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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8E8123 it is the complementary color #717EDC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8E8123. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8E8123 shade: #93811E, #A49331, #B5A544, #C6B757 and #D7C96A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8E8123. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8E8123 shade: #8E8123, #7D6F10, #6C5D00, #5B4B00 and #4A3900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8E8123 shade: #8E8123, #8E6423, #8E4823, #8E2B23 and #8E2323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8E8123 shade: #8E8123, #7E8E23, #628E23, #458E23 and #288E23

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8E8123 shade matches the following richer shades: #8E8123, #9D8C15 and #AB9706

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8E8123 shade: #8E8123, #807632, #716B40, #63604F and #55565D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8E8123 shade: #8E4723, #8E6323, #8E8023, #808E23 and #638E23

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8E8123 shade: #4C4513, #6D631B, #8E8123, #AF9F2B and #CDBB37

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8E8123 shade: #8E8123, #238E2A and #55238E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8E8123 shade: #8E8123, #238E80 and #80238E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8E8123 shade: #8E8123, #238E2A, #23318E and #8E2387

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8E8123 shade: #8E8123, #238E4A, #23318E and #8E2367

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 75 / 44

HEX #8E8123

RGB 142 129 35

HSL 52.71, 0.6%, 0.35%

LAB 53.57, -5.94, 49.61

 

Complementary color

CMYK 49 / 43 / 0 / 14

HEX #717EDC

RGB 113 126 220

HSL 232.71, 0.6%, 0.65%

LAB 55.68, 20.46, -49.7

 

CMYK 0 / 12 / 80 / 42

HEX #93811E

RGB 147 129 30

HSL 50.77, 0.66%, 0.35%

LAB 54.02, -3.85, 52.03

 

CMYK 0 / 10 / 70 / 36

HEX #A49331

RGB 164 147 49

HSL 51.13, 0.54%, 0.42%

LAB 60.77, -5.08, 51.8

 

CMYK 0 / 9 / 62 / 29

HEX #B5A544

RGB 181 165 68

HSL 51.5, 0.45%, 0.49%

LAB 67.39, -6.06, 50.99

 

CMYK 0 / 8 / 56 / 22

HEX #C6B757

RGB 198 183 87

HSL 51.89, 0.49%, 0.56%

LAB 73.91, -6.87, 49.93

 

CMYK 0 / 7 / 51 / 16

HEX #D7C96A

RGB 215 201 106

HSL 52.29, 0.58%, 0.63%

LAB 80.33, -7.54, 48.77

 

CMYK 0 / 9 / 75 / 44

HEX #8E8123

RGB 142 129 35

HSL 52.71, 0.6%, 0.35%

LAB 53.57, -5.94, 49.61

 

CMYK 0 / 11 / 87 / 51

HEX #7D6F10

RGB 125 111 16

HSL 52.29, 0.77%, 0.28%

LAB 46.67, -4.58, 49.13

 

CMYK 0 / 14 / 100 / 58

HEX #6C5D00

RGB 108 93 0

HSL 51.67, 1%, 0.21%

LAB 39.61, -2.88, 46.95

 

CMYK 0 / 18 / 100 / 64

HEX #5B4B00

RGB 91 75 0

HSL 49.45, 1%, 0.18%

LAB 32.38, -0.67, 40.98

 

CMYK 0 / 23 / 100 / 71

HEX #4A3900

RGB 74 57 0

HSL 46.22, 1%, 0.15%

LAB 24.9, 1.71, 34.06

 

CMYK 0 / 9 / 75 / 44

HEX #8E8123

RGB 142 129 35

HSL 52.71, 0.6%, 0.35%

LAB 53.57, -5.94, 49.61

 

CMYK 0 / 30 / 75 / 44

HEX #8E6423

RGB 142 100 35

HSL 36.45, 0.6%, 0.35%

LAB 45.62, 10.58, 41.81

 

