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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8E604C it is the complementary color #719FB3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8E604C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8E604C shade: #936047, #A4725A, #B5846D, #C69680 and #D7A893

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8E604C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8E604C shade: #8E604C, #7D4E39, #6C3C26, #5B2A13 and #4A1800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8E604C shade: #8E604C, #8E4E4C and #8E4C4C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8E604C shade: #8E604C, #8E724C, #8E844C, #878E4C and #758E4C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8E604C shade matches the following richer shades: #8E604C, #A0593B, #B25229, #C34B17 and #D54405

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8E604C shade: #8E604C, #7C675E, #6B6E70, #597581 and #477C93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8E604C shade: #8E4C5C, #8E4E4C, #8E604C, #8E724C and #8E834C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8E604C shade: #583C2F, #734E3E, #8E604C, #A7735C and #B68A77

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8E604C shade: #8E604C, #6D8E4C and #4C538E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8E604C shade: #8E604C, #4C8E60 and #604C8E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8E604C shade: #8E604C, #6D8E4C, #4C7A8E and #6D4C8E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8E604C shade: #8E604C, #598E4C, #4C7A8E and #814C8E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 46 / 44

HEX #8E604C

RGB 142 96 76

HSL 18.18, 0.3%, 0.43%

LAB 45.13, 16.21, 18.98

 

Complementary color

CMYK 37 / 11 / 0 / 30

HEX #719FB3

RGB 113 159 179

HSL 198.18, 0.3%, 0.57%

LAB 62.98, -10.35, -15.3

 

CMYK 0 / 35 / 52 / 42

HEX #936047

RGB 147 96 71

HSL 19.74, 0.35%, 0.43%

LAB 45.67, 17.84, 22.74

 

CMYK 0 / 30 / 45 / 36

HEX #A4725A

RGB 164 114 90

HSL 19.46, 0.29%, 0.5%

LAB 52.58, 16.75, 21.2

 

CMYK 0 / 27 / 40 / 29

HEX #B5846D

RGB 181 132 109

HSL 19.17, 0.33%, 0.57%

LAB 59.37, 15.81, 19.82

 

CMYK 0 / 24 / 35 / 22

HEX #C69680

RGB 198 150 128

HSL 18.86, 0.38%, 0.64%

LAB 66.04, 15.01, 18.59

 

CMYK 0 / 22 / 32 / 16

HEX #D7A893

RGB 215 168 147

HSL 18.53, 0.46%, 0.71%

LAB 72.6, 14.31, 17.46

 

CMYK 0 / 32 / 46 / 44

HEX #8E604C

RGB 142 96 76

HSL 18.18, 0.3%, 0.43%

LAB 45.13, 16.21, 18.98

 

CMYK 0 / 38 / 54 / 51

HEX #7D4E39

RGB 125 78 57

HSL 18.53, 0.37%, 0.36%

LAB 38.03, 17.39, 20.62

 

CMYK 0 / 44 / 65 / 58

HEX #6C3C26

RGB 108 60 38

HSL 18.86, 0.48%, 0.29%

LAB 30.78, 18.83, 22.55

 

CMYK 0 / 54 / 79 / 64

HEX #5B2A13

RGB 91 42 19

HSL 19.17, 0.65%, 0.22%

LAB 23.43, 20.59, 24.79

 

CMYK 0 / 68 / 100 / 71

HEX #4A1800

RGB 74 24 0

HSL 19.46, 1%, 0.15%

LAB 16.05, 22.47, 24.22

 

CMYK 0 / 32 / 46 / 44

HEX #8E604C

RGB 142 96 76

HSL 18.18, 0.3%, 0.43%

LAB 45.13, 16.21, 18.98

 

CMYK 0 / 45 / 46 / 44

HEX #8E4E4C

RGB 142 78 76

HSL 1.82, 0.3%, 0.43%

LAB 40.77, 26.61, 13.08

 

