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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8EDBD5 it is the complementary color #71242A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8EDBD5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8EDBD5 shade: #93DBD0, #A4EDE3, #B5FFF6, #C6FFFF and #D7FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8EDBD5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8EDBD5 shade: #8EDBD5, #7DC9C2, #6CB7AF, #5BA59C and #4A9389

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8EDBD5 shade: #8EDBD5, #8EDBC0, #8EDBAC, #8EDB97 and #9ADB8E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8EDBD5 shade: #8EDBD5, #8ECCDB, #8EB8DB, #8EA3DB and #8E8EDB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8EDBD5 shade matches the following richer shades: #8EDBD5, #82E7DF and #76F3E9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8EDBD5 shade: #8EDBD5, #9ACFCB, #A6C3C1, #B2B7B7 and #BEABAD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8EDBD5 shade: #8EDBAC, #8EDBC0, #8EDBD5, #8ECDDB and #8EB8DB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8EDBD5 shade: #4FC7BE, #6FD1C9, #8EDBD5, #ADE5E1 and #CDEFEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8EDBD5 shade: #8EDBD5, #978EDB and #DBB68E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8EDBD5 shade: #8EDBD5, #D58EDB and #DBD58E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8EDBD5 shade: #8EDBD5, #978EDB, #DB8E95 and #D2DB8E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8EDBD5 shade: #8EDBD5, #AE8EDB, #DB8E95 and #BBDB8E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 3 / 14

HEX #8EDBD5

RGB 142 219 213

HSL 175.32, 0.52%, 0.71%

LAB 82.5, -25.01, -4.59

 

Complementary color

CMYK 0 / 68 / 63 / 56

HEX #71242A

RGB 113 36 42

HSL 355.32, 0.52%, 0.29%

LAB 26.56, 34.37, 14.85

 

CMYK 33 / 0 / 5 / 14

HEX #93DBD0

RGB 147 219 208

HSL 170.83, 0.5%, 0.72%

LAB 82.6, -24.78, -1.75

 

CMYK 31 / 0 / 4 / 7

HEX #A4EDE3

RGB 164 237 227

HSL 171.78, 0.67%, 0.79%

LAB 88.93, -24.64, -2.4

 

CMYK 29 / 0 / 4 / 0

HEX #B5FFF6

RGB 181 255 246

HSL 172.7, 1%, 0.85%

LAB 95.16, -24.51, -3.02

 

CMYK 22 / 0 / 0 / 0

HEX #C6FFFF

RGB 198 255 255

HSL 180, 1%, 0.89%

LAB 96.31, -17.77, -5.86

 

CMYK 16 / 0 / 0 / 0

HEX #D7FFFF

RGB 215 255 255

HSL 180, 1%, 0.92%

LAB 97.3, -12.71, -4.28

 

CMYK 35 / 0 / 3 / 14

HEX #8EDBD5

RGB 142 219 213

HSL 175.32, 0.52%, 0.71%

LAB 82.5, -25.01, -4.59

 

CMYK 38 / 0 / 3 / 21

HEX #7DC9C2

RGB 125 201 194

HSL 174.47, 0.41%, 0.64%

LAB 76.09, -25.12, -3.95

 

CMYK 41 / 0 / 4 / 28

HEX #6CB7AF

RGB 108 183 175

HSL 173.6, 0.34%, 0.57%

LAB 69.58, -25.23, -3.26

 

CMYK 45 / 0 / 5 / 35

HEX #5BA59C

RGB 91 165 156

HSL 172.7, 0.29%, 0.5%

LAB 62.96, -25.31, -2.53

 

CMYK 50 / 0 / 7 / 42

HEX #4A9389

RGB 74 147 137

HSL 171.78, 0.33%, 0.43%

LAB 56.22, -25.36, -1.74

 

CMYK 35 / 0 / 3 / 14

HEX #8EDBD5

RGB 142 219 213

HSL 175.32, 0.52%, 0.71%

LAB 82.5, -25.01, -4.59

 

CMYK 35 / 0 / 12 / 14

HEX #8EDBC0

RGB 142 219 192

HSL 158.96, 0.52%, 0.71%

LAB 81.96, -29.66, 5.78

 

