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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8F52A7 it is the complementary color #70AD58. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8F52A7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8F52A7 shade: #9452A2, #A564B5, #B676C8, #C788DB and #D89AEE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8F52A7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8F52A7 shade: #8F52A7, #7E4094, #6D2E81, #5C1C6E and #4B0A5B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8F52A7 shade: #8F52A7, #A652A7, #A75291, #A7527A and #A75263

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8F52A7 shade: #8F52A7, #7852A7, #6152A7 and #5252A7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8F52A7 shade matches the following richer shades: #8F52A7, #983EBB, #A12ACF, #A915E4 and #B201F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8F52A7 shade: #8F52A7, #866693, #7D7A7E, #758F6A and #6CA356

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8F52A7 shade: #6252A7, #7852A7, #8F52A7, #A652A7 and #A75292

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8F52A7 shade: #603770, #77448B, #8F52A7, #A16CB6 and #B388C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8F52A7 shade: #8F52A7, #A75259 and #52A76D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8F52A7 shade: #8F52A7, #A78F52 and #52A78F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8F52A7 shade: #8F52A7, #A75259, #6AA752 and #52A7A0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8F52A7 shade: #8F52A7, #A76452, #6AA752 and #5295A7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 51 / 0 / 35

HEX #8F52A7

RGB 143 82 167

HSL 283.06, 0.34%, 0.49%

LAB 45.17, 40.13, -35.67

 

Complementary color

CMYK 35 / 0 / 49 / 32

HEX #70AD58

RGB 112 173 88

HSL 103.06, 0.34%, 0.51%

LAB 64.99, -35.79, 37.34

 

CMYK 9 / 49 / 0 / 36

HEX #9452A2

RGB 148 82 162

HSL 289.5, 0.33%, 0.48%

LAB 45.55, 40.53, -32.07

 

CMYK 9 / 45 / 0 / 29

HEX #A564B5

RGB 165 100 181

HSL 288.15, 0.35%, 0.55%

LAB 52.34, 39.75, -32.42

 

CMYK 9 / 41 / 0 / 22

HEX #B676C8

RGB 182 118 200

HSL 286.83, 0.43%, 0.62%

LAB 59.04, 38.96, -32.71

 

CMYK 9 / 38 / 0 / 14

HEX #C788DB

RGB 199 136 219

HSL 285.54, 0.54%, 0.7%

LAB 65.64, 38.2, -32.97

 

CMYK 9 / 35 / 0 / 7

HEX #D89AEE

RGB 216 154 238

HSL 284.29, 0.71%, 0.77%

LAB 72.15, 37.47, -33.21

 

CMYK 14 / 51 / 0 / 35

HEX #8F52A7

RGB 143 82 167

HSL 283.06, 0.34%, 0.49%

LAB 45.17, 40.13, -35.67

 

CMYK 15 / 57 / 0 / 42

HEX #7E4094

RGB 126 64 148

HSL 284.29, 0.4%, 0.42%

LAB 38.27, 40.9, -35.35

 

CMYK 16 / 64 / 0 / 49

HEX #6D2E81

RGB 109 46 129

HSL 285.54, 0.47%, 0.34%

LAB 31.32, 41.48, -34.85

 

CMYK 16 / 75 / 0 / 57

HEX #5C1C6E

RGB 92 28 110

HSL 286.83, 0.59%, 0.27%

LAB 24.42, 41.58, -33.98

 

CMYK 18 / 89 / 0 / 64

HEX #4B0A5B

RGB 75 10 91

HSL 288.15, 0.8%, 0.2%

LAB 17.77, 40.49, -32.35

 

CMYK 14 / 51 / 0 / 35

HEX #8F52A7

RGB 143 82 167

HSL 283.06, 0.34%, 0.49%

LAB 45.17, 40.13, -35.67

 

CMYK 1 / 51 / 0 / 35

HEX #A652A7

RGB 166 82 167

HSL 299.29, 0.34%, 0.49%

LAB 48.17, 46.79, -30.75

 

