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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8EAD2B it is the complementary color #7152D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8EAD2B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8EAD2B shade: #93AD26, #A4BF39, #B5D14C, #C6E35F and #D7F572

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8EAD2B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8EAD2B shade: #8EAD2B, #7D9B18, #6C8905, #5B7700 and #4A6500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8EAD2B shade: #8CAB2A, #ABA72A, #AB842A, #AB622A and #AB3F2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8EAD2B shade: #8CAB2A, #6AAB2A, #47AB2A, #2AAB30 and #2AAB53

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8EAD2B shade matches the following richer shades: #8CAB2A, #95BC19 and #9ECE08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8EAD2B shade: #8CAB2A, #839A3C, #7A884D, #71775E and #686670

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8EAD2B shade: #AB842A, #ABA72A, #8DAB2A, #6BAB2A and #48AB2A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8EAD2B shade: #56691A, #718A22, #8CAB2A, #A7CC33 and #B5D454

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8EAD2B shade: #8EAD2B, #2AAB62 and #952AAB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8EAD2B shade: #8EAD2B, #2A8DAB and #AB2A8D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8EAD2B shade: #8EAD2B, #2AAB62, #482AAB and #AB2A73

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8EAD2B shade: #8EAD2B, #2AAB89, #482AAB and #AB2A4D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 75 / 32

HEX #8EAD2B

RGB 142 173 43

HSL 74.31, 0.6%, 0.42%

LAB 66.38, -28.28, 58.97

 

Complementary color

CMYK 47 / 61 / 0 / 17

HEX #7152D4

RGB 113 82 212

HSL 254.31, 0.6%, 0.58%

LAB 44.66, 44.19, -62.87

 

CMYK 15 / 0 / 78 / 32

HEX #93AD26

RGB 147 173 38

HSL 71.56, 0.64%, 0.41%

LAB 66.7, -26.44, 61.01

 

CMYK 14 / 0 / 70 / 25

HEX #A4BF39

RGB 164 191 57

HSL 72.09, 0.54%, 0.49%

LAB 73.19, -27.14, 61.15

 

CMYK 13 / 0 / 64 / 18

HEX #B5D14C

RGB 181 209 76

HSL 72.63, 0.59%, 0.56%

LAB 79.58, -27.68, 60.68

 

CMYK 13 / 0 / 58 / 11

HEX #C6E35F

RGB 198 227 95

HSL 73.18, 0.7%, 0.63%

LAB 85.89, -28.1, 59.9

 

CMYK 12 / 0 / 53 / 4

HEX #D7F572

RGB 215 245 114

HSL 73.74, 0.87%, 0.7%

LAB 92.12, -28.43, 58.94

 

CMYK 18 / 0 / 75 / 32

HEX #8EAD2B

RGB 142 173 43

HSL 74.31, 0.6%, 0.42%

LAB 66.38, -28.28, 58.97

 

CMYK 19 / 0 / 85 / 39

HEX #7D9B18

RGB 125 155 24

HSL 73.74, 0.73%, 0.35%

LAB 59.77, -27.51, 58.21

 

CMYK 21 / 0 / 96 / 46

HEX #6C8905

RGB 108 137 5

HSL 73.18, 0.93%, 0.28%

LAB 53.05, -26.48, 55.97

 

CMYK 24 / 0 / 100 / 53

HEX #5B7700

RGB 91 119 0

HSL 74.12, 1%, 0.23%

LAB 46.2, -25.1, 51.16

 

CMYK 27 / 0 / 100 / 60

HEX #4A6500

RGB 74 101 0

HSL 76.04, 1%, 0.2%

LAB 39.18, -23.59, 45.31

 

CMYK 18 / 0 / 75 / 33

HEX #8CAB2A

RGB 140 171 42

HSL 74.42, 0.61%, 0.42%

LAB 65.65, -28.2, 58.56

 

CMYK 0 / 2 / 75 / 33

HEX #ABA72A

RGB 171 167 42

HSL 58.14, 0.61%, 0.42%

LAB 66.87, -12.92, 60.56

 

