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Color name
HEX #8F1FAC

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8F1FAC it is the complementary color #70E053. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8F1FAC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8F1FAC shade: #941FA7, #A531BA, #B643CD, #C755E0 and #D867F3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8F1FAC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8F1FAC shade: #8F1FAC, #7E0D99, #6D0086, #5C0073 and #4B0060

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8F1FAC shade: #8F1FAC, #AC1FA3, #AC1F7D, #AC1F57 and #AC1F31

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8F1FAC shade: #8F1FAC, #691FAC, #431FAC and #1F1FAC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8F1FAC shade matches the following richer shades: #8F1FAC and #990FBC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8F1FAC shade: #8F1FAC, #85309B, #7C408B, #72517A and #68616A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8F1FAC shade: #421FAC, #681FAC, #8D1FAC, #AC1FA5 and #AC1F7F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8F1FAC shade: #551266, #721989, #8F1FAC, #AC26CF and #BC42DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8F1FAC shade: #8F1FAC, #AC1F21 and #1FAC55

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8F1FAC shade: #8F1FAC, #AC8D1F and #1FAC8D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8F1FAC shade: #8F1FAC, #AC1F21, #3EAC1F and #1FACAA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8F1FAC shade: #8F1FAC, #AC471F, #3EAC1F and #1F84AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 82 / 0 / 33

HEX #8F1FAC

RGB 143 31 172

HSL 287.66, 0.69%, 0.4%

LAB 37.48, 63.19, -50.92

 

Complementary color

CMYK 50 / 0 / 63 / 12

HEX #70E053

RGB 112 224 83

HSL 107.66, 0.69%, 0.6%

LAB 80.39, -57.45, 57.62

 

CMYK 11 / 81 / 0 / 35

HEX #941FA7

RGB 148 31 167

HSL 291.62, 0.69%, 0.39%

LAB 37.96, 63.2, -47.11

 

CMYK 11 / 74 / 0 / 27

HEX #A531BA

RGB 165 49 186

HSL 290.8, 0.58%, 0.46%

LAB 43.86, 64.37, -48.76

 

CMYK 11 / 67 / 0 / 20

HEX #B643CD

RGB 182 67 205

HSL 290, 0.58%, 0.53%

LAB 49.94, 64.77, -49.92

 

CMYK 11 / 62 / 0 / 12

HEX #C755E0

RGB 199 85 224

HSL 289.21, 0.69%, 0.61%

LAB 56.11, 64.68, -50.75

 

CMYK 11 / 58 / 0 / 5

HEX #D867F3

RGB 216 103 243

HSL 288.43, 0.85%, 0.68%

LAB 62.31, 64.3, -51.37

 

CMYK 17 / 82 / 0 / 33

HEX #8F1FAC

RGB 143 31 172

HSL 287.66, 0.69%, 0.4%

LAB 37.48, 63.19, -50.92

 

CMYK 18 / 92 / 0 / 40

HEX #7E0D99

RGB 126 13 153

HSL 288.43, 0.84%, 0.33%

LAB 31.86, 60.86, -48.67

 

CMYK 19 / 100 / 0 / 47

HEX #6D0086

RGB 109 0 134

HSL 288.81, 1%, 0.26%

LAB 26.66, 56.88, -45.49

 

CMYK 20 / 100 / 0 / 55

HEX #5C0073

RGB 92 0 115

HSL 288, 1%, 0.23%

LAB 21.99, 50.78, -41.13

 

CMYK 22 / 100 / 0 / 62

HEX #4B0060

RGB 75 0 96

HSL 286.88, 1%, 0.19%

LAB 17.18, 44.49, -36.65

 

CMYK 17 / 82 / 0 / 33

HEX #8F1FAC

RGB 143 31 172

HSL 287.66, 0.69%, 0.4%

LAB 37.48, 63.19, -50.92

 

