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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8E57AC it is the complementary color #71A853. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8E57AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8E57AC shade: #9357A7, #A469BA, #B57BCD, #C68DE0 and #D79FF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8E57AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8E57AC shade: #8E57AC, #7D4599, #6C3386, #5B2173 and #4A0F60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8E57AC shade: #8E57AC, #A557AC, #AC579C, #AC5785 and #AC576E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8E57AC shade: #8E57AC, #7757AC, #6057AC and #5757AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8E57AC shade matches the following richer shades: #8E57AC, #9443C0, #9A2FD4, #A01AE9 and #A606FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8E57AC shade: #8E57AC, #886B98, #828084, #7C946F and #76A85B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8E57AC shade: #6057AC, #7657AC, #8D57AC, #A457AC and #AC579E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8E57AC shade: #613A76, #784892, #8E57AC, #A173BA and #B38EC7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8E57AC shade: #8E57AC, #AC5765 and #57AC6B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8E57AC shade: #8E57AC, #AC8D57 and #57AC8D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8E57AC shade: #8E57AC, #AC5765, #76AC57 and #57AC9E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8E57AC shade: #8E57AC, #AC6257, #76AC57 and #57A1AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 49 / 0 / 33

HEX #8E57AC

RGB 142 87 172

HSL 278.82, 0.34%, 0.51%

LAB 46.37, 38.19, -36.73

 

Complementary color

CMYK 33 / 0 / 51 / 34

HEX #71A853

RGB 113 168 83

HSL 98.82, 0.34%, 0.49%

LAB 63.46, -33.77, 37.99

 

CMYK 12 / 48 / 0 / 35

HEX #9357A7

RGB 147 87 167

HSL 285, 0.31%, 0.5%

LAB 46.72, 38.56, -33.2

 

CMYK 12 / 44 / 0 / 27

HEX #A469BA

RGB 164 105 186

HSL 283.7, 0.37%, 0.57%

LAB 53.54, 37.75, -33.45

 

CMYK 12 / 40 / 0 / 20

HEX #B57BCD

RGB 181 123 205

HSL 282.44, 0.45%, 0.64%

LAB 60.25, 36.96, -33.67

 

CMYK 12 / 37 / 0 / 12

HEX #C68DE0

RGB 198 141 224

HSL 281.2, 0.57%, 0.72%

LAB 66.85, 36.2, -33.87

 

CMYK 12 / 35 / 0 / 5

HEX #D79FF3

RGB 215 159 243

HSL 280, 0.78%, 0.79%

LAB 73.36, 35.49, -34.07

 

CMYK 17 / 49 / 0 / 33

HEX #8E57AC

RGB 142 87 172

HSL 278.82, 0.34%, 0.51%

LAB 46.37, 38.19, -36.73

 

CMYK 18 / 55 / 0 / 40

HEX #7D4599

RGB 125 69 153

HSL 280, 0.38%, 0.44%

LAB 39.44, 39.03, -36.53

 

CMYK 19 / 62 / 0 / 47

HEX #6C3386

RGB 108 51 134

HSL 281.2, 0.45%, 0.36%

LAB 32.43, 39.77, -36.2

 

CMYK 21 / 71 / 0 / 55

HEX #5B2173

RGB 91 33 115

HSL 282.44, 0.55%, 0.29%

LAB 25.41, 40.19, -35.61

 

CMYK 23 / 84 / 0 / 62

HEX #4A0F60

RGB 74 15 96

HSL 283.7, 0.73%, 0.22%

LAB 18.55, 39.75, -34.44

 

CMYK 17 / 49 / 0 / 33

HEX #8E57AC

RGB 142 87 172

HSL 278.82, 0.34%, 0.51%

LAB 46.37, 38.19, -36.73

 

CMYK 4 / 49 / 0 / 33

HEX #A557AC

RGB 165 87 172

HSL 295.06, 0.34%, 0.51%

LAB 49.25, 44.88, -32.02

 

CMYK 0 / 49 / 9 / 33

HEX #AC579C

RGB 172 87 156

HSL 311.29, 0.34%, 0.51%

LAB 49.48, 44.08, -22.16

 