CMYK 0 / 51 / 13 / 35

HEX #A75291

RGB 167 82 145

HSL 315.53, 0.34%, 0.49%

LAB 47.36, 43.22, -18.94

 

CMYK 0 / 51 / 27 / 35

HEX #A7527A

RGB 167 82 122

HSL 331.76, 0.34%, 0.49%

LAB 46.52, 39.67, -6.37

 

CMYK 0 / 51 / 41 / 35

HEX #A75263

RGB 167 82 99

HSL 348, 0.34%, 0.49%

LAB 45.84, 36.7, 6.62

 

CMYK 14 / 51 / 0 / 35

HEX #8F52A7

RGB 143 82 167

HSL 283.06, 0.34%, 0.49%

LAB 45.17, 40.13, -35.67

 

CMYK 28 / 51 / 0 / 35

HEX #7852A7

RGB 120 82 167

HSL 266.82, 0.34%, 0.49%

LAB 42.49, 33.63, -40.09

 

CMYK 42 / 51 / 0 / 35

HEX #6152A7

RGB 97 82 167

HSL 250.59, 0.34%, 0.49%

LAB 40.19, 27.53, -43.89

 

CMYK 51 / 51 / 0 / 35

HEX #5252A7

RGB 82 82 167

HSL 240, 0.34%, 0.49%

LAB 38.93, 23.93, -45.98

 

CMYK 14 / 51 / 0 / 35

HEX #8F52A7

RGB 143 82 167

HSL 283.06, 0.34%, 0.49%

LAB 45.17, 40.13, -35.67

 

CMYK 19 / 67 / 0 / 27

HEX #983EBB

RGB 152 62 187

HSL 283.2, 0.5%, 0.49%

LAB 43.81, 56.64, -49.53

 

CMYK 22 / 80 / 0 / 19

HEX #A12ACF

RGB 161 42 207

HSL 283.27, 0.66%, 0.49%

LAB 43.85, 69.83, -61.02

 

CMYK 26 / 91 / 0 / 11

HEX #A915E4

RGB 169 21 228

HSL 282.9, 0.83%, 0.49%

LAB 45.04, 79.7, -71.07

 

CMYK 28 / 100 / 0 / 3

HEX #B201F8

RGB 178 1 248

HSL 283, 0.99%, 0.49%

LAB 47.32, 86.53, -78.59

 

CMYK 14 / 51 / 0 / 35

HEX #8F52A7

RGB 143 82 167

HSL 283.06, 0.34%, 0.49%

LAB 45.17, 40.13, -35.67

 

CMYK 9 / 31 / 0 / 42

HEX #866693

RGB 134 102 147

HSL 282.67, 0.18%, 0.49%

LAB 47.85, 21.43, -19.73

 

CMYK 1 / 3 / 0 / 51

HEX #7D7A7E

RGB 125 122 126

HSL 285, 0.02%, 0.49%

LAB 51.59, 1.94, -1.78

 

CMYK 18 / 0 / 26 / 44

HEX #758F6A

RGB 117 143 106

HSL 102.16, 0.15%, 0.49%

LAB 56.55, -16.53, 16.73

 

CMYK 34 / 0 / 47 / 36

HEX #6CA356

RGB 108 163 86

HSL 102.86, 0.31%, 0.49%

LAB 61.7, -32.83, 34.24

 

CMYK 41 / 51 / 0 / 35

HEX #6252A7

RGB 98 82 167

HSL 251.29, 0.34%, 0.49%

LAB 40.28, 27.79, -43.74

 

CMYK 28 / 51 / 0 / 35

HEX #7852A7

RGB 120 82 167

HSL 266.82, 0.34%, 0.49%

LAB 42.49, 33.63, -40.09

 

CMYK 14 / 51 / 0 / 35

HEX #8F52A7

RGB 143 82 167

HSL 283.06, 0.34%, 0.49%

LAB 45.17, 40.13, -35.67

 

CMYK 1 / 51 / 0 / 35

HEX #A652A7

RGB 166 82 167

HSL 299.29, 0.34%, 0.49%

LAB 48.17, 46.79, -30.75

 