CMYK 0 / 82 / 5 / 33

HEX #AC1FA3

RGB 172 31 163

HSL 303.83, 0.69%, 0.4%

LAB 41.84, 67.23, -38.28

 

CMYK 0 / 82 / 27 / 33

HEX #AC1F7D

RGB 172 31 125

HSL 320, 0.69%, 0.4%

LAB 39.97, 62.01, -18.04

 

CMYK 0 / 82 / 49 / 33

HEX #AC1F57

RGB 172 31 87

HSL 336.17, 0.69%, 0.4%

LAB 38.62, 58.07, 3.88

 

CMYK 0 / 82 / 72 / 33

HEX #AC1F31

RGB 172 31 49

HSL 352.34, 0.69%, 0.4%

LAB 37.79, 55.57, 26.94

 

CMYK 17 / 82 / 0 / 33

HEX #8F1FAC

RGB 143 31 172

HSL 287.66, 0.69%, 0.4%

LAB 37.48, 63.19, -50.92

 

CMYK 39 / 82 / 0 / 33

HEX #691FAC

RGB 105 31 172

HSL 271.49, 0.69%, 0.4%

LAB 31.72, 56.87, -60.54

 

CMYK 61 / 82 / 0 / 33

HEX #431FAC

RGB 67 31 172

HSL 255.32, 0.69%, 0.4%

LAB 27.16, 51.95, -68.2

 

CMYK 82 / 82 / 0 / 33

HEX #1F1FAC

RGB 31 31 172

HSL 240, 0.69%, 0.4%

LAB 24.48, 49.12, -72.73

 

CMYK 17 / 82 / 0 / 33

HEX #8F1FAC

RGB 143 31 172

HSL 287.66, 0.69%, 0.4%

LAB 37.48, 63.19, -50.92

 

CMYK 19 / 92 / 0 / 26

HEX #990FBC

RGB 153 15 188

HSL 287.86, 0.85%, 0.4%

LAB 39.15, 71.07, -57.63

 

CMYK 17 / 82 / 0 / 33

HEX #8F1FAC

RGB 143 31 172

HSL 287.66, 0.69%, 0.4%

LAB 37.48, 63.19, -50.92

 

CMYK 14 / 69 / 0 / 39

HEX #85309B

RGB 133 48 155

HSL 287.66, 0.53%, 0.4%

LAB 36.87, 51.86, -41.76

 

CMYK 11 / 54 / 0 / 45

HEX #7C408B

RGB 124 64 139

HSL 288, 0.37%, 0.4%

LAB 37.51, 38.38, -31.09

 

CMYK 7 / 34 / 0 / 52

HEX #72517A

RGB 114 81 122

HSL 288.29, 0.2%, 0.4%

LAB 39.36, 21.59, -17.87

 

CMYK 2 / 8 / 0 / 58

HEX #68616A

RGB 104 97 106

HSL 286.67, 0.04%, 0.4%

LAB 42.05, 4.63, -4.1

 

CMYK 62 / 82 / 0 / 33

HEX #421FAC

RGB 66 31 172

HSL 254.89, 0.69%, 0.4%

LAB 27.06, 51.85, -68.37

 

CMYK 40 / 82 / 0 / 33

HEX #681FAC

RGB 104 31 172

HSL 271.06, 0.69%, 0.4%

LAB 31.58, 56.72, -60.77

 

CMYK 18 / 82 / 0 / 33

HEX #8D1FAC

RGB 141 31 172

HSL 286.81, 0.69%, 0.4%

LAB 37.15, 62.84, -51.46

 

CMYK 0 / 82 / 4 / 33

HEX #AC1FA5

RGB 172 31 165

HSL 302.98, 0.69%, 0.4%

LAB 41.95, 67.54, -39.3

 

CMYK 0 / 82 / 26 / 33

HEX #AC1F7F

RGB 172 31 127

HSL 319.15, 0.69%, 0.4%

LAB 40.05, 62.26, -19.15

 

