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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8EE1C9 it is the complementary color #711E36. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8EE1C9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8EE1C9 shade: #93E1C4, #A4F3D7, #B5FFEA, #C6FFFD and #D7FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8EE1C9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8EE1C9 shade: #8EE1C9, #7DCFB6, #6CBDA3, #5BAB90 and #4A997D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8EE1C9 shade: #8EE1C9, #8EE1B2, #8EE19C, #96E18E and #ACE18E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8EE1C9 shade: #8EE1C9, #8EE1DF, #8ECCE1, #8EB5E1 and #8E9FE1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8EE1C9 shade matches the following richer shades: #8EE1C9, #82ECCD and #77F8D2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8EE1C9 shade: #8EE1C9, #99D5C4, #A5C9BF, #B0BEBA and #BCB2B5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8EE1C9 shade: #8EE19B, #8EE1B2, #8EE1C8, #8EE1DE and #8ECDE1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8EE1C9 shade: #4CCFA9, #6DD8B9, #8EE1C9, #AEE9D8 and #CFF2E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8EE1C9 shade: #8EE1C9, #8E96E1 and #E1A78E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8EE1C9 shade: #8EE1C9, #C88EE1 and #E1C88E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8EE1C9 shade: #8EE1C9, #8E96E1, #E18EA7 and #E1D88E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8EE1C9 shade: #8EE1C9, #9E8EE1, #E18EA7 and #D0E18E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 11 / 12

HEX #8EE1C9

RGB 142 225 201

HSL 162.65, 0.58%, 0.72%

LAB 83.87, -30.59, 3.78

 

Complementary color

CMYK 0 / 73 / 52 / 56

HEX #711E36

RGB 113 30 54

HSL 342.65, 0.58%, 0.28%

LAB 25.88, 38.06, 5.83

 

CMYK 35 / 0 / 13 / 12

HEX #93E1C4

RGB 147 225 196

HSL 157.69, 0.57%, 0.73%

LAB 83.99, -30.27, 6.61

 

CMYK 33 / 0 / 12 / 5

HEX #A4F3D7

RGB 164 243 215

HSL 158.73, 0.77%, 0.8%

LAB 90.28, -30.06, 5.83

 

CMYK 29 / 0 / 8 / 0

HEX #B5FFEA

RGB 181 255 234

HSL 162.97, 1%, 0.85%

LAB 94.86, -27.02, 2.73

 

CMYK 22 / 0 / 1 / 0

HEX #C6FFFD

RGB 198 255 253

HSL 177.89, 1%, 0.89%

LAB 96.25, -18.19, -4.91

 

CMYK 16 / 0 / 0 / 0

HEX #D7FFFF

RGB 215 255 255

HSL 180, 1%, 0.92%

LAB 97.3, -12.71, -4.28

 

CMYK 37 / 0 / 11 / 12

HEX #8EE1C9

RGB 142 225 201

HSL 162.65, 0.58%, 0.72%

LAB 83.87, -30.59, 3.78

 

CMYK 40 / 0 / 12 / 19

HEX #7DCFB6

RGB 125 207 182

HSL 161.71, 0.46%, 0.65%

LAB 77.5, -30.78, 4.58

 

CMYK 43 / 0 / 14 / 26

HEX #6CBDA3

RGB 108 189 163

HSL 160.74, 0.38%, 0.58%

LAB 71.03, -30.97, 5.43

 

CMYK 47 / 0 / 16 / 33

HEX #5BAB90

RGB 91 171 144

HSL 159.75, 0.32%, 0.51%

LAB 64.45, -31.15, 6.35

 

CMYK 52 / 0 / 18 / 40

HEX #4A997D

RGB 74 153 125

HSL 158.73, 0.35%, 0.45%

LAB 57.77, -31.28, 7.35

 

CMYK 37 / 0 / 11 / 12

HEX #8EE1C9

RGB 142 225 201

HSL 162.65, 0.58%, 0.72%

LAB 83.87, -30.59, 3.78

 

CMYK 37 / 0 / 21 / 12

HEX #8EE1B2

RGB 142 225 178

HSL 146.02, 0.58%, 0.72%

LAB 83.35, -35.32, 15.14

 

