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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8E7A38 it is the complementary color #7185C7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8E7A38. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8E7A38 shade: #937A33, #A48C46, #B59E59, #C6B06C and #D7C27F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8E7A38. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8E7A38 shade: #8E7A38, #7D6825, #6C5612, #5B4400 and #4A3200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8E7A38 shade: #8E7A38, #8E6338, #8E4C38 and #8E3838

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8E7A38 shade: #8E7A38, #8B8E38, #738E38, #5C8E38 and #458E38

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8E7A38 shade matches the following richer shades: #8E7A38, #9E8228, #AE8B18 and #BE9408

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8E7A38 shade: #8E7A38, #7E7148, #6E6958, #5D6068 and #4D5779

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8E7A38 shade: #8E4C38, #8E6338, #8E7A38, #8B8E38 and #748E38

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8E7A38 shade: #534721, #70602C, #8E7A38, #AB9344 and #BDA75B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8E7A38 shade: #8E7A38, #3B8E38 and #58388E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8E7A38 shade: #8E7A38, #388E7A and #7A388E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8E7A38 shade: #8E7A38, #3B8E38, #384C8E and #8B388E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8E7A38 shade: #8E7A38, #388E4F, #384C8E and #8E3877

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 61 / 44

HEX #8E7A38

RGB 142 122 56

HSL 46.05, 0.43%, 0.39%

LAB 51.79, -0.71, 38.31

 

Complementary color

CMYK 43 / 33 / 0 / 22

HEX #7185C7

RGB 113 133 199

HSL 226.05, 0.43%, 0.61%

LAB 56.5, 10.03, -36.57

 

CMYK 0 / 17 / 65 / 42

HEX #937A33

RGB 147 122 51

HSL 44.38, 0.48%, 0.39%

LAB 52.24, 1.2, 41.43

 

CMYK 0 / 15 / 57 / 36

HEX #A48C46

RGB 164 140 70

HSL 44.68, 0.4%, 0.46%

LAB 59.06, 0.19, 40.2

 

CMYK 0 / 13 / 51 / 29

HEX #B59E59

RGB 181 158 89

HSL 45, 0.38%, 0.53%

LAB 65.75, -0.63, 38.9

 

CMYK 0 / 11 / 45 / 22

HEX #C6B06C

RGB 198 176 108

HSL 45.33, 0.44%, 0.6%

LAB 72.32, -1.31, 37.61

 

CMYK 0 / 10 / 41 / 16

HEX #D7C27F

RGB 215 194 127

HSL 45.68, 0.52%, 0.67%

LAB 78.79, -1.88, 36.38

 

CMYK 0 / 14 / 61 / 44

HEX #8E7A38

RGB 142 122 56

HSL 46.05, 0.43%, 0.39%

LAB 51.79, -0.71, 38.31

 

CMYK 0 / 17 / 70 / 51

HEX #7D6825

RGB 125 104 37

HSL 45.68, 0.54%, 0.32%

LAB 44.79, 0.39, 39.43

 

CMYK 0 / 20 / 83 / 58

HEX #6C5612

RGB 108 86 18

HSL 45.33, 0.71%, 0.25%

LAB 37.64, 1.82, 39.95

 

CMYK 0 / 25 / 100 / 64

HEX #5B4400

RGB 91 68 0

HSL 44.84, 1%, 0.18%

LAB 30.3, 3.65, 39.5

 

CMYK 0 / 32 / 100 / 71

HEX #4A3200

RGB 74 50 0

HSL 40.54, 1%, 0.15%

LAB 22.78, 6.24, 31.95

 

CMYK 0 / 14 / 61 / 44

HEX #8E7A38

RGB 142 122 56

HSL 46.05, 0.43%, 0.39%

LAB 51.79, -0.71, 38.31

 

CMYK 0 / 30 / 61 / 44

HEX #8E6338

RGB 142 99 56

HSL 30, 0.43%, 0.39%

LAB 45.58, 12.54, 31.06

 

