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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8E6975 it is the complementary color #71968A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8E6975. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8E6975 shade: #936970, #A47B83, #B58D96, #C69FA9 and #D7B1BC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8E6975. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8E6975 shade: #8E6975, #7D5762, #6C454F, #5B333C and #4A2129

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8E6975 shade: #8C6873, #8C686A and #8C6868

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8E6975 shade: #8C6873, #8C687D, #8C6887, #87688C and #7D688C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8E6975 shade matches the following richer shades: #8C6873, #A0546C, #B44066, #C82C5F and #DB1858

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8E6975 shade: #8C6873, #787B7A, #658F81, #51A388 and #3DB78F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8E6975 shade: #8C6887, #8C687E, #8C6874, #8C686A and #8C6F68

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8E6975 shade: #5D444C, #755660, #8C6873, #9F7E89 and #B1959E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8E6975 shade: #8E6975, #8C8768 and #68828C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8E6975 shade: #8E6975, #748C68 and #68748C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8E6975 shade: #8E6975, #8C8768, #688C80 and #686C8C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8E6975 shade: #8E6975, #868C68, #688C80 and #6E688C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 18 / 44

HEX #8E6975

RGB 142 105 117

HSL 340.54, 0.15%, 0.48%

LAB 48.43, 16.75, -0.89

 

Complementary color

CMYK 25 / 0 / 8 / 41

HEX #71968A

RGB 113 150 138

HSL 160.54, 0.15%, 0.52%

LAB 59.12, -15.39, 2.17

 

CMYK 0 / 29 / 24 / 42

HEX #936970

RGB 147 105 112

HSL 350, 0.17%, 0.49%

LAB 48.85, 17.89, 2.77

 

CMYK 0 / 25 / 20 / 36

HEX #A47B83

RGB 164 123 131

HSL 348.29, 0.18%, 0.56%

LAB 55.78, 17.19, 1.87

 

CMYK 0 / 22 / 17 / 29

HEX #B58D96

RGB 181 141 150

HSL 346.5, 0.21%, 0.63%

LAB 62.57, 16.57, 1.05

 

CMYK 0 / 20 / 15 / 22

HEX #C69FA9

RGB 198 159 169

HSL 344.62, 0.25%, 0.7%

LAB 69.23, 16.01, 0.29

 

CMYK 0 / 18 / 13 / 16

HEX #D7B1BC

RGB 215 177 188

HSL 342.63, 0.32%, 0.77%

LAB 75.78, 15.5, -0.42

 

CMYK 0 / 26 / 18 / 44

HEX #8E6975

RGB 142 105 117

HSL 340.54, 0.15%, 0.48%

LAB 48.43, 16.75, -0.89

 

CMYK 0 / 30 / 22 / 51

HEX #7D5762

RGB 125 87 98

HSL 342.63, 0.18%, 0.42%

LAB 41.31, 17.48, -0.03

 

CMYK 0 / 36 / 27 / 58

HEX #6C454F

RGB 108 69 79

HSL 344.62, 0.22%, 0.35%

LAB 34, 18.33, 0.97

 

CMYK 0 / 44 / 34 / 64

HEX #5B333C

RGB 91 51 60

HSL 346.5, 0.28%, 0.28%

LAB 26.5, 19.31, 2.18

 

CMYK 0 / 55 / 45 / 71

HEX #4A2129

RGB 74 33 41

HSL 348.29, 0.38%, 0.21%

LAB 18.82, 20.42, 3.79

 

CMYK 0 / 26 / 18 / 45

HEX #8C6873

RGB 140 104 115

HSL 341.67, 0.15%, 0.48%

LAB 47.9, 16.21, -0.51

 

CMYK 0 / 26 / 24 / 45

HEX #8C686A

RGB 140 104 106

HSL 356.67, 0.15%, 0.48%

LAB 47.65, 14.74, 4.51

 