CMYK 0 / 49 / 75 / 44

HEX #8E4823

RGB 142 72 35

HSL 20.75, 0.6%, 0.35%

LAB 38.74, 26.71, 34.7

 

CMYK 0 / 70 / 75 / 44

HEX #8E2B23

RGB 142 43 35

HSL 4.49, 0.6%, 0.35%

LAB 33.14, 41.27, 28.58

 

CMYK 0 / 75 / 75 / 44

HEX #8E2323

RGB 142 35 35

HSL 0, 0.6%, 0.35%

LAB 31.98, 44.46, 27.27

 

CMYK 0 / 9 / 75 / 44

HEX #8E8123

RGB 142 129 35

HSL 52.71, 0.6%, 0.35%

LAB 53.57, -5.94, 49.61

 

CMYK 11 / 0 / 75 / 44

HEX #7E8E23

RGB 126 142 35

HSL 68.97, 0.6%, 0.35%

LAB 55.99, -20.12, 51.45

 

CMYK 31 / 0 / 75 / 44

HEX #628E23

RGB 98 142 35

HSL 84.67, 0.6%, 0.35%

LAB 54.09, -31.85, 48.96

 

CMYK 51 / 0 / 75 / 44

HEX #458E23

RGB 69 142 35

HSL 100.93, 0.6%, 0.35%

LAB 52.66, -42.13, 47.06

 

CMYK 72 / 0 / 75 / 44

HEX #288E23

RGB 40 142 35

HSL 117.2, 0.6%, 0.35%

LAB 51.74, -49.44, 45.84

 

CMYK 0 / 9 / 75 / 44

HEX #8E8123

RGB 142 129 35

HSL 52.71, 0.6%, 0.35%

LAB 53.57, -5.94, 49.61

 

CMYK 0 / 11 / 87 / 38

HEX #9D8C15

RGB 157 140 21

HSL 52.5, 0.76%, 0.35%

LAB 58.02, -5.58, 58.52

 

CMYK 0 / 12 / 96 / 33

HEX #AB9706

RGB 171 151 6

HSL 52.73, 0.93%, 0.35%

LAB 62.34, -5.41, 65.17

 

CMYK 0 / 9 / 75 / 44

HEX #8E8123

RGB 142 129 35

HSL 52.71, 0.6%, 0.35%

LAB 53.57, -5.94, 49.61

 

CMYK 0 / 8 / 61 / 50

HEX #807632

RGB 128 118 50

HSL 52.31, 0.44%, 0.35%

LAB 49.22, -5.31, 38.04

 

CMYK 0 / 5 / 43 / 56

HEX #716B40

RGB 113 107 64

HSL 52.65, 0.28%, 0.35%

LAB 44.8, -4.48, 24.91

 

CMYK 0 / 3 / 20 / 61

HEX #63604F

RGB 99 96 79

HSL 51, 0.11%, 0.35%

LAB 40.55, -2, 10.16

 

CMYK 9 / 8 / 0 / 64

HEX #55565D

RGB 85 86 93

HSL 232.5, 0.04%, 0.35%

LAB 36.7, 1.16, -4.19

 

CMYK 0 / 50 / 75 / 44

HEX #8E4723

RGB 142 71 35

HSL 20.19, 0.6%, 0.35%

LAB 38.51, 27.26, 34.46

 

CMYK 0 / 30 / 75 / 44

HEX #8E6323

RGB 142 99 35

HSL 35.89, 0.6%, 0.35%

LAB 45.35, 11.17, 41.55

 

CMYK 0 / 10 / 75 / 44

HEX #8E8023

RGB 142 128 35

HSL 52.15, 0.6%, 0.35%

LAB 53.29, -5.39, 49.34

 

CMYK 10 / 0 / 75 / 44

HEX #808E23

RGB 128 142 35

HSL 67.85, 0.6%, 0.35%

LAB 56.14, -19.24, 51.65

 

CMYK 30 / 0 / 75 / 44

HEX #638E23

RGB 99 142 35

HSL 84.11, 0.6%, 0.35%

LAB 54.15, -31.46, 49.04

 

