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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8E4B42 it is the complementary color #71B4BD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8E4B42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8E4B42 shade: #934B3D, #A45D50, #B56F63, #C68176 and #D79389

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8E4B42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8E4B42 shade: #8E4B42, #7D392F, #6C271C, #5B1509 and #4A0300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8E4B42 shade: #8F4B41 and #8F4141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8E4B42 shade: #8F4B41, #8F5F41, #8F7441, #8F8941 and #7F8F41

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8E4B42 shade matches the following richer shades: #8F4B41, #A03E30, #B13120 and #C1240F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8E4B42 shade: #8F4B41, #7E5752, #6D6463, #5C7174 and #4B7E85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8E4B42 shade: #8F4162, #8F414D, #8F4A41, #8F5F41 and #8F7441

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8E4B42 shade: #562D27, #723C34, #8F4B41, #AB594E and #BA7269

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8E4B42 shade: #8E4B42, #768F41 and #41578F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8E4B42 shade: #8E4B42, #418F4A and #4A418F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8E4B42 shade: #8E4B42, #768F41, #41868F and #5A418F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8E4B42 shade: #8E4B42, #5F8F41, #41868F and #71418F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 54 / 44

HEX #8E4B42

RGB 142 75 66

HSL 7.11, 0.37%, 0.41%

LAB 39.88, 27.27, 18.02

 

Complementary color

CMYK 40 / 5 / 0 / 26

HEX #71B4BD

RGB 113 180 189

HSL 187.11, 0.37%, 0.59%

LAB 69.35, -18.89, -11.29

 

CMYK 0 / 49 / 59 / 42

HEX #934B3D

RGB 147 75 61

HSL 9.77, 0.41%, 0.41%

LAB 40.53, 28.87, 22.05

 

CMYK 0 / 43 / 51 / 36

HEX #A45D50

RGB 164 93 80

HSL 9.29, 0.34%, 0.48%

LAB 47.37, 27.56, 20.09

 

CMYK 0 / 39 / 45 / 29

HEX #B56F63

RGB 181 111 99

HSL 8.78, 0.36%, 0.55%

LAB 54.13, 26.39, 18.43

 

CMYK 0 / 35 / 40 / 22

HEX #C68176

RGB 198 129 118

HSL 8.25, 0.41%, 0.62%

LAB 60.79, 25.34, 16.99

 

CMYK 0 / 32 / 36 / 16

HEX #D79389

RGB 215 147 137

HSL 7.69, 0.49%, 0.69%

LAB 67.37, 24.42, 15.7

 

CMYK 0 / 47 / 54 / 44

HEX #8E4B42

RGB 142 75 66

HSL 7.11, 0.37%, 0.41%

LAB 39.88, 27.27, 18.02

 

CMYK 0 / 54 / 62 / 51

HEX #7D392F

RGB 125 57 47

HSL 7.69, 0.45%, 0.34%

LAB 32.9, 28.63, 20.21

 

CMYK 0 / 64 / 74 / 58

HEX #6C271C

RGB 108 39 28

HSL 8.25, 0.59%, 0.27%

LAB 25.93, 30.03, 22.95

 

CMYK 0 / 77 / 90 / 64

HEX #5B1509

RGB 91 21 9

HSL 8.78, 0.82%, 0.2%

LAB 19.14, 31.16, 25.12

 

CMYK 0 / 96 / 100 / 71

HEX #4A0300

RGB 74 3 0

HSL 2.43, 1%, 0.15%

LAB 12.74, 31.57, 19.92

 

CMYK 0 / 48 / 55 / 44

HEX #8F4B41

RGB 143 75 65

HSL 7.69, 0.38%, 0.41%

LAB 40, 27.59, 18.82

 

CMYK 0 / 55 / 55 / 44

HEX #8F4141

RGB 143 65 65

HSL 0, 0.38%, 0.41%

LAB 37.85, 33.04, 15.96

 

CMYK 0 / 48 / 55 / 44

HEX #8F4B41

RGB 143 75 65

HSL 7.69, 0.38%, 0.41%

LAB 40, 27.59, 18.82

 

CMYK 0 / 34 / 55 / 44

HEX #8F5F41

RGB 143 95 65

HSL 23.08, 0.38%, 0.41%

LAB 44.81, 16.1, 25.03

 

CMYK 0 / 19 / 55 / 44

HEX #8F7441

RGB 143 116 65

HSL 39.23, 0.38%, 0.41%

LAB 50.35, 3.92, 31.92

 

CMYK 0 / 4 / 55 / 44

HEX #8F8941

RGB 143 137 65

HSL 55.38, 0.38%, 0.41%

LAB 56.2, -7.85, 38.88

 

CMYK 11 / 0 / 55 / 44

HEX #7F8F41

RGB 127 143 65

HSL 72.31, 0.38%, 0.41%

LAB 56.62, -17.99, 39.04

 

CMYK 0 / 48 / 55 / 44

HEX #8F4B41

RGB 143 75 65

HSL 7.69, 0.38%, 0.41%

LAB 40, 27.59, 18.82

 

CMYK 0 / 61 / 70 / 37

HEX #A03E30

RGB 160 62 48

HSL 7.5, 0.54%, 0.41%

LAB 39.8, 39.82, 29.38

 

CMYK 0 / 72 / 82 / 31

HEX #B13120

RGB 177 49 32

HSL 7.03, 0.69%, 0.41%

LAB 40.65, 50.66, 40.17

 

CMYK 0 / 81 / 92 / 24

HEX #C1240F

RGB 193 36 15

HSL 7.08, 0.86%, 0.41%

LAB 42.21, 59.37, 50.43

 