CMYK 0 / 26 / 26 / 45

HEX #8C6868

RGB 140 104 104

HSL 0, 0.15%, 0.48%

LAB 47.59, 14.43, 5.63

 

CMYK 0 / 26 / 18 / 45

HEX #8C6873

RGB 140 104 115

HSL 341.67, 0.15%, 0.48%

LAB 47.9, 16.21, -0.51

 

CMYK 0 / 26 / 11 / 45

HEX #8C687D

RGB 140 104 125

HSL 325, 0.15%, 0.48%

LAB 48.21, 17.98, -6.03

 

CMYK 0 / 26 / 4 / 45

HEX #8C6887

RGB 140 104 135

HSL 308.33, 0.15%, 0.48%

LAB 48.54, 19.88, -11.49

 

CMYK 4 / 26 / 0 / 45

HEX #87688C

RGB 135 104 140

HSL 291.67, 0.15%, 0.48%

LAB 48.19, 19.09, -15.05

 

CMYK 11 / 26 / 0 / 45

HEX #7D688C

RGB 125 104 140

HSL 275, 0.15%, 0.48%

LAB 47.18, 15.57, -16.68

 

CMYK 0 / 26 / 18 / 45

HEX #8C6873

RGB 140 104 115

HSL 341.67, 0.15%, 0.48%

LAB 47.9, 16.21, -0.51

 

CMYK 0 / 48 / 33 / 37

HEX #A0546C

RGB 160 84 108

HSL 341.05, 0.31%, 0.48%

LAB 45.49, 34.18, 0.51

 

CMYK 0 / 64 / 43 / 29

HEX #B44066

RGB 180 64 102

HSL 340.34, 0.48%, 0.48%

LAB 44.7, 50.18, 3.42

 

CMYK 0 / 78 / 53 / 22

HEX #C82C5F

RGB 200 44 95

HSL 340.38, 0.64%, 0.48%

LAB 45.51, 62.7, 9.38

 

CMYK 0 / 89 / 60 / 14

HEX #DB1858

RGB 219 24 88

HSL 340.31, 0.8%, 0.48%

LAB 47.52, 71.5, 17.07

 

CMYK 0 / 26 / 18 / 45

HEX #8C6873

RGB 140 104 115

HSL 341.67, 0.15%, 0.48%

LAB 47.9, 16.21, -0.51

 

CMYK 2 / 0 / 1 / 52

HEX #787B7A

RGB 120 123 122

HSL 160, 0.01%, 0.48%

LAB 51.34, -1.33, 0.15

 

CMYK 29 / 0 / 10 / 44

HEX #658F81

RGB 101 143 129

HSL 160, 0.17%, 0.48%

LAB 56.08, -17.58, 2.82

 

CMYK 50 / 0 / 17 / 36

HEX #51A388

RGB 81 163 136

HSL 160.24, 0.34%, 0.48%

LAB 61.41, -31.72, 6.4

 

CMYK 67 / 0 / 22 / 28

HEX #3DB78F

RGB 61 183 143

HSL 160.33, 0.5%, 0.48%

LAB 67.16, -43.22, 10.62

 

CMYK 0 / 26 / 4 / 45

HEX #8C6887

RGB 140 104 135

HSL 308.33, 0.15%, 0.48%

LAB 48.54, 19.88, -11.49

 

CMYK 0 / 26 / 10 / 45

HEX #8C687E

RGB 140 104 126

HSL 323.33, 0.15%, 0.48%

LAB 48.24, 18.17, -6.58

 

CMYK 0 / 26 / 17 / 45

HEX #8C6874

RGB 140 104 116

HSL 340, 0.15%, 0.48%

LAB 47.93, 16.38, -1.06

 

CMYK 0 / 26 / 24 / 45

HEX #8C686A

RGB 140 104 106

HSL 356.67, 0.15%, 0.48%

LAB 47.65, 14.74, 4.51

 

