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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8F327D it is the complementary color #70CD82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8F327D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8F327D shade: #943278, #A5448B, #B6569E, #C768B1 and #D87AC4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8F327D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8F327D shade: #8F327D, #7E206A, #6D0E57, #5C0044 and #4B0031

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8F327D shade: #8F327D, #8F3264, #8F324B and #8F3232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8F327D shade: #8F327D, #88328F, #6F328F, #56328F and #3D328F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8F327D shade matches the following richer shades: #8F327D, #9F2287, #AE1390 and #BE039A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8F327D shade: #8F327D, #7F4273, #70516A, #606160 and #507156

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8F327D shade: #6E328F, #87328F, #8F327E, #8F3265 and #8F324C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8F327D shade: #521C48, #702762, #8F327D, #AD3D98 and #C252AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8F327D shade: #8F327D, #8F5632 and #328F7B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8F327D shade: #8F327D, #7E8F32 and #327E8F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8F327D shade: #8F327D, #8F5632, #328F43 and #326B8F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8F327D shade: #8F327D, #8F7132, #328F43 and #324F8F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 13 / 44

HEX #8F327D

RGB 143 50 125

HSL 311.61, 0.48%, 0.38%

LAB 37.12, 48.1, -22.87

 

Complementary color

CMYK 45 / 0 / 37 / 20

HEX #70CD82

RGB 112 205 130

HSL 131.61, 0.48%, 0.62%

LAB 75.28, -43.64, 28.98

 

CMYK 0 / 66 / 19 / 42

HEX #943278

RGB 148 50 120

HSL 317.14, 0.49%, 0.39%

LAB 37.72, 48.73, -18.75

 

CMYK 0 / 59 / 16 / 35

HEX #A5448B

RGB 165 68 139

HSL 316.08, 0.42%, 0.46%

LAB 44.23, 48.52, -20.16

 

CMYK 0 / 53 / 13 / 29

HEX #B6569E

RGB 182 86 158

HSL 315, 0.4%, 0.53%

LAB 50.77, 48, -21.25

 

CMYK 0 / 48 / 11 / 22

HEX #C768B1

RGB 199 104 177

HSL 313.89, 0.46%, 0.59%

LAB 57.29, 47.34, -22.11

 

CMYK 0 / 44 / 9 / 15

HEX #D87AC4

RGB 216 122 196

HSL 312.77, 0.55%, 0.66%

LAB 63.76, 46.62, -22.84

 

CMYK 0 / 65 / 13 / 44

HEX #8F327D

RGB 143 50 125

HSL 311.61, 0.48%, 0.38%

LAB 37.12, 48.1, -22.87

 

CMYK 0 / 75 / 16 / 51

HEX #7E206A

RGB 126 32 106

HSL 312.77, 0.59%, 0.31%

LAB 30.66, 47.75, -21.15

 

CMYK 0 / 87 / 20 / 57

HEX #6D0E57

RGB 109 14 87

HSL 313.89, 0.77%, 0.24%

LAB 24.49, 46.26, -18.6

 

CMYK 0 / 100 / 26 / 64

HEX #5C0044

RGB 92 0 68

HSL 315.65, 1%, 0.18%

LAB 18.77, 43.03, -14.88

 

CMYK 0 / 100 / 35 / 71

HEX #4B0031

RGB 75 0 49

HSL 320.8, 1%, 0.15%

LAB 13.93, 36.64, -9.17

 

CMYK 0 / 65 / 13 / 44

HEX #8F327D

RGB 143 50 125

HSL 311.61, 0.48%, 0.38%

LAB 37.12, 48.1, -22.87

 

CMYK 0 / 65 / 30 / 44

HEX #8F3264

RGB 143 50 100

HSL 327.74, 0.48%, 0.38%

LAB 36.06, 44.39, -8.78

 

CMYK 0 / 65 / 48 / 44

HEX #8F324B

RGB 143 50 75

HSL 343.87, 0.48%, 0.38%

LAB 35.26, 41.46, 6.04

 

