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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8E8F99 it is the complementary color #717066. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8E8F99. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8E8F99 shade: #938F94, #A4A1A7, #B5B3BA, #C6C5CD and #D7D7E0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8E8F99. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8E8F99 shade: #8E8F99, #7D7D86, #6C6B73, #5B5960 and #4A474D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8E8F99 shade: #8E8F99, #908E99, #938E99, #968E99 and #998E99

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8E8F99 shade: #8E8F99 and #8E8E99

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8E8F99 shade matches the following richer shades: #8E8F99, #7D81AA, #6B73BB, #5A64CD and #4956DE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8E8F99 shade: #8E8F99, #9F9D87, #B1AB76, #C2BA65 and #D3C853

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8E8F99 shade: #8E9599, #8E9299, #8E8F99, #908E99 and #938E99

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8E8F99 shade: #65666F, #787A85, #8E8F99, #A4A4AC and #B9BAC0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8E8F99 shade: #8E8F99, #998E98 and #93998E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8E8F99 shade: #8E8F99, #998E8F and #8F998E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8E8F99 shade: #8E8F99, #998E98, #99988E and #8E998F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8E8F99 shade: #8E8F99, #998E94, #99988E and #8E9992

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 7 / 0 / 40

HEX #8E8F99

RGB 142 143 153

HSL 234.55, 0.05%, 0.58%

LAB 59.61, 1.66, -5.42

 

Complementary color

CMYK 0 / 1 / 10 / 56

HEX #717066

RGB 113 112 102

HSL 54.55, 0.05%, 0.42%

LAB 47.05, -1.55, 5.69

 

CMYK 1 / 3 / 0 / 42

HEX #938F94

RGB 147 143 148

HSL 288, 0.02%, 0.57%

LAB 59.88, 2.44, -2.13

 

CMYK 2 / 4 / 0 / 35

HEX #A4A1A7

RGB 164 161 167

HSL 270, 0.03%, 0.64%

LAB 66.65, 2.23, -2.73

 

CMYK 3 / 4 / 0 / 27

HEX #B5B3BA

RGB 181 179 186

HSL 257.14, 0.05%, 0.72%

LAB 73.29, 2.03, -3.31

 

CMYK 3 / 4 / 0 / 20

HEX #C6C5CD

RGB 198 197 205

HSL 247.5, 0.07%, 0.79%

LAB 79.81, 1.84, -3.88

 

CMYK 4 / 4 / 0 / 12

HEX #D7D7E0

RGB 215 215 224

HSL 240, 0.13%, 0.86%

LAB 86.22, 1.66, -4.42

 

CMYK 7 / 7 / 0 / 40

HEX #8E8F99

RGB 142 143 153

HSL 234.55, 0.05%, 0.58%

LAB 59.61, 1.66, -5.42

 

CMYK 7 / 7 / 0 / 47

HEX #7D7D86

RGB 125 125 134

HSL 240, 0.04%, 0.51%

LAB 52.67, 1.86, -4.88

 

CMYK 6 / 7 / 0 / 55

HEX #6C6B73

RGB 108 107 115

HSL 247.5, 0.04%, 0.44%

LAB 45.55, 2.07, -4.32

 

CMYK 5 / 7 / 0 / 62

HEX #5B5960

RGB 91 89 96

HSL 257.14, 0.04%, 0.36%

LAB 38.22, 2.31, -3.74

 

CMYK 4 / 8 / 0 / 70

HEX #4A474D

RGB 74 71 77

HSL 270, 0.04%, 0.29%

LAB 30.64, 2.58, -3.14

 

CMYK 7 / 7 / 0 / 40

HEX #8E8F99

RGB 142 143 153

HSL 234.55, 0.05%, 0.58%

LAB 59.61, 1.66, -5.42

 

CMYK 6 / 7 / 0 / 40

HEX #908E99

RGB 144 142 153

HSL 250.91, 0.05%, 0.58%

LAB 59.5, 2.93, -5.56

 