CMYK 0 / 49 / 23 / 33

HEX #AC5785

RGB 172 87 133

HSL 327.53, 0.34%, 0.51%

LAB 48.61, 40.38, -9.79

 

CMYK 0 / 49 / 36 / 33

HEX #AC576E

RGB 172 87 110

HSL 343.76, 0.34%, 0.51%

LAB 47.9, 37.23, 3

 

CMYK 17 / 49 / 0 / 33

HEX #8E57AC

RGB 142 87 172

HSL 278.82, 0.34%, 0.51%

LAB 46.37, 38.19, -36.73

 

CMYK 31 / 49 / 0 / 33

HEX #7757AC

RGB 119 87 172

HSL 262.59, 0.34%, 0.51%

LAB 43.82, 31.71, -40.93

 

CMYK 44 / 49 / 0 / 33

HEX #6057AC

RGB 96 87 172

HSL 246.35, 0.34%, 0.51%

LAB 41.66, 25.68, -44.51

 

CMYK 49 / 49 / 0 / 33

HEX #5757AC

RGB 87 87 172

HSL 240, 0.34%, 0.51%

LAB 40.93, 23.51, -45.72

 

CMYK 17 / 49 / 0 / 33

HEX #8E57AC

RGB 142 87 172

HSL 278.82, 0.34%, 0.51%

LAB 46.37, 38.19, -36.73

 

CMYK 23 / 65 / 0 / 25

HEX #9443C0

RGB 148 67 192

HSL 278.88, 0.5%, 0.51%

LAB 44.4, 54.52, -51.53

 

CMYK 27 / 78 / 0 / 17

HEX #9A2FD4

RGB 154 47 212

HSL 278.91, 0.66%, 0.51%

LAB 43.74, 68.03, -64.14

 

CMYK 31 / 89 / 0 / 9

HEX #A01AE9

RGB 160 26 233

HSL 278.84, 0.82%, 0.51%

LAB 44.37, 78.6, -75.06

 

CMYK 34 / 98 / 0 / 1

HEX #A606FD

RGB 166 6 253

HSL 278.87, 0.98%, 0.51%

LAB 46.08, 85.67, -83.48

 

CMYK 17 / 49 / 0 / 33

HEX #8E57AC

RGB 142 87 172

HSL 278.82, 0.34%, 0.51%

LAB 46.37, 38.19, -36.73

 

CMYK 11 / 30 / 0 / 40

HEX #886B98

RGB 136 107 152

HSL 278.67, 0.18%, 0.51%

LAB 49.52, 20.25, -20.11

 

CMYK 2 / 3 / 0 / 48

HEX #828084

RGB 130 128 132

HSL 270, 0.02%, 0.51%

LAB 53.87, 1.55, -1.9

 

CMYK 16 / 0 / 25 / 42

HEX #7C946F

RGB 124 148 111

HSL 98.92, 0.15%, 0.51%

LAB 58.61, -15.68, 16.83

 

CMYK 30 / 0 / 46 / 34

HEX #76A85B

RGB 118 168 91

HSL 98.96, 0.31%, 0.51%

LAB 63.85, -30.96, 34.46

 

CMYK 44 / 49 / 0 / 33

HEX #6057AC

RGB 96 87 172

HSL 246.35, 0.34%, 0.51%

LAB 41.66, 25.68, -44.51

 

CMYK 31 / 49 / 0 / 33

HEX #7657AC

RGB 118 87 172

HSL 261.88, 0.34%, 0.51%

LAB 43.72, 31.43, -41.1

 

CMYK 18 / 49 / 0 / 33

HEX #8D57AC

RGB 141 87 172

HSL 278.12, 0.34%, 0.51%

LAB 46.25, 37.91, -36.93

 

CMYK 5 / 49 / 0 / 33

HEX #A457AC

RGB 164 87 172

HSL 294.35, 0.34%, 0.51%

LAB 49.11, 44.59, -32.23

 

