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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8EC3DB it is the complementary color #713C24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8EC3DB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8EC3DB shade: #93C3D6, #A4D5E9, #B5E7FC, #C6F9FF and #D7FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8EC3DB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8EC3DB shade: #8EC3DB, #7DB1C8, #6C9FB5, #5B8DA2 and #4A7B8F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8EC3DB shade: #8EC3DB, #8EAEDB, #8E9ADB, #978EDB and #AC8EDB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8EC3DB shade: #8EC3DB, #8EAEDB, #8E9ADB and #8E8EDB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8EC3DB shade matches the following richer shades: #8EC3DB, #82C8E7 and #76CCF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8EC3DB shade: #8EC3DB, #9ABFCF, #A6BAC3, #B2B6B7 and #BEB1AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8EC3DB shade: #8EDBC9, #8ED8DB, #8EC4DB, #8EAFDB and #8E9BDB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8EC3DB shade: #4FA2C7, #6FB2D1, #8EC3DB, #ADD4E5 and #CDE4EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8EC3DB shade: #8EC3DB, #B58EDB and #DBD38E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8EC3DB shade: #8EC3DB, #DB8EC4 and #C4DB8E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8EC3DB shade: #8EC3DB, #B58EDB, #DBA58E and #B5DB8E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8EC3DB shade: #8EC3DB, #CC8EDB, #DBA58E and #9DDB8E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 11 / 0 / 14

HEX #8EC3DB

RGB 142 195 219

HSL 198.7, 0.52%, 0.71%

LAB 76.01, -11.38, -17.5

 

Complementary color

CMYK 0 / 47 / 68 / 56

HEX #713C24

RGB 113 60 36

HSL 18.7, 0.52%, 0.29%

LAB 31.51, 20.94, 24.81

 

CMYK 31 / 9 / 0 / 16

HEX #93C3D6

RGB 147 195 214

HSL 197.01, 0.45%, 0.71%

LAB 76.12, -11.22, -14.59

 

CMYK 30 / 9 / 0 / 9

HEX #A4D5E9

RGB 164 213 233

HSL 197.39, 0.61%, 0.78%

LAB 82.57, -11.25, -14.99

 

CMYK 28 / 8 / 0 / 1

HEX #B5E7FC

RGB 181 231 252

HSL 197.75, 0.92%, 0.85%

LAB 88.92, -11.29, -15.39

 

CMYK 22 / 2 / 0 / 0

HEX #C6F9FF

RGB 198 249 255

HSL 186.32, 1%, 0.89%

LAB 94.73, -14.8, -8.2

 

CMYK 16 / 0 / 0 / 0

HEX #D7FFFF

RGB 215 255 255

HSL 180, 1%, 0.92%

LAB 97.3, -12.71, -4.28

 

CMYK 35 / 11 / 0 / 14

HEX #8EC3DB

RGB 142 195 219

HSL 198.7, 0.52%, 0.71%

LAB 76.01, -11.38, -17.5

 

CMYK 38 / 12 / 0 / 22

HEX #7DB1C8

RGB 125 177 200

HSL 198.4, 0.41%, 0.64%

LAB 69.45, -11.3, -17.13

 

CMYK 40 / 12 / 0 / 29

HEX #6C9FB5

RGB 108 159 181

HSL 198.08, 0.33%, 0.57%

LAB 62.78, -11.19, -16.75

 

CMYK 44 / 13 / 0 / 36

HEX #5B8DA2

RGB 91 141 162

HSL 197.75, 0.28%, 0.5%

LAB 55.97, -11.04, -16.38

 

CMYK 48 / 14 / 0 / 44

HEX #4A7B8F

RGB 74 123 143

HSL 197.39, 0.32%, 0.43%

LAB 49.01, -10.84, -15.99

 

CMYK 35 / 11 / 0 / 14

HEX #8EC3DB

RGB 142 195 219

HSL 198.7, 0.52%, 0.71%

LAB 76.01, -11.38, -17.5

 