CMYK 0 / 9 / 75 / 70

HEX #4C4513

RGB 76 69 19

HSL 52.63, 0.6%, 0.19%

LAB 29, -3.85, 29.99

 

CMYK 0 / 9 / 75 / 57

HEX #6D631B

RGB 109 99 27

HSL 52.68, 0.6%, 0.27%

LAB 41.62, -4.94, 40.14

 

CMYK 0 / 9 / 75 / 44

HEX #8E8123

RGB 142 129 35

HSL 52.71, 0.6%, 0.35%

LAB 53.57, -5.94, 49.61

 

CMYK 0 / 9 / 75 / 31

HEX #AF9F2B

RGB 175 159 43

HSL 52.73, 0.61%, 0.43%

LAB 65.03, -6.9, 58.62

 

CMYK 0 / 9 / 73 / 20

HEX #CDBB37

RGB 205 187 55

HSL 52.8, 0.6%, 0.51%

LAB 75.32, -7.92, 65.07

 

CMYK 0 / 9 / 75 / 44

HEX #8E8123

RGB 142 129 35

HSL 52.71, 0.6%, 0.35%

LAB 53.57, -5.94, 49.61

 

CMYK 75 / 0 / 70 / 44

HEX #238E2A

RGB 35 142 42

HSL 123.93, 0.6%, 0.35%

LAB 51.69, -49.71, 42.97

 

CMYK 40 / 75 / 0 / 44

HEX #55238E

RGB 85 35 142

HSL 268.04, 0.6%, 0.35%

LAB 26.98, 44.56, -50.11

 

CMYK 0 / 9 / 75 / 44

HEX #8E8123

RGB 142 129 35

HSL 52.71, 0.6%, 0.35%

LAB 53.57, -5.94, 49.61

 

CMYK 75 / 0 / 10 / 44

HEX #238E80

RGB 35 142 128

HSL 172.15, 0.6%, 0.35%

LAB 53.23, -32.73, -1.06

 

CMYK 10 / 75 / 0 / 44

HEX #80238E

RGB 128 35 142

HSL 292.15, 0.6%, 0.35%

LAB 33.44, 53.34, -39.35

 

CMYK 0 / 9 / 75 / 44

HEX #8E8123

RGB 142 129 35

HSL 52.71, 0.6%, 0.35%

LAB 53.57, -5.94, 49.61

 

CMYK 75 / 0 / 70 / 44

HEX #238E2A

RGB 35 142 42

HSL 123.93, 0.6%, 0.35%

LAB 51.69, -49.71, 42.97

 

CMYK 75 / 65 / 0 / 44

HEX #23318E

RGB 35 49 142

HSL 232.15, 0.6%, 0.35%

LAB 25.28, 28.34, -53.08

 

CMYK 0 / 75 / 5 / 44

HEX #8E2387

RGB 142 35 135

HSL 303.93, 0.6%, 0.35%

LAB 35.4, 55.25, -31.77

 

CMYK 0 / 9 / 75 / 44

HEX #8E8123

RGB 142 129 35

HSL 52.71, 0.6%, 0.35%

LAB 53.57, -5.94, 49.61

 

CMYK 75 / 0 / 48 / 44

HEX #238E4A

RGB 35 142 74

HSL 141.87, 0.6%, 0.35%

LAB 52.06, -45.33, 27.82

 

CMYK 75 / 65 / 0 / 44

HEX #23318E

RGB 35 49 142

HSL 232.15, 0.6%, 0.35%

LAB 25.28, 28.34, -53.08

 

CMYK 0 / 75 / 27 / 44

HEX #8E2367

RGB 142 35 103

HSL 321.87, 0.6%, 0.35%

LAB 33.84, 50.51, -14.08

 

Description

Color code: HEX #8E8123 | qconv.com Color code: HEX #8E8123 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 129 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 129 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 75 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 75% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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