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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8EDE99 it is the complementary color #712166. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8EDE99. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8EDE99 shade: #93DE94, #A4F0A7, #B5FFBA, #C6FFCD and #D7FFE0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8EDE99. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8EDE99 shade: #8EDE99, #7DCC86, #6CBA73, #5BA860 and #4A964D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8EDE99 shade: #8CDD97, #97DD8C, #ADDD8C, #C3DD8C and #D8DD8C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8EDE99 shade: #8CDD97, #8CDDAD, #8CDDC3, #8CDDD9 and #8CCCDD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8EDE99 shade matches the following richer shades: #8CDD97, #80E98E and #74F586

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8EDE99 shade: #8CDD97, #98D1A0, #A4C5A8, #B0B9B1 and #BCADBA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8EDE99 shade: #ACDD8C, #97DD8C, #8CDD97, #8CDDAC and #8CDDC2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8EDE99 shade: #4CCB5D, #6CD47A, #8CDD97, #ACE7B4 and #CCF0D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8EDE99 shade: #8EDE99, #8CC2DD and #DD8CA2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8EDE99 shade: #8EDE99, #978CDD and #DD978C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8EDE99 shade: #8EDE99, #8CC2DD, #DD8CD2 and #DDA78C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8EDE99 shade: #8EDE99, #8CAADD, #DD8CD2 and #DDBF8C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 31 / 13

HEX #8EDE99

RGB 142 222 153

HSL 128.25, 0.55%, 0.71%

LAB 82, -38.49, 26.31

 

Complementary color

CMYK 0 / 71 / 10 / 56

HEX #712166

RGB 113 33 102

HSL 308.25, 0.55%, 0.29%

LAB 28.27, 43.27, -22.48

 

CMYK 34 / 0 / 33 / 13

HEX #93DE94

RGB 147 222 148

HSL 120.8, 0.53%, 0.72%

LAB 82.15, -37.76, 29.14

 

CMYK 32 / 0 / 30 / 6

HEX #A4F0A7

RGB 164 240 167

HSL 122.37, 0.72%, 0.79%

LAB 88.45, -37.52, 28.05

 

CMYK 29 / 0 / 27 / 0

HEX #B5FFBA

RGB 181 255 186

HSL 124.05, 1%, 0.85%

LAB 93.84, -35.92, 25.87

 

CMYK 22 / 0 / 20 / 0

HEX #C6FFCD

RGB 198 255 205

HSL 127.37, 1%, 0.89%

LAB 95.13, -27.34, 18.15

 

CMYK 16 / 0 / 12 / 0

HEX #D7FFE0

RGB 215 255 224

HSL 133.5, 1%, 0.92%

LAB 96.55, -18.55, 10.57

 

CMYK 36 / 0 / 31 / 13

HEX #8EDE99

RGB 142 222 153

HSL 128.25, 0.55%, 0.71%

LAB 82, -38.49, 26.31

 

CMYK 39 / 0 / 34 / 20

HEX #7DCC86

RGB 125 204 134

HSL 126.84, 0.44%, 0.65%

LAB 75.62, -38.74, 27.45

 

CMYK 42 / 0 / 38 / 27

HEX #6CBA73

RGB 108 186 115

HSL 125.38, 0.36%, 0.58%

LAB 69.14, -38.97, 28.67

 

CMYK 46 / 0 / 43 / 34

HEX #5BA860

RGB 91 168 96

HSL 123.9, 0.31%, 0.51%

LAB 62.57, -39.16, 29.95

 

CMYK 51 / 0 / 49 / 41

HEX #4A964D

RGB 74 150 77

HSL 122.37, 0.34%, 0.44%

LAB 55.89, -39.26, 31.31

 

CMYK 37 / 0 / 32 / 13

HEX #8CDD97

RGB 140 221 151

HSL 128.15, 0.54%, 0.71%

LAB 81.58, -38.98, 26.76

 

CMYK 32 / 0 / 37 / 13

HEX #97DD8C

RGB 151 221 140

HSL 111.85, 0.54%, 0.71%

LAB 81.94, -37.27, 32.98

 

