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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8EE90A it is the complementary color #7116F5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8EE90A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8EE90A shade: #93E905, #A4FB18, #B5FF2B, #C6FF3E and #D7FF51

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8EE90A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8EE90A shade: #8EE90A, #7DD700, #6CC500, #5BB300 and #4AA100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8EE90A shade: #8FEB09, #CBEB09, #EBCD09, #EB9009 and #EB5309

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8EE90A shade: #8FEB09, #52EB09, #15EB09, #09EB3A and #09EB77

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8EE90A shade matches the following richer shades: #8FEB09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8EE90A shade: #8FEB09, #8BD71D, #87C331, #84AF45 and #809B59

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8EE90A shade: #EBCC09, #CCEB09, #90EB09, #54EB09 and #18EB09

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8EE90A shade: #5E9B06, #76C308, #8FEB09, #A1F628 and #B3F74F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8EE90A shade: #8EE90A, #09EB90 and #EB09EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8EE90A shade: #8EE90A, #0990EB and #EB0990

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8EE90A shade: #8EE90A, #09EB90, #6309EB and #EB0963

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8EE90A shade: #8EE90A, #09EBD4, #6309EB and #EB0920

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 96 / 9

HEX #8EE90A

RGB 142 233 10

HSL 84.48, 0.92%, 0.48%

LAB 83.99, -55.22, 80.62

 

Complementary color

CMYK 54 / 91 / 0 / 4

HEX #7116F5

RGB 113 22 245

HSL 264.48, 0.92%, 0.52%

LAB 39.03, 76.96, -90.85

 

CMYK 37 / 0 / 98 / 9

HEX #93E905

RGB 147 233 5

HSL 82.63, 0.96%, 0.47%

LAB 84.22, -53.59, 81.31

 

CMYK 35 / 0 / 90 / 2

HEX #A4FB18

RGB 164 251 24

HSL 83, 0.97%, 0.54%

LAB 90.3, -54.64, 84.58

 

CMYK 29 / 0 / 83 / 0

HEX #B5FF2B

RGB 181 255 43

HSL 80.94, 1%, 0.58%

LAB 92.36, -49.78, 83.29

 

CMYK 22 / 0 / 76 / 0

HEX #C6FF3E

RGB 198 255 62

HSL 77.72, 1%, 0.62%

LAB 93.4, -42.81, 79.69

 

CMYK 16 / 0 / 68 / 0

HEX #D7FF51

RGB 215 255 81

HSL 73.79, 1%, 0.66%

LAB 94.55, -35.39, 74.96

 

CMYK 39 / 0 / 96 / 9

HEX #8EE90A

RGB 142 233 10

HSL 84.48, 0.92%, 0.48%

LAB 83.99, -55.22, 80.62

 

CMYK 42 / 0 / 100 / 16

HEX #7DD700

RGB 125 215 0

HSL 85.12, 1%, 0.42%

LAB 77.85, -53.97, 76.35

 

CMYK 45 / 0 / 100 / 23

HEX #6CC500

RGB 108 197 0

HSL 87.11, 1%, 0.39%

LAB 71.64, -52.54, 71.19

 

CMYK 49 / 0 / 100 / 30

HEX #5BB300

RGB 91 179 0

HSL 89.5, 1%, 0.35%

LAB 65.33, -51.02, 65.96

 

CMYK 54 / 0 / 100 / 37

HEX #4AA100

RGB 74 161 0

HSL 92.42, 1%, 0.32%

LAB 58.92, -49.37, 60.65

 

CMYK 39 / 0 / 96 / 8

HEX #8FEB09

RGB 143 235 9

HSL 84.42, 0.93%, 0.48%

LAB 84.63, -55.68, 81.22

 

CMYK 14 / 0 / 96 / 8

HEX #CBEB09

RGB 203 235 9

HSL 68.5, 0.93%, 0.48%

LAB 88.03, -33.32, 85.34

 

CMYK 0 / 13 / 96 / 8

HEX #EBCD09

RGB 235 205 9

HSL 52.04, 0.93%, 0.48%

LAB 82.56, -5.32, 82.37

 

CMYK 0 / 39 / 96 / 8

HEX #EB9009

RGB 235 144 9

HSL 35.84, 0.93%, 0.48%

LAB 67.75, 26.65, 71.89

 

CMYK 0 / 65 / 96 / 8

HEX #EB5309

RGB 235 83 9

HSL 19.65, 0.93%, 0.48%

LAB 55.96, 56.25, 64.37

 

CMYK 39 / 0 / 96 / 8

HEX #8FEB09

RGB 143 235 9

HSL 84.42, 0.93%, 0.48%

LAB 84.63, -55.68, 81.22

 

CMYK 65 / 0 / 96 / 8

HEX #52EB09

RGB 82 235 9

HSL 100.62, 0.93%, 0.48%

LAB 82.5, -72.32, 78.63

 

CMYK 91 / 0 / 96 / 8

HEX #15EB09

RGB 21 235 9

HSL 116.81, 0.93%, 0.48%

LAB 81.62, -80.08, 77.54

 

CMYK 96 / 0 / 75 / 8

HEX #09EB3A

RGB 9 235 58

HSL 133.01, 0.93%, 0.48%

LAB 81.72, -78.57, 67.7

 

CMYK 96 / 0 / 49 / 8

HEX #09EB77

RGB 9 235 119

HSL 149.2, 0.93%, 0.48%

LAB 82.27, -71.64, 43.11

 

CMYK 39 / 0 / 96 / 8

HEX #8FEB09

RGB 143 235 9

HSL 84.42, 0.93%, 0.48%

LAB 84.63, -55.68, 81.22

 

