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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8EC642 it is the complementary color #7139BD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8EC642. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8EC642 shade: #93C63D, #A4D850, #B5EA63, #C6FC76 and #D7FF89

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8EC642. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8EC642 shade: #8EC642, #7DB42F, #6CA21C, #5B9009 and #4A7E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8EC642 shade: #8EC642, #B2C642, #C6B742, #C69342 and #C67042

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8EC642 shade: #8EC642, #6AC642, #47C642, #42C661 and #42C684

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8EC642 shade matches the following richer shades: #8EC642, #91DA2E and #94EE1A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8EC642 shade: #8EC642, #8BB256, #889F6A, #858B7D and #827791

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8EC642 shade: #C6B742, #B2C642, #8FC642, #6CC642 and #49C642

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8EC642 shade: #628C2A, #79AC33, #8EC642, #A1D062 and #B4D982

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8EC642 shade: #8EC642, #42C694 and #C642C4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8EC642 shade: #8EC642, #428FC6 and #C6428F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8EC642 shade: #8EC642, #42C694, #7942C6 and #C64275

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8EC642 shade: #8EC642, #42C6BB, #7942C6 and #C6424D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 67 / 22

HEX #8EC642

RGB 142 198 66

HSL 85.45, 0.54%, 0.52%

LAB 73.89, -38.42, 57.96

 

Complementary color

CMYK 40 / 70 / 0 / 26

HEX #7139BD

RGB 113 57 189

HSL 265.45, 0.54%, 0.48%

LAB 38.04, 51.29, -60.27

 

CMYK 26 / 0 / 69 / 22

HEX #93C63D

RGB 147 198 61

HSL 82.34, 0.55%, 0.51%

LAB 74.14, -36.88, 60.26

 

CMYK 24 / 0 / 63 / 15

HEX #A4D850

RGB 164 216 80

HSL 82.94, 0.64%, 0.58%

LAB 80.51, -37.22, 59.71

 

CMYK 23 / 0 / 58 / 8

HEX #B5EA63

RGB 181 234 99

HSL 83.56, 0.76%, 0.65%

LAB 86.79, -37.46, 58.87

 

CMYK 21 / 0 / 53 / 1

HEX #C6FC76

RGB 198 252 118

HSL 84.18, 0.96%, 0.73%

LAB 92.99, -37.61, 57.89

 

CMYK 16 / 0 / 46 / 0

HEX #D7FF89

RGB 215 255 137

HSL 80.34, 1%, 0.77%

LAB 95.07, -30.88, 51.92

 

CMYK 28 / 0 / 67 / 22

HEX #8EC642

RGB 142 198 66

HSL 85.45, 0.54%, 0.52%

LAB 73.89, -38.42, 57.96

 

CMYK 31 / 0 / 74 / 29

HEX #7DB42F

RGB 125 180 47

HSL 84.81, 0.59%, 0.45%

LAB 67.43, -38.02, 58.24

 

CMYK 33 / 0 / 83 / 36

HEX #6CA21C

RGB 108 162 28

HSL 84.18, 0.71%, 0.37%

LAB 60.88, -37.43, 57.74

 

CMYK 37 / 0 / 94 / 44

HEX #5B9009

RGB 91 144 9

HSL 83.56, 0.88%, 0.3%

LAB 54.23, -36.55, 55.81

 

CMYK 41 / 0 / 100 / 51

HEX #4A7E00

RGB 74 126 0

HSL 84.76, 1%, 0.25%

LAB 47.47, -35.3, 51.69

 

CMYK 28 / 0 / 67 / 22

HEX #8EC642

RGB 142 198 66

HSL 85.45, 0.54%, 0.52%

LAB 73.89, -38.42, 57.96

 

CMYK 10 / 0 / 67 / 22

HEX #B2C642

RGB 178 198 66

HSL 69.09, 0.54%, 0.52%

LAB 76.22, -24.26, 61.11

 