CMYK 0 / 46 / 61 / 44

HEX #8E4C38

RGB 142 76 56

HSL 13.95, 0.43%, 0.39%

LAB 39.92, 25.83, 24.13

 

CMYK 0 / 61 / 61 / 44

HEX #8E3838

RGB 142 56 56

HSL 0, 0.43%, 0.39%

LAB 35.72, 36.53, 18.76

 

CMYK 0 / 14 / 61 / 44

HEX #8E7A38

RGB 142 122 56

HSL 46.05, 0.43%, 0.39%

LAB 51.79, -0.71, 38.31

 

CMYK 2 / 0 / 61 / 44

HEX #8B8E38

RGB 139 142 56

HSL 62.09, 0.43%, 0.39%

LAB 57.19, -13.05, 44.28

 

CMYK 19 / 0 / 61 / 44

HEX #738E38

RGB 115 142 56

HSL 78.84, 0.43%, 0.39%

LAB 55.36, -23.35, 41.73

 

CMYK 35 / 0 / 61 / 44

HEX #5C8E38

RGB 92 142 56

HSL 94.88, 0.43%, 0.39%

LAB 53.93, -32.42, 39.73

 

CMYK 51 / 0 / 61 / 44

HEX #458E38

RGB 69 142 56

HSL 110.93, 0.43%, 0.39%

LAB 52.84, -40.15, 38.19

 

CMYK 0 / 14 / 61 / 44

HEX #8E7A38

RGB 142 122 56

HSL 46.05, 0.43%, 0.39%

LAB 51.79, -0.71, 38.31

 

CMYK 0 / 18 / 75 / 38

HEX #9E8228

RGB 158 130 40

HSL 45.76, 0.6%, 0.39%

LAB 55.47, 1.09, 50.03

 

CMYK 0 / 20 / 86 / 32

HEX #AE8B18

RGB 174 139 24

HSL 46, 0.76%, 0.39%

LAB 59.46, 2.82, 59.64

 

CMYK 0 / 22 / 96 / 25

HEX #BE9408

RGB 190 148 8

HSL 46.15, 0.92%, 0.39%

LAB 63.46, 4.85, 66.58

 

CMYK 0 / 14 / 61 / 44

HEX #8E7A38

RGB 142 122 56

HSL 46.05, 0.43%, 0.39%

LAB 51.79, -0.71, 38.31

 

CMYK 0 / 10 / 43 / 51

HEX #7E7148

RGB 126 113 72

HSL 45.56, 0.27%, 0.39%

LAB 47.9, -1.2, 24.59

 

CMYK 0 / 5 / 20 / 57

HEX #6E6958

RGB 110 105 88

HSL 46.36, 0.11%, 0.39%

LAB 44.41, -1.17, 10.27

 

CMYK 11 / 8 / 0 / 59

HEX #5D6068

RGB 93 96 104

HSL 223.64, 0.06%, 0.39%

LAB 40.72, 0.6, -4.95

 

CMYK 36 / 28 / 0 / 53

HEX #4D5779

RGB 77 87 121

HSL 226.36, 0.22%, 0.39%

LAB 37.43, 5.09, -20.51

 

CMYK 0 / 46 / 61 / 44

HEX #8E4C38

RGB 142 76 56

HSL 13.95, 0.43%, 0.39%

LAB 39.92, 25.83, 24.13

 

CMYK 0 / 30 / 61 / 44

HEX #8E6338

RGB 142 99 56

HSL 30, 0.43%, 0.39%

LAB 45.58, 12.54, 31.06

 

CMYK 0 / 14 / 61 / 44

HEX #8E7A38

RGB 142 122 56

HSL 46.05, 0.43%, 0.39%

LAB 51.79, -0.71, 38.31

 

CMYK 2 / 0 / 61 / 44

HEX #8B8E38

RGB 139 142 56

HSL 62.09, 0.43%, 0.39%

LAB 57.19, -13.05, 44.28

 