CMYK 0 / 49 / 8 / 33

HEX #AC579E

RGB 172 87 158

HSL 309.88, 0.34%, 0.51%

LAB 49.56, 44.42, -23.22

 

CMYK 18 / 51 / 0 / 54

HEX #613A76

RGB 97 58 118

HSL 279, 0.34%, 0.35%

LAB 31.52, 28.93, -27.74

 

CMYK 18 / 51 / 0 / 43

HEX #784892

RGB 120 72 146

HSL 278.92, 0.34%, 0.43%

LAB 39.08, 34.31, -32.91

 

CMYK 17 / 49 / 0 / 33

HEX #8E57AC

RGB 142 87 172

HSL 278.82, 0.34%, 0.51%

LAB 46.37, 38.19, -36.73

 

CMYK 13 / 38 / 0 / 27

HEX #A173BA

RGB 161 115 186

HSL 278.87, 0.34%, 0.59%

LAB 55.47, 31.22, -30.47

 

CMYK 10 / 29 / 0 / 22

HEX #B38EC7

RGB 179 142 199

HSL 278.95, 0.34%, 0.67%

LAB 64.2, 24.48, -24.2

 

CMYK 17 / 49 / 0 / 33

HEX #8E57AC

RGB 142 87 172

HSL 278.82, 0.34%, 0.51%

LAB 46.37, 38.19, -36.73

 

CMYK 0 / 49 / 41 / 33

HEX #AC5765

RGB 172 87 101

HSL 350.12, 0.34%, 0.51%

LAB 47.66, 36.15, 8.09

 

CMYK 49 / 0 / 38 / 33

HEX #57AC6B

RGB 87 172 107

HSL 134.12, 0.34%, 0.51%

LAB 63.83, -40.22, 25.73

 

CMYK 17 / 49 / 0 / 33

HEX #8E57AC

RGB 142 87 172

HSL 278.82, 0.34%, 0.51%

LAB 46.37, 38.19, -36.73

 

CMYK 0 / 18 / 49 / 33

HEX #AC8D57

RGB 172 141 87

HSL 38.12, 0.34%, 0.51%

LAB 60.35, 4.64, 33.07

 

CMYK 49 / 0 / 18 / 33

HEX #57AC8D

RGB 87 172 141

HSL 158.12, 0.34%, 0.51%

LAB 64.53, -33.32, 8.1

 

CMYK 17 / 49 / 0 / 33

HEX #8E57AC

RGB 142 87 172

HSL 278.82, 0.34%, 0.51%

LAB 46.37, 38.19, -36.73

 

CMYK 0 / 49 / 41 / 33

HEX #AC5765

RGB 172 87 101

HSL 350.12, 0.34%, 0.51%

LAB 47.66, 36.15, 8.09

 

CMYK 31 / 0 / 49 / 33

HEX #76AC57

RGB 118 172 87

HSL 98.12, 0.34%, 0.51%

LAB 65, -33.35, 37.93

 

CMYK 49 / 0 / 8 / 33

HEX #57AC9E

RGB 87 172 158

HSL 170.12, 0.34%, 0.51%

LAB 64.96, -29.24, -0.73

 

CMYK 17 / 49 / 0 / 33

HEX #8E57AC

RGB 142 87 172

HSL 278.82, 0.34%, 0.51%

LAB 46.37, 38.19, -36.73

 

CMYK 0 / 43 / 49 / 33

HEX #AC6257

RGB 172 98 87

HSL 7.76, 0.34%, 0.51%

LAB 49.73, 28.71, 19.31

 

CMYK 31 / 0 / 49 / 33

HEX #76AC57

RGB 118 172 87

HSL 98.12, 0.34%, 0.51%

LAB 65, -33.35, 37.93

 

CMYK 49 / 6 / 0 / 33

HEX #57A1AC

RGB 87 161 172

HSL 187.76, 0.34%, 0.51%

LAB 62.08, -19.98, -12.85

 

Description

Color code: HEX #8E57AC | qconv.com Color code: HEX #8E57AC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 87 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 87 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 49 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 49% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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