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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8EDF3E it is the complementary color #7120C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8EDF3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8EDF3E shade: #93DF39, #A4F14C, #B5FF5F, #C6FF72 and #D7FF85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8EDF3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8EDF3E shade: #8EDF3E, #7DCD2B, #6CBB18, #5BA905 and #4A9700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8EDF3E shade: #8EDF3E, #B9DF3E, #DFD93E, #DFAE3E and #DF823E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8EDF3E shade: #8EDF3E, #62DF3E, #3EDF44, #3EDF70 and #3EDF9C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8EDF3E shade matches the following richer shades: #8EDF3E and #8EF12B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8EDF3E shade: #8EDF3E, #8ECD50, #8EBB62, #8EA974 and #8E9686

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8EDF3E shade: #DFDA3E, #B9DF3E, #8EDF3E, #63DF3E and #3EDF43

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8EDF3E shade: #65AE1C, #79D222, #8EDF3E, #A3E561 and #B7EB84

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8EDF3E shade: #8EDF3E, #3EDFAF and #DF3ECF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8EDF3E shade: #8EDF3E, #3E8EDF and #DF3E8E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8EDF3E shade: #8EDF3E, #3EDFAF, #8E3EDF and #DF3E6E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8EDF3E shade: #8EDF3E, #3EDFDF, #8E3EDF and #DF3E3E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 72 / 13

HEX #8EDF3E

RGB 142 223 62

HSL 90.19, 0.72%, 0.56%

LAB 81.22, -49.39, 66.93

 

Complementary color

CMYK 41 / 83 / 0 / 24

HEX #7120C1

RGB 113 32 193

HSL 270.19, 0.72%, 0.44%

LAB 34.79, 62.52, -67.93

 

CMYK 34 / 0 / 74 / 13

HEX #93DF39

RGB 147 223 57

HSL 87.47, 0.72%, 0.55%

LAB 81.44, -47.96, 68.9

 

CMYK 32 / 0 / 68 / 5

HEX #A4F14C

RGB 164 241 76

HSL 88, 0.85%, 0.62%

LAB 87.64, -48.37, 68.78

 

CMYK 29 / 0 / 63 / 0

HEX #B5FF5F

RGB 181 255 95

HSL 87.75, 1%, 0.69%

LAB 92.65, -46.96, 67.04

 

CMYK 22 / 0 / 55 / 0

HEX #C6FF72

RGB 198 255 114

HSL 84.26, 1%, 0.72%

LAB 93.77, -39.32, 60.58

 

CMYK 16 / 0 / 48 / 0

HEX #D7FF85

RGB 215 255 133

HSL 79.67, 1%, 0.76%

LAB 95.02, -31.29, 53.72

 

CMYK 36 / 0 / 72 / 13

HEX #8EDF3E

RGB 142 223 62

HSL 90.19, 0.72%, 0.56%

LAB 81.22, -49.39, 66.93

 

CMYK 39 / 0 / 79 / 20

HEX #7DCD2B

RGB 125 205 43

HSL 89.63, 0.65%, 0.49%

LAB 74.95, -48.87, 66.67

 

CMYK 42 / 0 / 87 / 27

HEX #6CBB18

RGB 108 187 24

HSL 89.08, 0.77%, 0.41%

LAB 68.6, -48.11, 65.44

 

CMYK 46 / 0 / 97 / 34

HEX #5BA905

RGB 91 169 5

HSL 88.54, 0.94%, 0.34%

LAB 62.18, -47.05, 62.81

 

CMYK 51 / 0 / 100 / 41

HEX #4A9700

RGB 74 151 0

HSL 90.6, 1%, 0.3%

LAB 55.67, -45.57, 58.1

 

CMYK 36 / 0 / 72 / 13

HEX #8EDF3E

RGB 142 223 62

HSL 90.19, 0.72%, 0.56%

LAB 81.22, -49.39, 66.93

 

CMYK 17 / 0 / 72 / 13

HEX #B9DF3E

RGB 185 223 62

HSL 74.16, 0.72%, 0.56%

LAB 83.67, -33.49, 70.16

 