CMYK 17 / 82 / 0 / 60

HEX #551266

RGB 85 18 102

HSL 287.86, 0.7%, 0.24%

LAB 21.29, 42.25, -33.87

 

CMYK 17 / 82 / 0 / 46

HEX #721989

RGB 114 25 137

HSL 287.68, 0.69%, 0.32%

LAB 29.61, 52.85, -42.54

 

CMYK 17 / 82 / 0 / 33

HEX #8F1FAC

RGB 143 31 172

HSL 287.66, 0.69%, 0.4%

LAB 37.48, 63.19, -50.92

 

CMYK 17 / 82 / 0 / 19

HEX #AC26CF

RGB 172 38 207

HSL 287.57, 0.69%, 0.48%

LAB 45.17, 72.83, -58.81

 

CMYK 15 / 70 / 0 / 14

HEX #BC42DC

RGB 188 66 220

HSL 287.53, 0.69%, 0.56%

LAB 51.56, 69.23, -55.84

 

CMYK 17 / 82 / 0 / 33

HEX #8F1FAC

RGB 143 31 172

HSL 287.66, 0.69%, 0.4%

LAB 37.48, 63.19, -50.92

 

CMYK 0 / 82 / 81 / 33

HEX #AC1F21

RGB 172 31 33

HSL 359.15, 0.69%, 0.4%

LAB 37.59, 54.95, 36.28

 

CMYK 82 / 0 / 51 / 33

HEX #1FAC55

RGB 31 172 85

HSL 142.98, 0.69%, 0.4%

LAB 62.04, -54.91, 34.63

 

CMYK 17 / 82 / 0 / 33

HEX #8F1FAC

RGB 143 31 172

HSL 287.66, 0.69%, 0.4%

LAB 37.48, 63.19, -50.92

 

CMYK 0 / 18 / 82 / 33

HEX #AC8D1F

RGB 172 141 31

HSL 46.81, 0.69%, 0.4%

LAB 59.82, 1.02, 57.81

 

CMYK 82 / 0 / 18 / 33

HEX #1FAC8D

RGB 31 172 141

HSL 166.81, 0.69%, 0.4%

LAB 63.11, -42.98, 5.88

 

CMYK 17 / 82 / 0 / 33

HEX #8F1FAC

RGB 143 31 172

HSL 287.66, 0.69%, 0.4%

LAB 37.48, 63.19, -50.92

 

CMYK 0 / 82 / 81 / 33

HEX #AC1F21

RGB 172 31 33

HSL 359.15, 0.69%, 0.4%

LAB 37.59, 54.95, 36.28

 

CMYK 64 / 0 / 82 / 33

HEX #3EAC1F

RGB 62 172 31

HSL 106.81, 0.69%, 0.4%

LAB 62.19, -55.4, 57.41

 

CMYK 82 / 0 / 1 / 33

HEX #1FACAA

RGB 31 172 170

HSL 179.15, 0.69%, 0.4%

LAB 63.92, -34.83, -9.12

 

CMYK 17 / 82 / 0 / 33

HEX #8F1FAC

RGB 143 31 172

HSL 287.66, 0.69%, 0.4%

LAB 37.48, 63.19, -50.92

 

CMYK 0 / 59 / 82 / 33

HEX #AC471F

RGB 172 71 31

HSL 17.02, 0.69%, 0.4%

LAB 43.32, 39.26, 42.9

 

CMYK 64 / 0 / 82 / 33

HEX #3EAC1F

RGB 62 172 31

HSL 106.81, 0.69%, 0.4%

LAB 62.19, -55.4, 57.41

 

CMYK 82 / 23 / 0 / 33

HEX #1F84AC

RGB 31 132 172

HSL 197.02, 0.69%, 0.4%

LAB 51.58, -13.71, -29.06

 

Description

Color code: HEX #8F1FAC | qconv.com Color code: HEX #8F1FAC | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 31 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 31 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 82 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 82% 0% 33% C M Y K

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