CMYK 18 / 0 / 61 / 44

HEX #748E38

RGB 116 142 56

HSL 78.14, 0.43%, 0.39%

LAB 55.43, -22.94, 41.82

 

CMYK 0 / 14 / 60 / 67

HEX #534721

RGB 83 71 33

HSL 45.6, 0.43%, 0.23%

LAB 30.53, -0.44, 24.44

 

CMYK 0 / 14 / 61 / 56

HEX #70602C

RGB 112 96 44

HSL 45.88, 0.44%, 0.31%

LAB 41.2, -0.57, 31.59

 

CMYK 0 / 14 / 61 / 44

HEX #8E7A38

RGB 142 122 56

HSL 46.05, 0.43%, 0.39%

LAB 51.79, -0.71, 38.31

 

CMYK 0 / 14 / 60 / 33

HEX #AB9344

RGB 171 147 68

HSL 46.02, 0.43%, 0.47%

LAB 61.6, -0.74, 44.3

 

CMYK 0 / 12 / 52 / 26

HEX #BDA75B

RGB 189 167 91

HSL 46.53, 0.43%, 0.55%

LAB 68.9, -1.9, 41.89

 

CMYK 0 / 14 / 61 / 44

HEX #8E7A38

RGB 142 122 56

HSL 46.05, 0.43%, 0.39%

LAB 51.79, -0.71, 38.31

 

CMYK 58 / 0 / 61 / 44

HEX #3B8E38

RGB 59 142 56

HSL 117.91, 0.43%, 0.39%

LAB 52.47, -42.96, 37.67

 

CMYK 38 / 61 / 0 / 44

HEX #58388E

RGB 88 56 142

HSL 262.33, 0.43%, 0.39%

LAB 31.48, 33.9, -42.81

 

CMYK 0 / 14 / 61 / 44

HEX #8E7A38

RGB 142 122 56

HSL 46.05, 0.43%, 0.39%

LAB 51.79, -0.71, 38.31

 

CMYK 61 / 0 / 14 / 44

HEX #388E7A

RGB 56 142 122

HSL 166.05, 0.43%, 0.39%

LAB 53.59, -30.87, 2.98

 

CMYK 14 / 61 / 0 / 44

HEX #7A388E

RGB 122 56 142

HSL 286.05, 0.43%, 0.39%

LAB 35.83, 42.68, -35.6

 

CMYK 0 / 14 / 61 / 44

HEX #8E7A38

RGB 142 122 56

HSL 46.05, 0.43%, 0.39%

LAB 51.79, -0.71, 38.31

 

CMYK 58 / 0 / 61 / 44

HEX #3B8E38

RGB 59 142 56

HSL 117.91, 0.43%, 0.39%

LAB 52.47, -42.96, 37.67

 

CMYK 61 / 46 / 0 / 44

HEX #384C8E

RGB 56 76 142

HSL 226.05, 0.43%, 0.39%

LAB 33.9, 13.61, -39.06

 

CMYK 2 / 61 / 0 / 44

HEX #8B388E

RGB 139 56 142

HSL 297.91, 0.43%, 0.39%

LAB 38.32, 47.25, -31.49

 

CMYK 0 / 14 / 61 / 44

HEX #8E7A38

RGB 142 122 56

HSL 46.05, 0.43%, 0.39%

LAB 51.79, -0.71, 38.31

 

CMYK 61 / 0 / 44 / 44

HEX #388E4F

RGB 56 142 79

HSL 136.05, 0.43%, 0.39%

LAB 52.68, -40.3, 26.02

 

CMYK 61 / 46 / 0 / 44

HEX #384C8E

RGB 56 76 142

HSL 226.05, 0.43%, 0.39%

LAB 33.9, 13.61, -39.06

 

CMYK 0 / 61 / 16 / 44

HEX #8E3877

RGB 142 56 119

HSL 316.05, 0.43%, 0.39%

LAB 37.68, 44.11, -18.27

 

Description

Color code: HEX #8E7A38 | qconv.com Color code: HEX #8E7A38 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 122 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 122 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 61 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 61% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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