CMYK 0 / 23 / 75 / 33

HEX #AB842A

RGB 171 132 42

HSL 41.86, 0.61%, 0.42%

LAB 57.39, 5.98, 51.56

 

CMYK 0 / 43 / 75 / 33

HEX #AB622A

RGB 171 98 42

HSL 26.05, 0.61%, 0.42%

LAB 48.96, 25.04, 43.14

 

CMYK 0 / 63 / 75 / 33

HEX #AB3F2A

RGB 171 63 42

HSL 9.77, 0.61%, 0.42%

LAB 41.81, 43.1, 35.61

 

CMYK 18 / 0 / 75 / 33

HEX #8CAB2A

RGB 140 171 42

HSL 74.42, 0.61%, 0.42%

LAB 65.65, -28.2, 58.56

 

CMYK 38 / 0 / 75 / 33

HEX #6AAB2A

RGB 106 171 42

HSL 90.23, 0.61%, 0.42%

LAB 63.64, -41.35, 55.93

 

CMYK 58 / 0 / 75 / 33

HEX #47AB2A

RGB 71 171 42

HSL 106.51, 0.61%, 0.42%

LAB 62.2, -52.18, 54.03

 

CMYK 75 / 0 / 72 / 33

HEX #2AAB30

RGB 42 171 48

HSL 122.79, 0.61%, 0.42%

LAB 61.51, -57.72, 50.9

 

CMYK 75 / 0 / 51 / 33

HEX #2AAB53

RGB 42 171 83

HSL 139.07, 0.61%, 0.42%

LAB 61.86, -53.47, 35.46

 

CMYK 18 / 0 / 75 / 33

HEX #8CAB2A

RGB 140 171 42

HSL 74.42, 0.61%, 0.42%

LAB 65.65, -28.2, 58.56

 

CMYK 21 / 0 / 87 / 26

HEX #95BC19

RGB 149 188 25

HSL 74.36, 0.77%, 0.42%

LAB 71.16, -33.19, 68.3

 

CMYK 23 / 0 / 96 / 19

HEX #9ECE08

RGB 158 206 8

HSL 74.55, 0.93%, 0.42%

LAB 76.94, -38.11, 75.62

 

CMYK 18 / 0 / 75 / 33

HEX #8CAB2A

RGB 140 171 42

HSL 74.42, 0.61%, 0.42%

LAB 65.65, -28.2, 58.56

 

CMYK 15 / 0 / 61 / 40

HEX #839A3C

RGB 131 154 60

HSL 74.68, 0.44%, 0.42%

LAB 60.13, -22.39, 45.49

 

CMYK 10 / 0 / 43 / 47

HEX #7A884D

RGB 122 136 77

HSL 74.24, 0.28%, 0.42%

LAB 54.32, -15.09, 29.93

 

CMYK 5 / 0 / 21 / 53

HEX #71775E

RGB 113 119 94

HSL 74.4, 0.12%, 0.42%

LAB 48.9, -7, 13.02

 

CMYK 7 / 9 / 0 / 56

HEX #686670

RGB 104 102 112

HSL 252, 0.05%, 0.42%

LAB 43.68, 2.91, -5.33

 

CMYK 0 / 23 / 75 / 33

HEX #AB842A

RGB 171 132 42

HSL 41.86, 0.61%, 0.42%

LAB 57.39, 5.98, 51.56

 

CMYK 0 / 2 / 75 / 33

HEX #ABA72A

RGB 171 167 42

HSL 58.14, 0.61%, 0.42%

LAB 66.87, -12.92, 60.56

 

CMYK 18 / 0 / 75 / 33

HEX #8DAB2A

RGB 141 171 42

HSL 73.95, 0.61%, 0.42%

LAB 65.71, -27.79, 58.65

 

CMYK 37 / 0 / 75 / 33

HEX #6BAB2A

RGB 107 171 42

HSL 89.77, 0.61%, 0.42%

LAB 63.69, -41, 56

 

