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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8E85CA it is the complementary color #717A35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8E85CA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8E85CA shade: #9385C5, #A497D8, #B5A9EB, #C6BBFE and #D7CDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8E85CA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8E85CA shade: #8E85CA, #7D73B7, #6C61A4, #5B4F91 and #4A3D7E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8E85CA shade: #8F86CA, #A186CA, #B386CA, #C686CA and #CA86BB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8E85CA shade: #8F86CA and #8686CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8E85CA shade matches the following richer shades: #8F86CA, #8478D8, #7A6AE6 and #705CF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8E85CA shade: #8F86CA, #9994BC, #A4A2AE, #AEB0A0 and #B8BE92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8E85CA shade: #86A2CA, #8690CA, #8E86CA, #A086CA and #B286CA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8E85CA shade: #5A4DB0, #7469BD, #8F86CA, #A9A3D6 and #C4BFE3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8E85CA shade: #8E85CA, #CA86B4 and #99CA86

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8E85CA shade: #8E85CA, #CA8E86 and #86CA8E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8E85CA shade: #8E85CA, #CA86B4, #C2CA86 and #86CA9B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8E85CA shade: #8E85CA, #CA86A0, #C2CA86 and #86CAB0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 34 / 0 / 21

HEX #8E85CA

RGB 142 133 202

HSL 247.83, 0.39%, 0.66%

LAB 58.78, 18.87, -34.54

 

Complementary color

CMYK 7 / 0 / 57 / 52

HEX #717A35

RGB 113 122 53

HSL 67.83, 0.39%, 0.34%

LAB 49.11, -14.04, 36.06

 

CMYK 25 / 32 / 0 / 23

HEX #9385C5

RGB 147 133 197

HSL 253.13, 0.36%, 0.65%

LAB 58.98, 19.1, -31.37

 

CMYK 24 / 30 / 0 / 15

HEX #A497D8

RGB 164 151 216

HSL 252, 0.45%, 0.72%

LAB 65.74, 18.51, -31.42

 

CMYK 23 / 28 / 0 / 8

HEX #B5A9EB

RGB 181 169 235

HSL 250.91, 0.62%, 0.79%

LAB 72.36, 17.97, -31.51

 

CMYK 22 / 26 / 0 / 0

HEX #C6BBFE

RGB 198 187 254

HSL 249.85, 0.97%, 0.86%

LAB 78.87, 17.48, -31.62

 

CMYK 16 / 20 / 0 / 0

HEX #D7CDFF

RGB 215 205 255

HSL 252, 1%, 0.9%

LAB 84.65, 13.13, -23.2

 

CMYK 30 / 34 / 0 / 21

HEX #8E85CA

RGB 142 133 202

HSL 247.83, 0.39%, 0.66%

LAB 58.78, 18.87, -34.54

 

CMYK 32 / 37 / 0 / 28

HEX #7D73B7

RGB 125 115 183

HSL 248.82, 0.32%, 0.58%

LAB 51.88, 19.59, -34.59

 

CMYK 34 / 41 / 0 / 36

HEX #6C61A4

RGB 108 97 164

HSL 249.85, 0.27%, 0.51%

LAB 44.83, 20.41, -34.69

 

CMYK 37 / 46 / 0 / 43

HEX #5B4F91

RGB 91 79 145

HSL 250.91, 0.29%, 0.44%

LAB 37.59, 21.37, -34.86

 

CMYK 41 / 52 / 0 / 51

HEX #4A3D7E

RGB 74 61 126

HSL 252, 0.35%, 0.37%

LAB 30.16, 22.51, -35.09

 

CMYK 29 / 34 / 0 / 21

HEX #8F86CA

RGB 143 134 202

HSL 247.94, 0.39%, 0.66%

LAB 59.12, 18.58, -34.01

 

