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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8E6EF1 it is the complementary color #71910E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8E6EF1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8E6EF1 shade: #936EEC, #A480FF, #B592FF, #C6A4FF and #D7B6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8E6EF1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8E6EF1 shade: #8E6EF1, #7D5CDE, #6C4ACB, #5B38B8 and #4A26A5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8E6EF1 shade: #8E6FF0, #B16FF0, #D46FF0, #F06FE9 and #F06FC6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8E6EF1 shade: #8E6FF0 and #6F6FF0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8E6EF1 shade matches the following richer shades: #8E6FF0 and #8862FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8E6EF1 shade: #8E6FF0, #957BE3, #9B88D7, #A295CA and #A8A2BD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8E6EF1 shade: #6F96F0, #6F73F0, #8D6FF0, #AF6FF0 and #D26FF0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8E6EF1 shade: #5424E9, #7149ED, #8E6FF0, #AC94F4 and #C9BAF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8E6EF1 shade: #8E6EF1, #F06FB8 and #84F06F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8E6EF1 shade: #8E6EF1, #F08D6F and #6FF08D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8E6EF1 shade: #8E6EF1, #F06FB8, #D2F06F and #6FF0A7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8E6EF1 shade: #8E6EF1, #F06F91, #D2F06F and #6FF0CE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 54 / 0 / 5

HEX #8E6EF1

RGB 142 110 241

HSL 254.66, 0.82%, 0.69%

LAB 55.33, 42.56, -61.88

 

Complementary color

CMYK 22 / 0 / 90 / 43

HEX #71910E

RGB 113 145 14

HSL 74.66, 0.82%, 0.31%

LAB 55.88, -28.03, 56.83

 

CMYK 38 / 53 / 0 / 7

HEX #936EEC

RGB 147 110 236

HSL 257.62, 0.77%, 0.68%

LAB 55.49, 42.37, -58.81

 

CMYK 36 / 50 / 0 / 0

HEX #A480FF

RGB 164 128 255

HSL 257.01, 1%, 0.75%

LAB 62.13, 41.28, -58.62

 

CMYK 29 / 43 / 0 / 0

HEX #B592FF

RGB 181 146 255

HSL 259.27, 1%, 0.79%

LAB 67.73, 35.58, -49.64

 

CMYK 22 / 36 / 0 / 0

HEX #C6A4FF

RGB 198 164 255

HSL 262.42, 1%, 0.82%

LAB 73.4, 30.33, -40.63

 

CMYK 16 / 29 / 0 / 0

HEX #D7B6FF

RGB 215 182 255

HSL 267.12, 1%, 0.86%

LAB 79.11, 25.53, -31.67

 

CMYK 41 / 54 / 0 / 5

HEX #8E6EF1

RGB 142 110 241

HSL 254.66, 0.82%, 0.69%

LAB 55.33, 42.56, -61.88

 

CMYK 44 / 59 / 0 / 13

HEX #7D5CDE

RGB 125 92 222

HSL 255.23, 0.66%, 0.62%

LAB 48.62, 43.81, -62.1

 

CMYK 47 / 64 / 0 / 20

HEX #6C4ACB

RGB 108 74 203

HSL 255.81, 0.55%, 0.54%

LAB 41.84, 45.14, -62.28

 

CMYK 51 / 70 / 0 / 28

HEX #5B38B8

RGB 91 56 184

HSL 256.41, 0.53%, 0.47%

LAB 35.03, 46.47, -62.34

 

CMYK 55 / 77 / 0 / 35

HEX #4A26A5

RGB 74 38 165

HSL 257.01, 0.63%, 0.4%

LAB 28.27, 47.63, -62.13

 

CMYK 41 / 54 / 0 / 6

HEX #8E6FF0

RGB 142 111 240

HSL 254.42, 0.81%, 0.69%

LAB 55.49, 41.72, -61.06

 

CMYK 26 / 54 / 0 / 6

HEX #B16FF0

RGB 177 111 240

HSL 270.7, 0.81%, 0.69%

LAB 58.98, 50.07, -55.29

 

CMYK 12 / 54 / 0 / 6

HEX #D46FF0

RGB 212 111 240

HSL 286.98, 0.81%, 0.69%

LAB 63.06, 58.96, -48.56

 

CMYK 0 / 54 / 3 / 6

HEX #F06FE9

RGB 240 111 233

HSL 303.26, 0.81%, 0.69%

LAB 66.35, 65.03, -39.26

 

CMYK 0 / 54 / 18 / 6

HEX #F06FC6

RGB 240 111 198

HSL 319.53, 0.81%, 0.69%

LAB 64.94, 59.57, -21.87

 

CMYK 41 / 54 / 0 / 6

HEX #8E6FF0

RGB 142 111 240

HSL 254.42, 0.81%, 0.69%

LAB 55.49, 41.72, -61.06

 

CMYK 54 / 54 / 0 / 6

HEX #6F6FF0

RGB 111 111 240

HSL 240, 0.81%, 0.69%

LAB 52.99, 35.18, -65.22

 

CMYK 41 / 54 / 0 / 6

HEX #8E6FF0

RGB 142 111 240

HSL 254.42, 0.81%, 0.69%

LAB 55.49, 41.72, -61.06

 

CMYK 46 / 61 / 0 / 1

HEX #8862FD

RGB 136 98 253

HSL 254.71, 0.97%, 0.69%

LAB 53.02, 51.26, -72.31

 

CMYK 41 / 54 / 0 / 6

HEX #8E6FF0

RGB 142 111 240

HSL 254.42, 0.81%, 0.69%

LAB 55.49, 41.72, -61.06

 