CMYK 0 / 48 / 55 / 44

HEX #8F4B41

RGB 143 75 65

HSL 7.69, 0.38%, 0.41%

LAB 40, 27.59, 18.82

 

CMYK 0 / 31 / 35 / 51

HEX #7E5752

RGB 126 87 82

HSL 6.82, 0.21%, 0.41%

LAB 40.99, 15.44, 9.38

 

CMYK 0 / 8 / 9 / 57

HEX #6D6463

RGB 109 100 99

HSL 6, 0.05%, 0.41%

LAB 43.16, 3.37, 1.85

 

CMYK 21 / 3 / 0 / 55

HEX #5C7174

RGB 92 113 116

HSL 187.5, 0.12%, 0.41%

LAB 46.11, -7, -4.24

 

CMYK 44 / 5 / 0 / 48

HEX #4B7E85

RGB 75 126 133

HSL 187.24, 0.28%, 0.41%

LAB 49.63, -15.14, -9.18

 

CMYK 0 / 55 / 31 / 44

HEX #8F4162

RGB 143 65 98

HSL 334.62, 0.38%, 0.41%

LAB 38.73, 36.82, -3.54

 

CMYK 0 / 55 / 46 / 44

HEX #8F414D

RGB 143 65 77

HSL 350.77, 0.38%, 0.41%

LAB 38.12, 34.24, 8.8

 

CMYK 0 / 48 / 55 / 44

HEX #8F4A41

RGB 143 74 65

HSL 6.92, 0.38%, 0.41%

LAB 39.78, 28.14, 18.53

 

CMYK 0 / 34 / 55 / 44

HEX #8F5F41

RGB 143 95 65

HSL 23.08, 0.38%, 0.41%

LAB 44.81, 16.1, 25.03

 

CMYK 0 / 19 / 55 / 44

HEX #8F7441

RGB 143 116 65

HSL 39.23, 0.38%, 0.41%

LAB 50.35, 3.92, 31.92

 

CMYK 0 / 48 / 55 / 66

HEX #562D27

RGB 86 45 39

HSL 7.66, 0.38%, 0.25%

LAB 23.68, 18.09, 12.17

 

CMYK 0 / 47 / 54 / 55

HEX #723C34

RGB 114 60 52

HSL 7.74, 0.37%, 0.33%

LAB 31.94, 22.74, 15.46

 

CMYK 0 / 48 / 55 / 44

HEX #8F4B41

RGB 143 75 65

HSL 7.69, 0.38%, 0.41%

LAB 40, 27.59, 18.82

 

CMYK 0 / 48 / 54 / 33

HEX #AB594E

RGB 171 89 78

HSL 7.1, 0.37%, 0.49%

LAB 47.43, 32.37, 21.55

 

CMYK 0 / 39 / 44 / 27

HEX #BA7269

RGB 186 114 105

HSL 6.67, 0.37%, 0.57%

LAB 55.58, 27.37, 17.04

 

CMYK 0 / 47 / 54 / 44

HEX #8E4B42

RGB 142 75 66

HSL 7.11, 0.37%, 0.41%

LAB 39.88, 27.27, 18.02

 

CMYK 17 / 0 / 55 / 44

HEX #768F41

RGB 118 143 65

HSL 79.23, 0.38%, 0.41%

LAB 55.97, -21.75, 38.11

 

CMYK 55 / 39 / 0 / 44

HEX #41578F

RGB 65 87 143

HSL 223.08, 0.38%, 0.41%

LAB 37.7, 8.78, -33.59

 

CMYK 0 / 47 / 54 / 44

HEX #8E4B42

RGB 142 75 66

HSL 7.11, 0.37%, 0.41%

LAB 39.88, 27.27, 18.02

 

CMYK 55 / 0 / 48 / 44

HEX #418F4A

RGB 65 143 74

HSL 126.92, 0.38%, 0.41%

LAB 53.24, -39.25, 29.48

 

CMYK 48 / 55 / 0 / 44

HEX #4A418F

RGB 74 65 143

HSL 246.92, 0.38%, 0.41%

LAB 32.3, 25.24, -42.17

 

CMYK 0 / 47 / 54 / 44

HEX #8E4B42

RGB 142 75 66

HSL 7.11, 0.37%, 0.41%

LAB 39.88, 27.27, 18.02

 

CMYK 17 / 0 / 55 / 44

HEX #768F41

RGB 118 143 65

HSL 79.23, 0.38%, 0.41%

LAB 55.97, -21.75, 38.11

 

CMYK 55 / 6 / 0 / 44

HEX #41868F

RGB 65 134 143

HSL 186.92, 0.38%, 0.41%

LAB 52.01, -19.04, -11.49

 

CMYK 37 / 55 / 0 / 44

HEX #5A418F

RGB 90 65 143

HSL 259.23, 0.38%, 0.41%

LAB 33.85, 29.26, -39.6

 

CMYK 0 / 47 / 54 / 44

HEX #8E4B42

RGB 142 75 66

HSL 7.11, 0.37%, 0.41%

LAB 39.88, 27.27, 18.02

 

CMYK 34 / 0 / 55 / 44

HEX #5F8F41

RGB 95 143 65

HSL 96.92, 0.38%, 0.41%

LAB 54.51, -30.78, 36.03

 

CMYK 55 / 6 / 0 / 44

HEX #41868F

RGB 65 134 143

HSL 186.92, 0.38%, 0.41%

LAB 52.01, -19.04, -11.49

 

CMYK 21 / 55 / 0 / 44

HEX #71418F

RGB 113 65 143

HSL 276.92, 0.38%, 0.41%

LAB 36.51, 35.57, -35.21

 

Description

Color code: HEX #8E4B42 | qconv.com Color code: HEX #8E4B42 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 75 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 75 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 54 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 54% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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