CMYK 37 / 0 / 31 / 12

HEX #8EE19C

RGB 142 225 156

HSL 130.12, 0.58%, 0.72%

LAB 82.91, -39.33, 26

 

CMYK 33 / 0 / 37 / 12

HEX #96E18E

RGB 150 225 142

HSL 114.22, 0.58%, 0.72%

LAB 83.07, -39.09, 33.44

 

CMYK 24 / 0 / 37 / 12

HEX #ACE18E

RGB 172 225 142

HSL 98.31, 0.58%, 0.72%

LAB 84.26, -31.74, 35.24

 

CMYK 37 / 0 / 11 / 12

HEX #8EE1C9

RGB 142 225 201

HSL 162.65, 0.58%, 0.72%

LAB 83.87, -30.59, 3.78

 

CMYK 37 / 0 / 1 / 12

HEX #8EE1DF

RGB 142 225 223

HSL 178.55, 0.58%, 0.72%

LAB 84.45, -25.6, -7.01

 

CMYK 37 / 9 / 0 / 12

HEX #8ECCE1

RGB 142 204 225

HSL 195.18, 0.58%, 0.72%

LAB 78.68, -14.57, -16.69

 

CMYK 37 / 20 / 0 / 12

HEX #8EB5E1

RGB 142 181 225

HSL 211.81, 0.58%, 0.72%

LAB 72.39, -2.35, -26.26

 

CMYK 37 / 29 / 0 / 12

HEX #8E9FE1

RGB 142 159 225

HSL 227.71, 0.58%, 0.72%

LAB 66.51, 9.92, -35.33

 

CMYK 37 / 0 / 11 / 12

HEX #8EE1C9

RGB 142 225 201

HSL 162.65, 0.58%, 0.72%

LAB 83.87, -30.59, 3.78

 

CMYK 45 / 0 / 13 / 7

HEX #82ECCD

RGB 130 236 205

HSL 162.45, 0.74%, 0.72%

LAB 86.58, -37.92, 5.52

 

CMYK 52 / 0 / 15 / 3

HEX #77F8D2

RGB 119 248 210

HSL 162.33, 0.9%, 0.72%

LAB 89.72, -44.66, 7.4

 

CMYK 37 / 0 / 11 / 12

HEX #8EE1C9

RGB 142 225 201

HSL 162.65, 0.58%, 0.72%

LAB 83.87, -30.59, 3.78

 

CMYK 28 / 0 / 8 / 16

HEX #99D5C4

RGB 153 213 196

HSL 163, 0.42%, 0.72%

LAB 80.93, -22.71, 2.23

 

CMYK 18 / 0 / 5 / 21

HEX #A5C9BF

RGB 165 201 191

HSL 163.33, 0.25%, 0.72%

LAB 78.19, -13.97, 1.01

 

CMYK 7 / 0 / 2 / 25

HEX #B0BEBA

RGB 176 190 186

HSL 162.86, 0.1%, 0.72%

LAB 75.82, -5.58, 0.35

 

CMYK 0 / 5 / 4 / 26

HEX #BCB2B5

RGB 188 178 181

HSL 342, 0.07%, 0.72%

LAB 73.46, 4.09, -0.26

 

CMYK 37 / 0 / 31 / 12

HEX #8EE19B

RGB 142 225 155

HSL 129.4, 0.58%, 0.72%

LAB 82.9, -39.5, 26.5

 

CMYK 37 / 0 / 21 / 12

HEX #8EE1B2

RGB 142 225 178

HSL 146.02, 0.58%, 0.72%

LAB 83.35, -35.32, 15.14

 

CMYK 37 / 0 / 11 / 12

HEX #8EE1C8

RGB 142 225 200

HSL 161.93, 0.58%, 0.72%

LAB 83.85, -30.81, 4.27

 

CMYK 37 / 0 / 1 / 12

HEX #8EE1DE

RGB 142 225 222

HSL 177.83, 0.58%, 0.72%

LAB 84.42, -25.84, -6.52

 