CMYK 0 / 65 / 65 / 44

HEX #8F3232

RGB 143 50 50

HSL 0, 0.48%, 0.38%

LAB 34.7, 39.36, 21.26

 

CMYK 0 / 65 / 13 / 44

HEX #8F327D

RGB 143 50 125

HSL 311.61, 0.48%, 0.38%

LAB 37.12, 48.1, -22.87

 

CMYK 5 / 65 / 0 / 44

HEX #88328F

RGB 136 50 143

HSL 295.48, 0.48%, 0.38%

LAB 36.93, 49.38, -34.34

 

CMYK 22 / 65 / 0 / 44

HEX #6F328F

RGB 111 50 143

HSL 279.35, 0.48%, 0.38%

LAB 33.23, 43.11, -40.45

 

CMYK 40 / 65 / 0 / 44

HEX #56328F

RGB 86 50 143

HSL 263.23, 0.48%, 0.38%

LAB 30.02, 37.19, -45.79

 

CMYK 57 / 65 / 0 / 44

HEX #3D328F

RGB 61 50 143

HSL 247.1, 0.48%, 0.38%

LAB 27.45, 32.03, -50.07

 

CMYK 0 / 65 / 13 / 44

HEX #8F327D

RGB 143 50 125

HSL 311.61, 0.48%, 0.38%

LAB 37.12, 48.1, -22.87

 

CMYK 0 / 79 / 15 / 38

HEX #9F2287

RGB 159 34 135

HSL 311.52, 0.65%, 0.38%

LAB 38.31, 59.49, -26.98

 

CMYK 0 / 89 / 17 / 32

HEX #AE1390

RGB 174 19 144

HSL 311.61, 0.8%, 0.38%

LAB 40.37, 67.33, -29.08

 

CMYK 0 / 98 / 19 / 25

HEX #BE039A

RGB 190 3 154

HSL 311.55, 0.97%, 0.38%

LAB 43.28, 73.58, -30.38

 

CMYK 0 / 65 / 13 / 44

HEX #8F327D

RGB 143 50 125

HSL 311.61, 0.48%, 0.38%

LAB 37.12, 48.1, -22.87

 

CMYK 0 / 48 / 9 / 50

HEX #7F4273

RGB 127 66 115

HSL 311.8, 0.32%, 0.38%

LAB 37.2, 33.45, -16.71

 

CMYK 0 / 28 / 5 / 56

HEX #70516A

RGB 112 81 106

HSL 311.61, 0.16%, 0.38%

LAB 38.5, 17.49, -9.31

 

CMYK 1 / 0 / 1 / 62

HEX #606160

RGB 96 97 96

HSL 120, 0.01%, 0.38%

LAB 41.03, -0.6, 0.43

 

CMYK 29 / 0 / 24 / 56

HEX #507156

RGB 80 113 86

HSL 130.91, 0.17%, 0.38%

LAB 44.5, -17.91, 11.25

 

CMYK 23 / 65 / 0 / 44

HEX #6E328F

RGB 110 50 143

HSL 278.71, 0.48%, 0.38%

LAB 33.09, 42.87, -40.68

 

CMYK 6 / 65 / 0 / 44

HEX #87328F

RGB 135 50 143

HSL 294.84, 0.48%, 0.38%

LAB 36.77, 49.13, -34.6

 

CMYK 0 / 65 / 12 / 44

HEX #8F327E

RGB 143 50 126

HSL 310.97, 0.48%, 0.38%

LAB 37.16, 48.26, -23.41

 

CMYK 0 / 65 / 29 / 44

HEX #8F3265

RGB 143 50 101

HSL 327.1, 0.48%, 0.38%

LAB 36.1, 44.53, -9.36

 

CMYK 0 / 65 / 47 / 44

HEX #8F324C

RGB 143 50 76

HSL 343.23, 0.48%, 0.38%

LAB 35.29, 41.56, 5.43

 

