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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8E97EC it is the complementary color #716813. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8E97EC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8E97EC shade: #9397E7, #A4A9FA, #B5BBFF, #C6CDFF and #D7DFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8E97EC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8E97EC shade: #8E97EC, #7D85D9, #6C73C6, #5B61B3 and #4A4FA0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8E97EC shade: #8D96EB, #9E8DEB, #B78DEB, #D08DEB and #EA8DEB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8E97EC shade: #8D96EB and #8D8DEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8E97EC shade matches the following richer shades: #8D96EB and #828DF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8E97EC shade: #8D96EB, #989FE1, #A3A7D6, #ADB0CB and #B8B9C0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8E97EC shade: #8DC9EB, #8DB0EB, #8D97EB, #9D8DEB and #B68DEB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8E97EC shade: #4755DF, #6A76E5, #8D96EB, #B0B7F1 and #D4D7F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8E97EC shade: #8E97EC, #EB8DE2 and #BCEB8D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8E97EC shade: #8E97EC, #EB8D97 and #97EB8D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8E97EC shade: #8E97EC, #EB8DE2, #EBE28D and #8DEB97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8E97EC shade: #8E97EC, #EB8DC6, #EBE28D and #8DEBB3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 36 / 0 / 7

HEX #8E97EC

RGB 142 151 236

HSL 234.26, 0.71%, 0.74%

LAB 64.92, 17.5, -43.88

 

Complementary color

CMYK 0 / 8 / 83 / 56

HEX #716813

RGB 113 104 19

HSL 54.26, 0.71%, 0.26%

LAB 43.45, -6.25, 44.99

 

CMYK 36 / 35 / 0 / 9

HEX #9397E7

RGB 147 151 231

HSL 237.14, 0.64%, 0.74%

LAB 65.05, 17.46, -40.89

 

CMYK 34 / 32 / 0 / 2

HEX #A4A9FA

RGB 164 169 250

HSL 236.51, 0.9%, 0.81%

LAB 71.67, 16.8, -40.83

 

CMYK 29 / 27 / 0 / 0

HEX #B5BBFF

RGB 181 187 255

HSL 235.14, 1%, 0.85%

LAB 77.63, 12.77, -34.18

 

CMYK 22 / 20 / 0 / 0

HEX #C6CDFF

RGB 198 205 255

HSL 232.63, 1%, 0.89%

LAB 83.38, 7.96, -25.24

 

CMYK 16 / 13 / 0 / 0

HEX #D7DFFF

RGB 215 223 255

HSL 228, 1%, 0.92%

LAB 89.13, 3.61, -16.43

 

CMYK 40 / 36 / 0 / 7

HEX #8E97EC

RGB 142 151 236

HSL 234.26, 0.71%, 0.74%

LAB 64.92, 17.5, -43.88

 

CMYK 42 / 39 / 0 / 15

HEX #7D85D9

RGB 125 133 217

HSL 234.78, 0.55%, 0.67%

LAB 58.17, 18.31, -44.02

 

CMYK 45 / 42 / 0 / 22

HEX #6C73C6

RGB 108 115 198

HSL 235.33, 0.44%, 0.6%

LAB 51.3, 19.26, -44.22

 

CMYK 49 / 46 / 0 / 30

HEX #5B61B3

RGB 91 97 179

HSL 235.91, 0.37%, 0.53%

LAB 44.27, 20.39, -44.47

 

CMYK 54 / 51 / 0 / 37

HEX #4A4FA0

RGB 74 79 160

HSL 236.51, 0.37%, 0.46%

LAB 37.09, 21.76, -44.79

 

CMYK 40 / 36 / 0 / 8

HEX #8D96EB

RGB 141 150 235

HSL 234.26, 0.7%, 0.74%

LAB 64.54, 17.54, -43.92

 

CMYK 33 / 40 / 0 / 8

HEX #9E8DEB

RGB 158 141 235

HSL 250.85, 0.7%, 0.74%

LAB 63.6, 27.22, -45.3

 

CMYK 22 / 40 / 0 / 8

HEX #B78DEB

RGB 183 141 235

HSL 266.81, 0.7%, 0.74%

LAB 65.84, 34.18, -41.64

 

CMYK 11 / 40 / 0 / 8

HEX #D08DEB

RGB 208 141 235

HSL 282.77, 0.7%, 0.74%

LAB 68.36, 41.45, -37.52

 

CMYK 0 / 40 / 0 / 8

HEX #EA8DEB

RGB 234 141 235

HSL 299.36, 0.7%, 0.74%

LAB 71.24, 49.15, -32.81

 

CMYK 40 / 36 / 0 / 8

HEX #8D96EB

RGB 141 150 235

HSL 234.26, 0.7%, 0.74%

LAB 64.54, 17.54, -43.92

 

CMYK 40 / 40 / 0 / 8

HEX #8D8DEB

RGB 141 141 235

HSL 240, 0.7%, 0.74%

LAB 62.26, 22.76, -47.51

 

CMYK 40 / 36 / 0 / 8

HEX #8D96EB

RGB 141 150 235

HSL 234.26, 0.7%, 0.74%

LAB 64.54, 17.54, -43.92

 

CMYK 47 / 43 / 0 / 4

HEX #828DF6

RGB 130 141 246

HSL 234.31, 0.87%, 0.74%

LAB 62.04, 23.25, -53.98

 

CMYK 40 / 36 / 0 / 8

HEX #8D96EB

RGB 141 150 235

HSL 234.26, 0.7%, 0.74%

LAB 64.54, 17.54, -43.92

 