CMYK 35 / 0 / 21 / 14

HEX #8EDBAC

RGB 142 219 172

HSL 143.38, 0.52%, 0.71%

LAB 81.51, -33.69, 15.71

 

CMYK 35 / 0 / 31 / 14

HEX #8EDB97

RGB 142 219 151

HSL 127.01, 0.52%, 0.71%

LAB 81.1, -37.47, 26.13

 

CMYK 30 / 0 / 35 / 14

HEX #9ADB8E

RGB 154 219 142

HSL 110.65, 0.52%, 0.71%

LAB 81.56, -35.07, 31.49

 

CMYK 35 / 0 / 3 / 14

HEX #8EDBD5

RGB 142 219 213

HSL 175.32, 0.52%, 0.71%

LAB 82.5, -25.01, -4.59

 

CMYK 35 / 7 / 0 / 14

HEX #8ECCDB

RGB 142 204 219

HSL 191.69, 0.52%, 0.71%

LAB 78.49, -16.06, -13.75

 

CMYK 35 / 16 / 0 / 14

HEX #8EB8DB

RGB 142 184 219

HSL 207.27, 0.52%, 0.71%

LAB 72.99, -5.53, -22.07

 

CMYK 35 / 26 / 0 / 14

HEX #8EA3DB

RGB 142 163 219

HSL 223.64, 0.52%, 0.71%

LAB 67.32, 6.06, -30.76

 

CMYK 35 / 35 / 0 / 14

HEX #8E8EDB

RGB 142 142 219

HSL 240, 0.52%, 0.71%

LAB 61.84, 18.09, -39.3

 

CMYK 35 / 0 / 3 / 14

HEX #8EDBD5

RGB 142 219 213

HSL 175.32, 0.52%, 0.71%

LAB 82.5, -25.01, -4.59

 

CMYK 44 / 0 / 3 / 9

HEX #82E7DF

RGB 130 231 223

HSL 175.25, 0.68%, 0.71%

LAB 85.62, -31.44, -5.34

 

CMYK 51 / 0 / 4 / 5

HEX #76F3E9

RGB 118 243 233

HSL 175.2, 0.84%, 0.71%

LAB 88.84, -37.22, -5.87

 

CMYK 35 / 0 / 3 / 14

HEX #8EDBD5

RGB 142 219 213

HSL 175.32, 0.52%, 0.71%

LAB 82.5, -25.01, -4.59

 

CMYK 26 / 0 / 2 / 19

HEX #9ACFCB

RGB 154 207 203

HSL 175.47, 0.36%, 0.71%

LAB 79.5, -17.9, -3.59

 

CMYK 15 / 0 / 1 / 24

HEX #A6C3C1

RGB 166 195 193

HSL 175.86, 0.19%, 0.71%

LAB 76.67, -10.13, -2.28

 

CMYK 3 / 0 / 0 / 28

HEX #B2B7B7

RGB 178 183 183

HSL 180, 0.03%, 0.71%

LAB 74.03, -1.74, -0.62

 

CMYK 0 / 10 / 9 / 25

HEX #BEABAD

RGB 190 171 173

HSL 353.68, 0.13%, 0.71%

LAB 71.62, 7.19, 1.46

 

CMYK 35 / 0 / 21 / 14

HEX #8EDBAC

RGB 142 219 172

HSL 143.38, 0.52%, 0.71%

LAB 81.51, -33.69, 15.71

 

CMYK 35 / 0 / 12 / 14

HEX #8EDBC0

RGB 142 219 192

HSL 158.96, 0.52%, 0.71%

LAB 81.96, -29.66, 5.78

 

CMYK 35 / 0 / 3 / 14

HEX #8EDBD5

RGB 142 219 213

HSL 175.32, 0.52%, 0.71%

LAB 82.5, -25.01, -4.59

 

CMYK 35 / 6 / 0 / 14

HEX #8ECDDB

RGB 142 205 219

HSL 190.91, 0.52%, 0.71%

LAB 78.77, -16.57, -13.34

 