CMYK 22 / 0 / 37 / 13

HEX #ADDD8C

RGB 173 221 140

HSL 95.56, 0.54%, 0.71%

LAB 83.17, -29.79, 34.84

 

CMYK 12 / 0 / 37 / 13

HEX #C3DD8C

RGB 195 221 140

HSL 79.26, 0.54%, 0.71%

LAB 84.59, -21.79, 36.95

 

CMYK 2 / 0 / 37 / 13

HEX #D8DD8C

RGB 216 221 140

HSL 63.7, 0.54%, 0.71%

LAB 86.11, -13.82, 39.21

 

CMYK 37 / 0 / 32 / 13

HEX #8CDD97

RGB 140 221 151

HSL 128.15, 0.54%, 0.71%

LAB 81.58, -38.98, 26.76

 

CMYK 37 / 0 / 22 / 13

HEX #8CDDAD

RGB 140 221 173

HSL 144.44, 0.54%, 0.71%

LAB 82, -35.01, 15.87

 

CMYK 37 / 0 / 12 / 13

HEX #8CDDC3

RGB 140 221 195

HSL 160.74, 0.54%, 0.71%

LAB 82.5, -30.53, 4.96

 

CMYK 37 / 0 / 2 / 13

HEX #8CDDD9

RGB 140 221 217

HSL 177.04, 0.54%, 0.71%

LAB 83.07, -25.58, -5.88

 

CMYK 37 / 8 / 0 / 13

HEX #8CCCDD

RGB 140 204 221

HSL 192.59, 0.54%, 0.71%

LAB 78.45, -16.1, -14.9

 

CMYK 37 / 0 / 32 / 13

HEX #8CDD97

RGB 140 221 151

HSL 128.15, 0.54%, 0.71%

LAB 81.58, -38.98, 26.76

 

CMYK 45 / 0 / 39 / 9

HEX #80E98E

RGB 128 233 142

HSL 128, 0.7%, 0.71%

LAB 84.39, -49.11, 35

 

CMYK 53 / 0 / 45 / 4

HEX #74F586

RGB 116 245 134

HSL 128.37, 0.87%, 0.71%

LAB 87.36, -58.26, 42.68

 

CMYK 37 / 0 / 32 / 13

HEX #8CDD97

RGB 140 221 151

HSL 128.15, 0.54%, 0.71%

LAB 81.58, -38.98, 26.76

 

CMYK 27 / 0 / 23 / 18

HEX #98D1A0

RGB 152 209 160

HSL 128.42, 0.38%, 0.71%

LAB 78.93, -28.08, 18.53

 

CMYK 17 / 0 / 15 / 23

HEX #A4C5A8

RGB 164 197 168

HSL 127.27, 0.22%, 0.71%

LAB 76.47, -16.69, 10.9

 

CMYK 5 / 0 / 4 / 27

HEX #B0B9B1

RGB 176 185 177

HSL 126.67, 0.06%, 0.71%

LAB 74.26, -4.63, 2.97

 

CMYK 0 / 8 / 1 / 26

HEX #BCADBA

RGB 188 173 186

HSL 308, 0.1%, 0.71%

LAB 72.31, 7.73, -4.69

 

CMYK 22 / 0 / 37 / 13

HEX #ACDD8C

RGB 172 221 140

HSL 96.3, 0.54%, 0.71%

LAB 83.11, -30.14, 34.75

 

CMYK 32 / 0 / 37 / 13

HEX #97DD8C

RGB 151 221 140

HSL 111.85, 0.54%, 0.71%

LAB 81.94, -37.27, 32.98

 

CMYK 37 / 0 / 32 / 13

HEX #8CDD97

RGB 140 221 151

HSL 128.15, 0.54%, 0.71%

LAB 81.58, -38.98, 26.76

 

CMYK 37 / 0 / 22 / 13

HEX #8CDDAC

RGB 140 221 172

HSL 143.7, 0.54%, 0.71%

LAB 81.98, -35.21, 16.37

 