CMYK 0 / 3 / 72 / 13

HEX #DFD93E

RGB 223 217 62

HSL 57.76, 0.72%, 0.56%

LAB 84.82, -15.13, 72.23

 

CMYK 0 / 22 / 72 / 13

HEX #DFAE3E

RGB 223 174 62

HSL 41.74, 0.72%, 0.56%

LAB 73.74, 6.97, 61.45

 

CMYK 0 / 42 / 72 / 13

HEX #DF823E

RGB 223 130 62

HSL 25.34, 0.72%, 0.56%

LAB 63.34, 30.44, 50.78

 

CMYK 36 / 0 / 72 / 13

HEX #8EDF3E

RGB 142 223 62

HSL 90.19, 0.72%, 0.56%

LAB 81.22, -49.39, 66.93

 

CMYK 56 / 0 / 72 / 13

HEX #62DF3E

RGB 98 223 62

HSL 106.58, 0.72%, 0.56%

LAB 79.45, -62.54, 64.58

 

CMYK 72 / 0 / 70 / 13

HEX #3EDF44

RGB 62 223 68

HSL 122.24, 0.72%, 0.56%

LAB 78.59, -69.49, 61.22

 

CMYK 72 / 0 / 50 / 13

HEX #3EDF70

RGB 62 223 112

HSL 138.63, 0.72%, 0.56%

LAB 79.02, -64.31, 42.54

 

CMYK 72 / 0 / 30 / 13

HEX #3EDF9C

RGB 62 223 156

HSL 155.03, 0.72%, 0.56%

LAB 79.73, -56.38, 21.23

 

CMYK 36 / 0 / 72 / 13

HEX #8EDF3E

RGB 142 223 62

HSL 90.19, 0.72%, 0.56%

LAB 81.22, -49.39, 66.93

 

CMYK 41 / 0 / 82 / 5

HEX #8EF12B

RGB 142 241 43

HSL 90, 0.88%, 0.56%

LAB 86.42, -57.5, 77.35

 

CMYK 36 / 0 / 72 / 13

HEX #8EDF3E

RGB 142 223 62

HSL 90.19, 0.72%, 0.56%

LAB 81.22, -49.39, 66.93

 

CMYK 31 / 0 / 61 / 20

HEX #8ECD50

RGB 142 205 80

HSL 90.24, 0.56%, 0.56%

LAB 76.06, -40.39, 54.47

 

CMYK 24 / 0 / 48 / 27

HEX #8EBB62

RGB 142 187 98

HSL 90.34, 0.4%, 0.56%

LAB 70.99, -30.3, 40.11

 

CMYK 16 / 0 / 31 / 34

HEX #8EA974

RGB 142 169 116

HSL 90.57, 0.24%, 0.56%

LAB 66.05, -19.02, 24.37

 

CMYK 5 / 0 / 11 / 41

HEX #8E9686

RGB 142 150 134

HSL 90, 0.07%, 0.56%

LAB 61.03, -5.95, 7.45

 

CMYK 0 / 2 / 72 / 13

HEX #DFDA3E

RGB 223 218 62

HSL 58.14, 0.72%, 0.56%

LAB 85.09, -15.63, 72.49

 

CMYK 17 / 0 / 72 / 13

HEX #B9DF3E

RGB 185 223 62

HSL 74.16, 0.72%, 0.56%

LAB 83.67, -33.49, 70.16

 

CMYK 36 / 0 / 72 / 13

HEX #8EDF3E

RGB 142 223 62

HSL 90.19, 0.72%, 0.56%

LAB 81.22, -49.39, 66.93

 

CMYK 56 / 0 / 72 / 13

HEX #63DF3E

RGB 99 223 62

HSL 106.21, 0.72%, 0.56%

LAB 79.49, -62.29, 64.62

 

CMYK 72 / 0 / 70 / 13

HEX #3EDF43

RGB 62 223 67

HSL 121.86, 0.72%, 0.56%

LAB 78.58, -69.58, 61.59

 