CMYK 35 / 16 / 0 / 14

HEX #8EB8DB

RGB 142 184 219

HSL 207.27, 0.52%, 0.71%

LAB 72.99, -5.53, -22.07

 

CMYK 60 / 0 / 5 / 22

HEX #4FC7BE

RGB 79 199 190

HSL 175.5, 0.52%, 0.55%

LAB 73.69, -35.39, -5.5

 

CMYK 47 / 0 / 4 / 18

HEX #6FD1C9

RGB 111 209 201

HSL 175.1, 0.52%, 0.63%

LAB 77.99, -30.76, -4.98

 

CMYK 35 / 0 / 3 / 14

HEX #8EDBD5

RGB 142 219 213

HSL 175.32, 0.52%, 0.71%

LAB 82.5, -25.01, -4.59

 

CMYK 24 / 0 / 2 / 10

HEX #ADE5E1

RGB 173 229 225

HSL 175.71, 0.52%, 0.79%

LAB 87.17, -18.57, -3.87

 

CMYK 14 / 0 / 1 / 6

HEX #CDEFEC

RGB 205 239 236

HSL 174.71, 0.52%, 0.87%

LAB 92.03, -11.58, -2.27

 

CMYK 35 / 0 / 3 / 14

HEX #8EDBD5

RGB 142 219 213

HSL 175.32, 0.52%, 0.71%

LAB 82.5, -25.01, -4.59

 

CMYK 31 / 35 / 0 / 14

HEX #978EDB

RGB 151 142 219

HSL 247.01, 0.52%, 0.71%

LAB 62.54, 20.6, -38.14

 

CMYK 0 / 17 / 35 / 14

HEX #DBB68E

RGB 219 182 142

HSL 31.17, 0.52%, 0.71%

LAB 76.36, 7.74, 25.36

 

CMYK 35 / 0 / 3 / 14

HEX #8EDBD5

RGB 142 219 213

HSL 175.32, 0.52%, 0.71%

LAB 82.5, -25.01, -4.59

 

CMYK 3 / 35 / 0 / 14

HEX #D58EDB

RGB 213 142 219

HSL 295.32, 0.52%, 0.71%

LAB 68.47, 39.28, -28.48

 

CMYK 0 / 3 / 35 / 14

HEX #DBD58E

RGB 219 213 142

HSL 55.32, 0.52%, 0.71%

LAB 84.28, -8.4, 35.88

 

CMYK 35 / 0 / 3 / 14

HEX #8EDBD5

RGB 142 219 213

HSL 175.32, 0.52%, 0.71%

LAB 82.5, -25.01, -4.59

 

CMYK 31 / 35 / 0 / 14

HEX #978EDB

RGB 151 142 219

HSL 247.01, 0.52%, 0.71%

LAB 62.54, 20.6, -38.14

 

CMYK 0 / 35 / 32 / 14

HEX #DB8E95

RGB 219 142 149

HSL 354.55, 0.52%, 0.71%

LAB 66.96, 30.12, 8.47

 

CMYK 4 / 0 / 35 / 14

HEX #D2DB8E

RGB 210 219 142

HSL 67.01, 0.52%, 0.71%

LAB 85.16, -14.89, 36.89

 

CMYK 35 / 0 / 3 / 14

HEX #8EDBD5

RGB 142 219 213

HSL 175.32, 0.52%, 0.71%

LAB 82.5, -25.01, -4.59

 

CMYK 21 / 35 / 0 / 14

HEX #AE8EDB

RGB 174 142 219

HSL 264.94, 0.52%, 0.71%

LAB 64.53, 27.31, -34.89

 

CMYK 0 / 35 / 32 / 14

HEX #DB8E95

RGB 219 142 149

HSL 354.55, 0.52%, 0.71%

LAB 66.96, 30.12, 8.47

 

CMYK 15 / 0 / 35 / 14

HEX #BBDB8E

RGB 187 219 142

HSL 84.94, 0.52%, 0.71%

LAB 83.54, -23.52, 34.46

 

Description

Color code: HEX #8EDBD5 | qconv.com Color code: HEX #8EDBD5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 219 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 219 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 3 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 3% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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