CMYK 20 / 34 / 0 / 21

HEX #A186CA

RGB 161 134 202

HSL 263.82, 0.39%, 0.66%

LAB 60.69, 23.99, -31.45

 

CMYK 11 / 34 / 0 / 21

HEX #B386CA

RGB 179 134 202

HSL 279.71, 0.39%, 0.66%

LAB 62.42, 29.59, -28.62

 

CMYK 2 / 34 / 0 / 21

HEX #C686CA

RGB 198 134 202

HSL 296.47, 0.39%, 0.66%

LAB 64.42, 35.63, -25.38

 

CMYK 0 / 34 / 7 / 21

HEX #CA86BB

RGB 202 134 187

HSL 313.24, 0.39%, 0.66%

LAB 64.32, 34.19, -17.06

 

CMYK 29 / 34 / 0 / 21

HEX #8F86CA

RGB 143 134 202

HSL 247.94, 0.39%, 0.66%

LAB 59.12, 18.58, -34.01

 

CMYK 34 / 34 / 0 / 21

HEX #8686CA

RGB 134 134 202

HSL 240, 0.39%, 0.66%

LAB 58.4, 15.99, -35.18

 

CMYK 29 / 34 / 0 / 21

HEX #8F86CA

RGB 143 134 202

HSL 247.94, 0.39%, 0.66%

LAB 59.12, 18.58, -34.01

 

CMYK 39 / 44 / 0 / 15

HEX #8478D8

RGB 132 120 216

HSL 247.5, 0.55%, 0.66%

LAB 55.38, 27.5, -47.85

 

CMYK 47 / 54 / 0 / 10

HEX #7A6AE6

RGB 122 106 230

HSL 247.74, 0.71%, 0.66%

LAB 52.02, 37.38, -61.15

 

CMYK 54 / 62 / 0 / 4

HEX #705CF4

RGB 112 92 244

HSL 247.89, 0.87%, 0.66%

LAB 49.05, 47.66, -73.85

 

CMYK 29 / 34 / 0 / 21

HEX #8F86CA

RGB 143 134 202

HSL 247.94, 0.39%, 0.66%

LAB 59.12, 18.58, -34.01

 

CMYK 19 / 21 / 0 / 26

HEX #9994BC

RGB 153 148 188

HSL 247.5, 0.23%, 0.66%

LAB 63, 10.22, -20.07

 

CMYK 6 / 7 / 0 / 32

HEX #A4A2AE

RGB 164 162 174

HSL 250, 0.07%, 0.66%

LAB 67.12, 3.06, -5.95

 

CMYK 1 / 0 / 9 / 31

HEX #AEB0A0

RGB 174 176 160

HSL 67.5, 0.09%, 0.66%

LAB 71.27, -3.6, 7.95

 

CMYK 3 / 0 / 23 / 25

HEX #B8BE92

RGB 184 190 146

HSL 68.18, 0.25%, 0.66%

LAB 75.51, -9.5, 21.58

 

CMYK 34 / 20 / 0 / 21

HEX #86A2CA

RGB 134 162 202

HSL 215.29, 0.39%, 0.66%

LAB 65.88, -0.07, -23.61

 

CMYK 34 / 29 / 0 / 21

HEX #8690CA

RGB 134 144 202

HSL 231.18, 0.39%, 0.66%

LAB 61.03, 10.17, -31.09

 

CMYK 30 / 34 / 0 / 21

HEX #8E86CA

RGB 142 134 202

HSL 247.06, 0.39%, 0.66%

LAB 59.03, 18.29, -34.14

 

CMYK 21 / 34 / 0 / 21

HEX #A086CA

RGB 160 134 202

HSL 262.94, 0.39%, 0.66%

LAB 60.59, 23.68, -31.6

 

CMYK 12 / 34 / 0 / 21

HEX #B286CA

RGB 178 134 202

HSL 278.82, 0.39%, 0.66%

LAB 62.32, 29.28, -28.79

 