CMYK 0 / 46 / 46 / 44

HEX #8E4C4C

RGB 142 76 76

HSL 0, 0.3%, 0.43%

LAB 40.31, 27.73, 12.45

 

CMYK 0 / 32 / 46 / 44

HEX #8E604C

RGB 142 96 76

HSL 18.18, 0.3%, 0.43%

LAB 45.13, 16.21, 18.98

 

CMYK 0 / 20 / 46 / 44

HEX #8E724C

RGB 142 114 76

HSL 34.55, 0.3%, 0.43%

LAB 49.87, 5.74, 25.18

 

CMYK 0 / 7 / 46 / 44

HEX #8E844C

RGB 142 132 76

HSL 50.91, 0.3%, 0.43%

LAB 54.84, -4.47, 31.48

 

CMYK 5 / 0 / 46 / 44

HEX #878E4C

RGB 135 142 76

HSL 66.36, 0.3%, 0.43%

LAB 57.09, -12.94, 34.13

 

CMYK 18 / 0 / 46 / 44

HEX #758E4C

RGB 117 142 76

HSL 82.73, 0.3%, 0.43%

LAB 55.74, -20.41, 32.15

 

CMYK 0 / 32 / 46 / 44

HEX #8E604C

RGB 142 96 76

HSL 18.18, 0.3%, 0.43%

LAB 45.13, 16.21, 18.98

 

CMYK 0 / 44 / 63 / 37

HEX #A0593B

RGB 160 89 59

HSL 17.82, 0.46%, 0.43%

LAB 45.54, 26.35, 29.89

 

CMYK 0 / 54 / 77 / 30

HEX #B25229

RGB 178 82 41

HSL 17.96, 0.63%, 0.43%

LAB 46.52, 36.45, 41.47

 

CMYK 0 / 62 / 88 / 24

HEX #C34B17

RGB 195 75 23

HSL 18.14, 0.79%, 0.43%

LAB 47.87, 45.79, 51.76

 

CMYK 0 / 68 / 98 / 16

HEX #D54405

RGB 213 68 5

HSL 18.17, 0.95%, 0.43%

LAB 49.85, 54.84, 59.75

 

CMYK 0 / 32 / 46 / 44

HEX #8E604C

RGB 142 96 76

HSL 18.18, 0.3%, 0.43%

LAB 45.13, 16.21, 18.98

 

CMYK 0 / 17 / 24 / 51

HEX #7C675E

RGB 124 103 94

HSL 18, 0.14%, 0.43%

LAB 45.35, 6.85, 8.2

 

CMYK 4 / 2 / 0 / 56

HEX #6B6E70

RGB 107 110 112

HSL 204, 0.02%, 0.43%

LAB 46.24, -0.72, -1.52

 

CMYK 31 / 9 / 0 / 49

HEX #597581

RGB 89 117 129

HSL 198, 0.18%, 0.43%

LAB 47.54, -7.04, -9.88

 

CMYK 52 / 16 / 0 / 42

HEX #477C93

RGB 71 124 147

HSL 198.16, 0.35%, 0.43%

LAB 49.33, -10.95, -17.88

 

CMYK 0 / 46 / 35 / 44

HEX #8E4C5C

RGB 142 76 92

HSL 345.45, 0.3%, 0.43%

LAB 40.72, 29.68, 3.11

 

CMYK 0 / 45 / 46 / 44

HEX #8E4E4C

RGB 142 78 76

HSL 1.82, 0.3%, 0.43%

LAB 40.77, 26.61, 13.08

 

CMYK 0 / 32 / 46 / 44

HEX #8E604C

RGB 142 96 76

HSL 18.18, 0.3%, 0.43%

LAB 45.13, 16.21, 18.98

 

CMYK 0 / 20 / 46 / 44

HEX #8E724C

RGB 142 114 76

HSL 34.55, 0.3%, 0.43%

LAB 49.87, 5.74, 25.18

 

CMYK 0 / 8 / 46 / 44

HEX #8E834C

RGB 142 131 76

HSL 50, 0.3%, 0.43%

LAB 54.56, -3.91, 31.13

 