CMYK 58 / 0 / 75 / 33

HEX #48AB2A

RGB 72 171 42

HSL 106.05, 0.61%, 0.42%

LAB 62.23, -51.92, 54.08

 

CMYK 18 / 0 / 75 / 59

HEX #56691A

RGB 86 105 26

HSL 74.43, 0.6%, 0.26%

LAB 41.46, -19.15, 39.72

 

CMYK 18 / 0 / 75 / 46

HEX #718A22

RGB 113 138 34

HSL 74.42, 0.6%, 0.34%

LAB 53.82, -23.79, 49.39

 

CMYK 18 / 0 / 75 / 33

HEX #8CAB2A

RGB 140 171 42

HSL 74.42, 0.61%, 0.42%

LAB 65.65, -28.2, 58.56

 

CMYK 18 / 0 / 75 / 20

HEX #A7CC33

RGB 167 204 51

HSL 74.51, 0.6%, 0.5%

LAB 77.07, -32.39, 67.06

 

CMYK 15 / 0 / 60 / 17

HEX #B5D454

RGB 181 212 84

HSL 74.53, 0.6%, 0.58%

LAB 80.49, -28.52, 58.31

 

CMYK 18 / 0 / 75 / 32

HEX #8EAD2B

RGB 142 173 43

HSL 74.31, 0.6%, 0.42%

LAB 66.38, -28.28, 58.97

 

CMYK 75 / 0 / 43 / 33

HEX #2AAB62

RGB 42 171 98

HSL 146.05, 0.61%, 0.42%

LAB 62.08, -50.92, 27.98

 

CMYK 13 / 75 / 0 / 33

HEX #952AAB

RGB 149 42 171

HSL 289.77, 0.61%, 0.42%

LAB 39.56, 60.74, -46.93

 

CMYK 18 / 0 / 75 / 32

HEX #8EAD2B

RGB 142 173 43

HSL 74.31, 0.6%, 0.42%

LAB 66.38, -28.28, 58.97

 

CMYK 75 / 18 / 0 / 33

HEX #2A8DAB

RGB 42 141 171

HSL 193.95, 0.61%, 0.42%

LAB 54.54, -17.8, -23.89

 

CMYK 0 / 75 / 18 / 33

HEX #AB2A8D

RGB 171 42 141

HSL 313.95, 0.61%, 0.42%

LAB 41.59, 60.75, -25.39

 

CMYK 18 / 0 / 75 / 32

HEX #8EAD2B

RGB 142 173 43

HSL 74.31, 0.6%, 0.42%

LAB 66.38, -28.28, 58.97

 

CMYK 75 / 0 / 43 / 33

HEX #2AAB62

RGB 42 171 98

HSL 146.05, 0.61%, 0.42%

LAB 62.08, -50.92, 27.98

 

CMYK 58 / 75 / 0 / 33

HEX #482AAB

RGB 72 42 171

HSL 253.95, 0.61%, 0.42%

LAB 29.35, 47.1, -63.98

 

CMYK 0 / 75 / 33 / 33

HEX #AB2A73

RGB 171 42 115

HSL 326.05, 0.61%, 0.42%

LAB 40.49, 57.4, -11.04

 

CMYK 18 / 0 / 75 / 32

HEX #8EAD2B

RGB 142 173 43

HSL 74.31, 0.6%, 0.42%

LAB 66.38, -28.28, 58.97

 

CMYK 75 / 0 / 20 / 33

HEX #2AAB89

RGB 42 171 137

HSL 164.19, 0.61%, 0.42%

LAB 62.86, -42.37, 7.77

 

CMYK 58 / 75 / 0 / 33

HEX #482AAB

RGB 72 42 171

HSL 253.95, 0.61%, 0.42%

LAB 29.35, 47.1, -63.98

 

CMYK 0 / 75 / 55 / 33

HEX #AB2A4D

RGB 171 42 77

HSL 343.72, 0.61%, 0.42%

LAB 39.33, 53.68, 11.22

 

Description

Color code: HEX #8EAD2B | qconv.com Color code: HEX #8EAD2B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 173 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 173 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 75 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 75% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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