CMYK 37 / 0 / 12 / 13

HEX #8CDDC2

RGB 140 221 194

HSL 160, 0.54%, 0.71%

LAB 82.48, -30.75, 5.45

 

CMYK 63 / 0 / 54 / 20

HEX #4CCB5D

RGB 76 203 93

HSL 128.03, 0.55%, 0.55%

LAB 72.92, -57.4, 44.23

 

CMYK 49 / 0 / 42 / 17

HEX #6CD47A

RGB 108 212 122

HSL 128.08, 0.55%, 0.63%

LAB 77.09, -48.97, 35.42

 

CMYK 37 / 0 / 32 / 13

HEX #8CDD97

RGB 140 221 151

HSL 128.15, 0.54%, 0.71%

LAB 81.58, -38.98, 26.76

 

CMYK 26 / 0 / 22 / 9

HEX #ACE7B4

RGB 172 231 180

HSL 128.14, 0.55%, 0.79%

LAB 86.61, -28.62, 18.9

 

CMYK 15 / 0 / 13 / 6

HEX #CCF0D1

RGB 204 240 209

HSL 128.33, 0.55%, 0.87%

LAB 91.58, -17.45, 11.11

 

CMYK 36 / 0 / 31 / 13

HEX #8EDE99

RGB 142 222 153

HSL 128.25, 0.55%, 0.71%

LAB 82, -38.49, 26.31

 

CMYK 37 / 12 / 0 / 13

HEX #8CC2DD

RGB 140 194 221

HSL 200, 0.54%, 0.71%

LAB 75.69, -10.89, -19.07

 

CMYK 0 / 37 / 27 / 13

HEX #DD8CA2

RGB 221 140 162

HSL 343.7, 0.54%, 0.71%

LAB 67.08, 33.66, 1.37

 

CMYK 36 / 0 / 31 / 13

HEX #8EDE99

RGB 142 222 153

HSL 128.25, 0.55%, 0.71%

LAB 82, -38.49, 26.31

 

CMYK 32 / 37 / 0 / 13

HEX #978CDD

RGB 151 140 221

HSL 248.15, 0.54%, 0.71%

LAB 62.13, 22.26, -39.9

 

CMYK 0 / 32 / 37 / 13

HEX #DD978C

RGB 221 151 140

HSL 8.15, 0.54%, 0.71%

LAB 69.04, 24.93, 16.46

 

CMYK 36 / 0 / 31 / 13

HEX #8EDE99

RGB 142 222 153

HSL 128.25, 0.55%, 0.71%

LAB 82, -38.49, 26.31

 

CMYK 37 / 12 / 0 / 13

HEX #8CC2DD

RGB 140 194 221

HSL 200, 0.54%, 0.71%

LAB 75.69, -10.89, -19.07

 

CMYK 0 / 37 / 5 / 13

HEX #DD8CD2

RGB 221 140 210

HSL 308.15, 0.54%, 0.71%

LAB 68.59, 41.22, -23.22

 

CMYK 0 / 24 / 37 / 13

HEX #DDA78C

RGB 221 167 140

HSL 20, 0.54%, 0.71%

LAB 72.83, 16.32, 21.68

 

CMYK 36 / 0 / 31 / 13

HEX #8EDE99

RGB 142 222 153

HSL 128.25, 0.55%, 0.71%

LAB 82, -38.49, 26.31

 

CMYK 37 / 23 / 0 / 13

HEX #8CAADD

RGB 140 170 221

HSL 217.78, 0.54%, 0.71%

LAB 69.14, 2.12, -29.06

 

CMYK 0 / 37 / 5 / 13

HEX #DD8CD2

RGB 221 140 210

HSL 308.15, 0.54%, 0.71%

LAB 68.59, 41.22, -23.22

 

CMYK 0 / 14 / 37 / 13

HEX #DDBF8C

RGB 221 191 140

HSL 37.78, 0.54%, 0.71%

LAB 78.77, 3.53, 29.69

 

Description

Color code: HEX #8EDE99 | qconv.com Color code: HEX #8EDE99 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 222 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 222 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 31 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 31% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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