CMYK 34 / 46 / 0 / 11

HEX #957BE3

RGB 149 123 227

HSL 255, 0.65%, 0.69%

LAB 58.13, 33.09, -49.56

 

CMYK 28 / 37 / 0 / 16

HEX #9B88D7

RGB 155 136 215

HSL 254.43, 0.5%, 0.69%

LAB 61.21, 24.19, -37.97

 

CMYK 20 / 26 / 0 / 21

HEX #A295CA

RGB 162 149 202

HSL 254.72, 0.33%, 0.69%

LAB 64.52, 15.74, -25.53

 

CMYK 11 / 14 / 0 / 26

HEX #A8A2BD

RGB 168 162 189

HSL 253.33, 0.17%, 0.69%

LAB 67.9, 7.51, -13.09

 

CMYK 54 / 38 / 0 / 6

HEX #6F96F0

RGB 111 150 240

HSL 221.86, 0.81%, 0.69%

LAB 62.91, 11.95, -49.36

 

CMYK 54 / 52 / 0 / 6

HEX #6F73F0

RGB 111 115 240

HSL 238.14, 0.81%, 0.69%

LAB 53.96, 32.8, -63.67

 

CMYK 41 / 54 / 0 / 6

HEX #8D6FF0

RGB 141 111 240

HSL 253.95, 0.81%, 0.69%

LAB 55.4, 41.5, -61.21

 

CMYK 27 / 54 / 0 / 6

HEX #AF6FF0

RGB 175 111 240

HSL 269.77, 0.81%, 0.69%

LAB 58.76, 49.58, -55.64

 

CMYK 13 / 54 / 0 / 6

HEX #D26FF0

RGB 210 111 240

HSL 286.05, 0.81%, 0.69%

LAB 62.81, 58.44, -48.96

 

CMYK 64 / 85 / 0 / 9

HEX #5424E9

RGB 84 36 233

HSL 254.62, 0.82%, 0.53%

LAB 36.04, 68.01, -89.1

 

CMYK 52 / 69 / 0 / 7

HEX #7149ED

RGB 113 73 237

HSL 254.63, 0.82%, 0.61%

LAB 44.79, 56.1, -76.87

 

CMYK 41 / 54 / 0 / 6

HEX #8E6FF0

RGB 142 111 240

HSL 254.42, 0.81%, 0.69%

LAB 55.49, 41.72, -61.06

 

CMYK 30 / 39 / 0 / 4

HEX #AC94F4

RGB 172 148 244

HSL 255, 0.81%, 0.77%

LAB 66.89, 29.32, -45.01

 

CMYK 19 / 25 / 0 / 3

HEX #C9BAF8

RGB 201 186 248

HSL 254.52, 0.82%, 0.85%

LAB 78.64, 17.58, -28.73

 

CMYK 41 / 54 / 0 / 5

HEX #8E6EF1

RGB 142 110 241

HSL 254.66, 0.82%, 0.69%

LAB 55.33, 42.56, -61.88

 

CMYK 0 / 54 / 23 / 6

HEX #F06FB8

RGB 240 111 184

HSL 326.05, 0.81%, 0.69%

LAB 64.45, 57.6, -14.7

 

CMYK 45 / 0 / 54 / 6

HEX #84F06F

RGB 132 240 111

HSL 110.23, 0.81%, 0.69%

LAB 86.19, -55.03, 52.21

 

CMYK 41 / 54 / 0 / 5

HEX #8E6EF1

RGB 142 110 241

HSL 254.66, 0.82%, 0.69%

LAB 55.33, 42.56, -61.88

 

CMYK 0 / 41 / 54 / 6

HEX #F08D6F

RGB 240 141 111

HSL 13.95, 0.81%, 0.69%

LAB 68.55, 34.64, 32.15

 

CMYK 54 / 0 / 41 / 6

HEX #6FF08D

RGB 111 240 141

HSL 133.95, 0.81%, 0.69%

LAB 85.82, -56.46, 37.24

 

CMYK 41 / 54 / 0 / 5

HEX #8E6EF1

RGB 142 110 241

HSL 254.66, 0.82%, 0.69%

LAB 55.33, 42.56, -61.88

 

CMYK 0 / 54 / 23 / 6

HEX #F06FB8

RGB 240 111 184

HSL 326.05, 0.81%, 0.69%

LAB 64.45, 57.6, -14.7

 

CMYK 13 / 0 / 54 / 6

HEX #D2F06F

RGB 210 240 111

HSL 73.95, 0.81%, 0.69%

LAB 90.4, -28.26, 58.2

 

CMYK 54 / 0 / 30 / 6

HEX #6FF0A7

RGB 111 240 167

HSL 146.05, 0.81%, 0.69%

LAB 86.25, -51.93, 24.69

 

CMYK 41 / 54 / 0 / 5

HEX #8E6EF1

RGB 142 110 241

HSL 254.66, 0.82%, 0.69%

LAB 55.33, 42.56, -61.88

 

CMYK 0 / 54 / 40 / 6

HEX #F06F91

RGB 240 111 145

HSL 344.19, 0.81%, 0.69%

LAB 63.29, 52.85, 5.86

 

CMYK 13 / 0 / 54 / 6

HEX #D2F06F

RGB 210 240 111

HSL 73.95, 0.81%, 0.69%

LAB 90.4, -28.26, 58.2

 

CMYK 54 / 0 / 14 / 6

HEX #6FF0CE

RGB 111 240 206

HSL 164.19, 0.81%, 0.69%

LAB 87.07, -43.76, 5.63

 

Description

Color code: HEX #8E6EF1 | qconv.com Color code: HEX #8E6EF1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 110 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 110 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 54 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 54% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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