CMYK 39 / 0 / 96 / 8

HEX #8FEB09

RGB 143 235 9

HSL 84.42, 0.93%, 0.48%

LAB 84.63, -55.68, 81.22

 

CMYK 35 / 0 / 87 / 16

HEX #8BD71D

RGB 139 215 29

HSL 84.52, 0.76%, 0.48%

LAB 78.57, -48.65, 73.52

 

CMYK 31 / 0 / 75 / 24

HEX #87C331

RGB 135 195 49

HSL 84.66, 0.6%, 0.48%

LAB 72.5, -40.79, 62.67

 

CMYK 25 / 0 / 61 / 31

HEX #84AF45

RGB 132 175 69

HSL 84.34, 0.43%, 0.48%

LAB 66.52, -31.43, 48.53

 

CMYK 17 / 0 / 43 / 39

HEX #809B59

RGB 128 155 89

HSL 84.55, 0.27%, 0.48%

LAB 60.56, -21.05, 31.5

 

CMYK 0 / 13 / 96 / 8

HEX #EBCC09

RGB 235 204 9

HSL 51.77, 0.93%, 0.48%

LAB 82.31, -4.81, 82.18

 

CMYK 13 / 0 / 96 / 8

HEX #CCEB09

RGB 204 235 9

HSL 68.23, 0.93%, 0.48%

LAB 88.1, -32.91, 85.42

 

CMYK 39 / 0 / 96 / 8

HEX #90EB09

RGB 144 235 9

HSL 84.16, 0.93%, 0.48%

LAB 84.67, -55.34, 81.28

 

CMYK 64 / 0 / 96 / 8

HEX #54EB09

RGB 84 235 9

HSL 100.09, 0.93%, 0.48%

LAB 82.55, -71.9, 78.69

 

CMYK 90 / 0 / 96 / 8

HEX #18EB09

RGB 24 235 9

HSL 116.02, 0.93%, 0.48%

LAB 81.64, -79.91, 77.57

 

CMYK 39 / 0 / 96 / 39

HEX #5E9B06

RGB 94 155 6

HSL 84.56, 0.93%, 0.32%

LAB 57.88, -40.26, 59.29

 

CMYK 39 / 0 / 96 / 24

HEX #76C308

RGB 118 195 8

HSL 84.71, 0.92%, 0.4%

LAB 71.49, -48.29, 70.39

 

CMYK 39 / 0 / 96 / 8

HEX #8FEB09

RGB 143 235 9

HSL 84.42, 0.93%, 0.48%

LAB 84.63, -55.68, 81.22

 

CMYK 35 / 0 / 84 / 4

HEX #A1F628

RGB 161 246 40

HSL 84.76, 0.92%, 0.56%

LAB 88.75, -53.25, 80.41

 

CMYK 28 / 0 / 68 / 3

HEX #B3F74F

RGB 179 247 79

HSL 84.29, 0.91%, 0.64%

LAB 90.17, -45.4, 70.53

 

CMYK 39 / 0 / 96 / 9

HEX #8EE90A

RGB 142 233 10

HSL 84.48, 0.92%, 0.48%

LAB 83.99, -55.22, 80.62

 

CMYK 96 / 0 / 39 / 8

HEX #09EB90

RGB 9 235 144

HSL 155.84, 0.93%, 0.48%

LAB 82.64, -67.29, 31.24

 

CMYK 0 / 96 / 0 / 8

HEX #EB09EB

RGB 235 9 235

HSL 300, 0.93%, 0.48%

LAB 55.94, 91.78, -56.88

 

CMYK 39 / 0 / 96 / 9

HEX #8EE90A

RGB 142 233 10

HSL 84.48, 0.92%, 0.48%

LAB 83.99, -55.22, 80.62

 

CMYK 96 / 39 / 0 / 8

HEX #0990EB

RGB 9 144 235

HSL 204.16, 0.93%, 0.48%

LAB 58.04, 1.57, -54.53

 

CMYK 0 / 96 / 39 / 8

HEX #EB0990

RGB 235 9 144

HSL 324.16, 0.93%, 0.48%

LAB 51.69, 81.02, -10.69

 

CMYK 39 / 0 / 96 / 9

HEX #8EE90A

RGB 142 233 10

HSL 84.48, 0.92%, 0.48%

LAB 83.99, -55.22, 80.62

 

CMYK 96 / 0 / 39 / 8

HEX #09EB90

RGB 9 235 144

HSL 155.84, 0.93%, 0.48%

LAB 82.64, -67.29, 31.24

 

CMYK 58 / 96 / 0 / 8

HEX #6309EB

RGB 99 9 235

HSL 263.89, 0.93%, 0.48%

LAB 35.69, 75.79, -90.78

 

CMYK 0 / 96 / 58 / 8

HEX #EB0963

RGB 235 9 99

HSL 336.11, 0.93%, 0.48%

LAB 50.4, 77.58, 14.77

 

CMYK 39 / 0 / 96 / 9

HEX #8EE90A

RGB 142 233 10

HSL 84.48, 0.92%, 0.48%

LAB 83.99, -55.22, 80.62

 

CMYK 96 / 0 / 10 / 8

HEX #09EBD4

RGB 9 235 212

HSL 173.89, 0.93%, 0.48%

LAB 84.08, -51.46, -2.07

 

CMYK 58 / 96 / 0 / 8

HEX #6309EB

RGB 99 9 235

HSL 263.89, 0.93%, 0.48%

LAB 35.69, 75.79, -90.78

 

CMYK 0 / 96 / 86 / 8

HEX #EB0920

RGB 235 9 32

HSL 353.89, 0.93%, 0.48%

LAB 49.45, 74.97, 52.38

 

Description

Color code: HEX #8EE90A | qconv.com Color code: HEX #8EE90A | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 233 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 233 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 96 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 96% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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