CMYK 32 / 29 / 0 / 12

HEX #989FE1

RGB 152 159 225

HSL 234.25, 0.55%, 0.74%

LAB 67.21, 12.69, -34.19

 

CMYK 24 / 22 / 0 / 16

HEX #A3A7D6

RGB 163 167 214

HSL 235.29, 0.38%, 0.74%

LAB 69.67, 8.72, -24.27

 

CMYK 15 / 13 / 0 / 20

HEX #ADB0CB

RGB 173 176 203

HSL 234, 0.22%, 0.74%

LAB 72.39, 4.43, -14.03

 

CMYK 4 / 4 / 0 / 25

HEX #B8B9C0

RGB 184 185 192

HSL 232.5, 0.06%, 0.74%

LAB 75.26, 0.98, -3.66

 

CMYK 40 / 14 / 0 / 8

HEX #8DC9EB

RGB 141 201 235

HSL 201.7, 0.7%, 0.74%

LAB 78.13, -10.72, -22.9

 

CMYK 40 / 25 / 0 / 8

HEX #8DB0EB

RGB 141 176 235

HSL 217.66, 0.7%, 0.74%

LAB 71.36, 2.79, -33.29

 

CMYK 40 / 36 / 0 / 8

HEX #8D97EB

RGB 141 151 235

HSL 233.62, 0.7%, 0.74%

LAB 64.8, 16.96, -43.51

 

CMYK 33 / 40 / 0 / 8

HEX #9D8DEB

RGB 157 141 235

HSL 250.21, 0.7%, 0.74%

LAB 63.52, 26.95, -45.44

 

CMYK 23 / 40 / 0 / 8

HEX #B68DEB

RGB 182 141 235

HSL 266.17, 0.7%, 0.74%

LAB 65.74, 33.9, -41.79

 

CMYK 68 / 62 / 0 / 13

HEX #4755DF

RGB 71 85 223

HSL 234.47, 0.7%, 0.58%

LAB 43.01, 38.85, -71.97

 

CMYK 54 / 48 / 0 / 10

HEX #6A76E5

RGB 106 118 229

HSL 234.15, 0.7%, 0.66%

LAB 53.68, 26.55, -57.97

 

CMYK 40 / 36 / 0 / 8

HEX #8D96EB

RGB 141 150 235

HSL 234.26, 0.7%, 0.74%

LAB 64.54, 17.54, -43.92

 

CMYK 27 / 24 / 0 / 5

HEX #B0B7F1

RGB 176 183 241

HSL 233.54, 0.7%, 0.82%

LAB 75.73, 10.16, -29.61

 

CMYK 14 / 13 / 0 / 3

HEX #D4D7F7

RGB 212 215 247

HSL 234.86, 0.69%, 0.9%

LAB 86.66, 5.22, -15.96

 

CMYK 40 / 36 / 0 / 7

HEX #8E97EC

RGB 142 151 236

HSL 234.26, 0.71%, 0.74%

LAB 64.92, 17.5, -43.88

 

CMYK 0 / 40 / 4 / 8

HEX #EB8DE2

RGB 235 141 226

HSL 305.74, 0.7%, 0.74%

LAB 71.01, 47.86, -28.22

 

CMYK 20 / 0 / 40 / 8

HEX #BCEB8D

RGB 188 235 141

HSL 90, 0.7%, 0.74%

LAB 87.98, -30.91, 40.74

 

CMYK 40 / 36 / 0 / 7

HEX #8E97EC

RGB 142 151 236

HSL 234.26, 0.71%, 0.74%

LAB 64.92, 17.5, -43.88

 

CMYK 0 / 40 / 36 / 8

HEX #EB8D97

RGB 235 141 151

HSL 353.62, 0.7%, 0.74%

LAB 68.71, 36.79, 10.11

 

CMYK 36 / 0 / 40 / 8

HEX #97EB8D

RGB 151 235 141

HSL 113.62, 0.7%, 0.74%

LAB 85.97, -43.34, 37.74

 

CMYK 40 / 36 / 0 / 7

HEX #8E97EC

RGB 142 151 236

HSL 234.26, 0.71%, 0.74%

LAB 64.92, 17.5, -43.88

 

CMYK 0 / 40 / 4 / 8

HEX #EB8DE2

RGB 235 141 226

HSL 305.74, 0.7%, 0.74%

LAB 71.01, 47.86, -28.22

 

CMYK 0 / 4 / 40 / 8

HEX #EBE28D

RGB 235 226 141

HSL 54.26, 0.7%, 0.74%

LAB 88.91, -8.85, 42.6

 

CMYK 40 / 0 / 36 / 8

HEX #8DEB97

RGB 141 235 151

HSL 126.38, 0.7%, 0.74%

LAB 85.66, -44.84, 32.24

 

CMYK 40 / 36 / 0 / 7

HEX #8E97EC

RGB 142 151 236

HSL 234.26, 0.71%, 0.74%

LAB 64.92, 17.5, -43.88

 

CMYK 0 / 40 / 16 / 8

HEX #EB8DC6

RGB 235 141 198

HSL 323.62, 0.7%, 0.74%

LAB 70.03, 43.25, -14.22

 

CMYK 0 / 4 / 40 / 8

HEX #EBE28D

RGB 235 226 141

HSL 54.26, 0.7%, 0.74%

LAB 88.91, -8.85, 42.6

 

CMYK 40 / 0 / 24 / 8

HEX #8DEBB3

RGB 141 235 179

HSL 144.26, 0.7%, 0.74%

LAB 86.17, -39.95, 18.57

 

Description

Color code: HEX #8E97EC | qconv.com Color code: HEX #8E97EC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 151 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 151 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 36 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 36% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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