CMYK 0 / 8 / 67 / 22

HEX #C6B742

RGB 198 183 66

HSL 53.18, 0.54%, 0.52%

LAB 73.72, -8.29, 59.03

 

CMYK 0 / 26 / 67 / 22

HEX #C69342

RGB 198 147 66

HSL 36.82, 0.54%, 0.52%

LAB 64.38, 10.93, 49.11

 

CMYK 0 / 43 / 67 / 22

HEX #C67042

RGB 198 112 66

HSL 20.91, 0.54%, 0.52%

LAB 56.08, 30.01, 39.81

 

CMYK 28 / 0 / 67 / 22

HEX #8EC642

RGB 142 198 66

HSL 85.45, 0.54%, 0.52%

LAB 73.89, -38.42, 57.96

 

CMYK 46 / 0 / 67 / 22

HEX #6AC642

RGB 106 198 66

HSL 101.82, 0.54%, 0.52%

LAB 72.13, -50.67, 55.55

 

CMYK 64 / 0 / 67 / 22

HEX #47C642

RGB 71 198 66

HSL 117.73, 0.54%, 0.52%

LAB 70.95, -59.76, 53.95

 

CMYK 67 / 0 / 51 / 22

HEX #42C661

RGB 66 198 97

HSL 134.09, 0.54%, 0.52%

LAB 71.15, -57.02, 40.09

 

CMYK 67 / 0 / 33 / 22

HEX #42C684

RGB 66 198 132

HSL 150, 0.54%, 0.52%

LAB 71.7, -50.94, 22.87

 

CMYK 28 / 0 / 67 / 22

HEX #8EC642

RGB 142 198 66

HSL 85.45, 0.54%, 0.52%

LAB 73.89, -38.42, 57.96

 

CMYK 33 / 0 / 79 / 15

HEX #91DA2E

RGB 145 218 46

HSL 85.47, 0.7%, 0.52%

LAB 79.82, -47.13, 70.66

 

CMYK 38 / 0 / 89 / 7

HEX #94EE1A

RGB 148 238 26

HSL 85.47, 0.86%, 0.52%

LAB 85.77, -54.89, 80.25

 

CMYK 28 / 0 / 67 / 22

HEX #8EC642

RGB 142 198 66

HSL 85.45, 0.54%, 0.52%

LAB 73.89, -38.42, 57.96

 

CMYK 22 / 0 / 52 / 30

HEX #8BB256

RGB 139 178 86

HSL 85.43, 0.37%, 0.52%

LAB 68.02, -28.49, 42.38

 

CMYK 14 / 0 / 33 / 38

HEX #889F6A

RGB 136 159 106

HSL 86.04, 0.22%, 0.52%

LAB 62.57, -17.64, 25.07

 

CMYK 4 / 0 / 10 / 45

HEX #858B7D

RGB 133 139 125

HSL 85.71, 0.06%, 0.52%

LAB 57.01, -4.9, 6.73

 

CMYK 10 / 18 / 0 / 43

HEX #827791

RGB 130 119 145

HSL 265.38, 0.11%, 0.52%

LAB 51.82, 9.53, -12.55

 

CMYK 0 / 8 / 67 / 22

HEX #C6B742

RGB 198 183 66

HSL 53.18, 0.54%, 0.52%

LAB 73.72, -8.29, 59.03

 

CMYK 10 / 0 / 67 / 22

HEX #B2C642

RGB 178 198 66

HSL 69.09, 0.54%, 0.52%

LAB 76.22, -24.26, 61.11

 

CMYK 28 / 0 / 67 / 22

HEX #8FC642

RGB 143 198 66

HSL 85, 0.54%, 0.52%

LAB 73.95, -38.05, 58.03

 

CMYK 45 / 0 / 67 / 22

HEX #6CC642

RGB 108 198 66

HSL 100.91, 0.54%, 0.52%

LAB 72.21, -50.06, 55.67

 