CMYK 35 / 21 / 0 / 14

HEX #8EAEDB

RGB 142 174 219

HSL 215.06, 0.52%, 0.71%

LAB 70.27, -0.07, -26.22

 

CMYK 35 / 30 / 0 / 14

HEX #8E9ADB

RGB 142 154 219

HSL 230.65, 0.52%, 0.71%

LAB 64.94, 11.18, -34.45

 

CMYK 31 / 35 / 0 / 14

HEX #978EDB

RGB 151 142 219

HSL 247.01, 0.52%, 0.71%

LAB 62.54, 20.6, -38.14

 

CMYK 21 / 35 / 0 / 14

HEX #AC8EDB

RGB 172 142 219

HSL 263.38, 0.52%, 0.71%

LAB 64.35, 26.71, -35.19

 

CMYK 35 / 11 / 0 / 14

HEX #8EC3DB

RGB 142 195 219

HSL 198.7, 0.52%, 0.71%

LAB 76.01, -11.38, -17.5

 

CMYK 35 / 21 / 0 / 14

HEX #8EAEDB

RGB 142 174 219

HSL 215.06, 0.52%, 0.71%

LAB 70.27, -0.07, -26.22

 

CMYK 35 / 30 / 0 / 14

HEX #8E9ADB

RGB 142 154 219

HSL 230.65, 0.52%, 0.71%

LAB 64.94, 11.18, -34.45

 

CMYK 35 / 35 / 0 / 14

HEX #8E8EDB

RGB 142 142 219

HSL 240, 0.52%, 0.71%

LAB 61.84, 18.09, -39.3

 

CMYK 35 / 11 / 0 / 14

HEX #8EC3DB

RGB 142 195 219

HSL 198.7, 0.52%, 0.71%

LAB 76.01, -11.38, -17.5

 

CMYK 44 / 13 / 0 / 9

HEX #82C8E7

RGB 130 200 231

HSL 198.42, 0.68%, 0.71%

LAB 77.18, -14, -22.25

 

CMYK 51 / 16 / 0 / 5

HEX #76CCF3

RGB 118 204 243

HSL 198.72, 0.84%, 0.71%

LAB 78.17, -15.53, -27.21

 

CMYK 35 / 11 / 0 / 14

HEX #8EC3DB

RGB 142 195 219

HSL 198.7, 0.52%, 0.71%

LAB 76.01, -11.38, -17.5

 

CMYK 26 / 8 / 0 / 19

HEX #9ABFCF

RGB 154 191 207

HSL 198.11, 0.36%, 0.71%

LAB 75.22, -8.72, -12.1

 

CMYK 15 / 5 / 0 / 24

HEX #A6BAC3

RGB 166 186 195

HSL 198.62, 0.19%, 0.71%

LAB 74.3, -4.96, -6.87

 

CMYK 3 / 1 / 0 / 28

HEX #B2B6B7

RGB 178 182 183

HSL 192, 0.03%, 0.71%

LAB 73.77, -1.2, -1

 

CMYK 0 / 7 / 10 / 25

HEX #BEB1AB

RGB 190 177 171

HSL 18.95, 0.13%, 0.71%

LAB 73.11, 3.6, 4.73

 

CMYK 35 / 0 / 8 / 14

HEX #8EDBC9

RGB 142 219 201

HSL 165.97, 0.52%, 0.71%

LAB 82.18, -27.72, 1.32

 

CMYK 35 / 1 / 0 / 14

HEX #8ED8DB

RGB 142 216 219

HSL 182.34, 0.52%, 0.71%

LAB 81.83, -22.12, -8.78

 

CMYK 35 / 11 / 0 / 14

HEX #8EC4DB

RGB 142 196 219

HSL 197.92, 0.52%, 0.71%

LAB 76.28, -11.91, -17.08

 

CMYK 35 / 20 / 0 / 14

HEX #8EAFDB

RGB 142 175 219

HSL 214.29, 0.52%, 0.71%

LAB 70.54, -0.62, -25.81

 

CMYK 35 / 29 / 0 / 14

HEX #8E9BDB

RGB 142 155 219

HSL 229.87, 0.52%, 0.71%

LAB 65.21, 10.6, -34.04

 