CMYK 4 / 7 / 0 / 40

HEX #938E99

RGB 147 142 153

HSL 267.27, 0.05%, 0.58%

LAB 59.75, 4, -5.17

 

CMYK 2 / 7 / 0 / 40

HEX #968E99

RGB 150 142 153

HSL 283.64, 0.05%, 0.58%

LAB 60.01, 5.08, -4.76

 

CMYK 0 / 7 / 0 / 40

HEX #998E99

RGB 153 142 153

HSL 300, 0.05%, 0.58%

LAB 60.26, 6.17, -4.35

 

CMYK 7 / 7 / 0 / 40

HEX #8E8F99

RGB 142 143 153

HSL 234.55, 0.05%, 0.58%

LAB 59.61, 1.66, -5.42

 

CMYK 7 / 7 / 0 / 40

HEX #8E8E99

RGB 142 142 153

HSL 240, 0.05%, 0.58%

LAB 59.34, 2.22, -5.82

 

CMYK 7 / 7 / 0 / 40

HEX #8E8F99

RGB 142 143 153

HSL 234.55, 0.05%, 0.58%

LAB 59.61, 1.66, -5.42

 

CMYK 26 / 24 / 0 / 33

HEX #7D81AA

RGB 125 129 170

HSL 234.67, 0.21%, 0.58%

LAB 55.03, 7.92, -22.21

 

CMYK 43 / 39 / 0 / 27

HEX #6B73BB

RGB 107 115 187

HSL 234, 0.37%, 0.58%

LAB 50.66, 15.74, -38.92

 

CMYK 56 / 51 / 0 / 20

HEX #5A64CD

RGB 90 100 205

HSL 234.78, 0.53%, 0.58%

LAB 46.57, 26.66, -55.85

 

CMYK 67 / 61 / 0 / 13

HEX #4956DE

RGB 73 86 222

HSL 234.77, 0.69%, 0.58%

LAB 43.28, 38.17, -70.95

 

CMYK 7 / 7 / 0 / 40

HEX #8E8F99

RGB 142 143 153

HSL 234.55, 0.05%, 0.58%

LAB 59.61, 1.66, -5.42

 

CMYK 0 / 1 / 15 / 38

HEX #9F9D87

RGB 159 157 135

HSL 55, 0.11%, 0.58%

LAB 64.35, -3.17, 11.78

 

CMYK 0 / 3 / 33 / 31

HEX #B1AB76

RGB 177 171 118

HSL 53.9, 0.27%, 0.58%

LAB 69.31, -6.09, 28.11

 

CMYK 0 / 4 / 48 / 24

HEX #C2BA65

RGB 194 186 101

HSL 54.84, 0.43%, 0.58%

LAB 74.53, -8.89, 43.8

 

CMYK 0 / 5 / 61 / 17

HEX #D3C853

RGB 211 200 83

HSL 54.84, 0.59%, 0.58%

LAB 79.49, -10.46, 58.3

 

CMYK 7 / 3 / 0 / 40

HEX #8E9599

RGB 142 149 153

HSL 201.82, 0.05%, 0.58%

LAB 61.26, -1.71, -2.99

 

CMYK 7 / 5 / 0 / 40

HEX #8E9299

RGB 142 146 153

HSL 218.18, 0.05%, 0.58%

LAB 60.43, -0.03, -4.2

 

CMYK 7 / 7 / 0 / 40

HEX #8E8F99

RGB 142 143 153

HSL 234.55, 0.05%, 0.58%

LAB 59.61, 1.66, -5.42

 

CMYK 6 / 7 / 0 / 40

HEX #908E99

RGB 144 142 153

HSL 250.91, 0.05%, 0.58%

LAB 59.5, 2.93, -5.56

 

CMYK 4 / 7 / 0 / 40

HEX #938E99

RGB 147 142 153

HSL 267.27, 0.05%, 0.58%

LAB 59.75, 4, -5.17

 