CMYK 0 / 51 / 13 / 35

HEX #A75292

RGB 167 82 146

HSL 314.82, 0.34%, 0.49%

LAB 47.4, 43.38, -19.48

 

CMYK 14 / 51 / 0 / 56

HEX #603770

RGB 96 55 112

HSL 283.16, 0.34%, 0.33%

LAB 30.37, 28.98, -25.77

 

CMYK 14 / 51 / 0 / 45

HEX #77448B

RGB 119 68 139

HSL 283.1, 0.34%, 0.41%

LAB 37.7, 34.69, -30.83

 

CMYK 14 / 51 / 0 / 35

HEX #8F52A7

RGB 143 82 167

HSL 283.06, 0.34%, 0.49%

LAB 45.17, 40.13, -35.67

 

CMYK 12 / 41 / 0 / 29

HEX #A16CB6

RGB 161 108 182

HSL 282.97, 0.34%, 0.57%

LAB 53.69, 34.31, -30.94

 

CMYK 9 / 31 / 0 / 23

HEX #B388C4

RGB 179 136 196

HSL 283, 0.34%, 0.65%

LAB 62.66, 27.22, -24.89

 

CMYK 14 / 51 / 0 / 35

HEX #8F52A7

RGB 143 82 167

HSL 283.06, 0.34%, 0.49%

LAB 45.17, 40.13, -35.67

 

CMYK 0 / 51 / 47 / 35

HEX #A75259

RGB 167 82 89

HSL 355.06, 0.34%, 0.49%

LAB 45.59, 35.6, 12.36

 

CMYK 51 / 0 / 35 / 35

HEX #52A76D

RGB 82 167 109

HSL 139.06, 0.34%, 0.49%

LAB 62.11, -39.01, 22.32

 

CMYK 14 / 51 / 0 / 35

HEX #8F52A7

RGB 143 82 167

HSL 283.06, 0.34%, 0.49%

LAB 45.17, 40.13, -35.67

 

CMYK 0 / 14 / 51 / 35

HEX #A78F52

RGB 167 143 82

HSL 43.06, 0.34%, 0.49%

LAB 60.31, 0.9, 35.57

 

CMYK 51 / 0 / 14 / 35

HEX #52A78F

RGB 82 167 143

HSL 163.06, 0.34%, 0.49%

LAB 62.86, -31.71, 4.56

 

CMYK 14 / 51 / 0 / 35

HEX #8F52A7

RGB 143 82 167

HSL 283.06, 0.34%, 0.49%

LAB 45.17, 40.13, -35.67

 

CMYK 0 / 51 / 47 / 35

HEX #A75259

RGB 167 82 89

HSL 355.06, 0.34%, 0.49%

LAB 45.59, 35.6, 12.36

 

CMYK 37 / 0 / 51 / 35

HEX #6AA752

RGB 106 167 82

HSL 103.06, 0.34%, 0.49%

LAB 62.77, -35.89, 37.57

 

CMYK 51 / 0 / 4 / 35

HEX #52A7A0

RGB 82 167 160

HSL 175.06, 0.34%, 0.49%

LAB 63.32, -27.43, -4.28

 

CMYK 14 / 51 / 0 / 35

HEX #8F52A7

RGB 143 82 167

HSL 283.06, 0.34%, 0.49%

LAB 45.17, 40.13, -35.67

 

CMYK 0 / 40 / 51 / 35

HEX #A76452

RGB 167 100 82

HSL 12.71, 0.34%, 0.49%

LAB 49.42, 25.08, 21.71

 

CMYK 37 / 0 / 51 / 35

HEX #6AA752

RGB 106 167 82

HSL 103.06, 0.34%, 0.49%

LAB 62.77, -35.89, 37.57

 

CMYK 51 / 11 / 0 / 35

HEX #5295A7

RGB 82 149 167

HSL 192.71, 0.34%, 0.49%

LAB 58.11, -16.21, -16.03

 

Description

Color code: HEX #8F52A7 | qconv.com Color code: HEX #8F52A7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 82 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 82 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 51 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 51% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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