CMYK 0 / 21 / 26 / 45

HEX #8C6F68

RGB 140 111 104

HSL 11.67, 0.15%, 0.48%

LAB 49.43, 10.33, 8.25

 

CMYK 0 / 27 / 18 / 64

HEX #5D444C

RGB 93 68 76

HSL 340.8, 0.16%, 0.32%

LAB 31.77, 12.18, -0.6

 

CMYK 0 / 26 / 18 / 54

HEX #755660

RGB 117 86 96

HSL 340.65, 0.15%, 0.4%

LAB 40.05, 14.52, -0.75

 

CMYK 0 / 26 / 18 / 45

HEX #8C6873

RGB 140 104 115

HSL 341.67, 0.15%, 0.48%

LAB 47.9, 16.21, -0.51

 

CMYK 0 / 21 / 14 / 38

HEX #9F7E89

RGB 159 126 137

HSL 340, 0.15%, 0.56%

LAB 56.19, 14.56, -1.09

 

CMYK 0 / 16 / 11 / 31

HEX #B1959E

RGB 177 149 158

HSL 340.71, 0.15%, 0.64%

LAB 64.41, 11.95, -0.84

 

CMYK 0 / 26 / 18 / 44

HEX #8E6975

RGB 142 105 117

HSL 340.54, 0.15%, 0.48%

LAB 48.43, 16.75, -0.89

 

CMYK 0 / 4 / 26 / 45

HEX #8C8768

RGB 140 135 104

HSL 51.67, 0.15%, 0.48%

LAB 55.99, -3.41, 17.38

 

CMYK 26 / 7 / 0 / 45

HEX #68828C

RGB 104 130 140

HSL 196.67, 0.15%, 0.48%

LAB 52.73, -6.88, -8.46

 

CMYK 0 / 26 / 18 / 44

HEX #8E6975

RGB 142 105 117

HSL 340.54, 0.15%, 0.48%

LAB 48.43, 16.75, -0.89

 

CMYK 17 / 0 / 26 / 45

HEX #748C68

RGB 116 140 104

HSL 100, 0.15%, 0.48%

LAB 55.55, -15.65, 16.48

 

CMYK 26 / 17 / 0 / 45

HEX #68748C

RGB 104 116 140

HSL 220, 0.15%, 0.48%

LAB 48.67, 1.23, -14.58

 

CMYK 0 / 26 / 18 / 44

HEX #8E6975

RGB 142 105 117

HSL 340.54, 0.15%, 0.48%

LAB 48.43, 16.75, -0.89

 

CMYK 0 / 4 / 26 / 45

HEX #8C8768

RGB 140 135 104

HSL 51.67, 0.15%, 0.48%

LAB 55.99, -3.41, 17.38

 

CMYK 26 / 0 / 9 / 45

HEX #688C80

RGB 104 140 128

HSL 160, 0.15%, 0.48%

LAB 55.34, -15.22, 2.33

 

CMYK 26 / 23 / 0 / 45

HEX #686C8C

RGB 104 108 140

HSL 233.33, 0.15%, 0.48%

LAB 46.39, 6.01, -18.05

 

CMYK 0 / 26 / 18 / 44

HEX #8E6975

RGB 142 105 117

HSL 340.54, 0.15%, 0.48%

LAB 48.43, 16.75, -0.89

 

CMYK 4 / 0 / 26 / 45

HEX #868C68

RGB 134 140 104

HSL 70, 0.15%, 0.48%

LAB 56.9, -8.61, 18.54

 

CMYK 26 / 0 / 9 / 45

HEX #688C80

RGB 104 140 128

HSL 160, 0.15%, 0.48%

LAB 55.34, -15.22, 2.33

 

CMYK 21 / 26 / 0 / 45

HEX #6E688C

RGB 110 104 140

HSL 250, 0.15%, 0.48%

LAB 45.78, 10.43, -18.94

 

Description

Color code: HEX #8E6975 | qconv.com Color code: HEX #8E6975 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 105 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 105 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 18 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 18% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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