CMYK 9 / 8 / 0 / 56

HEX #65666F

RGB 101 102 111

HSL 234, 0.05%, 0.42%

LAB 43.39, 1.56, -5.19

 

CMYK 10 / 8 / 0 / 48

HEX #787A85

RGB 120 122 133

HSL 230.77, 0.05%, 0.5%

LAB 51.39, 1.57, -6.24

 

CMYK 7 / 7 / 0 / 40

HEX #8E8F99

RGB 142 143 153

HSL 234.55, 0.05%, 0.58%

LAB 59.61, 1.66, -5.42

 

CMYK 5 / 5 / 0 / 33

HEX #A4A4AC

RGB 164 164 172

HSL 240, 0.05%, 0.66%

LAB 67.59, 1.56, -4.13

 

CMYK 4 / 3 / 0 / 25

HEX #B9BAC0

RGB 185 186 192

HSL 231.43, 0.05%, 0.74%

LAB 75.6, 0.79, -3.16

 

CMYK 7 / 7 / 0 / 40

HEX #8E8F99

RGB 142 143 153

HSL 234.55, 0.05%, 0.58%

LAB 59.61, 1.66, -5.42

 

CMYK 0 / 7 / 1 / 40

HEX #998E98

RGB 153 142 152

HSL 305.45, 0.05%, 0.58%

LAB 60.24, 5.97, -3.82

 

CMYK 4 / 0 / 7 / 40

HEX #93998E

RGB 147 153 142

HSL 92.73, 0.05%, 0.58%

LAB 62.46, -4.27, 5.02

 

CMYK 7 / 7 / 0 / 40

HEX #8E8F99

RGB 142 143 153

HSL 234.55, 0.05%, 0.58%

LAB 59.61, 1.66, -5.42

 

CMYK 0 / 7 / 7 / 40

HEX #998E8F

RGB 153 142 143

HSL 354.55, 0.05%, 0.58%

LAB 59.98, 4.27, 0.94

 

CMYK 7 / 0 / 7 / 40

HEX #8F998E

RGB 143 153 142

HSL 114.55, 0.05%, 0.58%

LAB 62.15, -5.74, 4.54

 

CMYK 7 / 7 / 0 / 40

HEX #8E8F99

RGB 142 143 153

HSL 234.55, 0.05%, 0.58%

LAB 59.61, 1.66, -5.42

 

CMYK 0 / 7 / 1 / 40

HEX #998E98

RGB 153 142 152

HSL 305.45, 0.05%, 0.58%

LAB 60.24, 5.97, -3.82

 

CMYK 0 / 1 / 7 / 40

HEX #99988E

RGB 153 152 142

HSL 54.55, 0.05%, 0.58%

LAB 62.66, -1.49, 5.38

 

CMYK 7 / 0 / 7 / 40

HEX #8E998F

RGB 142 153 143

HSL 125.45, 0.05%, 0.58%

LAB 62.1, -5.91, 3.89

 

CMYK 7 / 7 / 0 / 40

HEX #8E8F99

RGB 142 143 153

HSL 234.55, 0.05%, 0.58%

LAB 59.61, 1.66, -5.42

 

CMYK 0 / 7 / 3 / 40

HEX #998E94

RGB 153 142 148

HSL 327.27, 0.05%, 0.58%

LAB 60.12, 5.2, -1.71

 

CMYK 0 / 1 / 7 / 40

HEX #99988E

RGB 153 152 142

HSL 54.55, 0.05%, 0.58%

LAB 62.66, -1.49, 5.38

 

CMYK 7 / 0 / 5 / 40

HEX #8E9992

RGB 142 153 146

HSL 141.82, 0.05%, 0.58%

LAB 62.18, -5.33, 2.31

 

Description

Color code: HEX #8E8F99 | qconv.com Color code: HEX #8E8F99 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 143 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 143 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 7 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 7% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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