CMYK 42 / 0 / 84 / 32

HEX #65AE1C

RGB 101 174 28

HSL 90, 0.72%, 0.4%

LAB 64.26, -45.06, 60.62

 

CMYK 42 / 0 / 84 / 18

HEX #79D222

RGB 121 210 34

HSL 90.34, 0.72%, 0.48%

LAB 76.24, -52.59, 70.1

 

CMYK 36 / 0 / 72 / 13

HEX #8EDF3E

RGB 142 223 62

HSL 90.19, 0.72%, 0.56%

LAB 81.22, -49.39, 66.93

 

CMYK 29 / 0 / 58 / 10

HEX #A3E561

RGB 163 229 97

HSL 90, 0.72%, 0.64%

LAB 84.32, -41.92, 56.67

 

CMYK 22 / 0 / 44 / 8

HEX #B7EB84

RGB 183 235 132

HSL 90.29, 0.72%, 0.72%

LAB 87.56, -33.79, 44.55

 

CMYK 36 / 0 / 72 / 13

HEX #8EDF3E

RGB 142 223 62

HSL 90.19, 0.72%, 0.56%

LAB 81.22, -49.39, 66.93

 

CMYK 72 / 0 / 22 / 13

HEX #3EDFAF

RGB 62 223 175

HSL 162.11, 0.72%, 0.56%

LAB 80.12, -52.17, 11.8

 

CMYK 0 / 72 / 7 / 13

HEX #DF3ECF

RGB 223 62 207

HSL 305.96, 0.72%, 0.56%

LAB 55.72, 75.92, -41.49

 

CMYK 36 / 0 / 72 / 13

HEX #8EDF3E

RGB 142 223 62

HSL 90.19, 0.72%, 0.56%

LAB 81.22, -49.39, 66.93

 

CMYK 72 / 36 / 0 / 13

HEX #3E8EDF

RGB 62 142 223

HSL 210.19, 0.72%, 0.56%

LAB 57.75, 2.38, -48.26

 

CMYK 0 / 72 / 36 / 13

HEX #DF3E8E

RGB 223 62 142

HSL 330.19, 0.72%, 0.56%

LAB 53.04, 67.6, -7.7

 

CMYK 36 / 0 / 72 / 13

HEX #8EDF3E

RGB 142 223 62

HSL 90.19, 0.72%, 0.56%

LAB 81.22, -49.39, 66.93

 

CMYK 72 / 0 / 22 / 13

HEX #3EDFAF

RGB 62 223 175

HSL 162.11, 0.72%, 0.56%

LAB 80.12, -52.17, 11.8

 

CMYK 36 / 72 / 0 / 13

HEX #8E3EDF

RGB 142 62 223

HSL 269.81, 0.72%, 0.56%

LAB 44.97, 62.57, -68.49

 

CMYK 0 / 72 / 51 / 13

HEX #DF3E6E

RGB 223 62 110

HSL 342.11, 0.72%, 0.56%

LAB 52.13, 64.62, 10.15

 

CMYK 36 / 0 / 72 / 13

HEX #8EDF3E

RGB 142 223 62

HSL 90.19, 0.72%, 0.56%

LAB 81.22, -49.39, 66.93

 

CMYK 72 / 0 / 0 / 13

HEX #3EDFDF

RGB 62 223 223

HSL 180, 0.72%, 0.56%

LAB 81.36, -39.75, -11.87

 

CMYK 36 / 72 / 0 / 13

HEX #8E3EDF

RGB 142 62 223

HSL 269.81, 0.72%, 0.56%

LAB 44.97, 62.57, -68.49

 

CMYK 0 / 72 / 72 / 13

HEX #DF3E3E

RGB 223 62 62

HSL 0, 0.72%, 0.56%

LAB 51.25, 61.65, 37.47

 

Description

Color code: HEX #8EDF3E | qconv.com Color code: HEX #8EDF3E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 223 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 223 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 72 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 72% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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