CMYK 49 / 56 / 0 / 31

HEX #5A4DB0

RGB 90 77 176

HSL 247.88, 0.39%, 0.5%

LAB 38.93, 31.68, -51.29

 

CMYK 39 / 44 / 0 / 26

HEX #7469BD

RGB 116 105 189

HSL 247.86, 0.39%, 0.58%

LAB 48.87, 24.74, -42.85

 

CMYK 29 / 34 / 0 / 21

HEX #8F86CA

RGB 143 134 202

HSL 247.94, 0.39%, 0.66%

LAB 59.12, 18.58, -34.01

 

CMYK 21 / 24 / 0 / 16

HEX #A9A3D6

RGB 169 163 214

HSL 247.06, 0.38%, 0.74%

LAB 69.1, 12.8, -25.1

 

CMYK 14 / 16 / 0 / 11

HEX #C4BFE3

RGB 196 191 227

HSL 248.33, 0.39%, 0.82%

LAB 78.78, 8.79, -17.28

 

CMYK 30 / 34 / 0 / 21

HEX #8E85CA

RGB 142 133 202

HSL 247.83, 0.39%, 0.66%

LAB 58.78, 18.87, -34.54

 

CMYK 0 / 34 / 11 / 21

HEX #CA86B4

RGB 202 134 180

HSL 319.41, 0.39%, 0.66%

LAB 64.08, 32.98, -13.47

 

CMYK 24 / 0 / 34 / 21

HEX #99CA86

RGB 153 202 134

HSL 103.24, 0.39%, 0.66%

LAB 76.52, -28.64, 28.92

 

CMYK 30 / 34 / 0 / 21

HEX #8E85CA

RGB 142 133 202

HSL 247.83, 0.39%, 0.66%

LAB 58.78, 18.87, -34.54

 

CMYK 0 / 30 / 34 / 21

HEX #CA8E86

RGB 202 142 134

HSL 7.06, 0.39%, 0.66%

LAB 64.66, 21.73, 13.39

 

CMYK 34 / 0 / 30 / 21

HEX #86CA8E

RGB 134 202 142

HSL 127.06, 0.39%, 0.66%

LAB 75.61, -33.68, 23.33

 

CMYK 30 / 34 / 0 / 21

HEX #8E85CA

RGB 142 133 202

HSL 247.83, 0.39%, 0.66%

LAB 58.78, 18.87, -34.54

 

CMYK 0 / 34 / 11 / 21

HEX #CA86B4

RGB 202 134 180

HSL 319.41, 0.39%, 0.66%

LAB 64.08, 32.98, -13.47

 

CMYK 4 / 0 / 34 / 21

HEX #C2CA86

RGB 194 202 134

HSL 67.06, 0.39%, 0.66%

LAB 79.29, -13.47, 33.09

 

CMYK 34 / 0 / 23 / 21

HEX #86CA9B

RGB 134 202 155

HSL 138.53, 0.39%, 0.66%

LAB 75.87, -31.34, 16.78

 

CMYK 30 / 34 / 0 / 21

HEX #8E85CA

RGB 142 133 202

HSL 247.83, 0.39%, 0.66%

LAB 58.78, 18.87, -34.54

 

CMYK 0 / 34 / 21 / 21

HEX #CA86A0

RGB 202 134 160

HSL 337.06, 0.39%, 0.66%

LAB 63.46, 29.76, -3.06

 

CMYK 4 / 0 / 34 / 21

HEX #C2CA86

RGB 194 202 134

HSL 67.06, 0.39%, 0.66%

LAB 79.29, -13.47, 33.09

 

CMYK 34 / 0 / 13 / 21

HEX #86CAB0

RGB 134 202 176

HSL 157.06, 0.39%, 0.66%

LAB 76.34, -27.15, 6.19

 

Description

Color code: HEX #8E85CA | qconv.com Color code: HEX #8E85CA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 133 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 133 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 34 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 34% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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