CMYK 0 / 66 / 12 / 68

HEX #521C48

RGB 82 28 72

HSL 311.11, 0.49%, 0.22%

LAB 20.41, 31.21, -15.23

 

CMYK 0 / 65 / 13 / 56

HEX #702762

RGB 112 39 98

HSL 311.51, 0.48%, 0.3%

LAB 28.84, 39.66, -19.01

 

CMYK 0 / 65 / 13 / 44

HEX #8F327D

RGB 143 50 125

HSL 311.61, 0.48%, 0.38%

LAB 37.12, 48.1, -22.87

 

CMYK 0 / 65 / 12 / 32

HEX #AD3D98

RGB 173 61 152

HSL 311.25, 0.48%, 0.46%

LAB 44.93, 55.9, -26.82

 

CMYK 0 / 58 / 11 / 24

HEX #C252AC

RGB 194 82 172

HSL 311.79, 0.48%, 0.54%

LAB 52.38, 55.66, -26.83

 

CMYK 0 / 65 / 13 / 44

HEX #8F327D

RGB 143 50 125

HSL 311.61, 0.48%, 0.38%

LAB 37.12, 48.1, -22.87

 

CMYK 0 / 40 / 65 / 44

HEX #8F5632

RGB 143 86 50

HSL 23.23, 0.48%, 0.38%

LAB 42.35, 20.09, 30.58

 

CMYK 65 / 0 / 14 / 44

HEX #328F7B

RGB 50 143 123

HSL 167.1, 0.48%, 0.38%

LAB 53.76, -32.24, 2.64

 

CMYK 0 / 65 / 13 / 44

HEX #8F327D

RGB 143 50 125

HSL 311.61, 0.48%, 0.38%

LAB 37.12, 48.1, -22.87

 

CMYK 12 / 0 / 65 / 44

HEX #7E8F32

RGB 126 143 50

HSL 70.97, 0.48%, 0.38%

LAB 56.4, -19.69, 45.83

 

CMYK 65 / 12 / 0 / 44

HEX #327E8F

RGB 50 126 143

HSL 190.97, 0.48%, 0.38%

LAB 48.99, -17.74, -16.12

 

CMYK 0 / 65 / 13 / 44

HEX #8F327D

RGB 143 50 125

HSL 311.61, 0.48%, 0.38%

LAB 37.12, 48.1, -22.87

 

CMYK 0 / 40 / 65 / 44

HEX #8F5632

RGB 143 86 50

HSL 23.23, 0.48%, 0.38%

LAB 42.35, 20.09, 30.58

 

CMYK 65 / 0 / 53 / 44

HEX #328F43

RGB 50 143 67

HSL 130.97, 0.48%, 0.38%

LAB 52.65, -44.03, 32.32

 

CMYK 65 / 25 / 0 / 44

HEX #326B8F

RGB 50 107 143

HSL 203.23, 0.48%, 0.38%

LAB 43.03, -6.91, -25.29

 

CMYK 0 / 65 / 13 / 44

HEX #8F327D

RGB 143 50 125

HSL 311.61, 0.48%, 0.38%

LAB 37.12, 48.1, -22.87

 

CMYK 0 / 21 / 65 / 44

HEX #8F7132

RGB 143 113 50

HSL 40.65, 0.48%, 0.38%

LAB 49.35, 4.43, 38.61

 

CMYK 65 / 0 / 53 / 44

HEX #328F43

RGB 50 143 67

HSL 130.97, 0.48%, 0.38%

LAB 52.65, -44.03, 32.32

 

CMYK 65 / 45 / 0 / 44

HEX #324F8F

RGB 50 79 143

HSL 221.29, 0.48%, 0.38%

LAB 34.5, 10.79, -38.73

 

Description

Color code: HEX #8F327D | qconv.com Color code: HEX #8F327D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 50 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 50 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 13 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 13% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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