CMYK 60 / 19 / 0 / 22

HEX #4FA2C7

RGB 79 162 199

HSL 198.5, 0.52%, 0.55%

LAB 63.03, -14.21, -26.55

 

CMYK 47 / 15 / 0 / 18

HEX #6FB2D1

RGB 111 178 209

HSL 198.98, 0.52%, 0.63%

LAB 69.34, -12.98, -22.3

 

CMYK 35 / 11 / 0 / 14

HEX #8EC3DB

RGB 142 195 219

HSL 198.7, 0.52%, 0.71%

LAB 76.01, -11.38, -17.5

 

CMYK 24 / 7 / 0 / 10

HEX #ADD4E5

RGB 173 212 229

HSL 198.21, 0.52%, 0.79%

LAB 82.72, -9.04, -12.6

 

CMYK 14 / 5 / 0 / 6

HEX #CDE4EF

RGB 205 228 239

HSL 199.41, 0.52%, 0.87%

LAB 89.25, -5.38, -7.93

 

CMYK 35 / 11 / 0 / 14

HEX #8EC3DB

RGB 142 195 219

HSL 198.7, 0.52%, 0.71%

LAB 76.01, -11.38, -17.5

 

CMYK 17 / 35 / 0 / 14

HEX #B58EDB

RGB 181 142 219

HSL 270.39, 0.52%, 0.71%

LAB 65.19, 29.42, -33.82

 

CMYK 0 / 4 / 35 / 14

HEX #DBD38E

RGB 219 211 142

HSL 53.77, 0.52%, 0.71%

LAB 83.76, -7.38, 35.2

 

CMYK 35 / 11 / 0 / 14

HEX #8EC3DB

RGB 142 195 219

HSL 198.7, 0.52%, 0.71%

LAB 76.01, -11.38, -17.5

 

CMYK 0 / 35 / 11 / 14

HEX #DB8EC4

RGB 219 142 196

HSL 317.92, 0.52%, 0.71%

LAB 68.31, 37.11, -15.89

 

CMYK 11 / 0 / 35 / 14

HEX #C4DB8E

RGB 196 219 142

HSL 77.92, 0.52%, 0.71%

LAB 84.15, -20.19, 35.38

 

CMYK 35 / 11 / 0 / 14

HEX #8EC3DB

RGB 142 195 219

HSL 198.7, 0.52%, 0.71%

LAB 76.01, -11.38, -17.5

 

CMYK 17 / 35 / 0 / 14

HEX #B58EDB

RGB 181 142 219

HSL 270.39, 0.52%, 0.71%

LAB 65.19, 29.42, -33.82

 

CMYK 0 / 25 / 35 / 14

HEX #DBA58E

RGB 219 165 142

HSL 17.92, 0.52%, 0.71%

LAB 72.18, 16.85, 19.67

 

CMYK 17 / 0 / 35 / 14

HEX #B5DB8E

RGB 181 219 142

HSL 89.61, 0.52%, 0.71%

LAB 83.15, -25.7, 33.88

 

CMYK 35 / 11 / 0 / 14

HEX #8EC3DB

RGB 142 195 219

HSL 198.7, 0.52%, 0.71%

LAB 76.01, -11.38, -17.5

 

CMYK 7 / 35 / 0 / 14

HEX #CC8EDB

RGB 204 142 219

HSL 288.31, 0.52%, 0.71%

LAB 67.5, 36.48, -30.05

 

CMYK 0 / 25 / 35 / 14

HEX #DBA58E

RGB 219 165 142

HSL 17.92, 0.52%, 0.71%

LAB 72.18, 16.85, 19.67

 

CMYK 28 / 0 / 35 / 14

HEX #9DDB8E

RGB 157 219 142

HSL 108.31, 0.52%, 0.71%

LAB 81.72, -34.07, 31.73

 

Description

Color code: HEX #8EC3DB | qconv.com Color code: HEX #8EC3DB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 195 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 195 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 11 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 11% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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