CMYK 63 / 0 / 67 / 22

HEX #49C642

RGB 73 198 66

HSL 116.82, 0.54%, 0.52%

LAB 71.01, -59.33, 54.02

 

CMYK 30 / 0 / 70 / 45

HEX #628C2A

RGB 98 140 42

HSL 85.71, 0.54%, 0.36%

LAB 53.51, -30.43, 45.64

 

CMYK 30 / 0 / 70 / 33

HEX #79AC33

RGB 121 172 51

HSL 85.29, 0.54%, 0.44%

LAB 64.81, -35.69, 54.08

 

CMYK 28 / 0 / 67 / 22

HEX #8EC642

RGB 142 198 66

HSL 85.45, 0.54%, 0.52%

LAB 73.89, -38.42, 57.96

 

CMYK 23 / 0 / 53 / 18

HEX #A1D062

RGB 161 208 98

HSL 85.64, 0.54%, 0.6%

LAB 78.21, -33.09, 49.09

 

CMYK 17 / 0 / 40 / 15

HEX #B4D982

RGB 180 217 130

HSL 85.52, 0.53%, 0.68%

LAB 82.35, -26.67, 38.89

 

CMYK 28 / 0 / 67 / 22

HEX #8EC642

RGB 142 198 66

HSL 85.45, 0.54%, 0.52%

LAB 73.89, -38.42, 57.96

 

CMYK 67 / 0 / 25 / 22

HEX #42C694

RGB 66 198 148

HSL 157.27, 0.54%, 0.52%

LAB 72.02, -47.54, 14.77

 

CMYK 0 / 67 / 1 / 22

HEX #C642C4

RGB 198 66 196

HSL 300.91, 0.54%, 0.52%

LAB 51.71, 67.21, -41.77

 

CMYK 28 / 0 / 67 / 22

HEX #8EC642

RGB 142 198 66

HSL 85.45, 0.54%, 0.52%

LAB 73.89, -38.42, 57.96

 

CMYK 67 / 28 / 0 / 22

HEX #428FC6

RGB 66 143 198

HSL 205, 0.54%, 0.52%

LAB 56.96, -6.27, -35.45

 

CMYK 0 / 67 / 28 / 22

HEX #C6428F

RGB 198 66 143

HSL 325, 0.54%, 0.52%

LAB 49.36, 59.46, -14.27

 

CMYK 28 / 0 / 67 / 22

HEX #8EC642

RGB 142 198 66

HSL 85.45, 0.54%, 0.52%

LAB 73.89, -38.42, 57.96

 

CMYK 67 / 0 / 25 / 22

HEX #42C694

RGB 66 198 148

HSL 157.27, 0.54%, 0.52%

LAB 72.02, -47.54, 14.77

 

CMYK 39 / 67 / 0 / 22

HEX #7942C6

RGB 121 66 198

HSL 265, 0.54%, 0.52%

LAB 41.28, 50.64, -60.23

 

CMYK 0 / 67 / 41 / 22

HEX #C64275

RGB 198 66 117

HSL 336.82, 0.54%, 0.52%

LAB 48.49, 56.46, 0.13

 

CMYK 28 / 0 / 67 / 22

HEX #8EC642

RGB 142 198 66

HSL 85.45, 0.54%, 0.52%

LAB 73.89, -38.42, 57.96

 

CMYK 67 / 0 / 6 / 22

HEX #42C6BB

RGB 66 198 187

HSL 175, 0.54%, 0.52%

LAB 72.98, -37.85, -4.96

 

CMYK 39 / 67 / 0 / 22

HEX #7942C6

RGB 121 66 198

HSL 265, 0.54%, 0.52%

LAB 41.28, 50.64, -60.23

 

CMYK 0 / 67 / 61 / 22

HEX #C6424D

RGB 198 66 77

HSL 355, 0.54%, 0.52%

LAB 47.54, 53.06, 23.11

 

Description

Color code: HEX #8EC642 | qconv.com Color code: HEX #8EC642 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 198 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 198 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 67 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 67% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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