, 37.94, 21.93

 

CMYK 0 / 45 / 65 / 44

HEX #8F4E32

RGB 143 78 50

HSL 18.06, 0.48%, 0.38%

LAB 40.44, 24.67, 28.32

 

CMYK 0 / 28 / 65 / 44

HEX #8F6732

RGB 143 103 50

HSL 34.19, 0.48%, 0.38%

LAB 46.67, 10.21, 35.59

 

CMYK 0 / 62 / 66 / 68

HEX #521F1C

RGB 82 31 28

HSL 3.33, 0.49%, 0.22%

LAB 19.46, 23.61, 13.96

 

CMYK 0 / 63 / 65 / 56

HEX #702A27

RGB 112 42 39

HSL 2.47, 0.48%, 0.3%

LAB 27.43, 30.8, 17.9

 

CMYK 0 / 62 / 65 / 44

HEX #8F3632

RGB 143 54 50

HSL 2.58, 0.48%, 0.38%

LAB 35.42, 37.45, 22.15

 

CMYK 0 / 62 / 65 / 32

HEX #AD423D

RGB 173 66 61

HSL 2.68, 0.48%, 0.46%

LAB 42.94, 43.46, 25.97

 

CMYK 0 / 56 / 58 / 24

HEX #C25652

RGB 194 86 82

HSL 2.14, 0.48%, 0.54%

LAB 50.37, 42.99, 23.69

 

CMYK 0 / 62 / 65 / 44

HEX #8E3632

RGB 142 54 50

HSL 2.61, 0.48%, 0.38%

LAB 35.24, 37.08, 21.9

 

CMYK 15 / 0 / 65 / 44

HEX #798F32

RGB 121 143 50

HSL 74.19, 0.48%, 0.38%

LAB 56.03, -21.83, 45.33

 

CMYK 65 / 41 / 0 / 44

HEX #32548F

RGB 50 84 143

HSL 218.06, 0.48%, 0.38%

LAB 35.99, 7.5, -36.37

 

CMYK 0 / 62 / 65 / 44

HEX #8E3632

RGB 142 54 50

HSL 2.61, 0.48%, 0.38%

LAB 35.24, 37.08, 21.9

 

CMYK 65 / 0 / 63 / 44

HEX #328F35

RGB 50 143 53

HSL 121.94, 0.48%, 0.38%

LAB 52.49, -45.91, 39.04

 

CMYK 63 / 65 / 0 / 44

HEX #35328F

RGB 53 50 143

HSL 241.94, 0.48%, 0.38%

LAB 26.8, 30.63, -51.17

 

CMYK 0 / 62 / 65 / 44

HEX #8E3632

RGB 142 54 50

HSL 2.61, 0.48%, 0.38%

LAB 35.24, 37.08, 21.9

 

CMYK 15 / 0 / 65 / 44

HEX #798F32

RGB 121 143 50

HSL 74.19, 0.48%, 0.38%

LAB 56.03, -21.83, 45.33

 

CMYK 65 / 2 / 0 / 44

HEX #328C8F

RGB 50 140 143

HSL 181.94, 0.48%, 0.38%

LAB 53.4, -25.1, -9.45

 

CMYK 50 / 65 / 0 / 44

HEX #48328F

RGB 72 50 143

HSL 254.19, 0.48%, 0.38%

LAB 28.49, 34.18, -48.34

 

CMYK 0 / 62 / 65 / 44

HEX #8E3632

RGB 142 54 50

HSL 2.61, 0.48%, 0.38%

LAB 35.24, 37.08, 21.9

 

CMYK 35 / 0 / 65 / 44

HEX #5D8F32

RGB 93 143 50

HSL 92.26, 0.48%, 0.38%

LAB 54.24, -33.09, 42.87

 

CMYK 65 / 2 / 0 / 44

HEX #328C8F

RGB 50 140 143

HSL 181.94, 0.48%, 0.38%

LAB 53.4, -25.1, -9.45

 

CMYK 30 / 65 / 0 / 44

HEX #64328F

RGB 100 50 143

HSL 272.26, 0.48%, 0.38%

LAB 31.75, 40.44, -42.91

 

Description

Color code: HEX #8E3632 | qconv.com Color code: HEX #8E3632 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 54 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 54 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 65 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 65% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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