CMYK 37 / 9 / 0 / 12

HEX #8ECDE1

RGB 142 205 225

HSL 194.46, 0.58%, 0.72%

LAB 78.95, -15.09, -16.28

 

CMYK 63 / 0 / 18 / 19

HEX #4CCFA9

RGB 76 207 169

HSL 162.6, 0.58%, 0.55%

LAB 75.47, -44.78, 8.41

 

CMYK 50 / 0 / 14 / 15

HEX #6DD8B9

RGB 109 216 185

HSL 162.62, 0.58%, 0.64%

LAB 79.54, -38.3, 5.83

 

CMYK 37 / 0 / 11 / 12

HEX #8EE1C9

RGB 142 225 201

HSL 162.65, 0.58%, 0.72%

LAB 83.87, -30.59, 3.78

 

CMYK 25 / 0 / 7 / 9

HEX #AEE9D8

RGB 174 233 216

HSL 162.71, 0.57%, 0.8%

LAB 88.08, -22.13, 2.2

 

CMYK 14 / 0 / 4 / 5

HEX #CFF2E8

RGB 207 242 232

HSL 162.86, 0.57%, 0.88%

LAB 92.84, -13.23, 1.01

 

CMYK 37 / 0 / 11 / 12

HEX #8EE1C9

RGB 142 225 201

HSL 162.65, 0.58%, 0.72%

LAB 83.87, -30.59, 3.78

 

CMYK 37 / 33 / 0 / 12

HEX #8E96E1

RGB 142 150 225

HSL 234.22, 0.58%, 0.72%

LAB 64.16, 15.07, -38.99

 

CMYK 0 / 26 / 37 / 12

HEX #E1A78E

RGB 225 167 142

HSL 18.07, 0.58%, 0.72%

LAB 73.28, 18.12, 21.28

 

CMYK 37 / 0 / 11 / 12

HEX #8EE1C9

RGB 142 225 201

HSL 162.65, 0.58%, 0.72%

LAB 83.87, -30.59, 3.78

 

CMYK 11 / 37 / 0 / 12

HEX #C88EE1

RGB 200 142 225

HSL 281.93, 0.58%, 0.72%

LAB 67.32, 36.47, -33.68

 

CMYK 0 / 11 / 37 / 12

HEX #E1C88E

RGB 225 200 142

HSL 41.93, 0.58%, 0.72%

LAB 81.44, 0.63, 32.25

 

CMYK 37 / 0 / 11 / 12

HEX #8EE1C9

RGB 142 225 201

HSL 162.65, 0.58%, 0.72%

LAB 83.87, -30.59, 3.78

 

CMYK 37 / 33 / 0 / 12

HEX #8E96E1

RGB 142 150 225

HSL 234.22, 0.58%, 0.72%

LAB 64.16, 15.07, -38.99

 

CMYK 0 / 37 / 26 / 12

HEX #E18EA7

RGB 225 142 167

HSL 341.93, 0.58%, 0.72%

LAB 68.13, 34.73, 0.14

 

CMYK 0 / 4 / 37 / 12

HEX #E1D88E

RGB 225 216 142

HSL 53.49, 0.58%, 0.72%

LAB 85.54, -7.59, 37.61

 

CMYK 37 / 0 / 11 / 12

HEX #8EE1C9

RGB 142 225 201

HSL 162.65, 0.58%, 0.72%

LAB 83.87, -30.59, 3.78

 

CMYK 30 / 37 / 0 / 12

HEX #9E8EE1

RGB 158 142 225

HSL 251.57, 0.58%, 0.72%

LAB 63.39, 24.1, -40.11

 

CMYK 0 / 37 / 26 / 12

HEX #E18EA7

RGB 225 142 167

HSL 341.93, 0.58%, 0.72%

LAB 68.13, 34.73, 0.14

 

CMYK 8 / 0 / 37 / 12

HEX #D0E18E

RGB 208 225 142

HSL 72.29, 0.58%, 0.72%

LAB 86.61, -18.62, 38.74

 

Description

Color code: HEX #8EE1C9 | qconv.com Color code: HEX #8EE1C9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 225 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 225 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 11 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 11% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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