CMYK 0 / 32 / 47 / 65

HEX #583C2F

RGB 88 60 47

HSL 19.02, 0.3%, 0.26%

LAB 28.15, 10.49, 12.96

 

CMYK 0 / 32 / 46 / 55

HEX #734E3E

RGB 115 78 62

HSL 18.11, 0.3%, 0.35%

LAB 36.82, 13.48, 15.74

 

CMYK 0 / 32 / 46 / 44

HEX #8E604C

RGB 142 96 76

HSL 18.18, 0.3%, 0.43%

LAB 45.13, 16.21, 18.98

 

CMYK 0 / 31 / 45 / 35

HEX #A7735C

RGB 167 115 92

HSL 18.4, 0.3%, 0.51%

LAB 53.22, 17.66, 20.96

 

CMYK 0 / 24 / 35 / 29

HEX #B68A77

RGB 182 138 119

HSL 18.1, 0.3%, 0.59%

LAB 61.18, 14.11, 16.67

 

CMYK 0 / 32 / 46 / 44

HEX #8E604C

RGB 142 96 76

HSL 18.18, 0.3%, 0.43%

LAB 45.13, 16.21, 18.98

 

CMYK 23 / 0 / 46 / 44

HEX #6D8E4C

RGB 109 142 76

HSL 90, 0.3%, 0.43%

LAB 55.19, -23.6, 31.36

 

CMYK 46 / 42 / 0 / 44

HEX #4C538E

RGB 76 83 142

HSL 233.64, 0.3%, 0.43%

LAB 37.25, 13.79, -33.65

 

CMYK 0 / 32 / 46 / 44

HEX #8E604C

RGB 142 96 76

HSL 18.18, 0.3%, 0.43%

LAB 45.13, 16.21, 18.98

 

CMYK 46 / 0 / 32 / 44

HEX #4C8E60

RGB 76 142 96

HSL 138.18, 0.3%, 0.43%

LAB 53.74, -31.81, 18.14

 

CMYK 32 / 46 / 0 / 44

HEX #604C8E

RGB 96 76 142

HSL 258.18, 0.3%, 0.43%

LAB 37.13, 23.83, -33.73

 

CMYK 0 / 32 / 46 / 44

HEX #8E604C

RGB 142 96 76

HSL 18.18, 0.3%, 0.43%

LAB 45.13, 16.21, 18.98

 

CMYK 23 / 0 / 46 / 44

HEX #6D8E4C

RGB 109 142 76

HSL 90, 0.3%, 0.43%

LAB 55.19, -23.6, 31.36

 

CMYK 46 / 14 / 0 / 44

HEX #4C7A8E

RGB 76 122 142

HSL 198.18, 0.3%, 0.43%

LAB 48.77, -10.05, -15.77

 

CMYK 23 / 46 / 0 / 44

HEX #6D4C8E

RGB 109 76 142

HSL 270, 0.3%, 0.43%

LAB 38.5, 27.7, -31.47

 

CMYK 0 / 32 / 46 / 44

HEX #8E604C

RGB 142 96 76

HSL 18.18, 0.3%, 0.43%

LAB 45.13, 16.21, 18.98

 

CMYK 37 / 0 / 46 / 44

HEX #598E4C

RGB 89 142 76

HSL 108.18, 0.3%, 0.43%

LAB 54.02, -31.02, 29.63

 

CMYK 46 / 14 / 0 / 44

HEX #4C7A8E

RGB 76 122 142

HSL 198.18, 0.3%, 0.43%

LAB 48.77, -10.05, -15.77

 

CMYK 9 / 46 / 0 / 44

HEX #814C8E

RGB 129 76 142

HSL 288.18, 0.3%, 0.43%

LAB 40.88, 33.87, -27.58

 

Description

Color code: HEX #8E604C | qconv.com Color code: HEX #8E604C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 96 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 96 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 46 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 46% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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